Audio Recordings The Route
Jabbour, Karen Singer
- The Route
- Contributor Names
- Jabbour, Alan (Transcriber)
- Jabbour, Alan (Collector)
- Jabbour, Karen Singer (Collector)
- Reed, Henry, 1884-1968 (Performer)
- Created / Published
- Reed family home, Glen Lyn, Giles County, Virginia, June 18, 1966
- Subject Headings
- - Instrumental music
- - Fiddle tunes
- - Folk music--Appalachian Region
- - Breakdowns
- - Reels
- - Ethnography
- - Music
- - Field recordings
- - United States -- Virginia -- Giles County -- Glen Lyn
- Field recordings
- - Meter: 4/4
- - Key: A
- - Strains: 2 (low-high, 4-4)
- - Compass: 11
- - Rendition: 1-2-1-2-1-2-1
- - Phrase Structure: ABAB QRQS (abcd abcd qrsd qrtd)
- - "The Route" has a well-established history in Virginia, having appeared in Knauff's Virginia Reels (1839) under the title "Colonel Crocket: A Virginia Reel." It seems not to be known in the North or the British Isles, but it turns up here and there in areas affected by westward migration from Virginia, such as "Jenny on the Railroad" by the Carter Brothers and Son (Vocalion 5297), from Mississippi, and Hamblen, A Collection of Violin Tunes Popular During the Early 1800's, p. 39, "The Jolly Blacksmith (She wouldn't come at all)," from Texas by way of Indiana but ultimately from family tradition in Lee County, Virginia. Another West Virginia set is Burl Hammons's "The Route," in The Hammons Family (Library of Congress, AFS L65-66), which includes additional citations.This fiddle tune is associated with some vulgar jingles. It is of a form that appears occasionally in Henry Reed's repertory, where the strains seem to be half the usual length but are often varied on repetition (compare, for example, his "Paddy on the Turnpike"). Henry Reed played "The Route" twice in his usual fashion, learned from an old man in Monroe County, West Virginia, and once (AFS 13033b30) in a manner he described as like his uncle's version of the tune. Comparison of the two is interesting, for it reveals how conscious he was of the principle and practice of variation in tradition.
- - Performed by Henry Reed, fiddle.
- - Duration: 1 minute, 8 seconds
- - Spoken: ALAN JABBOUR: That's a good tune./HENRY REED: Yeah./ALAN JABBOUR: Now what's that named?/HENRY REED: Well, they call that "The Route." I don't rea--"The Route" is all I . . . .
- - Recording chronology: 037
- Audio tape
- Call Number
- AFC 1967/007: AFS 13033B29
- Source Collection
- Alan Jabbour duplication project, part 1
- American Folklife Center
- Digital Id
Rights & Access
The Library of Congress is not aware of any U.S. copyright protection (see Title 17, U.S.C.) or any other restrictions in the material in this collection, except as noted below. Users should keep in mind that the Library of Congress is providing access to these materials strictly for educational and research purposes. The written permission of the copyright owners and/or other holders of rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemptions. Responsibility for making an independent legal assessment of an item and securing any necessary permissions ultimately rests with persons desiring to use the item. See our Legal Notices for additional information and restrictions.
The Center asks that researchers approach the materials in this collection with respect for the culture and sensibilities of the people whose lives, ideas, and creativity are documented here. Researchers are also reminded that privacy and publicity rights may pertain to certain uses of this material.
Photographs in this collection produced by Carl Fleischhauer, Karen Singer Jabbour, and Kit Olson are reproduced here with their permission. Mr. Fleischhauer does not object to additional use of the photos he created provided he is credited as the photographer. Persons contemplating other kinds of uses or use of the other photographers' work should contact the American Folklife Center at the Library of Congress.
Please cite the source collection title, collection number, and repository, for example:
Alan Jabbour duplication project, part 1 (AFC 1967/007), American Folklife Center, Library of Congress
Alan Jabbour duplication project, part 2 (AFC 1969/008), American Folklife Center, Library of Congress
Fiddle tunes of the old frontier: the Henry Reed collection online presentation (AFC 1999/016), American Folklife Center, Library of Congress
Rights assessment is your responsibility.
More about Copyright and other Restrictions
For guidance about compiling full citations consult Citing Primary Sources.