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I Greek Antecedents 1. Euripidean Comedy BERNARD KNOX II Menander 2. The Conventions of the Comic Stage and Their Exploitation By Menander E. W. HANDLEY 3. Marriage and Prostitution in Classical New Comedy D. WILES 4. Love and Marriage in Greek New Comedy P. G. MCC. BROWN 5. Tragic Space and Comic Timing in Menander's Dyskolos N. J. LOWE III Plautus 6. Plautus and the Public Stage ERICH GRUEN 7. Traditions of Theatrical Improvisation in Plautus: Some Considerations GREGOR VOGT-SPIRA 8. Plautus' Mastery of Comic Language W. S. ANDERSON 9. The Menaechmi: Roman Comedy of Errors ERICH SEGAL 10. Crucially Funny, or Tranio on the Couch: The Servus callidus and Jokes About Torture HOLT PARKER 11. Aulularia: City-State and Individual D. KONSTAN 12. The Art of Deceit: Pseudolus and the Nature of Reading A. R. SHARROCK 13. The Theater of Plautus: Playing to the Audience TIMOTHY J. MOORE 14. The Theatrical Significance of Duplication in Plautus' Amphitruo FLORENCE DUPONT 15. Amphitruo, Bacchae, and Metatheatre NIALL W. SLATER IV Terence 16. The Originality of Terence and His Greek Models WALTHER LUDWIG 17. The Dramatic Balance of Terence's Andria SANDER M. GOLDBERG 18. Terence's Hecyra: A Delicate Balance of Suspense and Dramatic Irony DWORA GILULA 19. Problems of Adaptation in the Eunuchus of Terence J. A. BARSBY 20. The Intrigue of Terence's Self-Tormentor J. C. B. LOWE 21. Phormio parasitus: A Study in Dramatic Methods of Characterization W. GEOFFREY ARNOTT Acknowledgements Glossary