Male letter carriers of the U.S. Post Office are the subject of this series on the Postal Department. The camera was placed to show a large number of uniformed mail carriers as they leave the main post office to deliver letters. They can be seen walking down the steps of the building toward the camera position. Some mount bicycles and ride away, while others ...
Shows the entrance to the Claremont Theatre in New York City at 135th St. and Broadway where Edison is showing Gertrude McCoy and Bigelow Cooper in On the stroke of twelve. Large numbers of men, women and children leave the theater, some as many as two or three times. Delivery boys, a wagon, automobiles and a boy on rollerskates pass by.
The subject is the handling and sorting of the U.S. mail. The sorting bags and the alphabetizing pigeonhole equipment are visible in a scene photographed from an altitude of approximately twenty-five feet. The placement of the equipment and its use by the post office personnel can be seen.
Dignitaries are shown as they alight from a horse-drawn brougham and enter the speaker's bleachers. Next, personnel of the New York Fire Department walk by the camera. One of every piece of fire-fighting equipment then used by the department passes.
The film, photographed from a single camera position, shows a large tent of animal skins in front of which are two spectators watching two participants perform a game of skill using whips. From a contemporary Edison film company catalog: SCENE IN THE ESQUIMAUX VILLAGE. Ungulado. [code for telegraphic orders]. The picture [shows] a number of Esquimaux picking nickels from cracks in a board with ...
A group of men work on various parts of a large generator, assembling the pieces. A crane carries a large piece of the generator over to the rest of the machine, and the men guide it down to assemble it. The crane brings two other pieces to the machine and lays them down where they belong.
The subject is a basketball game played between teams of girls. The film shows a section of a basketball court in the foreground, the backboard, and the basket. In the background is a three-story brick schoolbuilding. The short length of the film does not allow too much description of the activities.
The film begins with a wide shot of an area crowded with people, some riding elephants, others marching in procession in front of a structure with the sign "Asia" on it. The people are wearing various costumes.
The camera was moved to many positions throughout the stadium, which contained an estimated 50,000 spectators. The opening scene was a complete pan around the locale, showing the crowd assembled to watch the game. The remaining scenes were photographed from various positions throughout the football field, showing the game in progress. There is line play shown as well as broken-field running.
The film covers four operations involved in shipping ice: sawing the ice from frozen-over lakes, transferring it by means of speciality constructed freight cars to a dock some distance away, unloading it, and then transloading it onto a waiting ship. This is one of three films.
The poor condition of the film, its short length, and the distance of the subject matter from the camera position do not permit much description other than saying some workers are in a field. In the foreground, it can be seen that workers have been harvesting a crop of the cane family.
From Edison films catalog: One of the sights of San Francisco. A 50-foot slide is used by the bathers, who toboggan down its slippery surface in all positions. The bathers are clad in black trunks, making fine contrast with the flesh tints. 50 feet. $7.50. "In the background are three tiers of spectators watching the bathers. There are many people bathing and diving into ...
A group of dignitaries from various countries was photographed from a single camera position participating in a parade marking the opening of the Pan-American Exposition. From a contemporary Edison film company catalog: OPENING OF THE PAN-AMERICAN EXPOSITION ON MAY 20th, 1901. Ungehofft [code for telegraphic orders]. This is a great historical event. Our cameras were stationed in the center of the Esplanade looking toward ...
From Edison films catalog: The scene is the broad piazza of the Mammoth Hot Springs Hotel, and shows the arrival of tourists. Up dashes a spanking team of six, seemingly as fresh and spirited as when they started. Friends who are waiting on the piazza rush to greet the new arrivals and help them alight. 50 feet. 7.50. Advertised as part of the "Alaska ...
A large group of small boys stand on a pier, looking up at what probably is the railing and hoping pennies will be thrown into the water for them to retrieve. The boys are clothed only in swim trunks. At a distance of approximately a mile, six large clipper shipss can be seen at anchor.
Some small children in winter clothing face the camera in a semicircle. They throw what appear to be eggs down the incline toward the camera position. From left and right of the camera, a great number of young boys scramble for the eggs. Many close-ups and mass photographs of the activities are then shown.
The first scene shows a rural free delivery mail man standing waiting for the area mail to be delivered to him. As the film continues, a horse-drawn wagon marked "Rural Postal Delivery" passes the camera position. The mail is then handed to the waiting postman who boards a two-wheel wagon and drives away.
A turbine is shown operating. Two men walk up to it, check the running of various parts on it, and write their findings down on paper. A third man is seen walking through a few times, once stopping to look at one of the men's writings.
From Edison films catalog: An actual six-round contest between Mike Leonard, commonly called the "Beau Brummel" of pugilism, and Jack Cushing. Full of hard fighting, clever hits, punches, leads, dodges, body blows and some slugging. Sold by rounds. Each round contains 150 feet. Price each round, $22.50.
The camera was placed in almost the center of the compound area by the exhibit buildings, and the cameraman began to photograph and pan his camera simultaneously. The film consists of pictures of the walkways, pools of water, bridges over the pools, exhibit buildings, bandstands, statuary, and decorations of all nature that, put together, made up the Exposition in Charleston in 1902.
The photographer placed his camera to encompass as much of the loading ramp of a mail delivery building as possible. As the film begins, several horse-drawn postal transportation vehicles are backed up to the ramp. At the end of the film, a postal delivery wagon pulled by one horse enters the scene and is backed against the ramp.
One of the parades of floating craft held in the waterways of the St. Louis Exposition is shown in this film. The cameraman placed equipment on shore at a distance to include each of the competing craft. Photographed were twelve small craft, some motot-powered and some rowed, but all decorated with foliage and bunting and containing foreign representatives and dignitaries.
What appear to be molds pass some men by on conveyor belts. The men take them off the belt and dump the contents onto the ground. Other men pick up with tongs the parts that have been dumped onto the ground and put them on a pile in the foreground.