Benjamin A. Botkin, former head of the Archive of American Folk Song, Library of Congress. Photo courtesy
of the National Council for the Traditional Arts.
Benjamin A. Botkin Folklife Lecture Series
Through the Benjamin A. Botkin Folklife Lecture Series, the American
Folklife Center presents the best of current research and practice
in Folklore, Folklife, and closely related fields. The series invites professionals from academia
and the public sector to present findings from their research. The lectures are free and open to the public. In addition, each lecture is recorded for permanent deposit in the Archive of Folk Culture, where
researchers can access them.
Benjamin A. Botkin (1901-1975) was a pioneering
folklorist who believed that people continually create folklore
out of their collective experiences. He
was national folklore editor of the Federal Writers' Project
(1938-39), chief editor of the Writers' Unit of the Library
of Congress Project (1939-1941), head of the Archive of American
Folksong (1942-45), and author of numerous folklore treasuries. The American Folklife
Center is indebted to his work as both a folklorist
and a government official. For all these reasons, the American
Folklife Center has chosen to name this lecture series in his
honor. Select this link for a biographical sketch, " Benjamin
Botkin's Legacy-in-the-Making," by Jerrold Hirsch.
2015 Botkin Lectures
Wednesday, January 14, 2015
12:00 Noon to 1:00 pm
Mary Pickford Theatre, James Madison Building
What Is Applied Ethnomusicology and Why Did They Say Such Terrible Things About It? presented by Jeff Todd Titon, Emeritus Professor of Music, Brown University
Jeff Titon, co-editor of the forthcoming Oxford Handbook of Applied Ethnomusicology, defines applied ethnomusicology as ethnomusicology put to practical use in a community for a social improvement, a cultural good, an economic advantage, a musical benefit, or a combination of these. Guided by ethical principles of social responsibility, human rights, and musical and cultural equity, applied work greatly appeals to contemporary ethnomusicologists. After defining applied ethnomusicology and offering some examples, Titon traces its history, and suggests why the founding generation of the Society for Ethnomusicology held applied ethnomusicology in low regard, and why and how a new generation of ethnomusicologists, beginning in the 1980s, practiced applied work and gradually turned opinions around.
Includes descriptions of each lecture, photos, and informational essays
from the event flyers. Links to webcasts of lectures are included as available.
2014 Lecture Series
2013 Lecture Series
2012 Lecture Series
2011 Lecture Series
2010 Lecture Series
2009 Lecture Series
2008 Lecture Series
2007 Lecture Series
2006 Lecture Series