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Note: Contents data are machine generated based on pre-publication provided by the publisher. Contents may have variations from the printed book or be incomplete or contain other coding.
Contents Introduction <b>Part 1. Authenticity, Flourishing, and the Good Life</b> No Safe Haven: Casino, Friendship, and Egoism Steven M. Sanders God¿s Lonely Man: Taxi Driver and the Ethics of Vigilantism Aeon J. Skoble Goodfellas, Gyges, and the Good Life Dean A. Kowalski Mean Streets: Beatitude, Flourishing, and Unhappiness Mark T. Conard <b>Part 2. Rationality, Criminality, and the Emotions</b> The Cinema of Madness: Friedrich Nietzsche and the Films of Martin Scorsese Jerold J. Abrams The Age of Innocence: Social Semiotics, Desire, and Constraint Deborah Knight After Hours: Scorsese on Absurdity Jennifer L. McMahon The Pupkin Gambit: Rationality and Irrationality in The King of Comedy Richard Greene <b>Part 3. Vision, Salvation, and the Transcendental</b> The Last Temptation of Christ and Bringing Out the Dead: Scorsese¿s Reluctant Saviors Karen D. Hoffman Flying Solo: The Aviator and Libertarian Philosophy Paul A. Cantor Art, Sex, and Time in Scorsese¿s After Hours Richard Gilmore The Ethical Underpinnings of Kundun Judith Barad Scorsese and the Transcendental R. Barton Palmer Contributors Index
Library of Congress Subject Headings for this publication:
Scorsese, Martin -- Criticism and interpretation.