Audio Recordings [Breakdown in A]
Jabbour, Karen Singer
- [Breakdown in A]
- Contributor Names
- Jabbour, Alan (Transcriber)
- Jabbour, Alan (Collector)
- Jabbour, Karen Singer (Collector)
- Reed, Henry, 1884-1968 (Performer)
- Created / Published
- Reed family home, Glen Lyn, Giles County, Virginia, July 17, 1967
- Subject Headings
- - Instrumental music
- - Fiddle tunes
- - Folk music--Appalachian Region
- - Breakdowns
- - Reels
- - Ethnography
- - Music
- - Field recordings
- - United States -- Virginia -- Giles County -- Glen Lyn
- Field recordings
- - Meter: 4/4
- - Rendition: 1r-2r-1r-2r
- - Compass: 15
- - Key: A
- - Title change: The title appeared in the fieldnotes as "Unnamed."
- - Performed by Henry Reed, fiddle.
- - Duration: 1 minute, 6 seconds
- - Henry Reed had no name for this tune, and no clear variants of it have been found. But he played it on two different occasions, so it must have been a standard feature of his repertory. It is metrically irregular, having a two-bar low strain and a three-bar high strain. He reversed the order of the strains on the two occasions when he played this piece. Its use of the first-finger double-stop A-E on the G and D strings is a trait that appears elsewhere in his playing; compare, for example, "George Booker." The fact that these notes are played as a double-stop, and that he never plays the open G-string, probably indicates that it was originally conceived for a fiddle tuned up E-A-E-A for tunes in the key of A; in such a situation the double-stop would actually be the two low strings played as open strings.
- - Strains: 2 (high-low, 3-2)
- - Phrase Structure: AA'B QR (aba'bcd qdqr)
- - Stylistic features: Played slower than normal, which affects bowing patterns.
- - Spoken: ALAN JABBOUR: That's a good one./HENRY REED: Yeah, that's one . . . . I like that a lot./ALAN JABBOUR: I do too. But you don't recollect the name?/HENRY REED: Huh?/ALAN JABBOUR: You don't recollect the name?/HENRY REED: No, I don't know the name now./ALAN
- - Recording chronology: 141
- Audio tape
- Call Number
- AFC 1969/008: AFS 13705A46
- Source Collection
- Alan Jabbour duplication project, part 2
- American Folklife Center
- Digital Id
Rights & Access
The Library of Congress is not aware of any U.S. copyright protection (see Title 17, U.S.C.) or any other restrictions in the material in this collection, except as noted below. Users should keep in mind that the Library of Congress is providing access to these materials strictly for educational and research purposes. The written permission of the copyright owners and/or other holders of rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemptions. Responsibility for making an independent legal assessment of an item and securing any necessary permissions ultimately rests with persons desiring to use the item. See our Legal Notices for additional information and restrictions.
The Center asks that researchers approach the materials in this collection with respect for the culture and sensibilities of the people whose lives, ideas, and creativity are documented here. Researchers are also reminded that privacy and publicity rights may pertain to certain uses of this material.
Photographs in this collection produced by Carl Fleischhauer, Karen Singer Jabbour, and Kit Olson are reproduced here with their permission. Mr. Fleischhauer does not object to additional use of the photos he created provided he is credited as the photographer. Persons contemplating other kinds of uses or use of the other photographers' work should contact the American Folklife Center at the Library of Congress.
Please cite the source collection title, collection number, and repository, for example:
Alan Jabbour duplication project, part 1 (AFC 1967/007), American Folklife Center, Library of Congress
Alan Jabbour duplication project, part 2 (AFC 1969/008), American Folklife Center, Library of Congress
Fiddle tunes of the old frontier: the Henry Reed collection online presentation (AFC 1999/016), American Folklife Center, Library of Congress
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