Format Film, Video
Dates 1901
Location Buffalo
New York
United States
Language English
Subjects (
Amusement Rides
Buffalo
Buffalo (N.Y.)
Buffalo, N.Y.)
Exhibition Buildings
Exhibitions
New York (State)
Pan American Exposition
United States
Title
A trip around the Pan-American Exposition /
Description
Copyright: Thomas A. Edison; 8Jun1901; H4968. Duration: 3:54 (part 1), 3:51 (part 2), and 3:35 (part 3) at 15 fps. Location: Buffalo, New York. The entire film was photographed from an excursion vessel traveling through all of the waterways surrounding the Exposition. The major exhibit buildings and amusement attractions of the fair can be seen as the boat makes its way through the area, going through tunnels and under bridges. From a contemporary Edison film company catalog: A TRIP AROUND THE PAN-AMERICAN EXPOSITION. Ungeprueft [code for telegraphic orders]. The Pan-American Exposition is encircled by an especially constructed canal, which was put in for the purpose of allowing the tourist to view the exterior of the buildings of the Pan-American Exposition with as little fatigue as possible. It is called the Grand Canal, is over a mile in length and extends around the central group of large buildings. Winding lagoons connecting with the canal branch off in all directions. The Mirror Lakes in the Southern portion of the canal form a picturesque feature and add ten fold interest to this picture. The electric launches which make the trip around the exposition, and which are controlled by the Venice in America Co., represent the climax of comfort and elegance. The ride is a refreshing one with charming views at every turn. Romantic bridges span the waterway at convenient points, statuary placed everywhere contribute to the picturesque effect. The above named picture was secured by special permission of Mr. Burgee, of the Venice in America Co., and our picture was made from the bow of an especially chartered electric launch which made the trip for us at a high rate of speed. We give below as near as possible a detailed description of the different points of interest as they are recorded by the camera, and just as they are viewed by the visitor himself in making the trip in one of these exquisite launches. The launch in which our camera was placed started from the landing place in the Streets of Venice, which is situated on the west side of the Exposition grounds facing the Midway. The canal makes a quarter circle eastward, and our boat passes under the west Mall bridge, making an abrupt turn northward and continuing on its course past the Bazaar Building and to the African Village, when it swings suddenly to the eastward and makes a complete circle of the Electric Tower, turning its many corners and passing under a number of beautifully constructed bridges, over which multitudes of people are seen wending their way [end of part 1]. In the trip from the Streets of Venice to the Electric Tower we pass many electric launches, and gondolas laden with tourists who are making merry as our camera passes them. Three of the gondolas contain the Venetian Band and many of the pretty girls of the Streets of Venice, all of which attend to make the picture highly interesting. Having encircled and passed the Electric Tower, our boat takes an eastward course until it reaches the Stadium, when it passes under another of the exquisite bridges and turns abruptly to the south. Continuing its southern course it passes the east entrance of the U.S. Government Building and the U.S. Ordinance Exhibit, where the heavy artillery and large disappearing guns are observed mounted in their respective places. Our launch then swings to the eastward and continues a short distance when it again takes a southerly course and passes the south entrance of the U.S. Government Building, approaches and passes the Forestry and the grounds of the Six Nations of the American Indians, where their camps, log huts, wigwams, etc., are observed. We then turn to the eastward passing under a series of bridges with sculptural decorations that are unexcelled, and merging into the east end of Mirror Lake. Now comes the most interesting portion of this wonderful film. We follow in an easterly direction through Mirror Lake, skirting the north bank and taking in the pergola, and bearing steadily toward the main entrance and Fore Court of the Exposition grounds [end of part 2]. Here we pass directly under the Colonnades into the submarine water channel and through what is known as the Grotto. The effect of running from an open lake into a beautiful tunnel decorated with tropical foliage of all description is most novel. After passing through this grotto, which consumes about one minute of time, the west end of Mirror Lake suddenly comes into view, and we pass out on to the open waters of the lake where we are presented with an entirely new and enchanting panorama of the west side of the Exposition. The launch continues on this course taking in the north bank of the West Mirror Lake with the west pergola in the background, and passing the Mines Building, the Esplanade Fountains, the Horticultural Exhibits, the Southwest Midway, under the beautiful bridge which forms the main approach to West Midway from the Esplanade, and turning suddenly to the northward runs under a bridge of Venetian architecture, and finally merges into the Streets of Old Venice. This is the end of the trip around the Exposition and the climax of the picture. Great crowds are assembled in the Streets of Old Venice and one can imagine himself to be in reality floating through the old European city of canals. In this entire picture we present a most diversified panorama. The constant turns of the canal and the many bridges which span it furnish the audience with something new to look at during almost every second of the trip. Length 625 feet. $93.75. We also furnish this picture in strips of: 200 ft. Ungewalkt 30.00 300 ft. Ungewandt. 45.00 400 ft. Ungeweicht. 60.00 500 ft. Ungewitter. 75.00 The Library of Congress copy of this film may not include all of the scenes described in the Edison Company summary. Available also through the Library of Congress Web site as digital files. Received: 6/8/1901; paper pos; copyright deposit; Paper Print Collection. 1 roll (653 ft.) : si., b&w ; 35 mm. paper pos.
Created / Published
United States : Thomas A. Edison, Inc., 1901.
Subject Headings
-  Pan-American Exposition--Buffalo, N.Y.)--(1901 :
-  Exhibitions--United States
-  Amusement rides--New York (State)--Buffalo
-  Exhibition buildings--New York (State)--Buffalo
-  Buffalo (N.Y.)
Notes
-  Copyright: Thomas A. Edison; 8Jun1901; H4968.
-  Duration: 3:54 (part 1), 3:51 (part 2), and 3:35 (part 3) at 15 fps.
-  Location: Buffalo, New York.
-  The entire film was photographed from an excursion vessel traveling through all of the waterways surrounding the Exposition. The major exhibit buildings and amusement attractions of the fair can be seen as the boat makes its way through the area, going through tunnels and under bridges.
-  From a contemporary Edison film company catalog: A TRIP AROUND THE PAN-AMERICAN EXPOSITION. Ungeprueft [code for telegraphic orders]. The Pan-American Exposition is encircled by an especially constructed canal, which was put in for the purpose of allowing the tourist to view the exterior of the buildings of the Pan-American Exposition with as little fatigue as possible. It is called the Grand Canal, is over a mile in length and extends around the central group of large buildings. Winding lagoons connecting with the canal branch off in all directions. The Mirror Lakes in the Southern portion of the canal form a picturesque feature and add ten fold interest to this picture. The electric launches which make the trip around the exposition, and which are controlled by the Venice in America Co., represent the climax of comfort and elegance. The ride is a refreshing one with charming views at every turn. Romantic bridges span the waterway at convenient points, statuary placed everywhere contribute to the picturesque effect. The above named picture was secured by special permission of Mr. Burgee, of the Venice in America Co., and our picture was made from the bow of an especially chartered electric launch which made the trip for us at a high rate of speed. We give below as near as possible a detailed description of the different points of interest as they are recorded by the camera, and just as they are viewed by the visitor himself in making the trip in one of these exquisite launches. The launch in which our camera was placed started from the landing place in the Streets of Venice, which is situated on the west side of the Exposition grounds facing the Midway. The canal makes a quarter circle eastward, and our boat passes under the west Mall bridge, making an abrupt turn northward and continuing on its course past the Bazaar Building and to the African Village, when it swings suddenly to the eastward and makes a complete circle of the Electric Tower, turning its many corners and passing under a number of beautifully constructed bridges, over which multitudes of people are seen wending their way [end of part 1]. In the trip from the Streets of Venice to the Electric Tower we pass many electric launches, and gondolas laden with tourists who are making merry as our camera passes them. Three of the gondolas contain the Venetian Band and many of the pretty girls of the Streets of Venice, all of which attend to make the picture highly interesting. Having encircled and passed the Electric Tower, our boat takes an eastward course until it reaches the Stadium, when it passes under another of the exquisite bridges and turns abruptly to the south. Continuing its southern course it passes the east entrance of the U.S. Government Building and the U.S. Ordinance Exhibit, where the heavy artillery and large disappearing guns are observed mounted in their respective places. Our launch then swings to the eastward and continues a short distance when it again takes a southerly course and passes the south entrance of the U.S. Government Building, approaches and passes the Forestry and the grounds of the Six Nations of the American Indians, where their camps, log huts, wigwams, etc., are observed. We then turn to the eastward passing under a series of bridges with sculptural decorations that are unexcelled, and merging into the east end of Mirror Lake. Now comes the most interesting portion of this wonderful film. We follow in an easterly direction through Mirror Lake, skirting the north bank and taking in the pergola, and bearing steadily toward the main entrance and Fore Court of the Exposition grounds [end of part 2]. Here we pass directly under the Colonnades into the submarine water channel and through what is known as the Grotto. The effect of running from an open lake into a beautiful tunnel decorated with tropical foliage of all description is most novel. After passing through this grotto, which consumes about one minute of time, the west end of Mirror Lake suddenly comes into view, and we pass out on to the open waters of the lake where we are presented with an entirely new and enchanting panorama of the west side of the Exposition. The launch continues on this course taking in the north bank of the West Mirror Lake with the west pergola in the background, and passing the Mines Building, the Esplanade Fountains, the Horticultural Exhibits, the Southwest Midway, under the beautiful bridge which forms the main approach to West Midway from the Esplanade, and turning suddenly to the northward runs under a bridge of Venetian architecture, and finally merges into the Streets of Old Venice. This is the end of the trip around the Exposition and the climax of the picture. Great crowds are assembled in the Streets of Old Venice and one can imagine himself to be in reality floating through the old European city of canals. In this entire picture we present a most diversified panorama. The constant turns of the canal and the many bridges which span it furnish the audience with something new to look at during almost every second of the trip. Length 625 feet. $93.75. We also furnish this picture in strips of: 200 ft. Ungewalkt 30.00 300 ft. Ungewandt. 45.00 400 ft. Ungeweicht. 60.00 500 ft. Ungewitter. 75.00
-  The Library of Congress copy of this film may not include all of the scenes described in the Edison Company summary.
-  Available also through the Library of Congress Web site as digital files.
-  Received: 6/8/1901; paper pos; copyright deposit; Paper Print Collection.
Medium
1 roll (653 ft.) : si., b&w ; 35 mm. paper pos.
Call Number
LC 2819 (paper pos)
Repository
Library of Congress Motion Picture, Broadcasting and Recorded Sound Division Washington, D.C. 20540 USA dcu
Digital Id
lcmp001 09564s1 09564s2 09564s3 http://hdl.loc.gov/loc.mbrsmi/lcmp001.09564
Library of Congress Catalog Number
00694338
http://lccn.loc.gov/00694338


Rights & Access

The Library of Congress is providing access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or other rights holders (such as holders of publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemptions.

While the Library is not aware of any U.S. copyright protection (see Title 17, U.S.C.) or any other restrictions in the materials in America at Work, America at Leisure: Motion Pictures from 1894-1915, there may be content protected as "works for hire" (copyright may be held by the party that commissioned the original work) and/or under the copyright or neighboring-rights laws of other nations. The Library is eager to hear from individuals or institutions that have information about these materials or know of their history.

Responsibility for making an independent legal assessment of an item and securing any necessary permissions ultimately rests with persons desiring to use the item. Users should consult the catalog information that accompanies each item for specific information. This catalog data provides the details known to the Library of Congress regarding the corresponding item and may assist users in making independent assessments of the legal status of these items as related to their desired uses.

Suggested credit line: Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division.

The Library of Congress is providing access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or other rights holders (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemptions.

While the Library is not aware of any U.S. copyright protection (see Title 17, U.S.C.) or any other restrictions in the materials in the Inventing Entertainment: The Motion Pictures and Sound Recordings of the Edison Companies, there may be content protected as "works for hire" (copyright may be held by the party that commissioned the original work) and/or under the copyright or neighboring-rights laws of other nations. The Library is anxious to hear from individuals or institutions that have information about these materials or know of their history.

Responsibility for making an independent legal assessment of an item and securing any necessary permissions ultimately rests with persons desiring to use the item. Users should consult the catalog information that accompanies each item for specific information. This catalog data provides the details known to the Library of Congress regarding the corresponding item and may assist users in making independent assessments of the legal status of these items as related to their desired uses.

The following films are reproduced courtesy of the Theodore Roosevelt Association, P.O. Box 720, Oyster Bay, NY 11771: U.S. Troops Landing at Daiquirí, Cuba; Troops Making Military Road in Front of Santiago; Pack Mules with Ammunition on the Santiago Trail, Cuba.

Suggested credit line: Library of Congress, Motion Picture, Broadcasting, and Recorded Sound Division.

Motion Picture, Broadcasting, and Recorded Sound Division, Library of Congress

The Library of Congress is providing access to these materials for educational and research purposes. The written permission of the copyright owners and/or other rights holders (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemptions.

The Library of Congress is not aware of any U.S. copyright in the motion pictures in these collections. As is indicated in the cataloging, most of the titles were registered for copyright prior to 1916. (No registration information exists for some titles.) The Library notes that the reproduction of some titles may be restricted by privacy rights, publicity rights, licensing and trademarks. Additionally, some works may still be protected by copyright in some foreign countries.

Responsibility for making an independent legal assessment of an item and securing any necessary permissions ultimately rests with persons desiring to use the item. Users should consult the catalog information that accompanies each item for specific information. This catalog data provides the details known to the Library of Congress regarding the corresponding item and may assist users in making independent assessments of the legal status of these items as related to their desired uses. Users should also consult restrictions associated with donations to the Library.

Suggested credit line: Library of Congress, Motion Picture, Broadcasting, and Recorded Sound Division.

More information about American Memory and Copyright.

Rights assessment is your responsibility.

More about Copyright and other Restrictions

For guidance about compiling full citations consult Citing Primary Sources.