Biography. Biography. Sedalia continues to celebrate its unique ragtime heritage with the annual Scott Joplin Ragtime Festival held under the auspices of the Scott Joplin International Ragtime Foundation (http://www.scottjoplin.org).
The photographs and illustrations of the "Czar" were in and of themselves telling statements. In many ads, Christensen is depicted in formal attire, seated at a grand piano. As his hands fly over the keyboard, his right foot is placed behind the stool, bracing his body as he tears through a performance. Even the tails of his tuxedo fly up from the motion of ...
Biography. Biography. Despite a serious grounding in art music, Aufderheide turned her attentions to ragtime. Her first rag, "Dusty," was published in 1908, the same year that she wed Thomas Kaufman. The early years of her marriage inspired a series of other compositions, among them "The Richmond Rag," "The Thriller Rag," and the "Novelty Rag."
Biography. Biography. Harney later played a world tour, leaving the stage in the early 1920s, when health issues made it impossible for him to continue his career. He retired to Philadelphia, where he died in poverty in 1938.
Biography. Biography. Because of business disagreements, Joplin eventually left Stark for other publishers. Nevertheless, Stark was successful enough to move to New York where he competed with the myriad publishers of Tin Pan Alley. After a profitable career as a ragtime publisher, Stark returned to St. Louis, where he died in November 1927.
Biography. Biography. Scott, Joplin, and Joseph Lamb form the acknowledged triumvirate of ragtime greats. In many ways, Scott's pieces were more virtuosic than those of his two colleagues'--except for some of Lamb's "heavy" rags.
John Stark was particularly proud of the rags that his firm published. One of his advertisements read: "Why are the Stark Music Co's Rags called Classic? This is the reason: They are intellectual musical thought grounded in the emotional principle of humanity. They are the musical soul-thought of the human race."
Joplin was never able to raise the funds to produce Treemonisha, a factor that contributed to ill health at the end of his life. It was not staged until 1972, when it was presented under the auspices of Morehouse College in Atlanta, directed by Katherine Dunham and conducted by Robert Shaw. Although the work was produced shortly thereafter at Wolf Trap in Vienna, Virginia, ...