Audio Recordings [Rocky Mountain Goat]
Jabbour, Karen Singer
- [Rocky Mountain Goat]
- Contributor Names
- Jabbour, Alan (Transcriber)
- Jabbour, Alan (Collector)
- Jabbour, Karen Singer (Collector)
- Reed, Henry, 1884-1968 (Performer)
- Created / Published
- Reed family home, Glen Lyn, Giles County, Virginia, July 17, 1967
- Subject Headings
- - Instrumental music
- - Fiddle tunes
- - Hornpipes
- - Folk music--Appalachian Region
- - Ethnography
- - Music
- - Field recordings
- - United States -- Virginia -- Giles County -- Glen Lyn
- Field recordings
- - Key: D
- - Meter: 4/4
- - Strains: 3 (high-middle-low, 4-4-4)
- - Compass: 17
- - Title change: The title appeared in the fieldnotes as "Unnamed."
- - Performed by Henry Reed, fiddle.
- - Duration: 1 minute, 9 seconds
- - Rendition: 1r-2-3r-1r
- - Phrase Structure: ABAC QRQS UVUW (abcd abce qrst qrse utvw utvx)
- - Stylistic features: High D on E-string, slow hornpipe-like tempo.
- - Spoken: ALAN JABBOUR: Yeah, but you never told me the name of it./HENRY REED: No. [Laughs]. I don't know it.
- - Recording chronology: 159
- - This tune is well-known in America but not clearly traceable beyond its shores. Henry Reed neither named it nor assigned it a genre, but it is a tune sometimes known as "Rocky Mountain Goat," and the slightly slower pace suggests a connection with the hornpipe genre. Shaking Down the Acorns (Rounder 0018) contains a performance of the tune by Mose Coffman from Greenbrier County, West Virginia.Henry Reed performed this tune on three occasions. In this performance, he inserted a third strain between the usual first and second strains that leaps up dramatically to a high D in third position on the E-string. This extra strain seems to be unique to Henry Reed.
- Audio tape
- Call Number
- AFC 1969/008: AFS 13705B07
- Source Collection
- Alan Jabbour duplication project, part 2
- American Folklife Center
- Digital Id
Rights & Access
The Library of Congress is not aware of any U.S. copyright protection (see Title 17, U.S.C.) or any other restrictions in the material in this collection, except as noted below. Users should keep in mind that the Library of Congress is providing access to these materials strictly for educational and research purposes. The written permission of the copyright owners and/or other holders of rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemptions. Responsibility for making an independent legal assessment of an item and securing any necessary permissions ultimately rests with persons desiring to use the item. See our Legal Notices for additional information and restrictions.
The Center asks that researchers approach the materials in this collection with respect for the culture and sensibilities of the people whose lives, ideas, and creativity are documented here. Researchers are also reminded that privacy and publicity rights may pertain to certain uses of this material.
Photographs in this collection produced by Carl Fleischhauer, Karen Singer Jabbour, and Kit Olson are reproduced here with their permission. Mr. Fleischhauer does not object to additional use of the photos he created provided he is credited as the photographer. Persons contemplating other kinds of uses or use of the other photographers' work should contact the American Folklife Center at the Library of Congress.
Please cite the source collection title, collection number, and repository, for example:
Alan Jabbour duplication project, part 1 (AFC 1967/007), American Folklife Center, Library of Congress
Alan Jabbour duplication project, part 2 (AFC 1969/008), American Folklife Center, Library of Congress
Fiddle tunes of the old frontier: the Henry Reed collection online presentation (AFC 1999/016), American Folklife Center, Library of Congress
Rights assessment is your responsibility.
More about Copyright and other Restrictions
For guidance about compiling full citations consult Citing Primary Sources.