Historic American Buildings Survey/Historic American Engineering Record/Historic American Landscapes Survey

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• Collection: Historic American Buildings Survey/Historic American Engineering Record/Historic American Landscapes Survey

• Title: Pitot House, New Orleans, Orleans Parish, LA
• Creator(s): Historic American Buildings Survey, creator
• Related Names:
     Roberts, Susan
     Casente, Susan A
     Connick, David M
     Ballard, Seth M
     Sharp, Greg C
     Doherty, Audrey M
     Jones, Vanessa
     Becker, Haim Welt
     Cizek, Eugene , faculty sponsor
     Tulane University, School of Architecture , sponsor
     Bedinger, C , transmitter
• Date Created/Published: Documentation compiled after 1933
• Medium: Measured Drawing(s): 13
• Reproduction Number: ---
• Rights Advisory: No known restrictions on images made by the U.S. Government; images copied from other sources may be restricted. (http://www.loc.gov/rr/print/res/114_habs.html)
  
• Call Number: HABS LA,36-NEWOR,93-
• Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA http://hdl.loc.gov/loc.pnp/pp.print
• Notes:
  • 1992 Charles E. Peterson Prize, Entry
  • Significance: Pitot House is an example of West Indies architecture. This type of construction is well suited to the climate of New Orleans which, like the West Indies, is hot and humid. The house is supported by a masonry chain wall foundation. The first level is paved in brick. This flooring, though not the most elegant, aides in the cooling of the house and wears well in the rooms used for work, dining, storage, and deliveries. All the walls on the first floor are of solid masonry construction covered with stucco. The large Doric columns on the first level are also masonry construction covered with stucco. Cypress planks are used to floor the second level. The majority of these planks in the house today are the originals. These planks, and the brick flooring on the first level are coated with "Old Creole Varnish," a mixture containing equal parts of boiled linseed oil, turpentine, vinegar, and paste wax. The walls on the second level are of "briquette-entre-poteaux" (brick-between-post) construction. As is the case on the first floor, the walls are covered with stucco. All of the millwork in the house is made of cypress. The original roof was made of cypress shingles. Today, the roof is a fiberglass replica of the original.
  • Unprocessed Field note material exists for this structure: FN-135
  • Survey number: HABS LA-1229
  • Building/structure dates: 1805 Initial Construction
• Subjects:
  • houses
• Place:
  • Louisiana -- Orleans Parish -- New Orleans
• Collections:
  • Historic American Buildings Survey/Historic American Engineering Record/Historic American Landscapes Survey
• Part of: Historic American Buildings Survey (Library of Congress)
• Bookmark This Record:
     https://www.loc.gov/pictures/item/la0328/

Historic American Buildings Survey/Historic American Engineering Record/Historic American Landscapes Survey

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• Rights Advisory: No known restrictions on images made by the U.S. Government; images copied from other sources may be restricted. http://www.loc.gov/rr/print/res/114_habs.html
• Reproduction Number: ---
• Call Number: HABS LA,36-NEWOR,93-
• Medium: Measured Drawing(s): 13

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• Call Number: HABS LA,36-NEWOR,93-
• Medium: Measured Drawing(s): 13

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1. Is the item digitized? (A thumbnail (small) image will be visible on the left.)

   • Yes, the item is digitized. Please use the digital image in preference to requesting the original. All images can be viewed at a large size when you are in any reading room at the Library of Congress. In some cases, only thumbnail (small) images are available when you are outside the Library of Congress because the item is rights restricted or has not been evaluated for rights restrictions.

     As a preservation measure, we generally do not serve an original item when a digital image is available. If you have a compelling reason to see the original, consult with a reference librarian. (Sometimes, the original is simply too fragile to serve. For example, glass and film photographic negatives are particularly subject to damage. They are also easier to see online where they are presented as positive images.)

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