Format Photos, Prints, Drawings
Contributors Schell, Ann Lillian
Dates 1992
Location Alaska
Fairbanks
United States
Language English
Subjects Aesthetics
Album Quilts
Applique Quilts
Art Quilts
Batting (Textiles)
Bear Paw Quilts
Commemorative Quilts
Cotton Fabrics
Delectable Mountains Quilts
Embroidery
Flying Geese Quilts
Goose Quilts
Goose Tracks
Hand Quilting
Machine Quilting
Medallion Quilts
Photographs
Pictorial Quilts
Quilt Art
Quilt Patterns
Quilt Piecing
Quilt Tops
Quilting
Sampler Quilts
Synthetic Fabrics
Title
1992 Alaska State Winner
Contributor Names
Schell, Ann-Lillian (Creator)
Created / Published
Fairbanks, Alaska, 1989-1992
Subject Headings
-  Quilting
-  Quilt patterns
-  quilt piecing
-  quilt tops
-  embroidery
-  aesthetics
-  batting (textiles)
-  applique quilts
-  hand quilting
-  machine quilting
-  commemorative quilts
-  bear paw quilts
-  synthetic fabrics
-  art quilts
-  cotton fabrics
-  pictorial quilts
-  quilt art
-  medallion quilts
-  flying geese quilts
-  goose quilts
-  album quilts
-  sampler quilts
-  delectable mountains quilts
-  goose tracks
-  Photographs
-  United States -- Alaska -- Fairbanks
Genre
Photographs
Notes
-  The following information was supplied by the quiltmaker:
-  Quilt size: 61" x 61"
-  If your quilt is based on a traditional pattern or an earlier quilt, what is the name of the pattern? Where did you learn the pattern? "My original concept, to link traditional blocks to create the story line."
-  Other techniques used include: "Reverse applique for the title around the center block."
-  How did you choose the materials used in your quilt? "I chose fabric I felt was appropriate, that it, expressive of the spirit of what was being represented, for example, ultrasuede for the bear, the print for the goose."
-  Quiltmaker's motivation: The quilt commemorates the quiltmaker's divorce: "the bear represents my ex-husband." Also represented in the quilt is "Alaskan wildlife -- the large, white triangles are hand quilted with a flock of snow geese. The pattern is from tracing around an Eskimo carved ivory pin of a snow goose."
-  What was your primary reason for entering the Lands' End contest? Do you frequently enter your quilts in competition? "Yes. All of the above; my Aunt Mary had clipped the entry form and sent it to me. I didn't want to disappoint her. I appreciated her faith in my quilting."
-  How long have you been making quilts? How did you learn to quilt? "Since 1969 when I lived in Barrow, AK. I began sewing doll clothes at age 4, but to make a quilt for my baby daughter, I bought the book '101 Quilt Patterns' by Ruby McKenna."
-  Has being a winner in the Land's End contest made a difference in your life? Has it changed the way you look at your work as a quilt maker? "It reinforced my determination to continue striving to improve my quilting and to enter more competitions on the national level."
-  For rights information please contact the Folklife Reading Room at http://hdl.loc.gov/loc.afc/folklife.contact
Medium
Color transparency
Call Number
AFC 1997/011: Folder 8936 P1
Source Collection
Lands' End All-American Quilt Collection (AFC 1997/011)
Repository
American Folklife Center


Rights & Access

The Library of Congress is not aware of any U.S. copyright protection (see Title 17, U.S.C.) or any other restrictions in the material in this collection, except as noted below. Users should keep in mind that the Library of Congress is providing access to these materials strictly for educational and research purposes. The written permission of the copyright owners and/or other holders of rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemptions. Responsibility for making an independent legal assessment of an item and securing any necessary permissions ultimately rests with persons desiring to use the item. See our Legal Notices and Privacy and Publicity Rights for additional information and restrictions.

The American Folklife Center and the professional fieldworkers who carry out these projects feel a strong ethical responsibility to the people they have visited and who have consented to have their lives documented for the historical record. The Center asks that researchers approach the materials in this collection with respect for the culture and sensibilities of the people whose lives, ideas, and creativity are documented here. Researchers are also reminded that privacy and publicity rights may pertain to certain uses of this material.

This collection includes materials from the "All-American Quilt Contest" sponsored by Coming Home, a division of Lands' End and Good Housekeeping. The quilt contest winning entries from 1992 to 1996 are displayed with the permission of Coming Home which retains its rights.

Researchers or others who would like to make further use of these collection materials should contact the Folklife Reading Room for assistance. 

Credit line

Please cite the source collection title, collection number, and repository, for example:

Blue Ridge Parkway Folklife Project collection, 1977-1981 (AFC 1982/009), American Folklife Center, Library of Congress

Lands' End all-American quilt collection, 1992-1997 (AFC 1997/011), American Folklife Center, Library of Congress

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