Audio Recordings Ducks in the Pond
Articles and Essays with this item:
Jabbour, Karen Singer
- Ducks in the Pond
- Contributor Names
- Jabbour, Alan (Transcriber)
- Jabbour, Alan (Collector)
- Jabbour, Karen Singer (Collector)
- Reed, Henry, 1884-1968 (Performer)
- Created / Published
- Reed family home, Glen Lyn, Giles County, Virginia, June 18, 1966
- Subject Headings
- - Instrumental music
- - Fiddle tunes
- - Folk music--Appalachian Region
- - Breakdowns
- - Reels
- - Ethnography
- - Music
- - Field recordings
- - United States -- Virginia -- Giles County -- Glen Lyn
- Field recordings
- - Meter: 4/4
- - Strains: 2 (high-low, 4-4)
- - Compass: 15 (11 plus low A)
- - Key: A
- - Rendition: tag-1r-2r-1r-2r-1r-2r-tag
- - Phrase Structure: ABA'C QRQ'C (abcd ab'ef qbrr qb'ef)
- - Stylistic features: Lively pace, slurs predominate in bowing. On a couple of occasions, he begins the second strain with the low first-finger E, not the even lower drone A. Note the failure to use the open G and D strings; he probably either learned this tune with the fiddle
- - Related Tune(s): Lady of the Lake
- - Performed by Henry Reed, fiddle.
- - Spoken: HENRY REED: Is that the way they played it?/ALAN JABBOUR: More or less, not quite, though.
- - Recording chronology: 002
- - Duration: 1 minute, 44 seconds
- - This tune seems to be a variant of "Lady of the Lake," which is also a name used for a dance. Note the possible connection of "lake/pond" in the two titles. "Lady of the Lake" appears in Knauff's Virginia Reels (1839), vol. 3, #7, which seems to situate it firmly in early nineteenth-century Virginia tradition, and Winston Wilkinson recorded a version before 1936 from J. H. Chisholm of Greenwood, Virginia (see Wilkinson, "Virginia Dance Tunes," p. 10). Both these versions begin with the low strain, but Henry Reed's set recasts the tune with the high strain first, reflecting the widespread taste in the Appalachian South for instrumental tunes that begin with the high strain.Henry Reed's spoken comments refer to Oscar and Eugene Wright, whom Alan and Karen Jabbour had visited earlier. Oscar Wright had learned "Ducks in the Pond" from Henry Reed, and he played it at a slower pace with a slightly different second strain opening.
- Audio tape
- Call Number
- AFC 1967/007: AFS 13034B30
- Source Collection
- Alan Jabbour duplication project, part 1
- American Folklife Center
- Digital Id
Rights & Access
The Library of Congress is not aware of any U.S. copyright protection (see Title 17, U.S.C.) or any other restrictions in the material in this collection, except as noted below. Users should keep in mind that the Library of Congress is providing access to these materials strictly for educational and research purposes. The written permission of the copyright owners and/or other holders of rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemptions. Responsibility for making an independent legal assessment of an item and securing any necessary permissions ultimately rests with persons desiring to use the item. See our Legal Notices and Privacy and Publicity Rights for additional information and restrictions.
The Center asks that researchers approach the materials in this collection with respect for the culture and sensibilities of the people whose lives, ideas, and creativity are documented here. Researchers are also reminded that privacy and publicity rights may pertain to certain uses of this material.
Photographs in this collection produced by Carl Fleischhauer, Karen Singer Jabbour, and Kit Olson are reproduced here with their permission. Mr. Fleischhauer does not object to additional use of the photos he created provided he is credited as the photographer. Persons contemplating other kinds of uses or use of the other photographers' work should contact the American Folklife Center at the Library of Congress.
Please cite the source collection title, collection number, and repository, for example:
Alan Jabbour duplication project, part 1 (AFC 1967/007), American Folklife Center, Library of Congress
Alan Jabbour duplication project, part 2 (AFC 1969/008), American Folklife Center, Library of Congress
Fiddle tunes of the old frontier: the Henry Reed collection online presentation (AFC 1999/016), American Folklife Center, Library of Congress
Rights assessment is your responsibility.
More about Copyright and other Restrictions
For guidance about compiling full citations consult Citing Primary Sources.