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 home >> Civil Rights History Project >> Survey of Collections and Repositories >> Collections >> Collection Record

The Civil Rights History Project: Survey of Collections and Repositories

Voices of struggle

Repository: Smithsonian Institution. Center for Folklife and Cultural Heritage

Collection Description (CRHP): In addition to the clips on this website, recordings can be browsed by the categories of "African American Music" and "African American Spoken." CD titles available include:

"We Shall Overcome: Songs of the Freedom Riders and the Sit-Ins," Various Artists, 1961

"We Shall Overcome: Documentary of the March on Washington," Various Artists, 1963

"Voices of the Civil Rights Movement" Black American Freedom Songs 1960-1966," Various Artists

"Sing For Freedom: The Story of the Civil Rights Movement Through Its Songs," Various Artists

"Lest We Forget, Vol. 1: Movement Soul, Sounds of the Freedom Movement in the South, 1963-64," Various Artists

"Lest We Forget, Vol. 2: Birmingham, Alabama, 1963 - Mass Meeting," Various Artists

"Lest We Forget, Vol. 3: Sing For Freedom," Various Artists

"The Nashville Sit-in Story: Songs and Scenes of Nashville Lunch Counter Desegregation (by the Sit-In Participants)" 1960

"The Sit-In Story: The Story of the Lunch Room Sit-Ins," Edwin Randall, 1961

"The Story of Greenwood, Mississippi," Various Artists, 1961

"Angela Davis Speaks," Angela Davis, 1971

"Huey Newton Speaks," Huey P. Newton, 1970, Paredon Records

"Huey!: Listen Whitey," Huey P. Newton, 1972

Collection Description (Extant): We honor African-American history and music with a look at the profound cultural contribution of the Civil Rights Movement, called by Guy Carawan "the greatest singing movement this country has experienced." The African American struggle for civil rights and equality inspired the many other socio-political movements in the USA and around the world.

Songs of the Movement and Their Sources
Bernice Johnson Reagon, a song leader of the Movement and civil rights music historian writes, "The core of Civil Rights Movement songs was formed from the reservoir of the Black American traditional song repertoire and older styles of singing. This music base was expanded to include most of the popular Black American music forms and singing techniques of the period. From this storehouse, activist song leaders made a new music for a changed time." Many traditional hymns and spirituals sung in the Movement were not explicitly about civil rights and freedom, but they had multiple layers of meaning that made them relevant in this context. They became potent freedom songs. Other hymns and spirituals were adapted with new words to emphasize the struggle for freedom and related issues, such as voting rights.

In addition to traditional spirituals, popular music of the 1950s was a rich source for Civil Rights song leaders. "Calypso Freedom" is based on the popular Caribbean "Banana Boat Song" recorded by Harry Belafonte. The new lyrics describe the experiences of the Nashville Freedom Riders. Some songs used humor and irony to make their point, as in "Your Dog Loves My Dog." The songs were sung in many different contexts: in churches, in mass meetings (often held in churches), at marches, rallies, and workshops.

Leaders of the Civil Rights Movement
The Civil Rights Movement had many deeply inspirational and charismatic speakers and leaders, including the late Reverend Martin Luther King, Jr. and Reverend Ralph Abernathy. Song leaders such as Fannie Lou Hamer, Betty Mae Fikes, the SNCC Freedom Singers, Jimmy Collier and Willie Peacock led the singing in mass meetings and rallies.

The Rise of an Anthem
"We Shall Overcome" is frequently referred to as the anthem of the Civil Rights Movement. Originally a 19th-century hymn, it was used as a labor song in the 1940s; Zilphia Horton of the Highlander Folk School in Tennessee heard African American tobacco workers singing it on a picket line in 1946. One of those workers, Lucille Simmons, changed the original lyric from "I" to "We" making it more powerful for a mass movement. Horton added some verses and taught this version to Pete Seeger in 1947. In April, 1960 folk singer Guy Carawan sang it to the founding convention of the Student Nonviolent Coordinating Committee (SNCC) in Raleigh, North Carolina, and it quickly spread throughout the Civil Rights Movement. Seeger, Carawan, and Frank Hamilton copyrighted the song to protect it from becoming a commercialized pop song. All royalties go to the nonprofit We Shall Overcome Fund, which provides grants to assist African American musicians in the South. Several versions of "We Shall Overcome" are available for listening. We hear two versions from Civil Rights mass meetings (in Nashville, Tennessee and Selma, Alabama), followed by a version sung by Pete Seeger.

"We Shall Overcome" and the many other songs of the Civil Rights Movement speak deeply of the determination, nonviolent resistance, and spirit of this turbulent time. Wherever and however they were sung, the freedom songs reflected their roots in African American cultural tradition.

Access Copy Note: Selected clips are available on the Voices of Struggle website and individual CD websites; CDs can be purchased.

Collection URL:

Date(s): 1960-1972

Language: English

Interviewees: Martin Luther King, Jr., Ralph Albernathy, Angela Davis, Huey Newton, Peggy Alexander, John R. Cunningham, Kelly Miller Smith, Bob Moses, Cleveland Jordan

Rights (Extant): If you are interested in licensing any of our recordings, please complete the Licensing Request Form and fax it to 914-793-2671


Civil rights demonstrations--Tennessee
Civil rights movements--United States--Songs and music
Folk music
Freedom Singers
Highlander Folk School (Monteagle, Tenn.)
Student Nonviolent Coordinating Committee (U.S.)
Voter registration--Mississippi


Sound recordings


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   May 15, 2015
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