Collection The Library of Congress Celebrates the Songs of America

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  • African American Song

    From rappers like André 3000 (1975–) and pop stars like Michael Jackson (1958–2009), to opera singers like Denyce Graves (1964–) and gospel artists like Yolanda Adams (1961–), African American vocal artists continue to shake up and shape the musical culture of the United States in profound ways.

  • Scottish American Song

    The most significant impact of Scottish music on American song has been its influence on American song genres, often coupled with the influence of Irish song. Scholars today are looking at the influence of the religious songs of early Scottish settlers on the development of African American spirituals and Gospel. The roots of country music come from a mixture of Americanized adaptations of Scottish ...

  • "O Holy Child of Bethlehem (1896)" by George Whitefield Chadwick

    Article. Chadwick's setting of this text is for alto solo, chorus, and organ. It uses mostly simple diatonic harmonies until the climax at the text "Come to us, abide with us, Our Lord Emmanuel." He employs successive diminished chords and widely-spaced voicing at "Our Lord," after which the harmony subsides into largely subdominant/tonic alternations.

  • Historic Events in the Civil War: Fort Sumter

    Article. More examples of music's historical narrative are available in the Civil War Sheet Music Collection online.

  • " Home on the Range"

    In 1947, "Home on the Range" became the state song of Kansas.

  • Regional Song Sampler: The Northeast

    Return to Mapping the Songs of America

  • " Now Is Christ Risen from the Dead" by Harvey Bartlett Gaul

    Article. The anthem opens with a recitative-like introduction in C-major, set for soprano solo. The key modulates to A-major and a rousing 3/4 meter, as the full choir enters in declamatory octaves, "O death, where is thy sting." That music returns before a meter change to common time, Maestoso. Gaul sets "Christ being rais'd, die thee no more," to a steadily rising line in ...

  • " Sometimes I Feel Like a Motherless Child" by Harry Thacker Burleigh

    Article. The alto carries the stately melody accompanied by a mournful, falling motive in the two soprano lines on the word "oh." The top-voiced harmonization is creative, and the melodic writing is vocally demanding. The work climaxes on a high, five-part divisi chord at the penultimate statement of the text, "A long way from home." The work ends pp in augmented note values on ...

  • " Julep Song (The Good Old Mint Julep for Me!)" by Will Marion Cook

    Article. Julep Song was first published in the piano/vocal score of The Southerners in 1904 by York Music Co., New York. The popularity of the piece prompted a solo edition published in the same year by John H. Cook Publishing Co., New York. John H. Cook was Will Marion's brother.

  • Laotian American Song and Dance

    So among both the ethnic Lao and the Hmong, community events frequently include developing styles of Americanized music and also presentations that introduce traditional songs to younger generations with the idea that the new and the old styles can exist together.

  • "The Morning Wind" by Gena Branscombe

    Article. Also published as a solo song, Branscombe's choral setting (SSA) was issued by Arthur P. Schmidt Co., Boston, in 1914. The text is by Kendall Banning (1879-1944). The short piano introduction depicts the morning wind with an arpeggiated triplet figure in compound meter. The wind, the dawn, and "the land so fair" are wooing the narrator to explore "wherever roads may lead." The ...

  • Songs of Sports and Pasttimes

    Virtually every sport or recreation has been the subject of a song at one time or another. Like the recording pioneers who sang of roller skating and circuses, the musical chroniclers of the hot rod and surfing scenes helped push music forward at the same time that they were adding to the historical record.

  • Songs of the Temperance Movement and Prohibition

    Many of the songs related to Prohibition are no longer sung. Some of the popular songs were recorded comercially, and preserved in that way. Others survive because folk song collectors like Stetson Kennedy, Sidney Robertson Cowell, and Alan Lomax were out documenting songs with early disc recording equipment not long after the repeal of Prohibition, when people still remembered and sang them.

  • "O How Amiable" by Dudley Buck

    Article. Buck's sacred compositions include large-scale works, four cantatas, 55 anthems and 20 sacred songs. He played a central role in the development of organ and choral music in the United States.

  • Songs of the Zionist Movement in America

    After the war, the British took control of Palestine, allowing Jewish settlements to develop and thrive. Jewish immigrants purchased land on which to settle. Among the needs for these settlers was a common language, as settlers came from various parts of Europe and North America. Hebrew, which at the time was a language used only in religious practice that many Jews did not speak ...

  • "The Jumblies, Op. 68, No. 4" by Arthur Foote

    Article. Foote sets this humorous limerick by Edward Lear (1812-88) "Allegro giocoso." He chooses only the first and fourth stanzas of Lear's five-stanza poem. The music is scored in C minor, with a parenthesized note under the first measure, "preferably in C-sharp." Foote provides a dynamic scheme and articulations to capture the text's humor. "And when the sieve turned round and round, and ev'ry ...

  • Persian American Song

    Today Loga Ramin Torkian is composing and performing as a member of the group Niyaz, which has continued to blend traditional instruments with synthesized music while also recording and performing acoustic music using traditional instruments. The group draws from many traditions, including Sufi chant and Persian Radif. As both Torkian and his wife, Niyaz lead singer Azam Ali, spent some of their youth in ...

  • " O God, My Heart Is Ready, Op. 17" by Arthur B. Whiting

    Article. Whiting's unaccompanied motet stretches over thirty-five pages. It weaves several psalm texts and begins with an intonation for baritone solo, "There is sprung up a light for the righteous, and joyful gladness for such as are true hearted." The motet quickly transitions to full chorus with frequent divisi, "O God my heart is ready. Awake thou lute and harp." The vivace choral section ...

  • " Pretty to Me" by Septimus Winner

    Article. Pretty to Me is lyrical, gentle, soft, and sentimental. Its melody is limited to an octave and consists of four verses. The melody for the second two stanzas of the verse nearly mirrors that of the first two stanzas. Each verse is followed by a homophonic choral refrain on the words "pretty to me."

  • "Inconstancy" by George Whitefield Chadwick

    Article. Article. In this chorus he sets Shakespeare's text "Sigh no more ladies" from Much Ado about Nothing. The opening line receives a plaintive homophonic setting before the piece launches into a buoyant free counterpoint. Chadwick's rhythms are tied closely to the agogic stress of the text. He makes use of a folk-like pentatonic melody on "Then sigh not so, but let them go," ...

  • "Done Paid My Vow to the Lord" by R. Nathaniel Dett

    Article. Dett arranged Done Paid My Vow to the Lord for baritone or contralto solo, women voices, and piano in 1919. It was published that year by the John Church Company. The tune did not appear in his collection Religious Folk-Song of the Negro as Sung at the Hampton Institute (1927). Rather, the spiritual came from the collection of George Lake Imes, secretary of ...

  • Songs of Unionization, Labor Strikes, and Child Labor

    This article is about songs of unionization, labor strikes, and child labor. Songs of children who had to work instead of going to school tell a particularly poignant story about migrant labor. A song beginning "Yo cuando era niño -- mi padre querido," sung by Jose Suarez, was composed by the singer about his childhood picking cotton with his father in Texas. "The Cotton ...

  • Finnish American Song

    Today, choral music continues to be sung in parts of the United States among the Finnish American community. The Naselle Finn-Am Choir, a community chorus that sings everything from Finnish folk songs to gospel songs in both Finnish and English, anchors the lineup of the biennial Finnish American Folk Festival held in Naselle, Washington. A modern day and creative expression of this continuing tradition ...

  • Comanche and Kiowa Song and Dance

    In this presentation Tom Mauchahty-Ware with Thomas Ware, III and Chester Tieyah, Jr. perform Comanche and Kiowa songs and dances at the Library of Congress, September 11, 2009. Tom Mauchahty-Ware is a Kiowa-Comanche flute player and singer. He is a descendent of Belo Cozad, a well-known Kiowa flute player. He is also the son of Wilson Ware, a fancy-dance champion and powwow singer who ...

  • Peace Songs of the Civil War

    Peace songs during and in aid of recovery from a civil war were one thing, peace songs and other expressions of pacifism during a foreign war might be seen as sedition. Mark Twain wrote his pacificist narrative poem "The War Prayer" in about 1904, in response to the Philippine-American War of 1899-1902. [2] Although the poem was written after the war, it tells of ...