Audio Recordings Jinny Put the Kettle On
Jabbour, Karen Singer
- Jinny Put the Kettle On
- Contributor Names
- Jabbour, Alan (Transcriber)
- Jabbour, Alan (Collector)
- Jabbour, Karen Singer (Collector)
- Reed, Henry, 1884-1968 (Performer)
- Created / Published
- Reed family home, Glen Lyn, Giles County, Virginia, July 17, 1967
- Subject Headings
- - Instrumental music
- - Fiddle tunes
- - Folk music--Appalachian Region
- - Breakdowns
- - Reels
- - Ethnography
- - Music
- - Field recordings
- - United States -- Virginia -- Giles County -- Glen Lyn
- Field recordings
- - Key: D
- - Meter: 4/4
- - Compass: 8
- - Performed by Henry Reed, fiddle.
- - Duration: 1 minute, 12 seconds
- - Strains: 3 (high-low-lower octave, 2-2-2)
- - Rendition: 1r-2r-1r-2r-3r-(1)
- - Phrase Structure: AB QR (abac qbqc)
- - Spoken: HENRY REED: Let's see, doggone, I'm trying to think about that "Jinny Put the Kettle On." [Laughs]/ALAN JABBOUR: [Whistles]/HENRY REED: I played that for you./ALAN JABBOUR: I believe you did but you just played a bit of it. You just, you hardly got throug
- - Recording chronology: 154
- - "Jinny (or Jenny) Put the Kettle On" is an old favorite in the British Isles and America. American sets are usually entitled "Molly (or Polly) Put the Kettle On." An eighteenth-century Scottish version appears in Johnson, Scots Musical Museum (1853 edition), vol. 3, 512 (#496), entitled "Jenny's Bawbie." Similar sets are Davie's Caledonian Repository, p. 83; Stewart-Robertson, Athole Collection, p. 88; One Thousand Fiddle Tunes, p. 19 "Jenny's Baby-Reel." American sets include Gentleman's Amusement . . . for the Clarionet (ca. 1825), No. 3, p. 5 "Polly put the kettle on"; Ford, Traditional Music of America, p. 85 "Polly, Put the Kettle On"; O'Neill's Music of Ireland #1363 "Molly Put the Kettle On."Henry Reed's first performance of this tune (AFS 13703b22) was conflated with "Old Molly Hare," which he had just played previously, and was cut off abruptly; this, his second performance of it, is fuller and more representative, and in it he makes a third strain by reproducing the high strain an octave lower. George Will White, whom he described as playing this piece "half the night," was an African-American fiddler whom he knew in his younger days in Monroe County, West Virginia. According to Henry Reed, the only other piece Mr. White played was "Sally Ann."
- Audio tape
- Call Number
- AFC 1969/008: AFS 13705B02
- Source Collection
- Alan Jabbour duplication project, part 2
- American Folklife Center
- Digital Id
Rights & Access
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Alan Jabbour duplication project, part 1 (AFC 1967/007), American Folklife Center, Library of Congress
Alan Jabbour duplication project, part 2 (AFC 1969/008), American Folklife Center, Library of Congress
Fiddle tunes of the old frontier: the Henry Reed collection online presentation (AFC 1999/016), American Folklife Center, Library of Congress
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