Margaret Mead: Human Nature and the Power of Culture

SUBSECTIONS: Samoa: The Adolescent Girl - Manus: Childhood Thought
Papua New Guinea: Sex and Temperament - Bali: Personality Formation - Making Wajangs
Iatmul: Personality Formation II - Return to: "To the Field and Back"

WajangMaking Wajangs
[Shadow Puppets] in Bali

Mead and Bateson's 1936-1939 field trip to study the Balinese and the Iatmul was a landmark in the history of visual anthropology.

They took approximately 35,000 photographs, 33,000 feet of motion picture film, and copious field notes.

Mead and Bateson worked out a precise system for recording field data in Bali. They synchronized their watches, along with their Balinese secretary, Madé Kalér. While Bateson took still and motion picture film of events, Mead and Madé Kalér took notes, recording the time of events at frequent intervals. They noted when photographs were taken with "LEICAS" or "L," and when motion picture film was taken with "CINE" or "C."

Below are representative materials to illustrate Mead and Bateson's field method.


Mead and Balinese secretary Madé Kalér took detailed notes describing the process of making a wayang, or shadow puppet.


Bateson took this series of photographs of the artist, I Wara of Negara, making a wajang or shadow puppet on November 4, 1937.


Bateson took this
16mm film of the
making of wajangs
[Shadow Puppets]
in Bali

All of the photographs and a large selection of the field notes from this field trip have been digitized and are available online in the Manuscript Reading Room.

SUBSECTIONS: Samoa: The Adolescent Girl - Manus: Childhood Thought
Papua New Guinea: Sex and Temperament - Bali: Personality Formation - Making Wajangs
Iatmul: Personality Formation II - Return to: "To the Field and Back"


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February 15, 2006