Copyright: Remick Music Corp., 1913/Jerry Vogel Music Co., Inc. Coupling date: 6/22/1915. Cutout date: 11/21/1927. Chorus finale from Hill's musical 'My Friend from Kentucky' (1913), interpolated into the author's 'Darktown Follies' (1914) and into the 'Ziegfeld Follies of 1913.' With (reverse side): At the Yiddish wedding jubilee / Maurice Burkhart.
Contributor:Hill, J. Leubrie - Edison - Hill, J. Leubrie (John Leubrie) - Mayo, Harry - Tally, Harry
From Edison records catalog: After you have listened to this Re-Creation a few times you will probably decide it is one of the most perfectly rendered songs you ever heard. Notice, particularly, the orchestra accompaniment in the refrain. This lyric gives a new idea to the many "war-lyrics" that have been written. "Just a Baby's Prayer at Twilight, for a Daddy Over There." Few ...
Contributor:Jerome, M. K. - Edison - Lewis, Sam M. - Young, Joe - Homestead Trio
Copyright: Leo Feist Inc., 1914; renewed by Arthur Fields and Walter Donovan, July 10, 1942. Coupling date: 10/26/1914. Cutout date: 11/21/1927. On label: baritone and tenor, orchestra accompaniment. With (reverse side): My croony melody / Billy Murray and chorus.
Contributor:Fields, Arthur - Edison - Donovan, Walter - Collins, Arthur - Harlan, Byron G.
Copyright: Remick Music Corp., 1919. Coupling date: 4/10/1919. Cutout date: 10/31/1929. On label: contralto and tenor with orchestra. "Jean Kenbrovin" is a combined pseudonym for James Kendis, James Brockman, and Nat Vincent. With (reverse side): In the old sweet way / Helen Clark, George Ballard.
Contributor:Kenbrovin, Jaan - Edison - Kellette, John William - Clark, Helen - Ballard, George Wilton
Copyright: Ed. Gallagher and Al. Shean, Jan. 17, 1922; renewal R49702, 1949. Coupling date: 4/24/1922. Cutout date: 10/31/1929. A comedy patter song, introduced by the vaudeville team of Gallagher and Shean in the musical "Ziegfeld Follies of 1922." With (reverse side): Who tied the can on the old dog's tail? / Edward Meeker.
Contributor:Shean, Al - Edison - Gallagher, Ed. - Meeker, Edward - Porter, Steve
Copyright: Waterson, Berlin & Snyder, 1915/Mills Music Inc. Coupling date: 3/27/1916. Cutout date: 10/31/1929. On label: tenor with orchestra. With (reverse side): There's a long long trail / George Ballard and chorus.
Contributor:Meyer, George W. - Edison - Van Brunt, Walter - Lewis, Sam L.
Copyright: Leo Feist Inc., 1915, 1943, 1952. Coupling date: 2/1/1921. Cutout date: 10/31/1929. On label: tenor with orchestra. Also known as "Chere, a toi mon coeur" or "Mon coeur est pour toi," with French words by Louis Delamarre. With (reverse side): Auld lang syne / Old Home Singers.
Contributor:Silésu, Lao - Edison - Miller, Reed - Ross, Adrian
Copyright: Remick Music Corp., 1918. Coupling date: 1/15/1919. Cutout date: 10/31/1929. On label: baritone and male voices with orchestra. French words by Louis Bousquet. With (reverse side): Till we meet again / Gladys Rice, Vernon Dalhart.
Contributor:Robert, Camille - Edison - Fields, Arthur - Bryan, Alfred
Copyright: Waterson, Berin & Snyder, 1918. Coupling date: 10/1/1919. Cutout date: 10/31/1929. On label: counter-tenor and chorus with orchestra. With (reverse side): Did you mean all you told me last night? / Manuel Romain.
Contributor:Carlo, Monte - Edison - Sanders, Alma M. - Oakland, Will - Pascoe, Richard W.
Copyright: Groene Music Pub. Co., August 12, 1901. Coupling date: 6/19/1918. Cutout date: 10/31/1929. On label: descriptive sketch, unaccompanied. With (reverse side): Study in mimicry, vaudeville / John Orren, Lilian Drew.
Copyright: Waterson, Berlin & Snyder, 1915/Mills Music Inc., 1943.t. Coupling date: 1/31/1916. Cutout date: 10/31/1929. On label: tenor with orchestra. The song was introduced by Florence Moore in "Maid in America" (1915). With (reverse side): Cohen at the telephone / George Thompson.
Contributor:Cooper, Joe - Edison - Murray, Billy - Kalmar, Bert
Copyright: Shapiro, Bernstein & Co., Inc., 1918. Coupling date: 4/3/1919. Cutout date: 10/31/1929. On label: mixed voices with orchestra. Robert A. King wrote the music under the pseudonym of "Mary Earl" because of a "for hire" contract he had with his publisher. With (reverse side): Alabama lullaby / Gladys Rice, Marion Evelyn Cox.
Contributor:King, Robert A. - Edison - Macdonald, Ballard - Metropolitan Quartet