Collection The Life of a City: Early Films of New York, 1898-1906
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This collection contains forty-five films of New York dating from 1898 to 1906 from the Paper Print Collection of the Library of Congress. Of these, twenty-five were made by the American Mutoscope and Biograph Company, while the remaining twenty are Edison Company productions.
America at the Turn of the Century: A Look at the Historical Context - The Life of a City: Early Films of New York, 1898-1906 - Collections
The National Setting By 1900 the American nation had established itself as a world power. The West was won. The frontier -- the great fact of 300 years of American history -- was no more. The continent was settled from coast to coast. Apache war chief Geronimo had surrendered in 1886. Defeat of the Sioux at the battle of Wounded Knee in 1891 had ...
The earliest popular venues for motion pictures were nickelodeons -- peep show parlors where machines played short film loops, or films on flip cards called mutoscopes, for individual viewers on demand. By the turn of the century, films were being shown in store-front theaters and traveling carnivals. Significantly, movies also began to be projected in vaudeville and burlesque theaters, sharing the bill with a ...
The Paper Print Film Collection at the Library of Congress - The Life of a City: Early Films of New York, 1898-1906 - Collections
Most of the films featured in the American Memory presentations are from the Paper Print Collection of the Library of Congress Motion Picture, Broadcasting, and Recorded Sound Division. Because the copyright law did not cover motion pictures until 1912, early film producers who desired protection for their work sent paper contact prints of their motion pictures to the U.S. Copyright Office at the Library ...
New York City at the Turn of the Century - The Life of a City: Early Films of New York, 1898-1906 - Collections
At the turn of the century, New York was the preeminent American city; it represented the "new metropolis." The great waves of European immigrants coming to New York, the consolidation of the five boroughs into one vast city, the development of the city's infrastructure, and the incredible construction boom of the next thirty years all contributed to the city's prominence. In many of the ...
Thomas Edison's great pioneer cameraman and film-maker was Edwin S. Porter, creator of The Life of an American Fireman (1902-1903) and The Great Train Robbery (1903). Porter shot four of the films included in this collection (as well as eight of the McKinley films). Another Edison cameraman, James B. Smith, photographed seven. Of the Biograph films, Billy Bitzer, famous for his camera work with ...