Format Photos, Prints, Drawings
Contributors Brooks, Kathleen Rindal
Dates 1992
Location Illinois
River Forest
United States
Language English
Subjects Art Quilts
Artistic Hobbies
Batting (Textiles)
Cotton Fabrics
Hand Quilting
Log Cabin Quilts
Machine Quilting
Photographs
Pineapple Log Cabin Quilts
Pineapple Quilts
Quilt Art
Quilt Blocks
Quilt Patterns
Quilt Piecing
Quilt Templates
Quilt Tops
Quilting
Title
1992 2nd Place National Winner
Contributor Names
Brooks, Kathleen Rindal, 1956- (Creator)
Created / Published
River Forest, Illinois, 1990 - 1992
Subject Headings
-  Quilting
-  Quilt patterns
-  quilt piecing
-  log cabin quilts
-  quilt tops
-  batting (textiles)
-  hand quilting
-  machine quilting
-  artistic hobbies
-  quilt blocks
-  art quilts
-  cotton fabrics
-  quilt art
-  pineapple log cabin quilts
-  pineapple quilts
-  quilt templates
-  Photographs
-  United States -- Illinois -- River Forest
Genre
Photographs
Notes
-  Quilt size: 50" x 49"
-  The following information was supplied by the quiltmaker: / The quilt's title is from Ghana, translation "My skill is exausted."
-  Pattern learned from "photographs of antique quilts"
-  How did you choose the materials used in your quilt? "I chose from my fabric collection. I own about 2,000 different fabrics --1/4 to 1/2 yd pieces of each. I did not buy any fabric specifically for this quilt, (except the border fabric.)"
-  Quiltmaker's motivation: "Our home was undergoing extensive long term renovation. My quilt studio was the only 'finished' room. I would go in my studio, closing off the dust and distraction of renovation and just enjoy the creation of these blocks. I had no plan as to the finished size of the quilt, only that I 'needed' to sew!"
-  How long have you been making quilts? "20 years (in 1992, 14 years)." / How did you learn to quilt? "Checked a book out of the library. In 1978 our library had 3 quilting books. There wasn't much technical information at all. There was one quilt shop in Chicago (The Contemporary Quilt) where "real" quilters hung out. I saw them there but I didn't know one other person who was a quilter."
-  What was your primary reason for entering the Lands' End contest? Do you frequently enter your quilts in competition? "I entered this quilt contest at the urging of a friend. I do enter a lot of competitions but this quilt was not constructed for that purpose and, in my opinion, lacked the technical perfection to be a winner. I made it for fun only."
-  Has being a winner in the Land's End contest made a difference in your life? Has it changed the way you look at your work as a quilt maker? "You bet!! With all the recognition following that contest, guilds (quilting groups) began calling, asking me to teach and speak to their guild. Now I travel the country (even to Norway) lecturing on quilts and teaching quilting workshops. I have recently published a book on miniature quilts. I do not think the contest changed the way I looked at my work (I already felt personally successful) but it certainly changed the way others looked at my work. People took my quilting seriously -- suddenly it was a 'real' job."
-  For rights information please contact the Folklife Reading Room at http://hdl.loc.gov/loc.afc/folklife.contact
Medium
35mm color slide
Call Number
AFC 1997/011: Folder 8933 P1
Source Collection
Lands' End All-American Quilt Collection (AFC 1997/011)
Repository
American Folklife Center


Rights & Access

The Library of Congress is not aware of any U.S. copyright protection (see Title 17, U.S.C.) or any other restrictions in the material in this collection, except as noted below. Users should keep in mind that the Library of Congress is providing access to these materials strictly for educational and research purposes. The written permission of the copyright owners and/or other holders of rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemptions. Responsibility for making an independent legal assessment of an item and securing any necessary permissions ultimately rests with persons desiring to use the item. See our Legal Notices and Privacy and Publicity Rights for additional information and restrictions.

The American Folklife Center and the professional fieldworkers who carry out these projects feel a strong ethical responsibility to the people they have visited and who have consented to have their lives documented for the historical record. The Center asks that researchers approach the materials in this collection with respect for the culture and sensibilities of the people whose lives, ideas, and creativity are documented here. Researchers are also reminded that privacy and publicity rights may pertain to certain uses of this material.

This collection includes materials from the "All-American Quilt Contest" sponsored by Coming Home, a division of Lands' End and Good Housekeeping. The quilt contest winning entries from 1992 to 1996 are displayed with the permission of Coming Home which retains its rights.

Researchers or others who would like to make further use of these collection materials should contact the Folklife Reading Room for assistance. 

Credit line

Please cite the source collection title, collection number, and repository, for example:

Blue Ridge Parkway Folklife Project collection, 1977-1981 (AFC 1982/009), American Folklife Center, Library of Congress

Lands' End all-American quilt collection, 1992-1997 (AFC 1997/011), American Folklife Center, Library of Congress

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