Format Photos, Prints, Drawings
Contributors Tummings, Laquita
Dates 1994
Location California
United States
Vallejo
Language English
Subjects Aesthetics
Applique Quilts
Artistic Hobbies
Batting (Textiles)
Broken Star Quilts
Cotton Fabrics
Hand Quilting
Lone Star Quilts
Medallion Quilts
Memory
Photographs
Quilt Patterns
Quilt Piecing
Quilt Tops
Quilting
Star Quilts
Synthetic Fabrics
Title
1994 Judges' Choice Winner
Contributor Names
Tummings, LaQuita (Creator)
Created / Published
Vallejo, California, September, 1992 - January 10, 1993
Subject Headings
-  Quilting
-  Quilt patterns
-  quilt piecing
-  quilt tops
-  aesthetics
-  batting (textiles)
-  applique quilts
-  hand quilting
-  artistic hobbies
-  lone star quilts
-  star quilts
-  memory
-  synthetic fabrics
-  cotton fabrics
-  medallion quilts
-  broken star quilts
-  Photographs
-  United States -- California -- Vallejo
Genre
Photographs
Notes
-  The following information was supplied by the quiltmaker:
-  Quilt size: 75" x 73"
-  Where did you learn the pattern? "The pattern is an original design based on a quilt my maternal grandmother hand made."
-  Other techniques used include: "Quilted with gold thread; English paper piecing."
-  How did you choose the materials used in your quilt? "The quilt that provided my inspiration was a Broken Star in shades of yellow with a white background. I chose shades of gold, to represent the darken shades of yellow as well as age, and value. I chose a black background to represent how the coal would have turned it black. I used the African fabrics to represent my African Heritage. The gold thread and the symbols in the quilting are to bring value to my African Heritage, as well as to provide contrast."
-  Quiltmaker's motivation: "The following are the words written on the back of the quilt 'My Heritage': This quilt it dedicated to the memory of my Grandma Shallie Bennermon (Coleman). I remember the quilts that we used to sleep, fight, crawl, and live under. Small patches of dresses, clothes we no longer wore re-created into new memories. People have asked me, 'Who taught you?' or 'You must have lots of patience.' I don't. I make time for the things that are important to me, so did my grandma. When I was 17, I went to the house that my grandma had lived in. In the basement was a coal bin. Stretched in front of the bin was a 'Broken Star' in shades of yellow. I was in love! When I returned to California, I started the first of many quilts. I didn't put two and two together until many years later. I've always regretted not getting that quilt. But I've never forgotten it. Thank you grandma. I never really knew my grandma, but she will live through every quilt I make."
-  How long have you been making quilts? How did you learn to quilt? "I have always loved to play with cloth. I made doll clothes and I began sewing at about 11 or 12. I made a quilt when I was 15, or 16 which was later stolen. But I began in earnest after seeing my grandmothers quilt when I was 17 which was over 20 yr. ago. I learned by trial and error. I am self taught."
-  Has being a winner in the Land's End contest made a difference in your life? Has it changed the way you look at your work as a quilt maker? "Not until now. It is wonderful to have the opportunity to express for history what my quilting is to me. It has always been a part of me, the desire to create with cloth and color. But not the contest itself did not change how I looked at my creativity. It is really nice to see your work in Print (Lands' End address book)."
-  For rights information please contact the Folklife Reading Room at http://hdl.loc.gov/loc.afc/folklife.contact
Medium
Color transparency
Call Number
AFC 1997/011: Folder 8991 P1
Source Collection
Lands' End All-American Quilt Collection (AFC 1997/011)
Repository
American Folklife Center


Rights & Access

The Library of Congress is not aware of any U.S. copyright protection (see Title 17, U.S.C.) or any other restrictions in the material in this collection, except as noted below. Users should keep in mind that the Library of Congress is providing access to these materials strictly for educational and research purposes. The written permission of the copyright owners and/or other holders of rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemptions. Responsibility for making an independent legal assessment of an item and securing any necessary permissions ultimately rests with persons desiring to use the item. See our Legal Notices and Privacy and Publicity Rights for additional information and restrictions.

The American Folklife Center and the professional fieldworkers who carry out these projects feel a strong ethical responsibility to the people they have visited and who have consented to have their lives documented for the historical record. The Center asks that researchers approach the materials in this collection with respect for the culture and sensibilities of the people whose lives, ideas, and creativity are documented here. Researchers are also reminded that privacy and publicity rights may pertain to certain uses of this material.

This collection includes materials from the "All-American Quilt Contest" sponsored by Coming Home, a division of Lands' End and Good Housekeeping. The quilt contest winning entries from 1992 to 1996 are displayed with the permission of Coming Home which retains its rights.

Researchers or others who would like to make further use of these collection materials should contact the Folklife Reading Room for assistance. 

Credit line

Please cite the source collection title, collection number, and repository, for example:

Blue Ridge Parkway Folklife Project collection, 1977-1981 (AFC 1982/009), American Folklife Center, Library of Congress

Lands' End all-American quilt collection, 1992-1997 (AFC 1997/011), American Folklife Center, Library of Congress

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