Audio Recordings Funeral Song
Articles and Essays with this item:
Fletcher, Alice C. (Alice Cunningham)
La Flesche, Francis
Merrick, Joseph (Gion'Zethinge) (None to Teach Him)
Miller, George (Inke'Tonga) (Big Shoulder)
- Funeral Song
- Contributor Names
- La Flesche, Francis, 1857-1932 (Recordist)
- Merrick, Joseph (Gioⁿ'zethiⁿge) (None to teach him) (Performer)
- Miller, George (Iⁿke'toⁿga) (Big Shoulder) (Performer)
- Fletcher, Alice C. (Alice Cunningham), 1838-1923 (Collector)
- La Flesche, Francis, 1857-1932 (Collector)
- Created / Published
- Field recordings
- - This song was collected by Alice Cunningham Fletcher and Francis Flesche. It is included on "Omaha Indian Music: Historical Recordings from the Fletcher/La Flesche Collection" (AFC L71).
- - From the liner notes of the "Omaha Indian Music" album: The Omaha had only one funeral song, addressed directly to the spirit of the dead and intended to cheer the spirit on its journey (1893, p. 42, 122; 1911, pp. 592-594).
- - Probable years of birth of George Miller and Joseph Merrick are 1852 and 1845, respectively.
- wax cylinder recording
- Call Number
- AFC 1948/123: AFS 20,310: 8f
- Source Collection
- Alice C. Fletcher and Francis La Flesche collection of Omaha cylinder recordings (AFC 1948/123)
- American Folklife Center
- Digital Id
Rights & Access
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The Library of Congress has carefully researched these materials to ascertain possible legal rights embodied in the materials it contains. For the most part, the performers have been identified in this collection. In the case of the pow-wow recordings there are some stray voices which are audible but not identifiable. As is often the case with materials collected in the course of ethnographic field research, however, it is difficult or impossible to sufficiently identify specific songs sung by participants which precludes performing a comprehensive assessment of the copyright status of underlying musical rights in lyrics or compositions. The identification of specific speakers or singers included in sound recordings is also often difficult or sometimes impossible. The songs in this collection were created in traditional genres by anonymous authors and are part of the oral tradition.
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Please cite the source collection title, collection number, and repository, for example:
Alice C. Fletcher and Francis La Flesche collection of Omaha cylinder recordings (AFC 1948/123)
Omaha Indian interviews collection, 1983 (AFC 1983/026)
1985 Neptune Plaza Concert Series collection (AFC 1985/015)
Omaha Powwow Project collection (AFC 1986/038)
Omaha Indian interviews collection, 1999 (AFC 1999/014)
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