Table of contents for Music and German national identity / edited by Celia Applegate and Pamela Potter.


Bibliographic record and links to related information available from the Library of Congress catalog. Note: Electronic data is machine generated. May be incomplete or contain other coding.


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Germans as the "People of Music": Genealogy of an Identity / I
CELIA APPLEGATE AND PAMELA POTTER
Reconstructing Ideal Types of the "German" in Music / 36
BERND SPONHEUER
Einheit-Freiheit-Vaterland: Intimations of Utopia in Robert Schumann's
Late Choral Music / 59
JOHN DAVERIO
Wagner's Die Meistersinger as National Opera (I868-I945) / 78
THOMAS S. GREY
Landscape-Region-Nation-Reich: German Folk Song in the Nexus of
National Identity / Ios
PHILIP V. BOHLMAN
Kein sch6ner Land: The Spielschar Ekkehard and the Struggle to Define
German National Identity in the Weimar Republic / I28
BRUCE CAMPBELL



Hosanna or "Hilf, 0 Herr Uns": National Identity, the German
Christian Movement, and the "Dejudaization" of Sacred Music in the
Third Reich / 140
DORIS L. BERGEN
National and Universal: Thomas Mann and the Paradox of "German"
Music/ 15 5
HANS RUDOLF VAGET
Culture, Society, and Politics in the Cosmos of "Hans Pfitzner the
German" / I78
MICHAEL H. KATER
"Fur eine neue deutsche Nationaloper": Opera in the Discourses of
Unification and Legitimation in the German Democratic Republic / I90
JOY HASLAM CALICO
Darmstadt, Postwar Experimentation, and the West German Search
for a New Musical Identity / 205
GESA KORDES
American Jazz in the German Cold War / 218
UTA G.POIGER
Postwar German Popular Music: Americanization, the Cold War,
and the Post-Nazi Heimat / 234
EDWARD LARKEY
On the History of the "Deutschlandlied" / 251
JOST HERMAND
Ethnicity and Musical Identity in the Czech Lands: A Group of
Vignettes / 269
BRUNO NETTL
"Is That Not Something for Simplicissimus?!" The Belief in Musical
Superiority / 288
ALBRECHT RIETHMULLER