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Germans as the "People of Music": Genealogy of an Identity / I CELIA APPLEGATE AND PAMELA POTTER Reconstructing Ideal Types of the "German" in Music / 36 BERND SPONHEUER Einheit-Freiheit-Vaterland: Intimations of Utopia in Robert Schumann's Late Choral Music / 59 JOHN DAVERIO Wagner's Die Meistersinger as National Opera (I868-I945) / 78 THOMAS S. GREY Landscape-Region-Nation-Reich: German Folk Song in the Nexus of National Identity / Ios PHILIP V. BOHLMAN Kein sch6ner Land: The Spielschar Ekkehard and the Struggle to Define German National Identity in the Weimar Republic / I28 BRUCE CAMPBELL Hosanna or "Hilf, 0 Herr Uns": National Identity, the German Christian Movement, and the "Dejudaization" of Sacred Music in the Third Reich / 140 DORIS L. BERGEN National and Universal: Thomas Mann and the Paradox of "German" Music/ 15 5 HANS RUDOLF VAGET Culture, Society, and Politics in the Cosmos of "Hans Pfitzner the German" / I78 MICHAEL H. KATER "Fur eine neue deutsche Nationaloper": Opera in the Discourses of Unification and Legitimation in the German Democratic Republic / I90 JOY HASLAM CALICO Darmstadt, Postwar Experimentation, and the West German Search for a New Musical Identity / 205 GESA KORDES American Jazz in the German Cold War / 218 UTA G.POIGER Postwar German Popular Music: Americanization, the Cold War, and the Post-Nazi Heimat / 234 EDWARD LARKEY On the History of the "Deutschlandlied" / 251 JOST HERMAND Ethnicity and Musical Identity in the Czech Lands: A Group of Vignettes / 269 BRUNO NETTL "Is That Not Something for Simplicissimus?!" The Belief in Musical Superiority / 288 ALBRECHT RIETHMULLER