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Table of Contents Acknowledgments Introduction: Art and the Real in Film..................................................................................... Material Effects Reality Effects/Games With Illusion Illusion and Mimetic Drive Art Effects I. Art and Embodimentu Chapter 1: The Moment of Portraiture: Scorsese Reads Wharton.................................................. Intermedial Layering: The Tableau Moment Picture Writing Chapter 2: Dutch Realism: Vermeer, Greenaway, Wenders............................................................ Tableau Vivant and Hybridity "The Flesh of a Human Presence" The Keplerian Mode and the Operation of the Eye Why Tableau Vivant? Chapter 3: The Fascist Choreography: Riefenstahl's Tableaux..................................................... Tableaux and Trionfi Body Art: Sculpture and Dance Tableau and Photograph Chapter 4: The Scene of Art in Hitchcock Hitchcock, Part I: The Cut of Representation..................................................... ........................... Natures mortes, Trophies, and Mummies The Janus-Face Decapitations: Cut-outs and Busts Tableaux vivants; femmes mortes The Shield of Perseus Þ-¿ÿ¿` II. Illusions of the Real Hitchcock, Part II: The Picture Looks Back..................................................................................... Portrait, Window, Mirror The "Reality Bleed" and the Spectator in the Film Oscillating Effects Chapter 5: Kubrick and Kafka: The Corporeal Uncanny.................................................................. Photographs and Stories Material Images "Canniness," or the Vital Domain Shutting the Eyes/Eyes Wide Shut Chapter 6: The Castrato's Voices: Fassbinder's In a Year of Thirteen Moons................................ Textualities, the Voice, and the Real The Maternal Voice: Word Into Flesh Tableau: Elvire's Passion Mute Body/Flayed Text III. Art and Embodied Spectatorship Chapter 7: Violence and Affect: Haneke's Modernist Melodramas Haneke, Part I: BourgeoisTableaux................................................................................................. Cold Image, Hot Affect Effects of the Real Haneke, Part II: Assaulting the Spectator and Other Games......................................................... Looking and Pain The Masochistic Tableau Sentiment, Music, and the Real Chapter 8: Images of Horror: Taste, Cannibalism, and Visual Display........................................... Touch, Taste, Vision Metaphorical Cannibalism: Hitchcock's Hunger Literal Cannibalism: Psychotic Appetites, Trophies, Tableaux The Eye as Mouth Notes Index
Library of Congress Subject Headings for this publication:
Art and motion pictures.
Realism in motion pictures.