INSTRUCTIONAL CASSETTE RECORDINGS CATALOG 2003 Music and Musicians Contents This catalog is an annotated guide to instructional music cassettes available as of July 2002. It is divided into eighteen sections whose titles generally indicate the contents of each section. Thus, "Appreciation" gathers together cassettes dealing with the appreciation of music. The "Courses" section contains cassette titles that bear on learning how to sing and play various instruments. And the "Opera" section has numerous cassettes on particular operas or facets of a composer's opera output. Any title may be ordered by contacting: Music Section National Library Service for the Blind and Physically Handicapped Library of Congress Washington, DC 20542 1-800-424-8567 nlsm@loc.gov Learning to Listen Appreciation 1 Biography 8 Composers 8 Conductors 19 Educators 19 Performers 19 Songwriters 33 History 42 General 42 Medieval and Renaissance 44 Baroque 44 Classical 45 Romantic 46 Modern 46 Instruments 48 General 48 Brass 48 Electronic 48 Keyboard 49 Percussion 49 Strings 49 Woodwinds 50 Rehearsals 51 Learning Music Skills Courses 52 Accordion 52 Autoharp 53 Banjo 53 Dobro 54 Dulcimer 54 Fiddle 54 Guitar 55 Harmonica 59 Mandolin 60 Organ 60 Piano 60 Recorder 61 Singing 62 Songwriting/Composing 63 Synthesizer/Electronic Keyboard 63 Tinwhistle 63 Theory 64 Basic Theory 64 Chords 65 Ear Training 65 Harmony 65 History 65 Intervals/Triads 66 Ornamentation 66 Forms and Analysis 66 Canon and Fugue 66 Cantata 67 Chamber Music 67 Concerto 67 Dance 68 Electronic 68 Improvisation 68 Mass 68 Motet/Madrigal 68 Oratorio 68 Overture 68 Rhapsody 68 Rondo 68 Scherzo 68 Sonata 68 Suite 68 Symphony 68 Theme and Variation 68 Individual Pieces 71 Guitar 71 Piano 73 Popular Songs 74 Viola 75 Violin 75 Voice 77 Master Classes 84 Special Topics Folk Music 85 African 85 American 85 Australian 89 European 89 Mexican American 90 Native American 90 Oriental 91 Russian 91 South American 91 Other Cultures 91 Holidays and Seasons 93 Jazz and Ragtime 100 Nostalgia and Popular Music 114 Opera 114 Appreciation 114 Plots 117 Michael Barclay Lectures 142 Lyric Opera Series 144 Talking about Opera Series 144 Ann Thompson Series 145 Patriotic and Protest Music 146 Sacred/Gospel Music 148 Music and the Human Experience 149 Index 152 Appreciation The American Musical Theater CBM 1507 Guests discuss in general the state of the American musical and in particular the book Ten Great Musicals of the American Theater. Animals Expressed in Music CBM 249 Walter Damrosch talks about animal sounds in music. Arts and Older Folks CBM 731 Individuals over sixty remember their past and discuss their present activity in the arts. Includes interviews with Rudy Vallee, Avon Long, and Artur Rubinstein. A Broadway Melody CBM 718 Interviews with writers, producers, and actors who talk about what it takes to succeed on the Broadway stage. Actor Jerry Orbach, actress Lauren Bacall, and playwright Ernest Thomson are some of the individuals who contribute. Canadian Music CBM 669 Discusses Morris Blackburn's "Canadian Forest," an evocation of life in the northern woods. Chamber Music CBM 258 The Trio Concertante discusses and demonstrates the changing roles and increasing interdependence of instruments in chamber music. Classical Dances CBM 181 Traces the formal development of the dance from the earliest written music to the modern symphonic repertoire. Classics for Fun CBM 232 Light music by classical composers. Includes selections from Mozart's Adagio for the glass harmonica, Ibert's Concertina for saxophone, Strauss's "Tales from the Vienna Woods," Rachmaninoff's "Clown Music" for piano, and Gounod's "Funeral March of the Marionettes." Composers' Musical Jokes CBM 257 Excerpts from Strauss's "Perpetual Motion Polka" and "Thunder and Lightning" show how composers regain audience attention through surprise. The Cosmic Music of the Harmonic Choir CBM 779 Music based on a form of Tibetan overtone chanting. Commentary and interview by the Harmonic Choir director, composer David Hykes, and a noted musicologist with musical excerpts from choir's performances. Developing the Innate Musical Creativity of Children CBM 1529 Digging Music CBM 190 Arthur Fiedler and Stan Kenton play selections from jazz and the classics. Examples include classical music works by Beethoven, Tchaikovsky, Verdi, Mascagni, and Dvořák performed by the Boston Pops Orchestra along with a variety of jazz pieces by Benny Goodman, Count Basey, Duke Ellington, and other jazz musicians representing the newest styles in this genre. Emotions in Music CBM 283 Discusses compositional techniques used to convey moods and emotions through music. Enjoying Opera with Dale Harris CBM 1547 The Exotic Sounds of India CBM 300 Ravi Shankar, who introduced the sitar to rock musicians, explains and performs the intricate music of his country. Fairy Tales in Music CBM 266 Discusses the compatibility of fairy tales and music. Rudolf Firkusny CBM 151 Recital featuring Schubert's Impromptu in A-flat major and Schumann's Fantasy in C major. Girl Crazy CBM 282 A dramatization with songs from the 1930's musical by George and Ira Gershwin. Some of the songs included are "I Got Rhythm," "Bidin' My Time," and "Embraceable You." From Jumpstreet: A Story of Black Music CBM 715 Part 1: West African Heritage compares the roles of music, dance, and song in traditional West African and African American culture. Part 2: Gospel Spirituals shows the development of gospel and spiritual music compared with its original functions and settings. Part 3: Soul identifies social, political, and economic factors that nurtured the development of soul music. Part 4: Blues: Country Meets City considers the music that developed after the Civil War to express the sorrows and joys of freed people. Part 5: Rhythm and Blues focuses on black urban folk music. "R and B," or "doo wop," is the forerunner of rock and roll, soul, and disco. Part 6: Early Jazz explains that blues, brass band music, African ritual music, and ragtime are among early sources of the jazz music culture. Part 7: The Jazz Vocalist highlights the golden era of jazz vocalists during the 1930s and 1940s. Part 8: Jazz People demonstrates that jazz is uniquely American music and identifies innovators from 1936 on. Part 9: Black Music in Theatre and Film traces black music from minstrelsy, through "talking" pictures to stage and screen. Part 10: Black Influences in the Recording Industry depicts the process of creating and marketing a record from the perspective of black performers. Oscar Browne Jr. traces the history of recording since the appearance of the first Victrola in 1877. Haydn and Handel: Masterpieces of Chamber Music CBM 302 Eastman School of Music students perform Michael Haydn's Quintet for strings in C major and Handel's Passacaglia, arranged for violin and viola by Johan Halvorsen. How Music Expresses Joy and Sorrow CBM 220 Explains how composers convey their feelings through music by operating directly on the listener's emotions. How to Understand and Listen to Great Music CBM 1532-1537 Robert Greenberg lectures on understanding and listening to great music. Part I: Sources; the Ancient World through the Early Baroque Lecture 1, Music as a mirror. Lecture 2, Sources: The ancient world and the early Church. Lecture 3, The Middle Ages: Darkness, change and diversity. Lecture 4, Introduction to the Renaissance. Lecture 5, The Renaissance Mass: Josquin des Prez, Palestrina and the Counter Reformation. Lecture 6, Secular music in the late Renaissance and the search for expression; the madrigal. Lecture 7, Introduction to the baroque. Lecture 8, Style features of baroque music and a brief tutorial on pitch, motive, melody and texture. Part II: High Baroque Lecture 9, The rise of Italian and German nationalism in music. Lecture 10, Fugue. Lecture 11-12, Baroque opera. Lecture 13, Baroque sacred music, part 1: The oratorio. Lecture 14, Baroque sacred music part 2: The Lutheran Church cantata (Bach course). Lecture 15, Baroque instrumental forms, part 1: Passacaglia. Lecture 16, Baroque instrumental forms, part 2: Ritornello form and the baroque concerto. Part III: The Classical Era I Lecture 17, The Enlightenment and an introduction to the classical era. Lecture 18, The Viennese classical style, homophony and cadence. Lecture 19, Classical era form: theme and variations. Lecture 20, Classical era form: Minuet and trio I-baroque antecedents. Lecture 21, Classical era form: Minuet and trio II. Lecture 22, Classical era form: Rondo. Lecture 23-24, Classical era form: Sonata; Allegro form I. Part IV: The Classical Era II and the Age of Revolution-Beethoven Lecture 25, Classical era form: sonata form II. Lecture 26, Classical era orchestral genres: the symphony-music for every person. Lecture 27, Classical era orchestra genres: the solo concerto. Lecture 28, Classical era opera: the development of opera buffa. Lecture 29, Classical era opera: Mozart and the operatic ensemble. Lecture 30, The French Revolution and an introduction to Beethoven. Lecture 31-32, Beethoven Symphony no. 5 in C minor, Op. 67. Part V, Nineteenth Century Romanticism Lecture 33, Introduction to Romanticism. Lecture 34, Formal challenges and solutions in early romantic music: miniatures, Lieder and Chopin. Lecture 35-36, Formal challenges and solutions in early romantic music: the program symphony, Berlioz Symphonie Fantastique. Lecture 37, Nineteenth century Italian opera: bel canto opera. Lecture 38, Nineteenth century Italian opera: Giuseppe Verdi. Lecture 39, Nineteenth century German opera: nationalism and experimentation. Lecture 40, Nineteenth century German opera: Richard Wagner. Part VI, From Romanticism to Modernism, 1848-1913 Lecture 41-42, The concert overture. Lecture 43, Romantic nationalism: post 1848 musical nationalism. Lecture 44, Russian nationalism. Lecture 45, The early twentieth century and the modernist movement: an introduction. Lecture 46, Early twentieth century modernism: the search for a new musical language- Debussy. Lecture 47, Early twentieth century modernism: the search for a new musical language-Stravinsky. Lecture 48, Early twentieth century modernism: the search for a new musical language (Schoenberg). Incidental Music to Shakespeare CBM 469 Four musical interpretations of works by Shakespeare. Introduction to the Orchestra CBM 68 Introduction to music listening by Walter Damrosch. Examples include the march from Wagner's Tannh„user and "The Hall of the Mountain King" from Grieg's Peer Gynt Suite. Laughing with the Classics CBM 990 Tomfoolery with music featuring Donald Swann, Gerard Hoffnung, and P.D.Q. Bach. Leonard Bernstein Discusses... CBM 705 Beethoven's Fifth Symphony and "Eroica Symphony," Bach's St. Matthew Passion, and the music of Charles Ives. Discussion and excerpts from these works. Leonard Bernstein Discusses Humor in Music CBM 694 Wit and humor in music is discussed. "Till Eulenspiegel's Merry Pranks" by Richard Strauss is played. The Masters CBM 999 Music of romance is featured by master composers. Franz Liszt's "Liebestraum" is among the selected works. Motion Expressed in Music CBM 238 Demonstrates the expression of motion in music from ancient times to the present. Mozart CBM 634 Commentary on and performance of this music for string quartet and two horns. The Music of Haydn CBM 165 Describes the finer points of Haydn's music as seen in his Symphony no. 94 and his Concerto for trumpet and orchestra. Music from the Heavens CBM 916 Discusses the phenomenon of youth's attraction to Bach and his music's uplifting spirit. His mastery of counterpoint is demonstrated in the musical selections. Music of Latin America CBM 226 Discussion of Latin music and its origins. Musical illustrations include "The Four Churches" by Brazilian composer Francisco Mignone and "Preludio" by Chilean composer Rene Amengual. Music about Toys CBM 259 Examples include Victor Herbert's "March of the Toy Soldiers" from Babes in Toyland and Tchaikovsky's "Dance of the Sugar Plum Fairy" from The Nutcracker. Musical Ideas of Art Pepper CBM 18 The artist discusses how he puts a jazz piece together. Starting with a promising tune, he works out rhythmic and melodic outlines, then allows emotions to take over with individual solos. My Love Is like a Red, Red Rose CBM 1194 Biography of Robert Burns, the Scottish poet who wrote the words to "Auld Lang Syne." Myths in Music CBM 411 Analyzes mythical themes in the music of Handel, Vivaldi, Gluck, and Wagner. Includes two selections from a famous work in this genre, Wagner's Ring. The Nature of Music CBM 1530 New World Choristers CBM 158 Choral music by American and Chilean composers. Nutcracker Ballet CBM 81 Relates the story of The Nutcracker, as set to music by Tchaikovsky. Operetta Memories CBM 1000 Operetta in America is reviewed. "Waltz of the Merry Widow" is among the musical selections. Passion in Pink CBM 15 Discussion and Henri Renie's musical interpretations of five paintings: da Vinci's Mona Lisa, Picasso's Girl before a Mirror, Duchamp's Nude Descending a Staircase, Dali's Persistence of Memory, and Toulouse-Lautrec's At the Moulin Rouge. Peter and Ravel CBM 228 A quintet plays the contrasting works of Johann Peter, eighteenth-century American composer, and Maurice Ravel, twentieth-century French composer. Pictures at an Exhibition CBM 635 Mussorgsky's impressions, set to music, of ten paintings by Victor Hartman, a Russian artist. Pioneers of Czech Music CBM 34 Erich Leinsdorf conducts selections from The Bartered Bride by Friedrick Smetana, Second Symphony in D minor by Antonín Dvořák, Concerto for violin and orchestra by Bohuslav Martinu, and Schwanda the Bagpiper by Jaromir Weinberger. The Poet and the Musician CBM 1508 Prokofiev and Purcell CBM 471 Under the direction of Howard Hanson, Eastman School of Music advanced students play two pieces written almost three centuries apart-Prokofiev's Quintet op. 39 and Purcell's Pavanne and Chaconne for three violins and bass. Prometheus at the Piano CBM 1531 Lecture and performance by Gilbert Highet. The Ring CBM 78-79 Introduction to Wagner's masterpiece, showing how Wagner represented characters, situations, and ideas through his system of leitmotifs. Rock and Roll CBM 251 A composer and a disc jockey discuss rock and roll from musical, psychological, and social points of view. Romantic Piano CBM 1556 Lecture and performance by Karl Haas. Roy Harris and Gregor Piatigorsky CBM 1515 Russian Music CBM 9 Outlines the history of Russian music from Glinka to Shostakovich. Includes selections from their works as well as those of Mussorgsky, Tchaikovsky, and Stravinsky. Schubert and Mozart CBM 219 Millard Taylor and Jose Ichanitch perform Schubert's Sonatina in D major and Mozart's Sonata no. 15 in B-flat major. Singing in the African American Tradition CBM 1528 Song and Dance CBM 1557 Lecture and performance by Karl Haas. The Story of the Bells CBM 1555 Lecture and performance by Karl Haas. Stretching the Scale CBM 222 Scott Huston points out that "good music develops in spite of the insatiable demand for popular music." String Quintet CBM 306 The Eastman School of Music Chamber Ensemble plays Brahms Quintet for Strings in G major op. 111. Symphonies of Beethoven CBM 1612-1615 Robert Greenberg lectures about Beethoven's symphonies. Part 1: Lecture 1, Beethoven and the heroic style, part I. Lecture 2, Beethoven and the heroic style, part II. Lecture 3, Beethoven and the heroic style, part III. Lecture 4, Beethoven and the heroic style, part IV. Lecture 5, Symphony no. 1, Beethoven as classicist-tradition and innovation, part I. Lecture 6, Symphony no. 1, Beethoven as classicist-tradition and innovation, part II. Lecture 7, Symphony no. 2, Beethoven at the edge, part I. Lecture 8, Symphony no. 2, Beethoven at the edge, part II. Part 2: Lecture 9, Symphony no. 3, the "new path"-heroism and self-expression, part I. Lecture 10, Symphony no. 3, the "new path"-heroism and self-expression, part II. Lecture 11, Symphony no. 3, the "new path"-heroism and self-expression, part III. Lecture 12, Symphony no. 3, the "new path"-heroism and self-expression, part IV. Lecture 13, Symphony no. 4, consolidation of the new aesthetic, part I. Lecture 14, Symphony no. 4, consolidation of the new aesthetic, part II. Lecture 15, Symphony no. 4, consolidation of the new aesthetic, part III. Lecture 16, Symphony no. 4, consolidation of the new aesthetic, part IV. Part 3: Lecture 17, Symphony no. 5, the expressive idea fully formed, part I. Lecture 18, Symphony no. 5, the expressive idea fully formed, part II. Lecture 19, Symphony no. 5, the expressive idea fully formed, part III. Lecture 20, Symphony no. 6, the symphony as program, part I. Lecture 21, Symphony no. 6, the symphony as program, part II. Lecture 22, Symphony no. 6, the symphony as program, part III. Lecture 23, Symphony no. 7, the symphony as dance, part I. Lecture 24, Symphony no. 7, the symphony as dance, part II. Part 4: Lecture 25, Symphony no. 8, homage to classicism, part I. Lecture 26, Symphony no. 8, homage to classicism, part II. Lecture 27, Symphony no. 8, homage to classicism, part III. Lecture 28, Symphony no. 9, the symphony as the world, part I. Lecture 29, Symphony no. 9, the symphony as the world, part II. Lecture 30, Symphony no. 9, the symphony as the world, part III. Lecture 31, Symphony no. 9, the symphony as the world, part IV. Lecture 32, Symphony no. 9: the symphony as the world, part V. The Tales of Beatrix Potter: Music from the Motion Picture CBM 996 The Royal Opera House Orchestra is featured under the direction of John Lanchbery who also composed the ballet score. Excerpt, "The Tale of Jeremy Fisher," is heard. A biography of Beatrix Potter is included. Understanding the Language of Music CBM 1304 Using examples from classical and popular music, Daniel Abrams discusses modes, scales, chords, and the instruments of the orchestra. Includes a brief history of music, with analysis of styles and forms. For the person who would like to acquire a rudimentary knowledge of music history and theory. What Is Jazz? CBM 704 Discusses jazz and includes musical examples performed by Buck Clayton, Bessie Smith, Miles Davis, Teo Macero, Louis Armstrong, and Buster Bailey. Narrated by Leonard Bernstein. Words about Music CBM 71 Composer-writer R. Murray Schafer states his views on current music education methods, composition, and noise pollution. Biography Composers Bach, Johann Sebastian The World's 50 Greatest Composers: Bach CBM 1623 BartĒk, B‚la The World's 50 Greatest Composers: BartĒk CBM 1662 Beethoven, Ludwig van Beethoven the Incredible CBM 369 Fictionalized account of Beethoven's life. Beethoven, the Man CBM 1513 Beethoven, the Man Who Set Music Free CBM 938 Biography of Beethoven and excerpts from his music. Beethoven, Revolutionary Artist CBM 1514 Ludwig van Beethoven CBM 84 Biography of the composer who believed that music was a branch of moral philosophy and that musical sounds were the very stuff and substance of political and religious life. The Music of Beethoven CBM 28 Outlines the career of the great German composer. The World's 50 Greatest Composers: Beethoven CBM 1628 Berlioz, Hector The World's 50 Greatest Composers: Berlioz CBM 1633 Bizet, Georges Life and Music of Georges Bizet CBM 987 The life and work of Georges Bizet with excerpts from Carmen, his best known opera. The World's 50 Greatest Composers: Bizet CBM 1644 Boulez, Pierre Experiments in Electronics CBM 330 Composer-conductor Pierre Boulez discusses his search for a new musical language. Brahms, Johannes Brahms CBM 627 Description of life and musical style of the great German composer, accompanied by the excerpts of his major works. Johannes Brahms CBM 85 Biography of the composer. The Music of Brahms CBM 164 Describes the life and work of the composer, a leading figure in the German romantic movement. Includes selections from his compositions. The World's 50 Greatest Composers: Brahms CBM 1642 Britten, Benjamin Benjamin Britten, the Early Years CBM 1518 Buxtehude, Dietrich Lbeck, the Abendmusiken concerts established by Dietrich Buxtehude CBM 389 Discussion of Buxtehude's fame as an organist, influence as a composer, and role in establishing the Abendmusiken, a series of concerts held on the five Sundays preceding Christmas. Includes a performance of Buxtehude's sacred solo cantata, Laudate Dominum. Chopin, Fr‚d‚ric Fr‚d‚ric Fran‡ois Chopin CBM 102 Biography of the composer. Poet of the Piano-Chopin CBM 371 Fictionalized biography of Fr‚d‚ric Chopin, illustrated with orchestral versions of his piano music. The World's 50 Greatest Composers: Chopin CBM 1635 Copland, Aaron An Aaron Copland Portrait CBM 134 Interview with Aaron Copland, who discusses the use of folk material in his opera The Tender Land, and a performance by the Boston Symphony Orchestra, conducted by Copland, of two suites from the opera. Copland, Gershwin, and Piston CBM 25 A discussion of three contemporary American composers who have achieved international prominence. The World's 50 Greatest Composers: Copland CBM 1666 Corelli, Arcangelo Corelli and Vivaldi: Their Lives and Their Music CBM 1292 Narrated by Ward Botsford Debussy, Claude The World's 50 Greatest Composers: Debussy CBM 1655 Dohnanyi, Ernst von Ernst von Dohnanyi CBM 149 Dohnanyi plays his compositions and talks about his musical career. Ernst von Dohnanyi in Concert CBM 148 Dohnanyi tells of his early concert days. Donizetti, Gaetano The World's 50 Greatest Composers: Donizetti CBM 1632 Dvořák, Antonín The World's 50 Greatest Composers: Dvořák CBM 1647 Ellington, Duke Duke Ellington CBM 933 Mike Whorf interviews friends and relatives of the pianist, bandleader, and composer of more than one thousand pieces. Falla, Manuel de The World's 50 Greatest Composers: de Falla CBM 1661 Faure, Gabriel The World's 50 Greatest Composers: Faure CBM 1650 Foster, Stephen Collins Beautiful Dreamer CBM 930 Biography and music of the American songwriter Stephen C. Foster. The Foster Nobody Knows CBM 988 Biography of Stephen Foster and a glimpse into the legacy of his naturally beautiful melodies, which have been enjoyed for generations. Franck, C‚sar The World's 50 Greatest Composers: Franck CBM 1640 Gershwin, George Copland, Gershwin, and Piston CBM 25 A discussion of three contemporary American composers who have achieved international prominence. George Gershwin's Rhapsody in Blue CBM 891 The story behind writing this composition and performing it with Paul Whiteman in New York. Gershwin cut the piano roll used for this performance. Gershwin CBM 709 Description of life and musical style of Gershwin, accompanied by several excerpts of his major works and numerous popular songs. The Gershwin Years CBM 614/CBM 615 Overview of Gershwin's life, with several songs from stage musicals, including "Yankee Doodle Blues," "Somebody Loves Me," "Clap Yo' Hands," and "Bess, You Is My Woman." The World's 50 Greatest Composers: Gershwin CBM 1665 Gluck, Christoph The World's 50 Greatest Composers: Gluck CBM 1625 Gottschalk, Louis Moreaux America's First Superstar CBM 951 Biography of Louis Moreaux Gottschalk, who used American folk music in his compositions. Selections heard are "Bamboula" and "A Night in the Tropics." Grieg, Edvard Grieg CBM 998 Biography and music of the Norwegian born composer who wove the folk melodies and rhythms of his homeland into his works. The World's 50 Greatest Composers: Grieg CBM 1648 Handel, George Frideric The Music of Handel CBM 140 Details Handel's career as a composer. The World's 50 Greatest Composers: Handel CBM 1624 Haydn, Franz Joseph Franz Josef Haydn CBM 104 Introduction to the composer's life. Haydn CBM 706 Description of life and musical style of the great Austrian composer, accompanied by the excerpts of his major famous works. Josef Haydn CBM 671 Biography plus musical examples. The Music of Haydn CBM 165 Describes the finer points of Haydn's music as seen in his Symphony no. 94 and his Concerto for trumpet and orchestra. The World's 50 Greatest Composers: Haydn CBM 1626 Henze, Hans Werner Spotlight on Hans Werner Henze CBM 290 A contemporary German composer discusses the successful opera. Herbert, Victor The Legend of Victor Herbert CBM 612 Focus on Victor Herbert, one of the founders of ASCAP, covering his varied career as composer of the operetta Babes in Toyland, bandmaster of New York's Twenty-Second Regiment Band, and conductor of the Pittsburgh Symphony Orchestra. Victor Herbert CBM 585 Biography. Herbert's failure at composing serious pieces for the opera and violoncello resulted in the operetta Naughty Marietta, a forerunner of musical comedy. Includes selections from Victor Herbert's musical comedies. Hoddinott, Alun Moelwyn Merchant Talks with Composer Alun Hoddinott CBM 321 The composer talks about his and other composers' work. Includes excerpts from Hoddinott's works. Ives, Charles Charles Ives: Fascination with What Is Difficult; Erik Satie: Man in the Grey Velvet Suit CBM 1509 Gilbert Highet discusses the lives of two composers, Charles Ives and Erik Satie. He explores the influences that shaped their compositions. Jan cek, Leos The World's 50 Greatest Composers: Jan cek CBM 1654 Johnson, James P. (James Price) James P. Johnson CBM 858 The composer of "Charleston" and "If I Could Be with You" ranked along with Scott Joplin and Jelly Roll Morton as the "father" of the eastern Harlem stride style. Liszt, Franz Franz Liszt CBM 673 Biography plus musical examples. Liszt CBM 708 Description of music and musical style of the great Hungarian composer and pianist, accompanied by the excerpts from his most important works. The World's 50 Greatest Composers: Liszt CBM 1637 Mahler, Gustav Recollections of Mahler CBM 108, CBM 628 Musicians, acquaintances, and Mahler's daughter describe their experiences with this composer and discuss his personal and professional life. The World's 50 Greatest Composers: Mahler CBM 1652 Mendelssohn-Bartholdy, Felix Felix Mendelssohn CBM 161 Discusses the life and music of Felix Mendelssohn. Felix Mendelssohn CBM 674 Biography plus musical examples. The World's 50 Greatest Composers: Mendelssohn CBM 1634 Monteverdi, Claudio The World's 50 Greatest Composers: Monteverdi CBM 1619 Mozart, Wolfgang Amadeus The Music of Mozart CBM 27 The third movements from Mozart's Piano Concerto no. 26 in D major and his Sinfonia Concertante in E-flat major illustrate Mozart's musical development. Profile: Mozart CBM 962 The universal genius and unique style of Mozart are discussed along with his personal life. Excerpts from his music are performed. The World's 50 Greatest Composers: Mozart CBM 1627 Mussorgsky, Modest The World's 50 Greatest Composers: Mussorgsky CBM 1645 Offenbach, Jacques Death in A Major CBM 970 The story of Offenbach's near lifelong quest of a haunting melody, his famous "Barcarolle." Palestrina, Giovanni The World's 50 Greatest Composers: Palestrina CBM 1618 Piston, Walter Copland, Gershwin, and Piston CBM 25 A discussion of three contemporary American composers who have achieved international prominence. Prokofiev, Sergei The World's 50 Greatest Composers: Prokofiev CBM 1664 Puccini, Giacomo The World's 50 Greatest Composers: Puccini CBM 1651 Purcell, Henry The World's 50 Greatest Composers: Purcell CBM 1620 Rachmaninoff, Sergi The World's 50 Greatest Composers: Rachmaninoff CBM 1658 Rameau, Jean Philippe The World's 50 Greatest Composers: Rameau CBM 1622 Ravel, Maurice The World's 50 Greatest Composers: Ravel CBM 1660 Rimsky-Korsakov, Nikolay The World's 50 Greatest Composers: Rimsky-Korsakov CBM 1649 Rossini, Gioacchino The World's 50 Greatest Composers: Rossini CBM 1631 Saint-Sa‰ns, Camille The World's 50 Greatest Composers: Saint-Sa‰ns CBM 1643 Satie, Eric See entry under Ives, Charles Schoenberg, Arnold The World's 50 Greatest Composers: Schoenberg CBM 1659 Schubert, Peter Franz Franz Schubert CBM 672 Biography plus musical examples. Peter Franz Schubert CBM 101 Story of the composer who sank so low into poverty that he couldn't afford to rent a piano to do his writing. Most of his works were not performed until years after his early death at thirty-one. Schubert CBM 707 Description of life and musical style of the great Austrian composer, accompanied by numerous excerpts from his works. Schubert CBM 1512 The World's 50 Greatest Composers: Schubert CBM 1629 Schuman, William Close-up on William Schuman CBM 286 Reminiscences of the educational administrator, president of Lincoln Center for the Performing Arts, and composer. Schumann, Robert Robert Schumann CBM 14 David Randolph discusses the life of the composer who set out to become the world's greatest pianist, but lost the use of his hand and died impoverished. Illustrated with numerous examples of Schumann's compositions for piano, orchestra, instrumental ensembles, and voices. A Tribute to Schumann CBM 924 The life and work of Robert Schumann. Several of his piano works and songs are performed. The World's 50 Greatest Composers: Schumann CBM 1636 Schutz, Heinrich Dresden CBM 384 Lecture on Heinrich Schutz, stressing Schutz's importance in applying Italian polychoral style and dramatic monody to German church music; motets from Schutz's Symphoniae Sacrae. Shostakovich, Dmitri Shostakovich and Stravinsky CBM 301 Lecture on the life and work of two leading Russian composers. The World's 50 Greatest Composers: Shostakovich CBM 1667 Sibelius, Jean The World's 50 Greatest Composers: Sibelius CBM 1656 Sousa, John Philip John Philip Sousa CBM 297 Discussion concerning the great composer's life, highlighted by comments of friends and associates. Marching Along CBM 851 John Philip Sousa, born in Washington, D.C., in 1854, wrote over one hundred marches. His band performed from 1892 to 1931. Interviews with his daughter Helen and friend Meredith Willson, and examples of his music such as El Capitan. The Sousa Nobody Knows CBM 971 Explores other compositions Sousa wrote besides his well-known marches. A tango called Gliding Girl, composed in 1912, is among the selections. Strauss, Johann Johann Strauss II CBM 710 Description of life and music of the Waltz King, with numerous excerpts from his famous works. The World's 50 Greatest Composers: J. Strauss CBM 1641 Strauss, Richard The World's 50 Greatest Composers: R. Strauss CBM 1653 Stravinsky, Igor See also listing under Shostakovich A Sound Portrait of Igor Stravinsky CBM 719 Biography of the composer whose ballet The Rite of Spring touched off a riot when it was first produced in Paris in 1913. Illustrated by writings from Stravinsky as well as Debussy and Rimsky-Korsakov and interviews with Elliot Carter and John Rosen. Selections from composer's pieces for orchestra, conducted by Stravinsky. Spotlight on Igor Stravinsky CBM 56 Igor Stravinsky invites the listener into his Hollywood studio to hear a conversation with conductor Robert Craft. The World's 50 Greatest Composers: Stravinsky CBM 1663 Tchaikovsky, Peter The Music of Tchaikovsky: Music by the Melancholy Russian CBM 23 Excerpts from The Nutcracker Suite, Sleeping Beauty, and Symphony no. 4, showing how Tchaikovsky's music is rooted in Russian folk music. Peter Ilyich Tchaikovsky CBM 194 David Randolph introduces many of Tchaikovsky's compositions. The World's 50 Greatest Composers: Tchaikovsky CBM 1646 Tippett, Michael Sir Michael Tippett CBM 1519 Biography and discussion of the composer's life. Includes interview with Tippett and others, and extensive musical extracts. Vaughan Williams, Ralph The World's 50 Greatest Composers: Vaughan Williams CBM 1657 Verdi, Giuseppe A General Lecture on Verdi CBM 1336 This composer, born into abject poverty, was to become one of the greatest opera composers of all time. There is also a comparison of Il Trovatore and Aida, two of his greatest works. The History Makers: Giuseppe Verdi CBM 405 Narrated by John Green The Master of Melody-Verdi CBM 948 Biography of the renowned opera composer, his tragedy and triumphs. Excerpts from his operas are heard. The World's 50 Greatest Composers: Verdi CBM 1639 Vivaldi, Antonio Corelli and Vivaldi: Their Lives and Their Music CBM 1292 Narrated by Ward Botsford The World's 50 Greatest Composers: Vivaldi CBM 1621 Wagner, Richard The World's 50 Greatest Composers: Wagner CBM 1638 Walton, William Sir William Walton CBM 1520 Biography and discussion of the composer. Includes interview with Walton and others and extracts from his works. Weber, Karl Maria von The World's 50 Greatest Composers: von Weber CBM 1630 Weill, Kurt The Musical Maverick CBM 611 Covers the varied career of Kurt Weill, composer of such operas as Threepenny Opera and Mahagonny and such popular songs as "Mack the Knife" and "September Song." His collaborators Ira Gershwin, Langston Hughes, and Ogden Nash tell their stories about his work in America. The World's 50 Greatest Composers Johann Sebastian Bach CBM 1623 B‚la BartĒk CBM 1662 Ludwig van Beethoven CBM 1628 Hector Berlioz CBM 1633 Georges Bizet BM 1644 Johannes Brahms CBM 1642 Fr‚d‚ric Chopin CBM 1635 Aaron Copland CBM 1666 Claude Debussy CBM 1655 Gaetano Donizetti CBM 1632 Antonín Dvořák CBM 1647 Manuel de Falla CBM 1661 Gabriel Faur‚ CBM 1650 Cesar Franck CBM 1640 George Gershwin CBM 1665 Christoph Gluck CBM 1625 Edvard Grieg CBM 1648 George Frideric Handel CBM 1624 Franz Joseph Haydn CBM 1626 Leos Jan cek CBM 1654 Franz Liszt CBM 1637 Gustav Mahler CBM 1652 Felix Mendelssohn CBM 1634 Claudio Monteverdi CBM 1619 Wolfgang Amadeus Mozart CBM 1627 Modest Mussorgsky CBM 1645 Giovanni da Palestrina CBM 1618 Sergei Prokofiev CBM 1664 Henry Purcell CBM 1620 Giacomo Puccini CBM 1651 Sergi Rachmaninoff CBM 1658 Jean-Philippe Rameau CBM 1622 Maurice Ravel CBM 1660 Nikolay Rimsky-Korsakov CBM 1649 Gioacchino Rossini CBM 1631 Camille Saint-Sa‰ns CBM 1643 Arnold Schoenberg CBM 1659 Franz Schubert CBM 1629 Robert Schumann CBM 1636 Dmitri Shostakovich CBM 1667 Jean Sibelius CBM 1656 Johann Strauss CBM 1641 Richard Strauss CBM 1653 Igor Stravinsky CBM 1663 Peter Tchaikovsky CBM 1646 Ralph Vaughan Williams CBM 1657 Giuseppe Verdi CBM 1639 Antonio Vivaldi CBM 1621 Richard Wagner CBM 1638 Karl Maria von Weber CBM 1630 Conductors Ormandy, Eugene Spotlight on Eugene Ormandy CBM 265 The conductor reminisces about his boyhood, Vienna, and other musicians. Stokowski, Leopold A Leopold Stokowski Profile CBM 162 Autobiographical account of Stokowski's unusual range of musical activity. Szell, George Maestro George Szell CBM 472 A great conductor demonstrates his artistry in these rehearsals and concerts. Toscanini, Arturo Maestro Arturo Toscanini CBM 270 This tribute to the famed maestro includes a discussion of his life and work as a conductor, composer, and teacher. The Man and the Legend-Arturo Toscanini CBM 913 Called saint and demon, tyrant and democrat, it was an epic experience to play under this great musician of the world. Music by Beethoven is heard. Educators Boulanger, Nadia Focus on Nadia Boulanger CBM 296 Nadia Boulanger, distinguished teacher of Aaron Copland and numerous other successful composers, discusses her teaching philosophy and comments on success in the world of music. The Influence of Nadia Boulanger CBM 173 Nadia Boulanger explains how she develops her students' creative abilities and musical artistry. Music for Children CBM 263 Interviews with Doreen Hall, a leading exponent of the Orff system of music education; Donald Himes, a teacher of eurhythmics; and Derek Healey, a composer. Performers Astaire, Fred The Legend of Fred S. Astaire CBM 819 Biography of Fred Astaire, dance master of the stage and screen. Music such as "Dancing Cheek to Cheek" is featured. Austin, Gene The Legend of Gene Austin CBM 826 Describes Austin as a kind and generous human being, whose legacy can be summed up by the dictum to embrace the present. "My Blue Heaven," "Ain't Misbehavin'," "Lonesome Road," and "Melancholy Baby" are heard. Baez, Joan The Singer as Activist CBM 113 Interview with folk singer Joan Baez and her family and friends. Discusses her career and her involvement with the Monterey Institute for the Study of Nonviolence. Beiderbecke, Bix Bix Beiderbecke CBM 1523 Belafonte, Harry Spotlight on Harry Belafonte CBM 287 A prominent black singer and entertainer discusses his life on stage. Benny, Jack Jack Benny CBM 881 Biography of the much loved entertainer who never aged beyond thirty-nine years, played the violin, and personified a vain and miserly character. Blake, Eubie Eubie Blake CBM 1521 Memories of Eubie CBM 728 The ninety-six-year-old ragtime musician reminisces about his many years in show business. He also plays "Charleston Rag," "Memories of You," and "If You've Never Been Vamped by a Brownskin." Borge, Victor Clown Prince of Denmark CBM 1002 Biography, music, and comedy of Victor Borge. Includes the story of a Mozart opera and phonetic punctuation. Brice, Fanny Fanny CBM 925 A legend in her time, Fanny Brice began her stage career at age fourteen and was a show stopper from her first performance. Original excerpts from her performances are heard. Britto, Carol Carol Britto CBM 1245 For two decades she delighted Toronto jazz fans. Carol Britto has returned to her native country, making waves on the New York music scene with her impressive piano skills. Britto discusses her career. Burton, Gary Gary Burton CBM 1249 Although his main instrument is the vibraphone, he has taught piano at the Berklee College of Music for many years. Gary Burton performs "Turn Out the Stars." Marian McPartland interviews Burton and the two blend talents on a duet of "The Night Has a Thousand Eyes." Cage, John John Cage and Burl Ives CBM 1516 Calloway, Paul See entry under Duncan, Paul Cantor, Eddie Gerald Marks on Eddie Cantor CBM 876 Interview with composer and historian of Tin Pan Alley, Gerald Marks, and his recollections of the "saucer-eyed" entertainer, Eddie Cantor. Songs heard briefly are "Ma," "Makin' Whoopee," and "Ida." Caruso, Enrico Hall of Fame: Enrico Caruso CBM 989 Biography of the world-famous tenor who was among the first of leading musicians to recognize the value of the phonograph. Casals, Pablo Spotlight on Pablo Casals CBM 293 The renowned cellist discusses his music and ideals. Chaplin, Charlie The Comedian: Charlie Chaplin CBM 986/CBM 1186 Biography of the world famous comedian, Charlie Chaplin. Includes his childhood and early stage appearances. Timely and humorous music interspersed throughout. Chevalier, Maurice Close-up on Maurice Chevalier CBM 320 An entertainer recalls his love affairs with Parisian and American audiences. Colianni, John John Colianni CBM 1235 At fifteen he demonstrates his abilities with a composition of his own, "Slow Blues." A powerful duet of "Get Happy" concludes a session with Marian McPartland. Columbo, Russ The Legend of Russ Columbo CBM 833 A crooner of the 1930s who reflects on the slowdown in musical style after the stock market crash. "Time on My Hands," "Sweet and Lovely," and "All of Me" are among the songs included. Copeland, Johnny Johnny Copeland CBM 1232 The singer and guitarist explains the difference between Texas country blues and Texas city blues and why his music is often considered the quintessence of just plain Texas blues. Corea, Chick Chick Corea CBM 1250 The multitalented musician plays selections from a variety of musical genres- from big band to jazz-rock fusion. In "Piano Jazz," recorded at Corea's own California studio, the prolific composer joins Marian McPartland for a dazzling mix of talk, improvisations, and musical portraits. Crosby, Bing Close-up on Bing Crosby CBM 284 A giant in show business tells the story of his life and work with the easy style that was his trademark for two generations. Dapogny, James James Dapogny CBM 1254 A specialist on piano music from the turn of the century to World War II tells his favorite tales of the legendary Jelly Roll Morton and plays tunes by Morton and Gershwin. Disney, Walt Walt Disney's Dream Factory CBM 846 Biography and excerpts of music from Disney's movies such as "Chim Chim Cher-ee" sung by Dick Van Dyke, "Who's Afraid of the Big Bad Wolf," and "Alice in Wonderland." Duchin, Peter Peter Duchin CBM 1257 He began studying music at five and went on to lead his own orchestra. This demonstration features Duchin in a solo of Gershwin's "Someone to Watch Over Me." Duncan, Todd Todd Duncan and Paul Calloway CBM 83 Todd Duncan, the original Porgy in Porgy and Bess, and Paul Calloway, the Washington Cathedral's director of music, discuss their difficulties in achieving success. Durante, Jimmy The Legend of Jimmy Durante CBM 828 "The Great Durante" began his career as a ragtime pianist in 1913. Reminiscences of his radio days include portions of broadcasts and songs he played and sang. Eldridge, Roy Roy Eldridge CBM 1238 In this demonstration the great jazz trumpet stylist displays his piano abilities by playing several of his own works and a composition penned by both Marian McPartland and Eldridge, the "M and R Blues." Ellington, Duke Duke Ellington CBM 1522 Things Are Just like They Used to Be CBM 980 Anecdotes and facts about the man Duke Ellington and his big-band style of arranging. "Chattanooga Choo Choo" and "Perdido" are heard. Elman, Mischa The Art of Mischa Elman CBM 958 Biography of the pioneer of the "Russian School" of violin playing. Some familiar tunes are played in this highly romantic style. Fields, Gracie Gracie Fields Forever CBM 868 Through recordings and recorded interviews, the life of this famous English music hall queen is traced. Beginning as a professional singer at the age of sixteen, she made her last appearances at age seventy. Introduced by Stanley Holloway. Gilmore, P. S. Super Salesman of Music CBM 943 Biography of the extraordinary band master of the 1800s who traveled the country producing musical events. Choral and orchestra music are performed. Gluck, Alma The Legend of Alma Gluck CBM 829 Alma Gluck, operatic soprano born in Romania in 1884, came to New York as a child. She sang for Toscanini in 1909. They became lifelong friends. Featured songs are from her operatic roles. Gould, Glenn Glenn Gould on the Moog Synthesizer CBM 244 Glenn Gould talks about the Moog synthesizer used in the production of the recording Switched-on Bach. Includes interviews with synthesizer performer Wendy Carlos and Canadian poet Jean Le Moyne. Grillo, Frank "Machito" Machito CBM 1190 Pays tribute to the late Cuban musician Frank "Machito" Grillo, universally acclaimed as the first musician to blend jazz with Latin American sound. Includes interviews with Machito, as well as with those who knew him. (This tape contains material on one side only.) Guthrie, Woody Legend of a Balladeer CBM 912 Biography of Woody Guthrie, who traveled the land and wrote songs about American life. "This Land Is Your Land" and "Roll on, Columbia" are among the musical selections. Hancock, Herbie Herbie Hancock CBM 1229 His mastery of both acoustic piano jazz and electronic jazz-rock-funk has propelled him to stardom. Herbie Hancock discusses his role in the film Round Midnight, plays "Chan's Song," written especially for the film, and joins Marian McPartland for their own version of "That Old Black Magic." Hawkins, Coleman Spotlight on Coleman Hawkins CBM 264 Friends and colleagues reminisce about the jazz musician's career. Includes a recording of his last performance. Heifetz, Jascha The World's Greatest Violinist CBM 203 Interview with renowned violinist Jascha Heifetz. Includes performances. Hines, Earl Fatha Hines Groove CBM 54 Traces the development of Hines's unique jazz piano style throughout the long span of his career. Holiday, Billie Billie Holiday CBM 822 Biography of the blues singer. Examples of her sensitive style include both upbeat and blues songs. Some backings are played by Teddy Wilson and Lester Young. Holly, Buddy Buddy Holly CBM 900 Buddy Holly's legacy of rock and roll music influenced such performers as Bob Dylan, the Rolling Stones, and the Beatles. "Well, That'll Be the Day" is heard. Hopkins, Lightnin' Focus on Lightnin' Hopkins CBM 292 In this documentary, the blues singer and guitarist reminisces about the early days of his career and performs many of his songs. Jackson, Mahalia Mahalia Jackson Discusses "Movin' on Up" CBM 231 Interview with the great black singer, who describes her strong faith and the hymns and spirituals she sings that reinforce her faith. Jarvis, Jane Jane Jarvis CBM 1258 An executive for Muzak, former organist with the New York Mets, and now a headliner in premier jazz clubs, Jarvis plays a solo version of "The Bounder." A duet of "J and M Blues" concludes this interview by Marian McPartland. Jessel, Georgie The Legend of Georgie Jessel CBM 816 Old radio broadcasts illustrate his wit along with songs and comments about his life and career. Jolson, Al I'd Rather Please You than Anyone CBM 815 Jessel eulogizes Al Jolson whose popularity spanned the 1920s to 1950s. This in-depth biography of the great entertainer includes the song "My Mammy." The Legend of Al Jolson CBM 824 Famous for his black face, white gloves, and bended knee, the minstrel man became a legend in his own time. Born in 1886, he went from vaudeville to Broadway. Includes "My Mammy," his memorable specialty. Jones, Oliver Oliver Jones CBM 1247 His renditions of "Street of Dreams" and "Straight, No Chaser" have earned this Montreal native international recognition. The endearing Oliver Jones talks about his career and tells stories of his childhood friend Oscar Peterson. Joplin, Janis Janis Joplin CBM 899 Biography of the electrifying performer born in Port Arthur, Texas, who died at age twenty-seven of a heroin overdose. Includes several of her emotionally charged songs. Keene, Constance Constance Keene CBM 726 Constance Keene discusses her performances at the Menuhin Festival in Stadt, Switzerland, and her teaching experiences at the Manhattan School of Music. She believes that music schools are admitting too many unprepared and untalented students. Khan, Bismillah Spotlight on Bismillah Khan CBM 313 Discusses the art, daily life, and music of Bismillah Khan, exponent of India's subtle and complex music played on the shannai, a double reed instrument. Kirkland, Kenny Kenny Kirkland CBM 1239 While still in his twenties, he has already made thirty recordings and worked with an impressive range of artists-from Wynton Marsalis to Sting. Kenny Kirkland talks with Marian McPartland and performs a two-piano version of "Billy's Bounce" with her. Kitt, Eartha Eartha Kitt CBM 725 A candid interview with the singer-dancer. She talks about her life as a poor orphan growing up in the South and her rise to international stardom and self-acceptance. Kreisler, Fritz The Legend of Fritz Kreisler CBM 1196 This famed violinist was born in Vienna in 1875. He toured the United States in 1888 before making his debut in Berlin. Two featured selections are "Rondino" based on a theme by Beethoven and "Caprice" by Kreisler. Spotlight on Fritz Kreisler CBM 288 Fritz Kreisler comments on music in general, his successful career, his collection of violins, and his family. Selections from performances are included. Laine, Jack Pappa Jack the Patriarch CBM 279 On his ninetieth birthday, Pappa Jack Laine reflects on his role in the development of jazz. Landowska, Wanda Focus on Wanda Landowska CBM 160 Wanda Landowska describes her affinity for the harpsichord and her thoughts about music, her career, and life in general. Lanza, Mario Mario Lanza CBM 896 Koussevitzky was instrumental in giving the Philadelphia-born legendary tenor his beginning. Excerpts from operas and "Granada." Lauder, Harry Harry Lauder Special CBM 1010 Scotsman who created a character of fact and fancy toured the United States extensively for twenty-five years beginning in 1907. He sings several Scottish songs. Ledford, Lily May The Life and Music of Lily May Ledford CBM 778 Appalachian musician Lily May Ledford plays her fiddle and banjo, and describes efforts to preserve old-time Appalachian music traditions. Lewis, Ted The Legend of Ted Lewis CBM 827 His trademarks-a top hat, cane, and clarinet-gave him his distinction. He performed for nine presidents during his career. MacDonald, Jeanette Queen of the Sentimental Love Song CBM 341 Summarizes the film career of Jeanette McDonald, the twenty years from 1929 to 1949. Gives the background of her films, costars, and songs. Marley, Bob The Music and Marley CBM 717 An interview with Bob Marley, who, until his death in 1981, was considered the living symbol of Jamaica and its Reggae music. Marsalis, Ellis Ellis Marsalis CBM 1234 He is the father of two popular American jazz artists: Wynton and Branford Marsalis. This teacher, performer, and recording artist, credited with instilling a love for music in all his children, talks about and plays his own compositions and combines talent with Marian McPartland for their version of "Blue in Boogie." McCormack, John The Irish Nightingale CBM 1195 John McCormack, contemporary of Caruso, had a way with words which made him a leading singer of his day. "Where the River Shannon Flows" and a 1916 recording of "When Irish Eyes Are Smiling" are heard. McKeller, Kenneth Troubadour in Tartan CBM 923 The Scottish singer Kenneth McKeller sings in much the same style as John McCormack. Among the musical selections are "Danny Boy" and "I Hear You Calling Me." Menuhin, Yehudi Menuhin and Ayrton CBM 374 Michael Ayrton, noted sculptor, painter, and writer, discusses the responsibilities of gifted musicians and artists with Yehudi Menuhin, well-known violinist. Yehudi Menuhin, Man and Musician CBM 69 The renowned violinist whose musical career began before the age of three discusses his experiences as a child prodigy and as a mature musician. Miller, Kid Focus on Kid "Punch" Miller CBM 291 Tribute to black trumpet player "Punch" Miller, known in the New Orleans of the 1920s and 1930s as "King of the Blues." Miller, Mulgrew Mulgrew Miller CBM 1243 In an interview with Marian McPartland, Miller and McPartland take turns on Art Tatum tunes, and the two combine forces on Cole Porter's "What Is This Thing Called Love?" Mingus, Charlie Charlie Mingus Speaks Out CBM 183 Charlie Mingus talks about life, love, education, religion, children, women, men, and injustice, from the black perspective. Morgan, Helen The Legend of Helen Morgan CBM 812 Songs and the story of Helen Morgan's life and theatrical career. Vocal samples include "Bill," "Can't Help Lovin' That Man of Mine," and "Give Me a Heart to Sing." Mulligan, Gerry Gerry Mulligan CBM 1248 Best known as a baritone saxophonist and big-band performer, Gerry Mulligan has begun to write and perform symphonic music. During this interview he turns to the piano to play "Ontet" and a duet of "Blue Angst." Munsel, Patrice The Story of Patrice Munsel CBM 33 Story of a small-town girl who made it to the Metropolitan Opera. Novak, Larry Larry Novak CBM 1255 A teacher, director, arranger, and composer from Chicago considers himself "one of the last generalists" and proves it by offering an impressive variety of piano jazz during this interview with Marian McPartland. Peerce, Jan Jan Peerce CBM 823 Versatile performer on radio, TV, stage, and in opera. "You'll Never Walk Alone," "Blue Bird of Happiness," and Schubert songs are heard. Pepper, Art Musical Ideas of Art Pepper CBM 18 The artist discusses how he puts a jazz piece together. Starting with a promising tune, he works out rhythmic and melodic outlines, then allows emotions to take over with individual solos. Petrucciani, Michel Michel Petrucciani CBM 1256 "I'm never letting anything stop me from doing what I want to do," proclaims the twenty-one-year-old Petrucciani during this discussion and demonstration of his own composition style. Powell, Maud Child Prodigy of the Violin CBM 115 Discusses the life of Maud Powell, the American violin virtuoso who was not considered seriously until she was invited to play for Queen Victoria. Presley, Elvis Portrait of Elvis Presley CBM 814 Biography and music of the country singer turned rock star. Discusses the views and expectations of his fans. Puente, Tito Tito Puente, the King of Salsa CBM 1026 Biography and music of the popular Latin musician. Ritter, Tex Tex Ritter CBM 878 Biography of the Texas-born country-western singer and Hollywood cowboy. "High Noon," "Old Shortie," and "Lord, Can a Drunk Get into Heaven" are among the songs heard. Roberts, Judy Judy Roberts CBM 1240 In a conversation with Marian McPartland that hits topics from sexism to Cole Porter, Judy Roberts shows that her independence and talent make her one of the most versatile singers and pianists of her age. Robeson, Paul Paul Robeson CBM 957 Biography of Paul Robeson, the controversial singer who was the first performer to do concerts consisting solely of spirituals. Rodgers, Jimmie Portrait of Jimmie Rodgers CBM 882 Biography of the country-western singer of the 1920s and 1930s. "Birmingham Jail" and "Lookin' for a New Mamma" are among the songs heard. Rubinstein, Artur He Loved Life from Miracle to Miracle CBM 969 This great pianist, considered by many to be the world's reigning artist in Chopin performance, attracted a wider following and performed more concerts than any other concert artist of his day. Works by Brahms, DeFalla, and Beethoven are performed. Rushen, Patrice Patrice Rushen CBM 1252 Her talents range from jazz and soul to rhythm and blues. The popular vocalist, songwriter, arranger, and master keyboardist Patrice Rushen discusses her career and demonstrates her many abilities, including her rendition of "Spirit Song." Seals, Son Son Seals CBM 1230 The Chicago blues singer, songwriter, and guitarist traces the blues's move up the Mississippi into Memphis and Chicago, and explains how his own Arkansas roots influence his music. Seeger, Pete The Incompleat Folksinger CBM 294 Folksinger Pete Seeger sings some of his favorite ballads and discusses his controversial life and his book. Protests of Pete Seeger CBM 57 The folksinger who was branded an outcast and banned from radio, television, and concert halls discusses the origins of his radicalism. Segovia, Andres Spotlight on Andres Segovia CBM 289 A master guitarist discusses his involvement with music, his search for and ultimate discovery of the perfect guitar, and his most memorable concerts. Shearing, George George Shearing CBM 1242 This legendary blind jazz figure describes his early start in music as a teenager and plays some of his favorite pieces. Shuur, Diane Diane Shuur CBM 1236 This vocalist and pianist first performed at age nine to begin a career that has taken her to the White House and the Monterey Jazz Festival. Diane Shuur reflects on her life and does a solo of "I Can't Believe You Are in Love with Me." Sills, Beverly From Soap Opera to Grand Opera CBM 973 Insight into Beverly Sills's life. Her role as Cleopatra in the opera Julius Caesar brought her universal popularity. Smith, Leonard Bingley Three Cheers for the Red, White, and Blue CBM 1013-1014 Trumpeter and conductor Leonard Smith plays "Carnival of Venice" and reminisces about his career and other performers such as Sousa. The Detroit Concert Band is also heard. Spanier, Muggsy Musical Ideas of Muggsy Spanier CBM 22 A legendary jazz trumpeter discusses his art and idols. Taj Mahal Taj Mahal CBM 1191 An interview with the black musician who is called a "blues man," but who insists that his music is of many types of people. Taylor, Cecil Cecil Taylor CBM 1241 A jazz artist with a classical background, Cecil Taylor has garnered such honors as a Guggenheim Fellowship and an honorary doctorate from the New England Conservatory of Music. Here he offers his tribute to Jimmy Lyons and joins Marian McPartland in a duet of "Get Out of Town." Taylor, Koko Koko Taylor CBM 1231 Born in the great blues town of Memphis, Taylor talks about her singing and the importance of female blues singers like Ma Rainey and Bessie Smith. Temple, Shirley The Legend of Shirley Temple CBM 817 Her career began when she was seven years old and spanned 1935-1938. "The Good Ship Lollipop" and "Goodnight My Love" are featured. Thompson, Butch Butch Thompson CBM 1244 Best known for his popular appearance on public radio's "Prairie Home Companion," Butch Thompson performs opera as well as folk music and jazz. This cassette begins with "Ecuadorian Memories" and ends with a rousing version of "Rosette." Torm‚, Mel Musical Ideas of Mel Torm‚ CBM 150 Insights into jazz. Torm‚ discusses his vocal style and the vocal trademarks of other singers. von Trapp Von Trapp Family Singers CBM 967 A retelling of the Sound of Music story along with other real-life adventures of the von Trapp family of singers, who perform folk songs and other selections from concerts. The Wonderful World of the Trapp Family CBM 356 How Maria von Trapp and her singing family found a way to preserve and share the culture and beauty of their beloved Austria. Many musical examples. Tureck, Rosalyn First Lady of Bach CBM 110-111 In this interview, Rosalyn Tureck describes her life as child prodigy, gifted student, conductor, concert artist, and music scholar. Vallee, Rudy L. The Legend of Rudy L. Vallee CBM 821 Biography of the singing idol, band leader, and actor who hosted a radio show which had such entertaining personalities as Edgar Bergen and Sophie Tucker as guests. Includes "I'm Just a Vagabond Lover" among other songs. Verrett, Shirley Focus on Shirley Verrett CBM 268-269 Shirley Verrett, a black opera singer, discusses her career and sings excerpts from Carmen, Il Trovatore, Samson and Delilah, Aida, and Orfeo. Waters, Ethel The Legend of Ethel Waters CBM 818 Ethel Waters made her way from poverty to stardom in vaudeville. Among her best known songs, "Dinah" (1925) and "Am I Blue" (1929) are heard. White, Josh Josh White CBM 1517 Williams, Hank Down That Long Lost Highway CBM 813 Biography and music of Hank Williams, who died at age twenty-nine. His career, during which he wrote "Your Cheatin' Heart" and "Your Cold, Cold Heart," lasted only three years. Several of his friends are interviewed. Winter, Paul Musical Ideas of Paul Winter CBM 17 A jazz artist discusses his State Department tour of Latin America, his meeting with jazz musicians in cosmopolitan cities, and his experiences in the bush where natives had never heard of jazz. Zeitlin, Denny Denny Zeitlin CBM 1246 A practicing psychiatrist as well as an accomplished pianist who has toured with the Paul Winter Consort, Denny Zeitlin discusses his music and plays several tunes from his first album. Ziegfeld, Florenz Father of the Follies CBM 353 Biography of the great Florenz Ziegfeld, producer in the grand manner. Music selections include "I'm an Indian" (1921) sung by Fanny Brice and "When the Moon Shines on the Moonshine" by Bert Williams. Songwriters Alter, Louis Music in My Heart CBM 551 Story of Lou Alter, the composer of the melody "Manhattan Serenade" as well as four other instrumental pieces inspired by New York City: "Manhattan Moonlight," "Manhattan Masquerade," "Metropolitan Nocturne," and "Side Street in Gotham." Arlen, Harold The Man Who Gave the World a Rainbow CBM 568-569 Interview with Harold Arlen, composer of the score to The Wizard of Oz and of songs written for stage and screen. Selections from his work include "Over the Rainbow," "Stormy Weather," and "Blues in the Night." The Beatles The Beatles CBM 65 Interview with John Lennon and Paul McCartney, former Beatles, about wealth, fame, and world issues. John and Yoko CBM 578 John Lennon and Yoko Ono discuss fame, money, and drugs. Benjamin, Bennie The Man Who Set the World on Fire CBM 567 Bennie Benjamin talks about his collaboration with lyricist George Weiss. Songs include "I Don't Want to Set the World on Fire" and "I Don't See Me in Your Eyes Anymore." Berlin, Irving The Bard of Tin Pan Alley CBM 945 Biography of the extraordinary songwriter who recorded our history in song. "Always," "The Girl on the Magazine Cover," and "Alexander's Ragtime Band" are among the featured songs. Tribute to Mr. America CBM 1011-1012 Biography of the songwriter who gave us a wonderful legacy of the spirit of America with such songs as "God Bless America" and "Alexander's Ragtime Band." Boggs, Jesse Sessions with Jesse Boggs CBM 734 Singer-songwriter Jesse Boggs pokes fun at American society by recreating a recording session. The musicians, intent upon making a hit album, reduce music to its most salable elements: music and satire. Brewster, W. Herbert Rev. Brewster, Gospel Music CBM 776 Gospel music composer W. Herbert Brewster is interviewed on National Public Radio's Horizons series. His most famous song, "Move On Up a Little Higher," helped launch the career of Mahalia Jackson. Brown, Oscar, Jr. Oscar Brown, Jr. CBM 727 The singer-songwriter and social activist talks about his life, his music, and his strong identification with Scott Joplin. Caesar, Irving If You Have to Learn, Don't Start CBM 571-572 Reminiscences by Irving Caesar, leading lyricist for George Gershwin and lyricist of such songs as "Tea for Two," "Swannee," "Sometimes I'm Happy," and "Yankee Doodle Blues." Cahn, Sammy I've Heard That Song Before CBM 559 Story of Sammy Cahn, prolific lyricist for composers Jule Styne, Jimmy Van Heusen, and Saul Kaplan. Cannon, Hughie Won't You Come Home, Hugh Cannon? CBM 856 Biography of the ragtime pianist who wrote "Won't You Come Home, Bill Bailey?" Cohan, George M. (George Michael) Cohan Is a Grand Old Name CBM 328 Story of the acting and song writing career of George M. Cohan, composer of "Give My Regards to Broadway," "The Yankee Doodle Boy," and "Over There," the World War I song for which Cohan received a congressional gold medal. Coleman, Cy If My Friends Could See Me Now CBM 539 Cy Coleman, singer, pianist, conductor, and composer, surveys the contemporary music scene. Comden, Betty Betty Comden and Adolph Greene CBM 6 Two writers of such Broadway hits as The Bells Are Ringing and On the Town discuss musical theater and perform some of their own works. Coots, J. Fred The Santa Claus of Tin Pan Alley CBM 547 Story of musical comedy composer and popular songwriter J. Fred Coots, composer of "Santa Claus Is Coming to Town." Corea, Chick Chick Corea CBM 1250 The multi-talented musician plays selections from a variety of musical genres-from big band to jazz-rock fusion. In "Piano Jazz," recorded at Corea's own California studio, the prolific composer joins Marian McPartland for a dazzling mix of talk, improvisations, and musical portraits. Coslow, Sam Put Some Heart in a Song CBM 526-527 Sam Coslow discusses his experience in writing motion picture songs. Darion, Joe A Lot of Strings to Play CBM 561 Joe Darion, who wrote the lyrics to Man of La Mancha, expresses surprise at the popularity of his song "The Impossible Dream." Davis, Benny The Lyrical Life of Benny Davis CBM 536 Benny Davis, lyricist of the World War I song "Goodbye Broadway, Hello France" and the popular song of the 1920s "Margie" tells of his long career as a songwriter. Donaldson, Walter When Walter Donaldson Ruled the Roost CBM 608 Gerald Marks tells anecdotes about fellow composer Walter Donaldson, whose songs include "Carolina in the Morning," "Making Whoopee," "Back Home in Tennessee," and "My Mammy." Drake, Ervin A Lot of Meaning with the Music CBM 570 Ervin Drake discusses the thread of spirituality that runs through many of his songs, which include "I Believe," "One God," and "It Was a Very Good Year." Duning, George For Whom Writing Music Is a Picnic CBM 556 Interview with George Duning, one of Hollywood's most prolific writers of theme and background music. The Early Days of Songwriting CBM 528-529 Survey of popular music written before the founding of the American Society of Composers, Authors, and Publishers. Features songs of Stephen Foster, songs popular during the Civil War, songs by Henry Clay Work, and songs of the Gay Nineties. Part 1 presents popular music of 1800-1860. Part 2 presents popular music of 1860-1880. Edwards, Sherman American History Was Never like This CBM 519-520 Interview with Sherman Edwards, dropout history teacher who composed 1776, the Broadway musical based on the Revolutionary War and the signing of the Declaration of Independence. Eliscu, Edward You've Given Us More than You Know CBM 563 Interview with Eddie Eliscu, author, playwright, actor, and lyricist of such songs as "Great Day" and "The Carioca," the song made famous by Fred Astaire and Ginger Rogers in their first film collaboration, Flying Down to Rio. Fain, Sammy He Gave Us a Thousand Beautiful Memories CBM 908 Interview and music by lyricist Sammy Fain, who bridges the gap between honky-tonk and modern ballads. "Secret Love" and "Love Is a Many Splendored Thing" won him two Academy Awards. Fulson, Lowell Lowell Fulson CBM 1233 The man who wrote B.B. King's first hit, "Three O'Clock Blues," describes the creation and evolution of the mellow California blues sound. Gilbert, L. Wolfe (Louis Wolfe) "G" Is for the Great Songs You Gave Us CBM 606 Interview with Mrs. Gilbert, whose late husband, L. W. Gilbert, wrote "Waitin' for the Robert E. Lee," "My Mother's Eyes," "Down Yonder," and "Ramona." Green, Bud Evergreens from Bud CBM 550 Reminiscences by Bud Green, lyricist of the hit "Sentimental Journey" along with discussion about Sibelius's Finlandia and Sousa's "Stars and Stripes Forever," two pieces sealed in a time capsule at the New York World's Fair of 1939. Grusin, Dave Dave Grusin CBM 1251 Known primarily as the composer of the musical scores for "Tootsie" and "On Golden Pond," Dave Grusin is also a successful producer and performer. During this interview he plays his own "Theme from St. Elsewhere," and Marian McPartland joins in for a melodic duet of "I Remember April." Guthrie, Woody The Folk Singer CBM 854 Detailed biography of Woody Guthrie, born in rural Oklahoma in 1912. He wrote one thousand songs which express the essence of grass roots America. Legend of a Balladeer CBM 912 Biography of Woody Guthrie who traveled the land and wrote songs about American life. "This Land Is Your Land" and "Roll on, Columbia" are among the musical selections. Woody Guthrie Remembered CBM 44, CBM 46 Interviews with friends of Woody Guthrie. Includes songs by Cisco Houston, Pete Seeger, Woody Guthrie himself, and some children's songs. Handy, W.C. (William Christopher) The Father of the Blues CBM 343 The late W.C. Handy sings and tells about writing such songs as "Memphis Blues," "St. Louis Blues," and "Beale Street Blues." Harbach, Bill Bill Harbach CBM 926 Interview with Otto Harbach's son, who reminisces about his father's contribution to musical comedy. "Cuddle Up a Little Closer" and "Smoke Gets in Your Eyes" are two of his well-known songs. Harburg, E.Y. (Edgar Yipsel) You're a Builder Upper CBM 553 E.Y. Harburg, lyricist of Finian's Rainbow and The Wizard of Oz, relates America's history as a "melting pot" to the songwriting scene. Herbert, Victor The Legend of Victor Herbert CBM 612 Focus on Victor Herbert, one of the founders of ASCAP, covering his varied career as composer of the operetta Babes in Toyland, bandmaster of New York's Twenty-Second Regiment Band, and conductor of the Pittsburgh Symphony Orchestra. Victor Herbert CBM 585 Biography. Herbert's failure at composing serious pieces for the opera and violoncello resulted in the operetta Naughty Marietta, a forerunner of musical comedy. Includes selections from Victor Herbert's musical comedies. Herman, Jerry The American Sampler CBM 910 Interview with songwriter-composer Jerry Herman, interspersed with his music. Among his credits are the Broadway shows Hello Dolly and Mame. The Man Who Carried It Off CBM 525 Jerry Herman, composer and lyricist of Broadway shows Hello Dolly and Mame, discusses future plans for writing music. Johnson, James P. (James Price) James P. Johnson CBM 858 The composer of "Charleston" and "If I Could Be with You" ranked along with Scott Joplin and Jelly Roll Morton as the "father" of the eastern Harlem stride style. Jones, Tom A Lot More than Fantastic CBM 540 Tom Jones and Harvey Schmidt, the team that produced The Fantasticks, discuss past shows and present work in musical theater. Kahn, Gus We're Still Singing "I'll See You in My Dreams" CBM 575-576 Songs written by lyricist Gus Kahn and his many collaborators, with discussion of Kahn's film biography. Kalmar, Bert A Couple of Crazy Guys/Three Little Words, Thirteen Little Letters CBM 623 Story of Bert Kalmar and Harry Ruby, successful songwriters who remained vaudeville comedians at heart. Kern, Jerome Jerome Kern, Man of Melody CBM 156 Friends discuss Jerome Kern's legendary career. Master of the Medium, the Man Who Found the Silver Lining CBM 613/ CBM 618 Discusses Jerome Kern's career as writer of show tunes. Includes performances of "Smoke Gets in Your Eyes" from Roberta and "Make Believe" and "Ol' Man River" from Showboat. Lane, Burton No Sad Songs for Me CBM 554 Burton Lane discusses his collaboration with E.Y. Harburg in writing the Broadway musical Finian's Rainbow and its most famous song "How Are Things in Glocca Morra?" Leigh, Carolyn Young at Heart CBM 562 Lyricist Carolyn Leigh discusses the influences on her writing. Lerner, Sammy Makin' Up a Song as I Go Along CBM 604/605 Sammy Lerner, lyricist for Hoagy Carmichael and Jay Gorney, tells of writing the song "Popeye the Sailor Man." Livingston, Jay Give It All You've Got CBM 625-626 Anecdotes from Jay Livingston and Ray Evans, the team that wrote theme songs for the television series Bonanza and Mr. Ed, as well as award-winning songs like "Que Sera, Sera," "Mona Lisa," and "To Each His Own." Loesser, Frank A Man and His Music CBM 573/574 An interview with the widow of Frank Loesser, a songwriter whose World War II songs include "Praise the Lord and Pass the Ammunition." Marks, Gerald They Don't Write 'em like That Anymore CBM 342 Gerald Marks, composer of the popular song "All of Me," reminisces about the songs written by Irving Berlin, Victor Herbert, and others. Marks, Johnny Johnny Marks and His Celebrated Reindeer CBM 564 Johnny Marks, composer of "Rudolph the Red-Nosed Reindeer," talks about the varied sources of inspiration for his songs. McHugh, Jimmy Happy Songs from a Happy Man CBM 621 Life and music of Jimmy McHugh, composer of such cheerful songs as "The Sunny Side of the Street" and "It's a Most Unusual Day." Mercer, Johnny The Man Who Launched 1,000 Hits CBM 548 Life and songs of Johnny Mercer, who wrote the lyrics of "Moon River," "Days of Wine and Roses," and "Blues in the Night." Mizzy, Vic The Whole World Is Singing My Song CBM 616 Songwriter Vic Mizzy tells anecdotes about his contemporaries and collaborators and gives opinions about current popular music. Nyro, Laura The Music of Laura Nyro CBM 60 Laura Nyro is interviewed by John Daly. Her diverse musical expressions are analyzed by Michael Thomas, Richard Goldstein, and Patrick O'Conner. Oakland, Ben You're Not So Easy to Forget CBM 564 Story of the long career of Ben Oakland, who began playing classical music at an early age and went on to success as a vaudeville entertainer and as a songwriter for the Ziegfeld Follies and for Broadway musicals. Olman, Abe The Ship That Came In CBM 565 Abe Olman reminisces about his career as a music publisher and as a songwriter whose hits include "I'm Waiting for Ships That Never Come In" and "Down among the Sheltering Palms." Parish, Mitchell The Sentimental Gentleman CBM 549 Interview with Mitchell Parish, a lyricist who teamed with composers Duke Ellington, Hoagy Carmichael, and Sammy Fain, and whose collaboration with Carmichael produced the hit "Stardust." Porter, Cole Focus on Cole Porter CBM 285 Comprehensive collection of Cole Porter songs, with commentary tracing his career from 1937. The Master of "From Major to Minor" CBM 624 Relates Cole Porter's affluent background to the "plutocratic stylishness" of his songs. Plays songs from Porter's years on Broadway, including "Night and Day," "Anything Goes," and "I Get a Kick out of You." Raksin, David So You Want to Write for the Movies CBM 607 David Raksin, composer and conductor, discusses the process of writing music for films. Excerpts from Forever Amber. Ramirez, Ram Ram Ramirez CBM 1253 He wrote Billie Holiday's hit song "Lover Man" and enjoys continued popularity on the New York jazz scene. Roger "Ram" Ramirez converses with Marian McPartland and teams up with her for a duet of "Undecided." Rodgers, Richard The Dynamics of Collaboration CBM 201 Musical-comedy composer Richard Rodgers reminisces about the forty- three years he spent in partnerships with lyricists Lorenz Hart and Oscar Hammerstein. The Most Unforgettable Composer I Never Met CBM 515-518 Dorothy Rodgers, wife of composer Richard Rodgers, discusses her husband's career in musical theater and his collaborations with lyricists Larry Hart and Oscar Hammerstein II. Includes well-known songs from Oklahoma!, The Sound of Music, and South Pacific, as well as less familiar songs and tells the story of the music publishing scene on Tin Pan Alley at the turn of the century. Oklahoma! and Beyond CBM 233 Richard Rodgers, composer of the theatrical landmark Oklahoma!, reminisces about his collaboration with lyricist Oscar Hammerstein. Romberg, Sigmund The Last of the Giants CBM 609 Story of Sigmund Romberg, a composer who combined Viennese style with American idioms in such operettas as Blossom Time, The Student Prince, and My Romance. Focus on Sigmund Romberg CBM 468 Oscar Hammerstein talks about Romberg's life, plays, and greatest songs. Rome, Harold Seven Shows to Rome CBM 557 Anecdotes told by Harold Rome, composer of such Broadway musicals as Pins and Needles, Call Me Mister, and Wish You Were Here. Ruby, Harry A Couple of Crazy Guys/Three Little Words, Thirteen Little Letters CBM 623 Story of Bert Kalmar and Harry Ruby, successful songwriters who remained vaudeville comedians at heart. Schwartz, Arthur Something to Remember Him By CBM 555 Life and music of Arthur Schwartz, who gave up his law practice to write for musical theater. Songs include "Dancing in the Dark" and "You and the Night and the Music." Spina, Harold Sing Me an Old-Fashioned Song CBM 602/603 Composer and conductor Harold Spina reminisces with Mike Whorf about his long songwriting career and about his music for "Annie Doesn't Live Here Anymore," "It's So Nice to Have a Man around the House," and other songs for the movies. Strouse, Charles By Strouse CBM 560 Strouse, who composed the score of Bye, Bye Birdie, discusses the importance of a composer's involvement in arranging and orchestrating melodies. Styne, Jule There Goes That Song Again CBM 558 Songs by Jule Styne, arranger and composer who collaborated with lyricist Sammy Cahn to write such hits as "I've Heard That Song Before" and "Let It Snow, Let It Snow." Tilzer, Harry von Please Sing Me One More Chorus CBM 535 Life of prolific composer and music publisher Harry von Tilzer, writer of "Wait till the Sun Shines, Nellie" and "I Want a Girl Just like the Girl That Married Dear Old Dad." Tobias, Charles As the Years Go By CBM 538 Interview with Edna Tobias, who tells of her late husband Charles's varied career as a vaudeville entertainer and as a songwriter for musicals and motion pictures. Van Heusen, Jimmy Mister Music CBM 620/622 Career of Jimmy Van Heusen, whose songs, written with lyricist Johnny Burke, include "Imagination," "Swinging on a Star," and "Sunday, Monday, or Always." Youmans, Vincent Through the Years CBM 610 Highlights of Vincent Youman's career writing scores for such musicals as Great Day and No, No, Nanette. History General Approaches to Popular Music CBM 1463 Part of the series The History of Music in the Western World, 1100-1980. Background to Music CBM 1502-1504 This BBC series features short lectures about various composers and music styles throughout history. Part 1: Rameau and French Opera-by Arthur Hutchings. J.C. Bach and Italian opera-by Charles Cudworth. Mozart and German opera-by William Mann. Mozart as a Freemason-by Peter Branscombe. Part 2: Schubert's contemporary reputation-John Reed. Schumann's musical ideas-Eric Sams. Smetana and Dvorak-Cecil Parrott. De Falla and Spanish opera-Frederick Fuller. Part 3: Puccini and Turandot-Leslie Gardiner. Church orchestras-John Fletcher. Mozart, Mitridate, and maturity-Jane Glover. Shostakovitch and the Soviets-Edward Downes. Classical Dances CBM 181 Traces the formal development of the dance from the earliest written music to the modern symphonic repertoire. The Dance in Music CBM 470 Traces the history of the dance. Includes a minuet by Mozart, Weber's "Invitation to the Dance," Brahms's Hungarian Dance in G minor, and Strauss's waltz "Artist's Life." The Evolution of Modern Music CBM 169 In a conversation with Carolyn Watt, Scott Huston traces the history of music through the development of scales. Musical illustrations represent wide range of styles and genres from the Gregorian Chant to the popular music. Good Vibrations CBM 204 An anthropologist examines the evolution of music and musical instruments. The discussion ranges from Bach to Moog synthesizers and Muzak. How to Understand and Listen to Great Music CBM 1532-1537 See entry under Music Appreciation The Origins of Orchestration CBM 8 Discusses orchestration in the eighteenth and nineteenth centuries. Includes musical examples from Gossec, von Gluck, Beethoven, Wagner, and Rimsky-Korsakov. Pioneers of Czech Music CBM 34 Erich Leinsdorf conducts selections from The Bartered Bride by Friedrick Smetana, Second Symphony in D minor by Antonín Dvořák, Concerto for violin and orchestra by Bohuslav Martinu, and "Schwanda the Bagpiper" by Jaromir Weinberger. Psalms CBM 199 Discussion concerning the importance of the Psalms in the history of Western music. Examples played include choral music by Palestrina, Handel, Gluck, Franck, and Liszt. Russian Music CBM 9 Outlines the history of Russian music from Glinka to Shostakovich. Includes selections from their works as well as those of Mussorgsky, Tchaikovsky, and Stravinsky. Understanding the Language of Music CBM 1304 Using examples from classical and popular music, Daniel Abrams discusses modes, scales, chords, and the instruments of the orchestra. Includes a brief history of music, with analysis of styles and forms. For the person who would like to acquire a rudimentary knowledge of music history and theory. Medieval and Renaissance Augsburg: Composers Patronized by the House of Fugger CBM 381-382 Works of composers supported by the Fuggers, an influential Augsburg banking family of the sixteenth century. Includes a madrigal by Andrea and Giovanni Gabrieli, canzonettes by Hans Leo Hassler, lute pieces by Jean-Baptiste Besard, and Protestant church pieces by Adam Gumpelzhaimer. Dresden CBM 384 Lecture on Heinrich Schutz, stressing Schutz's importance in applying Italian polychoral style and dramatic monody to German church music; motets from Schutz's Symphoniae Sacrae. Gregorian Chant CBM 1511 Leipzig: Collegia Musica and the Thomas Cantorate in the Seventeenth Century CBM 386-387 Discussion of the importance of the Collegia Musica to the musical life of seventeenth-century Leipzig, with selections from the works of the composers who preceded Johann Sebastian Bach as cantors of Thomaskirche. Munich: Bavarian Court and Chapel under Orlando DiLasso CBM 379 Includes details of Orlando DiLasso's life and examples of his music, such as the echo songs. (This tape contains material on side one only.) Music in the Middle Ages CBM 317 Musicologist Sidney Wilck reviews musical developments of the Middle Ages, beginning with the plainsong of Pope Gregory I and concluding with the estampie, a fourteenth-century dance. Music in the Renaissance CBM 38 Musicologist Sidney Wilck reviews music history between 1450 and 1600. With musical examples. Musick's Feaste CBM 1457 Anthony Rooley discusses music of the Renaissance, 1480-1600. New Arts for Old CBM 1456 Christopher Page discusses Medieval music, 1100-1480. Baroque Bach and Ornamentation CBM 45 Concert artist and Bach specialist Rosalyn Tureck explains how Bach's ornamentation is "written right into the music." Bach and Twentieth-Century Composers CBM 277, CBM 378 Part 1: Rosalyn Tureck performs a composition by Bach based on a twelve-tone motive, the B Minor Fugue; Lukas Foss analyzes other works by the baroque composer; and Arthur Berger discusses the powerful influence of the Bachian signature. Part 2: Rosalyn Tureck and composers Benjamin Lees, Eric Salzman, Lukas Foss, and Arthur Berger discuss Bach's influence on contemporary composers. Hamburg: Music in the City under the Direction of George Philipp Telemann CBM 388 Works by composer Georg Philipp Telemann, who served as musical director of five principal churches in Hamburg from 1721 until his death in 1767. Includes his secular cantata Die Landlust. Lbeck, the Abendmusiken Concerts Established by Dietrich Buxtehude CBM 389 Discussion of Buxtehude's fame as an organist, influence as a composer, and role in establishing the Abendmusiken, a series of concerts held on the five Sundays preceding Christmas. Includes a performance of Buxtehude's sacred solo cantata, Laudate Dominum. The Music of Bach CBM 43 Works illustrating Bach's genius as a composer such as Brandenburg Concerto no. 1, Concerto for harpsichord and strings in D minor, and Organ Concerto in A minor. Nuremberg: The Brass Makers and Composers of the Seventeenth Century CBM 383, CBM 385 Discussion of Nuremberg's role as the center for production of fine brass instruments; sacred and secular works by Nuremberg composers Johann Staden and Johann Erasmus Kindermann, Johann Pachelbel, Georg Kaspar Wecker, and Johann Krieger. The Oratorio CBM 179-180 History of the oratorio, from its beginnings in the sixteenth century to its present-day form. Includes musical examples from Jephte by Carissimi, Judas Maccabaeus by Handel, and Haydn's oratorio Creation. A Pearl Distorted CBM 1458 Christopher Hogwood discusses the baroque period: 1600-1750. Classical The Classical Era in Music CBM 24 Sidney Wilck characterizes the classical period as one of refinement and standardization. Concert Masterworks CBM 1538 Dr. Robert Greenberg examines eighteenth and nineteenth century music through the examples of works by Mozart and Beethoven. Concert Masterworks CBM 1540 Dr. Robert Greenberg examines nineteenth century music through the examples of works by Beethoven and Brahms. Music of Williamsburg CBM 312 Williamsburg was founded in the 1700s to be the capital of Virginia. Included in this lecture is music by American and European composers that may have been heard in Williamsburg. Sonata and the Creative Ideal CBM 1459 Alan Hacker discusses the classical period: 1750-1830. Romantic Concert Masterworks CBM 1539 Dr. Robert Greenberg examines nineteenth-century music through the examples of works by Antonín Dvořák and Richard Strauss. Concert Masterworks CBM 1541 Dr. Robert Greenberg examines nineteenth-century music through the examples of works by Felix Mendelssohn and Franz Liszt. Expression and Extravagance CBM 1460 Norman Del Mar discusses the romantic period: 1830-1900. Musical Pioneers of Italy CBM 410 Discusses mid-nineteenth-century Italian composers of the symphony. Includes selections from Locatelli, Sgambati, Respighi, and Casella. Pioneers of Impressionism CBM 63 The Indianapolis Symphony Orchestra, under the direction of Fabians Sevitsky, plays selected works by Debussy, Delius, Griffes, and Ravel. Modern The Arrival of Atonal Music CBM 207 Scott Huston discusses the roles of Anton Webern, Arnold Schoenberg, and Alban Berg in the development of atonality. The Avant-Garde Today, Parts 1-2 CBM 208-209 Scott Huston looks at the work of the "anti-music" composers and at musical composition, past and future. He predicts that traditional composition will soon become a dead art form. The Concert Overture CBM 636 Independent orchestral compositions for the concert hall. Examples offered are Berlioz's "Corsaire," Dvořák's "Carnival Overture," and Van Vactor's "Overture to a Comedy no. 2." Contemporary Music CBM 1462 Narrated by Hugh Wood. Elements of Jazz CBM 1546 Bill Messenger gives an overview of jazz, its elements, and the times from which it was born. Lecture 1: Plantation beginnings. Lecture 2: The rise and fall of ragtime. Lecture 3: The jazz age. Lecture 4: Blues. Lecture 5: The swing era. Lecture 6: Boogie, big band blues, and bop. Lecture 7: Modern jazz. Lecture 8: The ABC's of jazz improvisation. Elliott Carter and Leon Kirchner CBM 275 Using excerpts from their compositions, Elliott Carter and Leon Kirchner show how contemporary music has developed from older forms. Evergreens from Bud CBM 550 Reminiscences by Bud Green, lyricist of the hit "Sentimental Journey" along with discussion about Sibelius's "Finlandia" and Sousa's "Stars and Stripes Forever," two pieces sealed in a time capsule at the New York World's Fair of 1939. Frankie and Johnny CBM 177 This lecture explores the origins of the Frankie and Johnny story and song which began with the murder of Allen Brit by Frankie Baker in 1901. It traces the development of the song through Mae West, Guy Lombardo, and Johnny Cash. George Gershwin's Rhapsody in Blue CBM 891 The story behind writing this composition and performing it with Paul Whiteman in New York. Gershwin cut the piano roll used for this performance. Gershwin CBM 709 Description of life and musical style of Gershwin, accompanied by several excerpts of his major works and numerous popular songs. Islands in the Sun CBM 1465 Felix Cross discusses the story of reggae and calypso music. Jazz Joins the Classics CBM 133 Dave Brubeck explains how composer Darius Milhaud used jazz for the first time in classical compositions. Modern Music CBM 32 Discussion by Clifton Fadiman, critic; Goddard Lieberson, music record executive; Henry Pleasants, music writer; and Jacques Barzun, historian. Pioneers of Twentieth-Century Music CBM 50 Howard Hanson conducts his "Cherubic Hymn," Daniel Gregory Mason's "Festival Overture," Roy Harris's Symphony no. 3, Samuel Barber's Adagio for Strings, and Louis Mennini's Allegro Energico. Ravel and Sibelius CBM 307 Identifies the folk influences in Maurice Ravel's "Bolero" and Jean Sibelius's "Swan of Tuonela." Reaction and Revolution CBM 1461 Wilfrid Howard Mellers discusses the modern period: 1900-1945. Instruments General And the Band Played On CBM 355 Describes the main instruments of the band and summarizes the principles on which they work. Includes a brief history of band music in America. Instruments around the World CBM 1467 Narrated by Andy Jackson. The Voices of the Orchestra CBM 224 Walter Damrosch discusses the human voice-the first musical instrument. Illustrated with musical examples by Haydn, Schubert, Handel, and Bach. Brass Ballad of the Brass CBM 36 Introduction to brass instruments by members of the New York BrassQuintet. Demonstration of each instrument also includes discussion of theirhistory and versatility moderated by Thomas Scherman. Brass Instruments, Parts 1-2 CBM 310-311 Walter Damrosch reviews the history of brass instruments and gives examples of ways composers have used them. Musical examples include compositions by Mendelssohn, Bach, Mozart, Wagner, and Meyerbeer. Nuremberg: The Brass Makers CBM 383, CBM 385 Discussion of Nuremberg's role as the center for production of fine brass instruments; sacred and secular works by Nuremberg composers Johann Staden and Johann Erasmus Kindermann, Johann Pachelbel, Georg Kaspar Wecker, and Johann Krieger. Opposites Attract CBM 638 Musicians John Barrows and Vera Brodsky illustrate the relationship of the piano to the French horn with many musical examples. Electronic Electronic Keyboards CBM 1302 Vinnie Martucci discusses how to arrange music for synthesizers in a variety of styles. Concentrates on bass parts, rhythm sections, keyboard lead line parts, and overdubs. Teaches how to combine these different sounds to make the finished sounds of originally composed tunes or tunes written by others. Glenn Gould on the Moog Synthesizer CBM 244 Glenn Gould talks about the Moog synthesizer used in the production of the recording Switched-on Bach. Includes interviews with synthesizer performer Wendy Carlos and Canadian poet Jean Le Moyne. Good Vibrations CBM 204 An anthropologist examines the evolution of music and musical instruments. The discussion ranges from Bach to Moog synthesizers and Muzak. Keyboard The Harp and the Piano CBM 261 Lecture on the development and uses of the harp and the piano. Musical examples include "The Waltz of the Flowers" from Tchaikovsky's Nutcracker Suite and a Hungarian rhapsody by Liszt. The Immortal Piano CBM 959 Intriguing story of the Siena pianoforte and its endurance through misuse, abuse, and final restoration. Music of Debussy, Bach, and Mozart is performed on it. The Keyboard Instruments CBM 250 Selections from Byrd, Scarlatti, Mozart, Beethoven, Brahms, Debussy, and BartĒk are used in tracing the evolution of keyboard instruments. Opposites Attract CBM 638 Musicians John Barrows and Vera Brodsky illustrate the relationship of the piano to the French horn with many musical examples. Percussion From Cave to Cavern CBM 1464 James Blades discusses the history of percussion instruments. Percussion Discussion CBM 153 The New York Percussion Trio demonstrates a variety of percussion instruments and their musical potential. Percussion Instruments, Parts 1-2 CBM 210-211 Conductor and composer Walter Damrosch discusses the importance of percussion music in cultural life and how percussion instruments are used to define the intricate rhythms of dances in various countries. Examples illustrate the importance of percussion in the indigenous music of Africa, Arabia, Mexico, and South America. Strings The Glory of Cremona CBM 914 The story of 250 years of superb violin making is told beginning with the Amati family and followed by Guarneri and Stradivarius. Ruggiero Ricci plays the musical selections on several instruments created by Antonio Stradivari, Joseph Guarneri del Gesu, Andrea and Nicolo Amati, Carlo Bergonzi, and Gasparo da Salo. The Stradivarius CBM 48 Members of the Stradivarius Society discuss the fine quality and unique tone of Stradivarius instruments. The String Instruments CBM 223, 225 Walter Damrosch illustrates how the string instruments can produce coloristic effects. Shows how the cello and double-bass violin produce the baritone and basso equivalents of the human voice. String Orchestra CBM 303 Three selections illustrating the changes in musical composition for strings-Vivaldi's Concerto Grosso in D minor for strings, Grieg's Last Spring, and Hanson's Concerto for organ, strings, and harp. The Violin in Mr. Greenstreet's Window CBM 972 Fictional life story of a violin which was on display in a pawnshop window. Violins Old and New/Authenticity of Performance CBM 1499 An investigation conducted by John Amis with Isaac Stern, Pinchas Zucherman, Parikian, and Charles Beare. Four violins are examined here: a Stradivarius, a Guarnerius, a 19th-century French instrument and an English instrument made in 1975, which won a competition for violin makers. An 'authentic' performance is one which seeks to reproduce the performing conditions and style of the period when the music was written and to avoid anachronisms. George Malcolm here explains what this involves and the difficulties that might be encountered. Woodwinds The Flute and the Harp CBM 256 Edna Phillips explains, demonstrates, and compares one of the first harps made with those used today. Flutist Samuel Baron joins Phillips in performing pieces arranged for flute and harp. Mr. Hohner's Amazing Harmonica CBM 348 History of the harmonica, concentrating on the influence of Matthias Hohner, who in 1857 produced the first modern harmonicas. Woodwind Quintet CBM 304 Demonstrates the great variety of color and expressiveness in a woodwind quintet of flute, clarinet, oboe, French horn, and bassoon in works of Percy Grainger, Maurice Ravel, Philip James, and Leo Sowerby. Narrated by Walter Damrosch. The Woodwinds, Parts 1-2 CBM 335-336 Walter Damrosch discusses and illustrates the history of woodwind instruments and their relationship to the orchestra, using Tchaikovsky's Symphony no. 5 and the second movement of Schubert's C minor Symphony as examples. The World of Woodwind CBM 334 The New York Woodwind Quintet demonstrates and describes how woodwind instruments are played. Narrated by Yehudi Menuhin. Illustrated with numerous musical examples. Rehearsals Bernstein, Leonard Shostakovich's Seventh Symphony CBM 5 Conductor Leonard Bernstein uses colorful, earthy language in the rehearsal of this work depicting the march of Nazi invaders into Russia. Fennel, Frederick Chamber Orchestra CBM 218 Frederick Fennell conducts the Eastman School of Music's chamber orchestra in performances of Alessandro Scarlatti's Concerto Grosso in F minor and Wolfgang Amadeus Mozart's Symphony no. 29 in A major; a brief introduction to these composers and works is given. Koussevitzky, Serge Beethoven's Ninth Symphony CBM 72-73 Koussevitzky leads the Boston Symphony Orchestra in a rehearsal of this symphony. Bruckner's Seventh Symphony CBM 4 During this rehearsal of the second movement of Bruckner's Seventh Symphony, Koussevitzky reveals the intricate fabric of the orchestration. Diamond and Copland Pieces CBM 213 Koussevitzky talks about the composers' techniques in Diamond's "String Round" and Copland's Lincoln Portrait. From Beethoven to BartĒk CBM 94 Koussevitzky leads a dress rehearsal of the Boston Symphony Orchestra in the first movement of Beethoven's Ninth Symphony; Richard Burgin rehearses BartĒk's Concerto for orchestra. Koussevitzky and Piston CBM 80 With the assistance of the composer, Koussevitzky conducts a rehearsal of Walter Piston's Third Symphony. Koussevitzky's Charisma CBM 47 Koussevitzky conducts the Boston Symphony in a rehearsal of Richard Strauss's Death and Transfiguration. Commentary by Olin Downes. Sergei Koussevitzky Conducting CBM 3 The Boston Symphony and conductor Sergei Koussevitzky rehearse the Concerto for the orchestra by Carl P.E. Bach. Includes commentary by critic Olin Downes. Sergei Koussevitzky, the Muse CBM 235 Critic Olin Downes comments on this rehearsal of Koussevitzky conducting the Sixth Symphony by British composer Ralph Vaughan Williams. Tchaikovsky's Fourth Symphony CBM 267 In this rehearsal, conductor Koussevitzky's commands often seem to be part of the music itself. Leinsdorf, Erich Rehearsing with Leinsdorf CBM 247 Erich Leinsdorf in a rehearsal of Mahler's First Symphony with the New England Conservatory's senior orchestra. Munch, Charles Charles Munch Conducting CBM 281 Charles Munch is so amusing during this rehearsal of Ravel, Tcherepnin, and d'Indy that he has musicians of the Boston Symphony Orchestra helpless with laughter. Solo piano part in Tcherepnin's Second Piano Concerto played by author. The Mastery of Charles Munch CBM 273 Rehearsal of Symphony no. 2 in B-flat major by Vincent d'Indy. Tchaikovsky's "Pathetique" Symphony CBM 167 Charles Munch in rehearsal with the Boston Symphony Orchestra. Stokowski, Leopold Stokowski Rehearses CBM 631 According to Leopold Stokowski, the conductor's task is to "try to realize what is in the soul of the composer." Here he conducts pieces by Schubert, Rachmaninoff, and Samuel Barber performed by the American Symphony Orchestra. Szell, George Maestro George Szell CBM 472 A great conductor demonstrates his artistry in these rehearsals and concerts. Courses Accordion A Beginning Accordion Method for the Blind CBM 693 Robert Young McMahan's course will teach persons of all ages, including those who read neither braille nor large type, to learn to play music of easy to moderate difficulty on the pianostradella accordion. Suitable for use with or without previous musical training, and with either casual or serious interest in music. Music learned includes "Michael, Row the Boat Ashore," "Dona, Dona," "When the Saints Come Marching In," "Oh, Susanna," "Joy to the World," "Ode to Joy" (theme from Beethoven's Ninth Symphony), and "Goin' Home" (theme from Dvořák's New World Symphony). A Beginning Accordion Method for the Blind: Supplementary Repertoire CBM 712 Additional compositions for each of the lessons in A Beginning Accordion Method for the Blind. Developed especially for the NLS program by Robert Young McMahon. A Beginning Chromatic Freebass Accordion Method for the Blind CBM 711 Uses familiar songs and themes to teach basic musical concepts and playing techniques. Developed especially for the NLS program by Robert Young McMahan. Autoharp Autoharp and Jew's Harp CBM 373 Mike Seeger leads an informal discussion on the selection, tuning, care, and handling of the autoharp. Covers beginning techniques of picking and strumming as well as the styles of Maybelle Carter, Kilby Snow, Pop Stoneman, and Seeger. Instructions include a demonstration of playing techniques. How to Play Autoharp CBM 1606 How to Play Jewharp CBM 1607 Banjo Bluegrass Banjo, Lessons 1-6 CBM 414-419 Bill Keith introduces the traditional bluegrass sound as well as his own style of banjo picking. Teaches tuning, basic right hand patterns, scales and fiddle tunes, back-up rhythm, and lead techniques. Includes information about scales and chord theory helpful to the banjo student. Songs include "Cumberland Gap," "Cripple Creek," "Dill Pickle Rag," "Turkey in the Straw," and "Little Sadie." 5-String Banjo, Series 1, Lessons 1-6 CBM 426-431 Happy Traum introduces main techniques of folk and country banjo picking, including two-finger mountain style, up-picking, double-thumbing, hammering-on, pulling-off, and a variety of strums and chord positions. Teaches accompaniments and instrumental versions of nearly forty songs, including "Irene," "Jesse James," "I Never Will Marry," "Cripple Creek," "Banks of the Ohio," "Pretty Peggy-o," and "Shady Grove." 5-String Banjo, Series 2, Lessons 7-12 CBM 432-437 Happy Traum teaches folk and country banjo techniques such as frailing, clawhammer style, and three-finger (Scruggs style) bluegrass picking. Songs include "Sail Away, Ladies," "Pretty Polly," "Nine Hundred Miles," "The Water Is Wide," "Marching through Georgia," and "Wildwood Flower." Keith [Banjo] Tuners CBM 406 Bill Keith teaches use of tuning devices necessary for achieving a bluegrass banjo sound. Illustrated with several traditional banjo solos, including a version of "Auld Lang Syne" played entirely with the tuners. Dobro Backup and Fills for Dobro CBM 1222 National dobro champion Dan Huckabee discusses and demonstrates how the dobro can be used most effectively in a band and how to play backup in any situation. Some of the topics covered are intros, fills, rhythm, solos, and endings. Includes "Wabash Cannonball," "On My Mind," and others. Easy Dobro Solos CBM 1276 Some knowledge of how to play the dobro is needed before undertaking this course by Dan Huckabee. Tunes included are "Cripple Creek," "Will the Circle Be Unbroken," and "Steel Guitar Rag." Dulcimer Traditional Mountain Dulcimer CBM 1324 Jean Ritchie gives a short history of the dulcimer, presents tunings for different modes, and gives a song for each tuning. Information about how to properly hold the dulcimer is also included for beginners. Fiddle Learning the Irish Fiddle CBM 1306 This course is designed by Kevin Burke for those who already know how to play the fiddle and would like to learn some Irish tunes. Pieces are played slowly, a phrase at a time, so that they can be learned by ear. Includes hornpipes, jigs, and reels, and tells how to vary or ornament each piece. Real Cajun Fiddle CBM 1321 Six tapes on the Cajun fiddle playing style, including well-known waltzes, reels, two-steps, and stomps. On side one, each song is played at a slower-than-normal speed and broken into short phrases. On side two, the same songs are played with a guitar and second fiddle so that the student can play along. Some songs also include the accordion. Taught by Michael Doucet. Guitar Advanced Fingerpicking [Guitar] Techniques CBM 479-484 Stefan Grossman presents complex guitar arrangements adapted from fiddle tunes, blues, and original pieces. Designed for the student who has Homespun Tapes Fingerpicking, Series 1 and 2, or the Blues Guitar Series. Songs include "Pigtown Fling," "Tryin' to Get Home," and "Roberta." Beginning Rock Guitar CBM 1714 Taught by Paul Lidel. Bottleneck/Slide Guitar, Lessons 1-6 CBM 444-449 Arlen Roth introduces bottleneck/slide guitar techniques used by blues musicians such as Robert Johnson and Muddy Waters, country musicians like Jimmie Rodgers, and rock groups like Cream. Teaches blues and country licks, turnarounds, fills, intros and endings, and solos in songs such as "Good Morning Blues," "Goin' Down Slow," "Dust My Broom," and "Rolling and Tumbling." Contemporary Fingerpicking Guitar CBM 1472-1474 Stephen Grossman discusses various topics about fingerpicking including: who's who in the fingerpicking world, how blues and ragtime styles relate to today's guitar playing, and what the American Primitive Guitar is. Contemporary Ragtime Guitar, Lessons 1-6 CBM 456-461 Stefan Grossman discusses how to arrange classic piano rags for guitar and presents advanced fingerpicking techniques necessary for playing in ragtime style. Designed for those already fluent in a variety of fingerpicking styles. Presents four rags: "Georgia Camp Meeting," "Kinklet's Two Step" ("Hilarity Rag"), "Maple Leaf Rag" by Scott Joplin, and "Red Pepper Rag." Country Blues Gospel Guitar CBM 1480-1482 Country blues and gospel music have always been intertwined. Many bluesmen have played religious tunes as well as "the devil's music!" Fingerstyle and bottleneck techniques have been traditionally used in both blues and gospel styles. In this three- cassette series, Dean Sires presents a detailed study of playing country blues gospel guitar. For the beginner to intermediate guitarist. Country Blues Guitar CBM 1495-1497 The music of Charley Patton, Son House, Blind Willie Johnson, Lightnin' Hopkins, Big Bill Broonzy, and others are presented and discussed. Each musician is spotlighted in his own segment in this series of 17 broadcasts by Stefan Grossman. It introduces the listener to the legendary names of country blues guitar and gives a clear picture of how blues styles and techniques developed. Country Blues Guitar, Series 2 CBM 485-490 Stefan Grossman takes the student beyond the simple steady or alternating bass and into moving bass lines, counterpoint, classical arranging, and open tunings. Songs, in the styles of Elizabeth Cotten, the Rev. Gary Davis, Mississippi John Hurt, and Sam McGee, include "Oh Papa," "Buck Dancer's Choice," "Stagolee," and "If You Don't Want Me, Don't You Have Me Anymore." Country Blues Guitar, Series 3 CBM 491-496 Stefan Grossman presents complex arranging styles of Mississippi John Hurt, Blind Boy Fuller, Frank Stokes, Tommy Johnson, and Willie Brown, including alternating bass styles, the Mississippi Delta sound, and the ragtime blues of North Carolina. Songs include "Spider, Spider," "It Won't Be Long," "M and O Blues," and "Careless Love." Country Blues Guitar Styles and Techniques CBM 1478/1479 This series of radio shows focuses on styles and techniques of country blues guitarists and uses old recordings combined with Stefan Grossman's playing to describe the techniques used. Country Guitar Styles CBM 1201-1203 Doc and Merle Watson cover finger picking, flat picking, Merle's slide, and Doc and Merle's "twin guitar" duets. Especially made for the intermediate to advanced player. Examples are played slowly as well as up to tempo for ease of learning by ear. Designing Guitar Solos for Bluegrass Songs CBM 1223 Chris Jones discusses how to embellish a guitar solo using a simple bluegrass melody. Some knowledge of flat picking is needed to benefit from these tapes. Included in the ten songs that Chris Jones analyzes and teaches are "Used to Be," "Rose of Old Kentucky," and "Your Love Is like a Flower." Electric Blues and Rock Guitar CBM 1483-488 Lesson One: Beginnings-the Roots of Electric Blues. Fred Solokow slows down and analyzes the licks, scales, and techniques of Lonnie Johnson, Scrapper Blackwell, Lightnin' Hopkins, and John Lee Hooker. Besides learning some great styles, you will have a foundation to build upon. Lesson Two: Electric Slide Guitar. Using several sample tunes, Solokow teaches how to play electric slide guitar in the styles of the blues masters. Several tech- niques are covered as you learn the techniques of Tampa Red (open D), Muddy Waters (open G), Elmore James (open E), and Robert Nighthawk (standard tuning), and how to apply these techniques to rock progressions. Lesson Three: Early Blues/Rock: Chuck Berry and Bo Diddley. These two guitarists defined rock guitar in their day. The licks and styles they used, derived from blues players, are still an important part of every rock guitarist's repertoire. Lots of sample tunes plus lead and backup are included. Lesson Four: Kings of Modern Blues: B.B. King, Albert King, Freddie King, and T. Bone Walker. By analyzing sample tunes, Solokow teaches how to play electric single-string blues licks. The listener will learn several scale positions and how to improvise with them, how to do the "blues vibrato," how to do fill-in licks, chords, and turn arounds. Instruction on how to apply these scales and licks to modern rock is also included. Lesson Five: Modern Rock: English Blues and Heavy Metal. This lesson concentrates on the licks, scales, and playing styles of Eric Clapton, Van Halen, Ted Nugent, and Jimmy Page-guitarists whose playing directly derives from the blues masters. This lesson includes instruction in effects (distortion, vibrato bar, etc.), blues, and sliding scales and a special "speedy licks" exercise. Lesson Six: Jazzy Electric Blues. The last lesson in the series illustrates how to jazz up the 12-bar blues progression, vary the blues scales with diminished scales a la Charlie Christian, apply blues scales to jazz tunes, "substitute scales," and the special techniques used by Wes Montgomery and George Benson. The Electric Guitar CBM 1204-1209 Amos Garrett teaches how to bend single and double notes in the first four lessons of this series. The last two lessons teach songs using string-bending techniques learned in earlier lessons. For intermediate to advanced players. Fingerpicking Guitar Workshop CBM 1475-1477 In this series of radio broadcasts Stefan Grossman adds guitar playing with talk and records to illustrate some of the ideas, approaches and concepts in fingerpicking guitar. Bottleneck styles and techniques in open G and D tunings, crossnote tuning, blues in E, raggin' the blues, blues from the Carolinas, the guitar of Rev. Gary Davis, sophisticated blues, Texas blues, and Atlanta blues are some of the areas discussed. Fingerpicking [Styles for Guitar], Series 1 CBM 497-502 Happy Traum teaches basic fingerpicking in four common keys (C, G, D, and E), emphasizing ability to pick out syncopated melodies while maintaining a steady rhythmic bass pattern. Songs, in the styles of Mississippi John Hurt, Mike Seeger, Elizabeth Cotten, the Rev. Gary Davis, Merle Travis, and Dave Van Ronk, include "Spike Driver's Blues," "My Creole Belle," "Candy Man," and "Nine-Pound Hammer." Fingerpicking [Styles for Guitar], Series 2 CBM 503-508 Happy Traum presents fingerpicking tech- niques appropriate for those who can already do basic picking but want to expand their technique through the use of difficult chord positions, open tunings, and counter-bass lines. Songs, in the styles of Doc Watson, Willie Brown, Dave Van Ronk, and Merle Travis, include "Sitting on Top of the World," "Deep River Blues," "Mississippi Blues," and "St. Louis Tickle." Flatpick Country Guitar CBM 473-478 Happy Traum introduces the listener to flatpicking styles used by the Carter Family, Jimmie Rodgers, Hank Williams, Woody Guthrie, Doc Watson, and Johnny Cash. Covers basic strums, bass runs, hammer-ons, pull-offs, twelve-bar blues, walking bass, bluegrass licks, breaks, improvised solos, and fiddle tunes. Songs include "Goin' Down the Road Feelin' Bad," "Wildwood Flower," "Cripple Creek," "Will the Circle Be Unbroken," and "Turkey in the Straw." Guitar by Ear CBM 1617 Taught by David Bates. Guitar Method for the Blind CBM 697 Don Hoffer offers an introduction to the guitar, with instructions for playing chords and chordal accompaniments to folk tunes. Contains instructions for learning jazz, blues, and flamenco guitar styles. Honky Tonkin' Country Guitar Solos CBM 1290 The ten solos on this cassette were written by Paul Kramer. They are played at a regular tempo and at a slower speed for ease in learning. The author stresses that this course is for intermediate to advanced players only and moves rather rapidly. Improvising Bluegrass Guitar CBM 1274 In this course for the more advanced player, Brad Davis teaches twenty-eight licks and how to use them to improvise, jam, and create your own original breaks. Examples are played two or three times with different licks to show various styles. Intro to the Guitar for the Visually Impaired CBM 1616 Learn the basics of guitar playing without any written or braille materials. A Bill Brown course. Lead Guitar CBM 462-467 Artie Traum introduces electric blues/rock lead guitar styles of B.B. King, Chuck Berry, Eric Clapton, Jimi Hendrix, and others, covering a wide variety of techniques in songs such as "St. James Infirmary," "House of the Rising Sun," "Tornado," and "You Ain't Goin' Nowhere." Lead Guitar CBM 1320 A six-tape course by Arlen Roth, covering the basics for beginning lead guitar. Topics discussed include left-hand exercises, hammer-ons, slides, pull-offs, bending strings, and special licks. Learn to Play Country Quickly CBM 1212 Ray and Louis Howard teach this beginning course in guitar and discuss tuning, chords, songs, and how to transpose them. Songs included are "Down in the Valley," "You Are My Sunshine," "Beautiful Brown Eyes," and others. Playing and Understanding Jazz Guitar CBM 1489-1494 Lessons narrated by Fred Solokow. Lesson One: Chords. The lesson starts with the building blocks of jazz, how to recognize and construct chords and when to use them. Included is instruction on several moveable positions for each chord type and background information on intervals and the major scale. Lesson Two: Chord Progressions. When soloing, composing or with any jazz playing, you must know the basic types of chord movements: II-V-I, circle of fifths, "scalewise" progressions, blues and others. Moveable fretboard patterns for all these are taught. Lesson Three: Chord Soloing and Chord Substitution. This lesson deals with comping (backup) or chord soloing, how to substitute chords and vary progressions in order to jazz up a tune. Lesson Four: Basic Single Note Soloing. The student now learns to improvise solos using blues scales and moveable major scales, how to recognize and use "key centers"-the key to soloing. Instruction included in playing basic melody, stylized melody, and completely free improvisation. Lesson Five: Fancier Single-Note Soloing. Building on lesson four, the student learns to use diminished and augmented scales to jazz up solos, plus lots of chord-based licks and double-note soloing techniques and tips on "scale substitution." Lesson Six: Soloing Styles of the Greats. We now look closely at the playing styles of the influential guitarists Django Reinhardt, Charlie Christian, and Wes Montgomery. You will learn to solo "in the style of..." and study an analysis of the contributions made to guitar playing by these jazz giants. Rippin' Lead Guitar CBM 1715 Narrated by Paul Lidel. Rock Guitar Soloing CBM 1303 Arti Funaro teaches modern styles in this course, covering solos in the blues shuffle; funky blues of Albert King; heavy metal of Jimi Hendrix, Eric Clapton, and Eddie Van Halen; soul of Sam and Dave, James Brown, and Wilson Pickett; New Wave; and jazz/pop of George Benson. Rock Rhythm Guitar CBM 1716 Taught by Paul Lidel. Tuning with Harmonics CBM 1353 A method of tuning the guitar by using a tuning fork and playing harmonics. Harmonica Blues Harmonica CBM 1280 Gary Primich begins with teaching the notes on the harmonica and ends with difficult blues licks. He also discusses the types of harmonicas and recordings of great harmonica players that should be heard. Blues Harmonica CBM 753-758 John Sebastian uses the harmonica in C to teach blowing single notes, playing harp in and harp out, and bending notes. Blues Harp CBM 680 Tony Glover offers an introduction to blues style playing using Marine Band ten-hole harmonica. Covers simple melo- dies and techniques such as bending notes, train effects, and cross harp. Gives information on selecting harps for and playing with different guitar tunings. Adapted from Folkways Records recording FM 8358 for use by blind and physically handicapped individuals with special permission of the copyright holder. Mandolin Bluegrass Mandolin CBM 1281 In this course Dan Huckabee plays each song at full speed followed by a slow detailed lesson taught one phrase at a time. Some of the tunes included are "Gold Rush," "Big Mon," "Sugarfoot Rag," and "John Hardy." Designing Mandolin Solos for Bluegrass Songs CBM 1220 Paul Kramer discusses how to play background for singers and how to embellish the solo part when the mandolin plays it. Songs include "I'm Going Back to Old Kentucky," "Little Cabin on the Hill," and others. Improvising Bluegrass Mandolin CBM 1277 For the advanced musician who plays by ear; note names are not given. Standard licks and how to use them to improvise, jam, and create original breaks are presented by Brad Davis. Examples are played two or three times at different speeds and with different licks to show various styles. Irish Dance Tunes for Mandolin CBM 1275 Some knowledge of how to play the mandolin is needed to learn these reels, jigs, and hornpipes. Mark Bickford plays first up to tempo and then slowly phrase by phrase. Some of the pieces are "Scatter the Mud," "The Blue Angel," and "Tuttle's Reel." Organ Popular Organ Instruction, Levels 1-3 CBM 702 Bill Irwin's lessons include an introduction to manuals, pedals, and registration; sitting position; chord construction and transposition; and naming and spelling out left-hand chords as used in familiar songs. Piano Blues/Rock Piano CBM 450-455 David Bennet Cohen teaches the basics of blues, barrelhouse, boogie-woogie, and rock piano styles. Begins with simple rhythms and introduces increasingly complex patterns. Each tape is supplemented with braille music. Designed for persons with elementary knowledge of piano keyboard and note reading. Country Piano CBM 1291 Taught by Ron Howard. Key to the Keys for the Visually Handicapped CBM 699 Beginning instruction for the piano. Does not require the use of braille or printed material. Taught by Gale Pederson. Play by Ear and Improvise CBM 1282 This course by Gale Pederson presents songs for the elementary piano player. Improvising techniques include broken chords, blocked chords, and octaves in the bass. Some of the songs are "Long, Long Ago," "Home on the Range," and "Holy, Holy, Holy." Play Piano by Ear CBM 1413 Daniel Abrams teaches familiar tunes, using a basic foundation of scales, chords, and intervals. He explains how to know what chords to use in harmonizing parti- cular melodies and demonstrates how to transpose them. Among the musical examples are Wagner's "Wedding March" ("Here Comes the Bride"), "Silent Night," "Let Me Call You Sweetheart," and "When the Saints Go Marching In." Put Your Hands on the Piano and Play CBM 1409 Daniel Abrams has adapted his course for use by blind individuals. In this nontraditional approach to piano instruction, Abrams teaches chord structures and encourages students to improvise. Ragtime Piano CBM 420-425 David Cohen Bennett uses both traditional songs and composed works to illustrate rag style. Complete in six lessons, graded easy to difficult. Includes braille music for lessons 1, 2, and 3. Braille for lessons 4, 5, and 6 available on request. Lesson 1: "St. James Infirmary" and "Careless Love" Lesson 2: "Buddy Bolden's Blues" Lesson 3: "Ragtime Pasmala" and "Alabama Hoedown" Lesson 4: "Swipesy Cakewalk" Lesson 5: "The Entertainer" Lesson 6: "Maple Leaf Rag" Recorder Learning to Play Recorder, Alto and Bass, Levels 1-2 CBM 713 Sixteen cassettes which parallel the course for f-instruments in two levels. Taught by Jean Sell. Learning to Play Recorder, Soprano and Tenor, Levels 1-2 CBM 640 Jean Sell teaches this beginning course for soprano and tenor recorders which is appropriate for people with and without previous musical experience. Folk songs, familiar tunes, and composed music especially appropriate for recorder are played as solos, in duets, and with guitar accompaniment. Emphasizes playing by ear and covers fundamentals of music, providing a solid music theory foundation for those who may want to read braille music later. Gives suggestions for choosing and caring for instruments. Singing Basic Vocal Technique CBM 1301 Pop singer and composer Penny Nichols discusses relaxing the body and voice, projecting the voice, and singing intervals and ornaments. Each lesson begins with a new song to learn. Bluegrass Harmony CBM 1221, 1224-1225 Dan Huckabee discusses a number of bluegrass standards and gives hints to help the student figure out harmony parts to other songs with the aid of his guitar. Includes "Ain't Nobody Gonna Miss Me When I'm Gone," "Old Home Place," and others. Born to Sing CBM 1527 Gospel Harmony CBM 1227 Dan Huckabee sings and plays melody and harmony to some favorite gospel tunes. Also teaches the student how to figure out harmony with a guitar. Includes "Farther Along," "Put Your Hand in the Hand," "What a Friend We Have in Jesus," and more. How to Sing Pop Harmony CBM 1226 Dan Huckabee teaches two- and three-part harmonizations for some popular songs. The melody and harmony parts are sung separately and together. Some songs included are "Danny's Song," "Muskrat Love," "Bye Bye Love," and others. Learn to Yodel CBM