Format Photos, Prints, Drawings
Contributors Gant, Alice
Dates 1994
Location Alaska
Anchorage
United States
Language English
Subjects Aesthetics
Applique Quilts
Banner Quilts
Cotton Fabrics
Income
Machine Quilting
Photographs
Pictorial Quilts
Quilt Patterns
Quilting
Synthetic Fabrics
Wool Quilts
Title
1994 Judges' Choice Winner
Contributor Names
Gant, Alice (Creator)
Created / Published
Anchorage, Alaska, Winter, 1993 - Spring, 1994
Subject Headings
-  Quilting
-  Quilt patterns
-  aesthetics
-  income
-  applique quilts
-  machine quilting
-  synthetic fabrics
-  cotton fabrics
-  pictorial quilts
-  banner quilts
-  wool quilts
-  Photographs
-  United States -- Alaska -- Anchorage
Genre
Photographs
Notes
-  The following information was supplied by the quiltmaker:
-  Quilt size: 60" x 60"
-  If your quilt is based on a traditional pattern or an earlier quilt, what is the name of the pattern? "There is nothing traditional about my banners except a love of color and pattern and the inordinate amount of time it takes to produce a finished piece."
-  "I don't make quilts. This banner isn't quilted. Sometimes judges let my work into quilt shows because they like the humor or artistry -- but it really isn't a quilt." / "I draw on black cloth with chalk, sew through to colors that are placed beneath the black and cut away the black."
-  How did you choose the materials used in your quilt? "I use mostly chintzes and upholstery fabrics -- anything that can be machine stitched. I have boxes of cold fabric in my unheated garage. Perfectly perfect strangers send me fabric they think would fit in my quilts. Isn't that amazing! Sometimes the ugliest cloth is super for birch bark on stones."
-  Quiltmaker's motivation: "I started to enjoy Russian folk art when I moved to Alaska and wanted to make a still life about the big Tula samovar that was in my dining room. That grew into a show of 15 or so banners based on Russian themes. Fairy tales, heroes, legends, Firebirds, Bogatyrs, saints and dragons -- really just a lot of giant illustrations in fabric."
-  What was your primary reason for entering the Lands' End contest? Do you frequently enter your quilts in competition? "I usually do solo shows -- I think this was my 1st competition. I enter competitions now only if I know non-traditional quilts are acceptable. Actually, I am 1 of 12 quilters who meet once a month to help and criticize each others work. The members of Art Quilt Network North told me not to enter this contest -- so I did! Usually they are right about things esthetic, however."
-  How long have you been making quilts? How did you learn to quilt? "I used to make regular quilted quilts for beds. . . I started that about 26 years ago. I came to this reverse applique style because I wanted the look of hand drawn lines. I taught myself. I used to be a printmaker -- the layering of reverse applique is similar to multicolored block printmaking -- there is a certain amount of 'plan ahead' involved."
-  Has being a winner in the Land's End contest made a difference in your life? Has it changed the way you look at your work as a quilt maker? "I love to get letters from people I donÆt know. Anytime photos of banners appear some new interesting correspondence occurs. My work as an artist happens after my whole day as a teacher, I'm trying hard not to imitate myself."
-  For rights information please contact the Folklife Reading Room at http://hdl.loc.gov/loc.afc/folklife.contact
Medium
Color transparency
Call Number
AFC 1997/011: Folder 8993 P1
Source Collection
Lands' End All-American Quilt Collection (AFC 1997/011)
Repository
American Folklife Center


Rights & Access

The Library of Congress is not aware of any U.S. copyright protection (see Title 17, U.S.C.) or any other restrictions in the material in this collection, except as noted below. Users should keep in mind that the Library of Congress is providing access to these materials strictly for educational and research purposes. The written permission of the copyright owners and/or other holders of rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemptions. Responsibility for making an independent legal assessment of an item and securing any necessary permissions ultimately rests with persons desiring to use the item. See our Legal Notices and Privacy and Publicity Rights for additional information and restrictions.

The American Folklife Center and the professional fieldworkers who carry out these projects feel a strong ethical responsibility to the people they have visited and who have consented to have their lives documented for the historical record. The Center asks that researchers approach the materials in this collection with respect for the culture and sensibilities of the people whose lives, ideas, and creativity are documented here. Researchers are also reminded that privacy and publicity rights may pertain to certain uses of this material.

This collection includes materials from the "All-American Quilt Contest" sponsored by Coming Home, a division of Lands' End and Good Housekeeping. The quilt contest winning entries from 1992 to 1996 are displayed with the permission of Coming Home which retains its rights.

Researchers or others who would like to make further use of these collection materials should contact the Folklife Reading Room for assistance. 

Credit line

Please cite the source collection title, collection number, and repository, for example:

Blue Ridge Parkway Folklife Project collection, 1977-1981 (AFC 1982/009), American Folklife Center, Library of Congress

Lands' End all-American quilt collection, 1992-1997 (AFC 1997/011), American Folklife Center, Library of Congress

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