Collection The Library of Congress Celebrates the Songs of America

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  • Will Accooe (d. 1904)

    Biography. Biography. Accooe also composed for other musicals. Williams and Walker's The Sons of Ham (1900) included some Accooe material. He also wrote a musical in 1901 with Will Marion Cook called The Cannibal King, but this was never staged.

  • Maurice Arnold, 1865-1937

    Biography. Biography. Maurice Arnold was one of many African-American students of Antonin Dvorak during Dvorak's 1894 stay in the United States. Arnold participated in Dvorak's famous January 23, 1894, concert at the National Conservatory of Music in New York City. Arnold's four "American Plantation Dances" were performed at the conservatory and garnered him a small measure of fame. He was also the author of ...

  • Montague Ring

    Biography. Biography. Ms. Aldridge was the mentor and coach to such luminaries as Marian Anderson, Paul Robeson, and Roland Hayes. She also composed several classical works including the songs "Noontide Song" and "'Tis Morning," the piano suites "Three Pictures from Syria," "Baghdad," "Four Moorish Pictures," "Three African Dances," and "Carnival: Suite of Five Dances," as well as several light orchestral works.

  • Sidney Perrin

    Biography. Biography. Perrin also had a production company. Sid Perrin's High Flyers Company produced at least two shows--Show Folks (1920) and High Flyers (1921).

  • John Larkins

    Biography. Biography. John Larkins was a minor figure in black music in the early part of the 20th century. He ran "Jolly" John Larkin's Company and employed James Reese Europe as its musical director from 1906-07. In 1910 he produced and starred in A Trip to Africa. His other credits include Royal Sam (1911) and Deep Central (1932).

  • Luckey Roberts, 1887-1968

    Biography. Biography. Roberts recorded two unissued solo piano sides for Columbia in 1916. These were his compositions "Shoo Fly" and "Shy and Sly." Although he accompanied other artists in late-1920s recordings, he did not record again under his name until 1946. Roberts performed as a vaudvevillian singer, dancer, and pianist in the United States and Europe. He also organized and conducted his own ensembles, ...

  • The Dissemination of "Amazing Grace"

    Article. Article. NOTES:1. Hymns were (and still are) known by two titles: one, the first line of their texts and two, the name of the hymn tune to which the text is sung. Hence, one tune serve for a number of texts. [back to text] 2. Amazing Grace (New York: HarperCollins, 2002), 114. [back to text] 3. Ibid. 126. [back to text]

  • Eubie Blake, 1883-1983

    Biography. Biography. Blake was one of the principle figures of the ragtime and early jazz revival of the 1970s, giving talks and performances well into his nineties. In 1979 the musical Eubie was created from his work; Blake himself made several cameo appearances in performances. Eubie Blake passed away shortly after his 100th birthday.

  • Benjamin Shook

    Biography. Biography. A musician who was well-versed in almost all musical idioms except the blues, Benjamin Shook was a bandleader in Detroit from the end of the 19th century into the 1930s. According to Blesh and Janis, authors of They All Played Ragtime, the bands of Theodore Finney, Fred S. Stone, and Benjamin Shook "...monopolized the city's entertainment and social world to the almost ...

  • Noble Sissle, 1889-1975

    Biography. Biography. Sissle also founded the Negro Actors Guild. Known as the unofficial mayor of Harlem, he died in December 1975.

  • Chris Smith, 1879-1949

    Biography. Biography. Chris Smith "wrote songs that pointed to black folk styles," according to music historian Eileen Southern. One of his biggest hits, "Good Morning, Carrie," was recorded as early as 1901. Both black and white musicals of the first decade of the 20th century used many of his songs as "interpolations,"or extra songs not especially connected to the plot. Some interpolations were "He's ...

  • R. Nathaniel Dett (1882-1943)

    Biography. Dett was opposed to the style of "swinging the spirituals" that was becoming popular during the 1930s. He held a poll among his students at Bennett College regarding their opinions of the popular style. One of his students, reflecting Dett' s teaching, wrote: "I like the music, but I don't like the way it was sung. . . . I think it lowers ...

  • William H. Tyers, 1876-1924

    Biography. Biography. One of the first black composers to join ASCAP, Tyers died in 1924.

  • Will Marion Cook (1869-1944)

    Biography. Biography. Biography. Cook also followed his own advice. Thomas Riis, in his study of early black musical theater, singles out Cook's remarkable harmonic skill and compositional sophistication. When the pursuit of his classical career was stymied, Cook brought his exceptional talent to bear on popular music, perhaps paving the way for the marriage of popular spirit and classical complexity which became jazz. Either ...

  • Herman Wade

    Biography. Biography. Very little is known of Herman Wade. He may be the same person as Herman Avery Wade (and may also have been known as Edwin E. Wilson) who worked for the Aeolian Corporation from 1904-23 as a piano roll arranger. Songs attributed him include "I Want to be Loved Like a Leading Lady" (1908), "Hindoo Honey" (1907), and "I've Got a Pain ...

  • Shepard N. Edmonds, 1876-1957

    Biography. Biography. Little is known of Shepard N. Edmonds, except that he published some music. He was part of a vaudeville team with J. Leubrie Hill which performed on the East Coast around 1898.

  • African-American Band Stocks

    Article. Article. All of these composers wrote hit music, heard in hotel restaurants as well as in the small-town bandstands of America. This music still retains its ability to delight.

  • J. Tim Brymn, 1881-1946

    Biography. Biography. After the revival of black musicals in 1921, Brymn immediately returned to stage work, appearing in Put and Take and conducting the orchestra for Liza. In 1923 Brymn introduced the "Black Bottom" dance to the world at large as part of the musical Dinah. Brymn also wrote several blues songs during the 1920s blues craze. In the 1930s Brymn conducted American military ...

  • J. Leubrie Hill (John Leubrie), d. 1916

    Biography. Biography. Florenz Ziegfeld, producer of the Ziegfeld Follies, was impressed enough to buy the rights for a few of the numbers from My Friend from Kentucky including "At the Ball, That's All" to use in his next Follies production. Parts of My Friend from Kentucky also were used in 1914's Darktown Follies, which played in a more conventional Broadway theater; this production was ...

  • Bob Cole, 1868-1911

    Biography. Biography. James Weldon Johnson later referred to Cole as "the single greatest force in the middle period of the development of black theatricals in America." Although he is still not well known today, history bears out much of Johnson's claim. Cole was one of the handful of truly pioneering black composers and performers of his time.

  • Bert Williams, 1874-1922

    Biography. Biography. Williams was also one of the most prolific black performers on recordings, making around 80 recordings from 1901-22. Indeed, his first recording sessions with George Walker for the Victor Company in 1901 are considered the first recordings by black performers for a major recording company. Williams signed with Columbia in 1906 and the majority of his recordings were with that company, including ...

  • James Reese Europe, 1881-1919

    Biography. Biography. The impact of James Reese Europe on American music cannot be overestimated. Perhaps even more than Will Marion Cook, he shaped not only the music of his own time, but of future generations as well. His organizational accomplishments, far exceeding Cook's, prefigured the black-owned, black-run musical organizations that have existed since his time and to this day.

  • African American Performers on Early Sound Recordings, 1892-1916

    Article. Article. Mainspring Press http://www.mainspringpress.com/victorsales.htmlExternal

  • Where home is life in nineteenth-century Cincinnati, crossroads of the East and West

    compact disc | 1 compact disc | Recorded anthology of American music. (General). Songs, choruses, hymns, and piano music; John Aler, tenor; Clifford Jackson, baritone; Harmoneion Singers; Peter Basquin, piano or harmonium; John Miner, conductor. (General). Durations on container; historical and program notes by K. K. Sklar and J. Newsom and words of the vocal works (4 p.) bound in. (General). Made available here ...

    • Contributor: New World Records - The Harmoneion Singers - Aler, John - Jackson, Clifford - Basquin, Peter - Miner, John
    • Original Format: Audio Recordings
    • Date: 1977
  • Horace Weston, 1825-1890

    Biography. Biography. One of Weston's principal champions was Samuel Swain Stewart, a proponent of the banjo, who published pieces by Weston and other banjo players. Among Weston's compositions are: "Horace Weston's Home Sweet Home," "Horace Weston's New Schottische," "Horace Weston's Old-Time Jig," "The Egyptian Fandango," and "Weston's Great Minor Jig."