The Richard Rodgers Collection
Guides to Special Collections in the Music Division
Library of Congress, Washington DC, 1995
Table of Contents
Introduction
Biographical Sketch and Works List
Scope and Content Note
Container List
Series I -- Show Music
"Allegro" (1947)
"The American Idea" (1973)
"America's Sweetheart" (1931)
"Androcles and the Lion" (1967)
"Babes in Arms" (1937)
"Bad Habits of 1925"
"Betsy" (1926)
"The Boys from Syracuse" (1938, film 1940)
"By Jupiter" (1942)
"Carousel" (1945, film 1956)
"Chee-Chee" (1928)
"The Chinese Lantern" (1922)
"Cinderella" (1957)
"A Connecticut Yankee" (1927)
"Dancing Lady" (1933)
"Dancing Pirate" (1936)
"Dearest Enemy" (1925)
"Do I Hear a Waltz?" (1964)
"Ever Green" (1930, film Evergreen 1934)
"Flower Drum Song" (1958, film 1961)
"Follow Thru" (1930)
"Fools for Scandal" (1938)
"The Garrick Gaieties" (1925)
"The Garrick Gaieties" (1926)
"Ghost Town" (1939)
"The Girl Friend" (1926)
"The Great Adventure" (1963)
"Hallelujah, I'm a Bum" (1933)
"Happy Birthday" (1946)
"Heads Up!" (1929, film 1930)
"Higher and Higher" (1940)
"Hollywood Party" (1934)
"I Married an Angel" (1938, film 1942)
"I Picked a Daisy" (ca. 1960)
"I Remember Mama" (1931)
"I'd Rather Be Right" (1937)
"If I Were King" (1925)
"Jumbo" (1935, film 1962)
"June Days" (1925)
"Keep 'Em Rolling" (1942)
"The King and I" (1951, film 1956)
"Lady Fingers" (1929)
"Lawrence of Arabia" (n.d.)
"Let's Have Fun" (1935)
"Lido Lady" (1926)
"Love Me Tonight" (1932)
"Main Street to Broadway" (1935)
"Me and Juliet" (1953)
"The Melody Man" (1924, film 1930)
"Mississippi" (1935)
"No Strings" (1962)
"Oklahoma!" (1943, film 1955)
"On Your Toes" (1936, film 1939)
"One Dam Thing After Another" (1927)
"Pal Joey" (1940, film 1957)
"Peg o' My Heart" (1933)
"Peggy-Ann" (1926)
"Pipe Dream" (1955)
"The Play's the Thing" (n.d.)
"Please!" (1933)
"Present Arms" (1928)
"The Prisoner of Zenda" (1924)
"Rex" (1976)
"Saturday Night Around the World" (1965)
"Say Mama" (1921)
"She's My Baby" (1928)
"The Show Is On" (1936)
"Simple Simon" (1930)
"Something Gay" (1935)
"The Sound of Music" (1959, film 1965)
"South Pacific" (1949, film 1958)
"Spring Is Here" (1929, film 1930)
"Stage Door Canteen" (1943)
"State Fair" (1945 and 1962)
"Temple Bells" (1924)
"They Met in Argentina" (1941)
"Too Many Girls" (1939, film 1940)
"Two by Two" (1970)
"Up Stage and Down" (1919)
"The Valiant Years" (1960)
"Victory at Sea" (1952)
"Winkle Town" (1922)
"You'll Never Know" (1921)
Full Scores
"Allegro" (1947)
"Carousel" (1945)
"Flower Drum Song" (1958)
"The King and I" (1951)
"Oklahoma" (1943)
"Pipe Dream" (1955)
"The Sound of Music" (1959)
"South Pacific" (1949)
Series II -- Non-Show Music
"Aida" to "[Unidentified]"
Series III -- Miscellaneous Sketches
[M.S. 1] to [Unidentified lyric sketches]
Series IV -- Photographs
Photographs
Series V -- Miscellaneous
[Camp Paradox Materials] to [65th birthday tribute]
Appendix
Song Titles
Introduction
In the mid-1950's Richard Rodgers indicated that it was his
wish that all his original music manuscripts should be housed
permanently in the Library of Congress. This wish was realized in
the following stages: on November 10th, 1954, Rodgers deposited
most of his original manuscripts in the Library. Later that year,
Rodgers began converting the deposits to gifts (starting with the
music for "The Garrick Gaieties", and "Love Me Tonight"); he
continued that process until his death in 1979. Additionally,
Rodgers remembered the Library in his will; as a result, we
received his original music manuscripts for "Androcles and the
Lion", "Two by Two", "Rex", and "I Remember Mama".
Subsequent gifts were made by the composer's widow, Dorothy
Rodgers, and by the Rodgers & Hammerstein organization -- as
recently as 1995. A few items were purchased for the collection by
the Library, consisting of music and memorabilia from Camp Paradox
(materials dating between 1918-1925).
The Richard Rodgers Collection is available for examination
and study in the Performing Arts Reading Room. Materials in this
collection may not be copied without the written permission of the
Rodgers and Hammerstein organization. In addition, materials
currently under copyright protection may not be copied without the
written permission of of the copyright owner, often a publisher.
The user is advised that permission to copy may not imply
permission for other uses, including performing, recording and
publishing.
Researchers using the Richard Rodgers Collection should be
aware of other music division holdings that, though separate from
that collection, bear a direct relationship to it: The Oscar
Hammerstein Collection; the Robert Russell Bennett Collection; the
Hans Spialek Collection; the American Music Theater Collection; and
the various holdings within the general collections which include
librettos, piano-vocal scores, and published sheet music. In
addition, the Ira and Leonore Gershwin Fund Collection contains a
number of notable Rodgers' manuscripts purchased from the Hans
Spialek estate, including: "This Can't Be Love," "Too Good for the
Average Man," "La Princesse Zenobia Ballet" and "Slaughter on Tenth
Avenue Ballet."
The Richard Rodgers Collection in the Billy Rose Theatre
Collection at the New York Public Library for the Performing Arts
at Licoln Center, contains most of Rodgers' correspondence.
Collection shelf no.: ML30.58a.R6
Linear feet of shelf space occupied: 20
Approximate number of items: 2,700
Biographical Sketch and Works List
1902, June 28 Richard Rodgers is born to Dr. William and Mamie
(Levy) Rodgers in New York City
1917 Composes music for the amateur production "One
Minute Please"
1919 Composes music for the amateur production "Up Stage
and Down"
1919, Dec. 19 First collaborates with Lorenz Hart
1919-1921 Attends Columbia University
1920 Composes music for the amateur productions "You'd
Be Surprised" and "Fly With Me", and his first
professional production "Poor Little Ritz
Girl"
1921 Composes music for the amateur productions "Say
Mama", "You'll Never Know" and "Say It With
Jazz"
1921-1923 Attends Institute of Musical Art (Juilliard)
1922 Composes music for the amateur productions "The
Chinese Lantern" and "Jazz a la Carte"
1923 Composes music for the amateur productions "If I
Were King" and "A Danish Yankee in" King Tut's
Court"
1924 Composes music for the amateur production "Temple
Bells" and "The Prisoner of Zenda", and the
professional production "The Melody Man"
1925 Composes music for his last amateur production "Bad
Habits of 1925", and professional productions
"The Garrick Gaieties" and "Dearest Enemy"
1926 Composes music for the night club revue "The Fifth
Avenue Follies" and the shows "The Girl
Friend", "The Garrick Gaieties", "Lido Lady"
(London) "Peggy-Ann" and "Betsy"
1927 Composes music for the shows "One Dam Thing After
Another" (London) and "A Connecticut Yankee"
1928 Composes music for the shows "She's My Baby",
"Present Arms" and "Chee-Chee"
1929 Composes music for the shows "Spring Is Here" and
"Heads Up!" (London)
1930 Composes music for the shows "Simple Simon" and
"Evergreen" (London)
1930, March 5 Marries Dorothy Feiner
1931, Jan. 11 Daughter, Mary Rodgers is born
1931 Composes music for the shows "America's Sweetheart"
and "The Hot Heiress" (film)
1932 Composes music for the films "Love Me Tonight" and
"The Phantom President"
1933 Composes music for the film "Hallelujah, I'm a Bum"
1934 Composes music for the film "Hollywood Party"
1935 Composes music for the shows "Mississippi" (film)
and "Jumbo"
1936 Composes music for the shows "On Your Toes" and
"Dancing Pirate" (film)
1937 Composes music for the shows "Babes in Arms" and
"I'd Rather Be Right"
1938 Composes music for the shows "Fools For Scandal"
(film), "I Married An Angel" and "The Boys
From Syracuse"
1939 Composes music for the shows "Too Many Girls" and
"Ghost Town" (ballet)
1940 Composes music for the shows "Higher and Higher"
and "Pal Joey"
1941 Composes music for the film "They Met in Argentina"
1942 Composes music for the show "By Jupiter"
1943 Composes additional music for a revival of "A
Connecticut Yankee", and composes music for
his first show collaboration with Oscar
Hammerstein II -- "Oklahoma!"
1945 Composes music for the shows "Carousel" and "State
Fair" (film)
1947 Composes music for the show "Allegro"
1949 Composes music for the show "South Pacific"
1951 Composes music for the show "The King And I"
1952 Composes background score for the television
documentary "Victory at Sea"
1953 Composes music for the show "Me and Juliet"
1955 Composes music for the show "Pipe Dream"
1957 Composes music for the television musical
"Cinderella" (remade in 1965 with an
additional song)
1958 Composes music for the show "Flower Drum Song"
1959 Composes music for the show "The Sound of Music"
1960 Composes background score for television
documentary Winston Churchill -- "The Valiant
Years"
1962 Writes music and lyrics for the show "No Strings",
and additional songs for the remake of the
film "State Fair"
1962-1969 Is President and Producing Director, Music Theater
of Lincoln Center
1965 Composes music, with lyrics by Stephen Sondheim,
for the show "Do I Hear a Waltz?", and writes
music and lyrics for additional songs added to
the film version of "The Sound of Music"
1967 Writes music and lyrics for the television musical
"Androcles and The Lion"
1970 Composes music, with lyrics by Martin Charnin, for
the show "Two by Two"
1976 Composes music, with lyrics by Sheldon Harnick, for
the show "Rex"
1979 Composes music, with lyrics by Martin Charnin and
Raymond Jessel, for the show "I Remember Mama"
1979, Dec. 30 Richard Rodgers dies
Scope and Content Note
The Richard Rodgers Collection at the Library of Congress
consists predominantly of Rodgers' music holographs -- sketches,
piano-vocal scores (many with lyric sheets included) and short
scores. In addition, the collection includes the full scores for
eight of the Rodgers and Hammerstein shows ("Allegro", "Carousel",
"Flower Drum Song", "The King and I", "Oklahoma", "Pipe Dream",
"The Sound of Music", and "South Pacific"). The majority of these
scores are in the hand of the orchestrator Robert Russell Bennett,
but other orchestrators are represented and identified in this
guide whenever possible. The collection also includes a small
number of programs, photographs, miscellaneous papers, and a few
miscellaneous items. A few items have been transferred to the
Motion Picture Broadcasting and Recorded Sound Division -- Rodgers'
"gold record" for "The Sound of Music"; two video cassettes of home
movies; and one cassette tape recorded by Zoe Hyde-Thomson
consisting of Rodgers' reminiscences during World War II.
Series I -- Show Music -- has been divided into Rodgers'
manuscripts and the full scores; each of these sections has been
organized alphabetically by show title and by song title within
each show. In the instances when a Broadway musical either was
revised, subsequently filmed, or a film musical was re-made, the
materials for subsequent productions have been interfiled with the
materials for the earlier production. When there are collections
of sketches for a show, they are at the end of the materials for
that show. Where a collection of sketches contains material from
more than one show, the sketches are listed with the show which
appears most often; cross-references have been provided for other
shows appearing within these sketches. Other collections of
sketches, representing a variety of shows, are placed in the the
Miscellaneous Sketches series; they are listed in chronological
order (as nearly as can be determined), and are designated M.S. 1
(i.e., Miscellaneous Sketches 1), etc. Known song titles from
these sketches are also cross-referenced in the appropriate shows.
When most sketches in a collection are identifiable, the occasional
"unidentified" item is listed in the order in which it appears;
when most of the sketches in a collection are unknown, there is
only a general reference to the fact that unidentified sketches are
included. When a portion of a song title is crossed through on the
music, it is also crossed through in this guide.
The appendix at the end of this guide is an alphabetical list
of all of Rodgers' songs represented in this collection and where
they can be found. This appendix does not include the full scores.
The music for "I Picked a Daisy", "Lawrence of Arabia" and the
second film of "State Fair" were found together in a way that
necessitated our making a best guess as to which materials were
intended for which show. Our determinations should be construed as
educated speculation, not fact.
The full scores contain many examples of show material that
was deleted or replaced with new orchestrations. In a few cases,
well known selections are conspicuously absent, most notably,
"Carousel Waltz" and "Soliloquy" from "Carousel". The full scores
are organized alphabetically by show, and by song titles within
shows. Unfamiliar titles, and items such as "bridges," and
"utilities" are grouped together in Miscellaneous sections at the
end of each show. A number of the full scores are marked "N/G,"
apparently indicating that the score was "No Good" and was not used
in the final incarnation of the show.
This collection is an exquisite representation of the working
life of a composer in both the breadth and the depth of the
material it encompasses: close to 1,000 known song titles (some in
various stages of composition), over 80 shows, and hundreds of
untitled sketches are represented, primarily as holographs. The
assembled materials span approximately sixty-two years (1917-1979),
encompassing both Rodgers' amateur and professional life. Rodgers
later works are most completely represented, but almost all
significant early works are represented as well. There are also a
number of lyric sketches for those works on which Rodgers acted as
his own lyricist.
Rodgers' melodic prodigiousness is evidenced in the collection
by page after page of his sketches. They reveal intricacies of his
working methods, for instance, there are lyric sheets with
annotations by Rodgers indicating which syllables to accent, some
have rhythms notated in the margins, or a melody may be scrawled on
the back. There are series of sketches which show the evolution of
a song -- giving three or four alternative themes, often with
different time signatures and in different styles.
The "Rodgers and Hammerstein Fact Book" by Stanley Green and
the "Catalog of the American Musical" by Tommy Krasker and Robert
Kimball were enormously helpful in determining correct song titles,
as well as identifying the shows for which the songs were written
or in which they were sung. Scott Willis, a Rodgers and Hart
specialist, was gracious with both his time and knowledge,
identifying a number of untitled pieces from the collection.
Enormous thanks are due to Albert Tucker for his yeoman like work
on both the processing of the collection and the creation of this
guide.
Mark Eden Horowitz,1995
Container List
[Note: B/F = Box/Folder]
SERIES I -- SHOW MUSIC
"Allegro" (1947) lyrics by Oscar Hammerstein II
B/F Contents
1/1 Allegro
Holograph sketch in pencil; 3 p.
Includes: [3] p. of unidentified holograph
sketches, one dated "July 1, '43"
Holograph piano-vocal score in pencil; [8] p.
Laid in: typed lyric sheet; [2] p.
But the days on a planet {see [Sketches for "Allegro":
no. 3]}
1/2 Come home
Holograph sketch in pencil; [1] p.
Holograph piano-vocal score in pencil; 5 p.
Laid in: typed lyric sheet; [1] p.
1/3 A fellow needs a girl
Holograph piano-vocal score in pencil; [3] p.
Laid in: typed lyric sheet ; [1] p.
1/4 Finale act one
Holograph piano-vocal score in pencil; 13 p.
Includes: "What a lovely day for the
wedding!," "I have let the time run on,"
"It may be a good idea for Joe," "To have
& to hold," "Wish them well"
Laid in: typed lyric sheet; [6] p.
1/5 The gentleman is a dope
Holograph piano-vocal score in pencil; [7] p.
Laid in: typed lyric sheet; [1] p.
Good idea for Joe {see [Sketches for "Allegro": no. 3]}
Grandma {see [Sketches for "Allegro": no. 3]}
I have let the time run on {see [Sketches for"Allegro":
no. 3]}
1/6 I know it can happen again
Holograph piano-vocal score in pencil; [2] p.
Laid in: typed lyric sheet; [1] p.
1/7 It's a darn nice campus
Holograph piano-vocal score in pencil; [2] p.
Laid in: typed lyric sheet; [1] p.
1/8 Money isn't everything
Holograph piano-vocal score in pencil; 8 p.
Laid in: typed lyric sheet; [3] p.
1/9 One foot, other foot
Holograph piano-vocal score in pencil; 6 p.
Laid in: typed lyric sheet; [3] p.
Opening act I {see [Sketches for "Allegro": no. 3]}
1/10 Opening sequence
Holograph piano-vocal score in pencil; 6 p.
Laid in: typed lyric sheet; [2] p.
1/11 Poor Joe!
Holograph piano-vocal score in pencil; [1] p.
Laid in: typed lyric sheet; [1] p.
Possibly I'm cynical {see [Sketches for "Allegro":
no. 3]}
1/12 Sitting on the porch in the moonlight
Holograph piano-vocal score in pencil; [2] p.
Laid in: typed lyric sheet; [1] p.
1/13 So far
Holograph piano-vocal score in pencil; [4] p.
To have and to hold {see [Sketches for "Allegro":
no. 3]}
Two more [loves] {see [Sketches for "Allegro": no. 1]}
1/14 Two short years
Holograph sketch in pencil; [1] p.
Holograph piano-vocal score in pencil; [2] p.
Laid in: typed lyric sheet; [1] p.
What a lovely day for a wedding {see [Sketches for
"Allegro": no. 3]}
1/15 [Wildcats]
The Wildcats are on a rampage
Holograph piano-vocal score in pencil; [3] p.
Laid in: typed lyric sheet [1] p.
1/16 Will you marry me?
Holograph piano-vocal score in pencil; [3] p.
Laid in: typed lyric sheet; [1] p.
1/17 Wish them well: finale act I
Holograph piano-vocal score in pencil; [3] p.
1/18 [Yatata, yatata, yatata]
Yatata!
Holograph piano-vocal score in pencil; 9 p.
Laid in: typed lyric sheet; [3] p.
1/19 You are never away
Holograph piano-vocal score in pencil; 6 p.
Laid in: typed lyric sheet; [1] p.
1/20 You never had it so good
Holograph piano-vocal score in pencil; [3] p.
Laid in: typed lyric sheet; [1] p.
1/21 [Sketches for "Allegro": no. 1]
Holograph sketches in pencil; [4] p.
Includes:
Yatata, yatata, [yatata]
Two more loves
[The gentleman is a dope]: She doesn't
belong to me
[Sketches for "Allegro": no. 2]
Holograph sketches in pencil; [2] p.
Includes:
Money isn't everything
Poor Joe
[Sketches for "Allegro": no 3]
Holograph sketches in pencil; 9 p. + [6] p.
(variously paginated)
Includes:
p. 1-2: "Opening act I"
p. 2: "Grandma," "One foot, other
foot"
p. 3: "One foot, other foot"
p. 4: "A fellow needs a girl," "It's
a darn nice campus"
p. 5: "The Wildcats are on a rampage"
p. 6: "So far," "You are never away"
p. 7: "Sitting on the porch [in the
moonlight]," "What a lovely day
for the wedding"
p. 8-9: "What a lovely day for the
wedding" (cont.), "I have let
the time run on," "Possibly I'm
cynical"
p. [10]: "[Unidentified]," "But the days
on a planet," "Two short
years"
p. [11]: "Wish them well," "To have and
to hold,"
p. [12]: "I have let the time run on,"
"Two more loves," "[Allegro]:
The lady in bed"
p. [13]: "What a lovely day for the
wedding," "Good idea for Joe"
p. [14]: "Verse [A] fellow needs [a
girl]: Marjorie," "Sitting on
the porch [in the moonlight],"
"You are never away"
p. [15]: "Grandma," "[Unidentified],"
"Fellow needs [a girl]"
"The American Idea" (1973) television score
B/F Contents
1/22 The American idea: main title theme
Holograph condensed score in pencil; 2 p.
Note: dated Oct. 1972
[The American idea]
Holograph condensed score in pencil; 14 p.
Includes: "Sequence I: New England,"
"Sequence II: the Tuttles," "Sequence III:
Harvard University," "Sequence IV: Mr.
Tuttle," "Sequence V: Valley Forge," "Sequence
VI: Independance Hall," "Sequence VII:
Salem/William Penn/the Amish/the Mormons,"
"Sequence VIII," "Sequence IX," "Sequence X,"
"Sequence XI"
Note: first program of projected ABC-TV series,
televised 3/18/73.
"America's Sweetheart" (1931) lyrics by Lorenz Hart
B/F Contents
1/23 I want a man
Holograph piano-vocal score in pencil, no lyric;
[3] p.
Note: originally written for "Winkle Town"
but used in "America's Sweetheart"
{see also [M.S. 1] in MISCELLANEOUS SKETCHES}
There's so much more {see [Sketches for "One Dam Thing
After Another"]}
1/24 [Sketches for "America's Sweetheart"]
Holograph sketches in pencil; [5] p.
Includes:
p. [1]: "Ope[ning] act I"
p. [2]: "My sweet!"
p. [3]: "Innocent ch[orus] girls [of
yesterday]," "Movies," "In
Californ - I.A."
p. [4]: "[I've got five dollars]: $5,"
"[Unidentified]"
p. [5]: "[Unidentified]," "[A lady must
live]: Ladies must live"
"Androcles and the Lion" (1967) television musical, lyrics by
Richard Rodgers
B/F Contents
1/25 Don't be afraid of an animal
Holograph piano-vocal score in pencil; [4] p.
Laid in: typed lyric sheets (2); [1] p.
1/26 The emperor's thumb
Holograph piano-vocal score in pencil; [2] p.
Laid in: typed lyric sheet; [1] p.
Emperor's thumb (extension)
Holograph piano-vocal score in pencil; [2] p.
Laid in: typed lyric sheets (2); [1] p.
1/27 Ferrovius
Holograph piano-vocal score in pencil; [2] p.
Note: 3 measures at bottom of p. [2] notated
"New ending."
Laid in: typed lyric sheet; [1] p.
1/28 Follow in our footsteps
Holograph piano-vocal score in pencil; [2] p.
Laid in: typed lyric sheet; [1] p.
1/29 No more waiting: verse.
Holograph piano-vocal score in pencil; [1] p.
Laid in: typed lyric sheet; [1] p.
No more waiting
Holograph piano-vocal score in pencil; [3] p.
Laid in: typed lyric sheet; [1] p.
1/30 Strangers
Holograph piano-vocal score in pencil; [2] p.
Laid in: typed lyric sheet; [1] p.
Strangers reprise
Typed lyric sheet; [1] p.
Typed lyric sheet; [1] p.
1/31 Strength is my weakness
Holograph piano-vocal score in pencil; [3] p.
Laid in: typed lyric sheet; [1] p.
{see also ["Two by Two" sketches]}
Typed lyric sheet; [1] p.
1/32 Velvet paws
Holograph piano-vocal score in pencil; [2] p.
1/33 [Sketches for "Androcles and the Lion"]
Holograph sketches in pencil; [4] p.
Includes:
p. [1]: "Velvet paws," "Stranger[s]"
p. [2]: "[Unidentified]," "[The]
emperor's thumb,"
"[Unidentified]"
p. [3]: "Don't be afraid [of an
animal]"
p. [4]: "[Unidentified]"
1/34 [Lyrics sheets and lyric sketches for "Androcles and the
Lion"]
Holograph (pencil) and typed lyric sheets and lyric
sketches; [22] p.
Includes:
Don't be afraid of an animal
The emperor's thumb
Emperor's thumb extension
Follow in our footsteps
No more waiting
No more waiting verse
Strangers
Strangers reprise
[Strength is my weakness]
[Velvet paws]: gentle paws
[Unidentified]
1/35 [Miscellaneous "Androcles and the Lion"]
[Letter]
Typed letter from Duane Garrison, secretary to Mr.
Rodgers; [1] p.
Note: dated September 21, 1967
[Breakdown of scenes]
Typed list; [1] p.
Musical number run down
Typed list; 2 p.
[List of musical numbers]
Typed list; [1] p.
[Script]
Typed script, annotations in red ink & pencil; p.
42-51
[Notes]
Holograph in pencil; [3] p.
"Babes in Arms" (1937) lyrics by Lorenz Hart
B/F Contents
2/1 All at once
Holograph piano-vocal score in pencil; [4] p.
Laid in: carbon copy of typed lyric sheet;
[1] p.
Patter for All at Once
Holograph piano-vocal score in pencil; 2 p.
Laid in: carbon copy of typed lyric sheet;
[1] p.
All dark people {see [Sketches for "Babes in Arms"]}
Babes in arms {see [Sketches for "Babes in Arms"]}
2/2 I wish I were in love again
Holograph piano-vocal score in pencil; [4] p.
2/3 Imagine
Holograph piano-vocal score in pencil; [4] p.
2/4 Imagine ballet, or, [Peter's journey]
Holograph condensed score in pencil; 22 p.
2/5 Johnny one note
Holograph piano-vocal score in pencil; 6 p.
2/6 The lady is a tramp
Holograph piano-vocal score in pencil; [5] p.
2/7 [My funny] valentine
Holograph piano-vocal score in pencil; [4] p.
Peter's journey {see "Imagine Ballet"}
2/8 Where or when
Holograph piano-vocal score in pencil; [4] p.
2/9 You are so fair
Holograph piano-vocal score in pencil; [4] p.
Laid in: typed lyric sheet with pencil
annotation; [1] p.
2/10 [Sketches for "Babes In Arms"]
Holograph sketches in pencil; [4] p.
Includes:
p. [1]: "Verse [I wish I were in] love
again," "[Unidentified],"
"[All at once]: Never love,"
"Rhythm" (from Andr, Charlot
revue "Please!", 1933)
p. [2]: "[Where or when]," "[Johnny one
note]," "[Unidentified],"
"[Unidentified]," "[All dark
people]"
p. [3]: "[Unidentified],"
"[Unidentified],"
"Imagine"
p. [4]: "[Imagine]: verse," "Babes in
arms," "[Unidentified],"
"[Unidentified],"
"[Unidentified]," "[I wish I
were] in love again"
"Bad Habits of 1925", musical revue, lyrics by Lorenz Hart
B/F Contents
2/11 College baby!
Holograph piano-vocal score in pencil & ink, no
lyric; [4] p.
Lyric by Robert Simon
2/12 I'd like to take you home
Holograph piano-vocal score in pencil, no lyric;
[4] p.
Note: later used in "The Girl Friend"
2/13 Mah jong maid
Holograph piano-vocal score in pencil, no lyric;
[3] p.
Lyric by Herbert Fields
2/14 [The merrie merrie]
The merry merry
Holograph piano-vocal score in pencil & ink, no
lyric; [2] p.
On t.p.: "Opening" and "1"
2/15 Silver threads
Holograph piano-vocal score in pencil, no lyric;
5 p.
"Betsy" (1926) lyrics by Lorenz Hart
B/F Contents
Birds on high {see [M.S. 3] in MISCELLANEOUS SKETCHES}
Bugle blow {see [Sketches for "Betsy"]}
If I were you {see [M.S. 3] in MISCELLANEOUS SKETCHES}
2/16 Is my girl refined?
Holograph piano-vocal score in pencil, no lyric;
[3] p.
Note: dropped before New York opening
The Kitzel engagement {see Opening ensemble}
The Kitzel engagement {see [M.S. 3] in MISCELLANEOUS
SKETCHES}
2/17 Nations patters
Holograph condensed score in pencil; 8 p.
Includes: "Irish," "Italian," "Russian,"
"Chinese"
One of us should be two {see [Sketches for "Betsy"]}
2/18 Opening ensemble, or, [The Kitzel engagement]
Holograph piano-vocal score in pencil, no lyric;
8 p.
2/19 Shuffle!
Holograph piano-vocal score in pencil, no lyric;
[3] p.
On t.p.: "Intro I-II"
2/20 Sing!
Holograph piano-vocal score in pencil, no lyric;
[3] p.
{see also [M.S. 3] in MISCELLANEOUS SKETCHES}
This funny world {see [Sketches for "Betsy"]}
2/21 [Sketches for "Betsy"]
Holograph sketches in pencil; [4] p.
Includes:
p. [1]: "[Bugle blow]: Verse of
"American," "[One of us should
be two]," "[Unidentified]"
p. [2]: "[This funny world],"
"[Unidentified]," [Bugle blow:
refrain]"
p. [3]: "Burn up!," "[Unidentified],"
"Dummy march" (from "Betsy" or
"Peggy-Ann")
p. [4]: "Irish," "Russian," "[Tramping
along]" (cut from "Peggy-Ann"),
"Mosk[owitz] open[ing] patter"
Note: melody for "Mosk[owitz] open[ing]
patter" appears to fit the lyric for "At the
Saskatchewan," which was cut before the
opening
"The Boys from Syracuse" (1938; film 1940) lyrics by Lorenz Hart
B/F Contents
2/22 [Ballet]
Holograph sketches in pencil; [1] p.
On back: unidentified holograph sketch in pencil
2/23 Big brother
Holograph piano-vocal score in pencil; [2] p.
On back: notes on the instrumentation in blue
and red pencil
2/24 Come with me
Holograph piano-vocal score in pencil; 6 p.
2/25 Dear old Syracuse
Holograph piano-vocal score in pencil; [4] p.
2/26 Falling in love with love
Holograph piano-vocal score in pencil; 6 p.
2/27 Finale act one
Holograph piano-vocal score in pencil; 11 p.
2/28 The Greeks have no word for it
Holograph sketch in pencil; [1] p.
Note: from the 1940 film version of "The Boys
from Syracuse"
{see also [Sketches for "Higher and Higher"]}
2/29 He and she
Holograph piano-vocal score in pencil; [4] p.
2/30 He had twins!
Holograph piano-vocal score in pencil; [14] p.
On cover: "Opening"
2/31 Ladies of the evening
Holograph piano-vocal score in pencil; 4 p.
2/32 Oh, Diogenes
Holograph piano-vocal score in pencil; [4] p.
2/33 The shortest day of the year
Holograph piano-vocal score in pencil; [4] p.
2/34 Sing for your supper
Holograph piano-vocal score in pencil; [4] p.
Note: melody sketch in light pencil at bottom
of p. 4
2/35 What can you do with a man?
Holograph piano-vocal score in pencil; [4] p.
2/36 Who are you?
Holograph piano-vocal score (verse only) in pencil;
[1] p.
Laid in: carbon copy of typed lyric sheet;
[1] p.
Note: from the 1940 film version of "The Boys
from "Syracuse"
Holograph piano-vocal score in pencil; [4] p.
Note: verse different than above, but the
same as verse of "From another world,"
from "Higher and Higher"
Note: from the 1940 film version of "The Boys
from Syracuse"
{see also [M.S. 11] in MISCELLANEOUS SKETCHES}
2/37 [You have cast your] shadow on the sea
Holograph piano-vocal score in pencil; [4] p.
2/38 [Sketches for "The Boys from Syracuse"]
Holograph sketches in pencil; [10] p.
Includes:
p. [1]: "Come with me," "Patter"
p. [2]: "Verse [Oh,] Diogenes,"
"[Falling in love with love]:
Serving"
p. [3]: "He and she verse"
p. [5]: "Trio"
p. [6]: "[You have cast your shadow on
the sea]," "[This can't be
love]"
p. [7]: "What can you do with a man"
p. [8]: "Opening act I," "Verse [You
have cast your] shadow on the
sea," "[Dear old] Syracuse"
p. [9]: "The shortest day [of the
year]," "[Oh, Diogenes]"
p. [10]: "Big brother," ""Trio" Sing for
your supper"
"By Jupiter" (1942) lyrics by Lorenz Hart
B/F Contents
3/1 The boy I left behind me
Holograph piano-vocal score in pencil; [4] p.
Laid in: typed lyric sheet entitled "Opening
act one"; [1] p.
3/2 Careless rhapsody
Holograph piano-vocal score in pencil; [4] p.
Laid in: typed lyric sheet with annotations
in pencil; [1] p.
3/3 Everything I've got
Holograph piano-vocal score in pencil; [4] p.
Laid in: typed lyric sheet; [1] p.
3/4 Finale act I
Holograph piano-vocal score in pencil; 8 p.
3/5 Finaletto (Act II)
Holograph piano-vocal score in pencil; [3] p.
Laid in: typed lyric sheets (2); [1] p. each
3/6 Fool meets fool
Holograph piano-vocal score in pencil; [4] p.
Laid in: typed lyric sheet with annotation in
pencil; [1] p.
The gateway of the Temple of Minerva {see Temple of
Minerva}
3/7 Here's a hand
Holograph piano-vocal score in pencil; [3] p.
Laid in: typed lyric sheet; [1] p.
3/8 Jupiter forbid
Holograph piano-vocal score in pencil; [5] p.
Laid in: typed lyric sheet; [1] p.
3/9 Life was monotonous
Holograph piano-vocal score in pencil; [4] p.
Laid in: typed lyric sheet with annotations
in pencil; [1] p.
3/10 Life with Father
Holograph piano-vocal score in pencil; [4] p.
Laid in: typed lyric sheet; [1] p.
3/11 Nobody's heart
Holograph piano-vocal score in pencil; [4] p.
Laid in: typed lyric sheet, annotations in
pencil & type; [1] p.
3/12 Nothing to do but relax
Holograph piano-vocal score in pencil; [3] p.
Laid in: typed lyric sheet, annotations in
pencil; [1] p.
3/13 Temple dance
Holograph piano score in pencil; [2] p.
3/14 The Temple of Minerva
Holograph piano-vocal score in pencil; [4] p.
Laid in: typed lyric sheet entitled ""In the
gateway of" the temple of Minerva"; [1] p.
3/15 Wait till you see her
Holograph piano-vocal score in pencil; [3] p.
Laid in: typed lyric sheet; [1] p.
Wait till you see her {see also [Sketches for
"Oklahoma!"]}
"Carousel" (1945; film 1956) lyrics by Oscar Hammerstein II
B/F Contents
3/16 Blow high, blow low
Holograph piano-vocal score in pencil; [3] p.
3/17 [Carousel waltz]
Carousel
Holograph sketch in pencil; 5 p.
On t.p.: "Intro `Liliom'"
Holograph piano score in pencil; 13 p.
The carousel waltz
Ozalid of copyist's ms. piano score; 18 p.
{see also [Sketches for "Hallelujah, I'm a Bum"]}
3/18 [Geraniums in the winder]
Geraniums; Stonecutters; What's the use of wond'rin'
Holograph piano-vocal score in pencil; 9 p.
Note: actual title for "Stonecutters" is
"There's nothin' so bad for a woman"
3/19 The highest judge of all
Holograph piano-vocal score in pencil; [4] p.
Laid in: typed lyric sheet; [1] p.
3/20 [If I loved you]
Scene Billy and Julie; If I loved you
Holograph piano-vocal score in pencil; 14 p.
3/21 [June is bustin' out all over]
Act one, scene three opening; June is bustin' out all
over
Holograph piano-vocal score in pencil; 10 p.
3/22 [Mister Snow]
Julie and Carrie sequence; Mister Snow
Holograph piano-vocal score in pencil, incomplete
lyric; 11 p.
Reprise Mr. Snow
Holograph piano-vocal score in pencil; 5 p.
3/23 A real nice clambake
Holograph piano-vocal score in pencil; 6 p.
3/24 Soliloquy
Holograph sketch in pencil; [4] p.
Holograph piano-vocal score in pencil; 14 p. +
[1] p. insert
Note: includes a [1] p. typed lyric sheet to
accompany the insert
Stonecutters cut it on stone {see Geraniums in the
winder}
There's nothin' so bad for a woman {see Geraniums in
the winder}
3/25 [Two little people]
2 little people
Holograph sketch in pencil, some lyric; [1] p.
Note: lyric suggests a relation to "If I
loved you"
What's the use of wond'rin' {see Geraniums in the
winder}
3/26 [When the children are asleep]
Carrie and Mister Snow; When the children are asleep
Holograph piano-vocal score in pencil; 8 p.
3/27 You'll never walk alone
Holograph piano-vocal score in pencil; [3] p.
"Chee-Chee" (1928) lyrics by Lorenz Hart
B/F Contents
{see [M.S. 2] in MISCELLANEOUS SKETCHES}
I must love you {see Send for me in "Simple Simon"}
"The Chinese Lantern" (1922) lyrics by Lorenz Hart
B/F Contents
3/28 Chinese march
Holograph piano score in pencil; [3] p.
3/29 I want to be a grocer
Holograph piano-vocal score in pencil, no lyric;
[3] p.
3/30 Wee little china rose
Holograph piano-vocal score in pencil, no lyric;
[5] p.
Lyrics by Laurence Housman
"Cinderella" (1957) television musical, lyrics by
Oscar Hammerstein II
B/F Contents
4/1 Do I love you (because you're beautiful)
Holograph piano-vocal score in pencil; [3] p.
Laid in: typed lyric sheet; [1] p.
Do I love you
Holograph sketch in pencil; [1] p.
Note: also includes sketch fragment for
"Impossible"
4/2 Fol-de-rol
Holograph piano-vocal score in pencil; [1] p.
Copyist's ms. piano-vocal score in ink; [1] p.
4/3 Gavotte!
Holograph piano-vocal score in pencil, no lyric;
2 p.
If I weren't king {see [Sketches for "Cinderella"]}
4/4 Impossible
Holograph piano-vocal score in pencil; [4] p.
Laid in: typed lyric sheet, annotations in
pencil; [1] p.
Holograph sketch in pencil; [1] p.
4/5 In my own little corner
Holograph piano-vocal score in pencil; [4] p.
Laid in: typed lyric sheet, annotation in
pencil; [1] p.
Corner
Holograph sketch in pencil; [1] p.
4/6 A lovely night
Holograph piano-vocal score in pencil; [2] p.
Laid in: typed lyric sheet; [1] p.
[A lovely night]
Holograph sketch in pencil; [1] p.
4/7 Mother and daughters' march
Holograph piano score in pencil; [2] p.
4/8 Prince is giving a ball
Holograph sketch (with lyric) in pencil; 4 p.
4/9 Scene before In my own little corner
Holograph piano-vocal score in pencil; 4 p.
Laid in: typed lyric sheet, annotations in
pencil (including rhythmic notations); p. 64-
66
4/10 Ten minutes ago
Holograph piano-vocal score in pencil; [4] p.
Laid in: typed lyric sheet; [1] p.
4/11 Waltz for a ball
Holograph piano score in pencil; 6 p.
Waltz!
Holograph sketch in pencil; 2 p.
4/12 [Sketches for "Cinderella"]
Holograph sketches in pencil; [3] p.
Includes:
p. [1]: "Cinderella," "12 bells or
chimes on [half note] A"
p. [2]: "Mother and daughters' march"
p. [3]: "Ten minutes ago"
Holograph sketches in pencil, some lyric; [4] p.
Includes:
Ex[i]t march
If I weren't king: dummy
Intro to Lovely night
4/13 [Lyric sheets]
Typed lyric sheets, one with sketch material in
pencil, most with 2 copies; [7] p.
Includes:
[Do I love you (because you're
beautiful)]:
Are you beautiful because I love
you?
Impossible
In my own little corner
Ten minutes ago
"A Connecticut Yankee" (1927 & 1943 revival) lyrics by Lorenz Hart
B/F Contents
4/14 Can't you do a friend a favor
Holograph piano-vocal score in pencil; [3] p.
Let's both go home and kiss our mothers {see [Sketches
for "A Connecticut Yankee"]}
My heart stood still {see [M.S. 3] in MISCELLANEOUS
SKETCHES}
4/15 Nothing's wrong
Holograph piano-vocal score and sketch in pencil,
no lyric; [3] p.
Note: 4 measure unidentified piano sketch on
back
Someone should tell them {see [Sketches for "One Dam
Thing After Another"]}
4/16 This is my night to howl
Holograph piano-vocal score in pencil; 4 p.
Laid in: typed lyric sheet, annotations in
pencil; [1] p.
Thou swell {see [Sketches for "A Connecticut Yankee"]}
4/17 To keep my love alive
Holograph piano-vocal score in pencil; [4] p.
4/18 You always love the same girl
Holograph piano-vocal score in pencil; 7 p.
Love the same girl
Holograph sketch in pencil, partial lyric; 2 p.
You are what I need {see [Sketches for "A Connecticut
Yankee"]}
4/19 [Sketches for "A Connecticut Yankee"]
Holograph sketches in pencil; [2] p.
Includes:
[Can't you do a friend a] favor
[This is my night to] howl
[Unidentified]
Holograph sketches in pencil; [2] p.
Includes:
Let's both go home and kiss our mothers
[Thou swell]: Thou sweet
[Thou swell]: Sweet
[You are] what I need
"Dancing Lady" (1933) film, lyrics by Lorenz Hart
B/F Contents
Dancing lady {see [M.S. 7] in MISCELLANEOUS SKETCHES}
Dancing lady {see [Sketches for "Hollywood Party"]}
That's the rhythm of the day {see [M.S. 7] in
MISCELLANEOUS SKETCHES}
"Dancing Pirate" (1936) film, lyrics by Lorenz Hart
B/F Contents
Are you my love? {see [M.S. 10] in MISCELLANEOUS
SKETCHES}
"Dearest Enemy" (1925) lyrics by Lorenz Hart
B/F Contents
4/20 Bye and bye
Photocopy of holograph piano-vocal score, no lyric;
[3] p.
4/21 Old enough to love
Holograph piano-vocal score in pencil, no lyric;
[4] p.
Holograph piano score in pencil; [3] p.
4/22 Opening act one, or, [Heigh-ho, lackaday]
Holograph piano score in pencil; [4] p.
"Do I Hear a Waltz?" (1965) lyrics by Stephen Sondheim
B/F Contents
4/23 [Bargaining]
Interlude -- Perhaps
Holograph piano-vocal score in pencil; [4] p.
4/24 Do I hear a waltz?
Holograph piano-vocal score in pencil, partial
lyric; [3] p.
Typed lyric sheet; [1] p.
Do I hear a waltz
Holograph sketch in pencil, some lyric; [2] p.
Note: 2 sketches, "Lover to lover" and
"American Adventure," crossed out at top of
page
[Do I hear a waltz?]
Holograph sketch in pencil, with lyric; [1] p.
At top: "Unused notes"
Typed lyric sheet; [1] p.
Note: this lyric was originally written by
Sondheim for consideration in what became
"Anyone Can Whistle"; when it was not used
there, Sondheim later presented it to Rodgers
for consideration in their show.
4/25 Everybody loves Leona
Holograph piano-vocal score in pencil; [3] p.
Laid in: typed lyric sheet, annotations in
pencil; [1] p.
Leona
Holograph sketch in pencil; [1] p.
At top: "Used notes"
Note: includes a crossed out sketch for
"Planes,"i.e., "What do we do? We fly!"
4/26 Here we are again
Holograph piano-vocal score in pencil; [3] p.
4/27 Last week the English (This week Americans)
Holograph piano-vocal score in pencil; [2] p.
Laid in: typed lyric sheet, annotations in
pencil, including 3 measures of sketch
material on back; [1] p.
Last week the English
Holograph sketch in pencil; [1] p.
American tag
Holograph piano-vocal sketch in pencil; 2 p.
Typed lyric sheet; [1] p.
4/28 Moon in my window
Holograph piano-vocal score in pencil; [1] p.
Laid in: typed lyric sheet, annotations in
pencil; [1] p.
4/29 No understand
Holograph piano-vocal score in pencil; [2] p.
Photocopy of ozalid of copyist's ms. piano-vocal
score, annotations in pencil; 2 p.
Note: dated 12/14/64
Typed script portion including lyric, annotations
in pencil; [7] p.
[No understand]
Holograph sketch in pencil; [2] p.
4/30 Perfectly lovely couple
Holograph piano-vocal score in pencil, partial
lyric; [4] p.
4/31 Perhaps
Holograph piano-vocal score in pencil; [2] p.
Laid in: typed lyric sheet; [1] p.
4/32 Philadelphia
Holograph piano-vocal score in pencil; [3] p.
Laid in: typed lyric sheet, annotations in
ink; [1] p.
Holograph lead sheet in pencil; [1] p.
4/33 San Marco
Holograph sketch in pencil; [2] p.
At top: "Unused notes"
Note: holograph sketch in pencil for "Alt.
some people" on p. [2]
4/34 Someone like you
Holograph piano-vocal score in pencil; [2] p.
Laid in: typed production notes with
annotations in ink and holograph sketch in ink
for "Someone like you"; [2] p.
Someone like you: act I, scene 3
Typed lyric sheet; [1] p.
4/35 Someone woke up
Copyist's manuscript piano-vocal score in ink with
holograph coda and insert material in pencil,
lyrics in pencil; [4] p.
Laid in: typed lyric sheet, annotation
in pencil; [1] p.
Holograph piano sketch in pencil; [1] p.
4/36 Stay
Holograph piano-vocal sketch in pencil, partial
lyric; [1] p.
Stay: coda
Holograph piano-vocal score in pencil; [1] p.
[Stay]
Holograph lyric sketch (4 lines) in pencil; [1] p.
Stay -- Interlude
Holograph piano-vocal score in pencil, no lyric;
[1] p.
At top: "Unused ms."
On back: holograph sketch material (crossed
out)
4/37 Take the moment
Holograph piano-vocal score in pencil; [3] p.
Laid in:
- typed lyric sheet with annotations in
pencil, including a 4 measure melody
sketch; [1] p.
- holograph lyric sketch in pencil;
[1] p.
4/38 Thank you so much
Holograph piano-vocal score in pencil; [2] p.
Laid in: typed lyric sheets (2), one with
annotations in pencil, the other of 1st
refrain only; [1] p. each
Thank you so much: verse
Holograph piano-vocal score in pencil, last 4
measures crossed out; [2] p.
4/39 [Thinking]
-I was- thinking
Holograph piano-vocal score in pencil; [2] p.
Laid in: typed lyric sheet, annotations in
pencil; 2 p.
5/1 Two by two: verse
Holograph piano-vocal score in pencil; [1] p.
Laid in: typed lyric sheet, annotations in
pencil include rhythmic notations on the back;
[1] p.
Two by two
Holograph piano-vocal score in pencil; [2] p.
Laid in: typed lyric sheet, annotation in
pencil; [1] p.
Holograph sketch in pencil with lyric; [1] p.
Note: additional holograph sketches include
"Hold the moment" and unidentified material
[Two by two]
Holograph rhythmic sketch in pencil with crossed
out lyric; [1] p.
On back: holograph sketch material designated
as "Unused notes"
5/2 Two by two: promenade
Holograph piano-vocal score in pencil; [3] p.
Note: paper stained, damaged on p. [3]
5/3 We're gonna be all right
Holograph piano-vocal score in pencil; [1] p.
We're gonna be all right: refrain
Holograph piano-vocal score in pencil; [3] p.
Laid in: typed lyric sheet, annotations in
pencil; [2] p.
We're gonna be all right
Holograph sketch in pencil; [1] p.
Note: crossed out holograph sketch for "Story
of my life" at top; and crossed out holograph
sketch identified as "Thinking (New opening)
bars" on back
5/4 What do we do? We fly!
Holograph piano-vocal score in pencil; [6] p.
Note: performance annotations on p. [7]
Planes 1; Planes 2
Holograph piano-vocal sketch and sketch with lyric,
in pencil; [2] p.
5/5 [Sketches for "Do I Hear a Waltz?"]
Holograph sketches in pencil; [6] p.
Includes:
p. [1]: "Take the moment"
p. [2]: "Perhaps"
p. [4]: "Goodbye tune: act II"
p. [5]: "[What do we do? We fly!]:
Planes"
p. [6]: "[Two by two: promenade]: Eddie
and Jennifer sect. of
Promenade"
"Ever Green" (1930; film ["Evergreen"], 1934) lyrics by Lorenz Hart
B/F Contents
5/6 Barker; [Quand notre vieux monde etait tout neuf] = When
the old world was new
Holograph piano-vocal scores in pencil, no lyrics;
5 p.; 3 p.
The beauty contest {see Opening act one}
5/7 The colo[u]r of her eyes
Holograph piano-vocal score in pencil, no lyric;
[4] p.
Note: same music as "The color of her eyes"
which was cut from "Spring Is Here"
{see also [M.S. 2] in MISCELLANEOUS SKETCHES}
5/8 [Dancing on the ceiling]
Insert "Dancing on the ceiling"
Holograph melody in ink, with lyric; [8] m.
Note: cut from "Simple Simon" and used in
"Ever Green"
{see also Dancing on the ceiling in "Simple Simon"}
5/9 [Doing a little clog dance]
Little clog: waltz
Holograph piano-vocal score in pencil, no lyric;
[2] p.
5/10 [La femme a toujours vingt ans!]
Lovely woman's ever young: "The captain is a little baby"
Holograph piano-vocal score in pencil, no lyric;
[4] p.
5/11 Harlemania
Holograph piano-vocal score in pencil, no lyric;
[4] p.
5/12 If I give in to you
Holograph piano-vocal score in pencil, no lyric;
[3] p.
5/13 [Impromptu song]
Talking song
Holograph piano-vocal score in pencil, no lyric;
[2] p.
On back: holograph sketch for "Dance for
Opening act one"
5/14 [In the cool of the evening]
The cool of the evening
Holograph piano-vocal score in pencil, no lyric;
[3] p.
5/15 [Je m'en fiche du sex-appeal]
Sex-appeal
Holograph piano-vocal score in pencil, no lyric;
[3] p.
Je m'en fiche
Holograph piano-vocal score in pencil, no lyric;
[4] p.
Laid in: typed lyric sheet; [1] p.
5/16 [The lion king]
Lion song
Holograph piano-vocal score in pencil, no lyric;
[3] p.
5/17 [No place but home]
If we're in China
Holograph piano-vocal score in pencil, no lyric;
[3] p.
5/18 Nobody looks at the man
Holograph piano-vocal score in pencil, no lyric;
[3] p.
5/19 Opening act one, or, [The beauty contest]
Holograph piano-vocal score in pencil, no lyric;
8 p.
Dance for Opening act one
Holograph piano-vocal score in pencil, no lyric;
[2] p.
Quand notre vieux monde etait tout neuf {see Barker}
5/20 [Waiting for the leaves to fall]
She was poor
Holograph piano-vocal score in pencil, no lyric;
[3] p.
When the old world was new {see Barker}
When the old world was new {see [Sketches for "Spring
Is Here"]}
"Flower Drum Song" (1958; film 1961) lyrics by Oscar Hammerstein II
B/F Contents
5/21 Chop suey
Holograph piano-vocal score in pencil; [4] p.
Dummy rhythm for "Chop suey"
Holograph rhythmic sketch in pencil; [1] p.
5/22 Don't marry me
Holograph piano-vocal score in pencil; [5] p.
On back (p. 1): holograph sketch and notes
regarding musical routine
5/23 Fan tan fanny
Holograph piano score in pencil, no lyric; [2] p.
5/24 Gliding through my memoree
Holograph sketch in pencil; [3] p.
5/25 Grant avenue
Holograph piano-vocal score in pencil; [4] p.
5/26 A hundred million miracles
Holograph piano-vocal score in pencil; 5 p.
Miracles
Holograph piano-vocal sketch in pencil; [4] p.
On back: unidentified holograph sketch in
pencil (crossed out)
5/27 I am going to like it here
Holograph piano-vocal score in pencil; [3] p.
5/28 I enjoy being a girl
Holograph piano-vocal score in pencil; 5 p.
Laid in: typed lyric sheet with annotations
in pencil, including signature "O[scar]"
5/29 Like a god
Holograph piano-vocal score in pencil; [5] p.
Holograph sketch in pencil; [1] p.
On back: holograph sketch for "Love, look
way"
Holograph lead sheet in pencil, partial lyric in
ink; [1] p.
5/30 Love, look away
Holograph piano-vocal score in pencil; [3] p.
Love, look away: verse
Holograph piano-vocal score in pencil; [1] p.
Note: 7 m. of melody (crossed out) on inside
page
[Love, look away]
Holograph sketch in pencil, partial lyric in ink;
[1] p.
Love, look away {see also Like a god and Sunday}
5/31 My best love
Holograph piano-vocal score in pencil; [3] p.
Note: enclosed typed note reads, "This number
was not used in the show"
5/32 The other generation
Holograph piano-vocal score in pencil; 5 p.
She is beautiful {see You are beautiful}
5/33 Sunday
Holograph piano-vocal score in pencil; [3] p.
Sunday verse
Holograph sketch in pencil; [1] p.
Note: includes sketch material for "Love,
look away"
5/34 [You are beautiful]
She is the girl
Holograph piano-vocal score in pencil; [3] p.
Note: known during tryout as "She is
beautiful"
5/35 [Sketches for "Flower Drum Song"]
Holograph sketches in pencil; [12] p.
Includes:
p. [1]: "[I am going to] like it here"
p. [2]: "[I enjoy being a girl],"
"Grant ave[nue]"
p. [3]: "[I] enjoy being a girl"
p. [4]: "`Same girl' bass," "Verse
Grant ave[nue]," "Coolie
opening"
p. [6-8]: "I enjoy being a girl"
p. [9]: "[You are beautiful]: She is
beautiful"
p. [10-11]: "[I enjoy] being a girl"
p. [12]: "Sunday"
"Follow Thru" (1930) film, lyrics by Lorenz Hart
B/F Contents
5/36 Because we're young
Holograph piano-vocal score in pencil; [3] p.
5/37 I'm hard to please
Holograph piano-vocal score in pencil; [4] p.
5/38 It never happened before
Holograph piano-vocal score in pencil; [3] p.
5/39 Softer than a kitten
Holograph piano-vocal score in pencil; [3] p.
{see also Hunting ballet in "Simple Simon"}
"Fools for Scandal" (1938) film, lyrics by Lorenz Hart
B/F Contents
5/40 [Sketches for "Fools for Scandal"]
Holograph sketches in pencil; [6] p.
Includes:
p. [1]: "Verse [How can you] forget[?]"
p. [2]: "[Love knows best]," "[I'd
rather be right]" (from "I'd
Rather Be Right")
p. [3]: "[How can you forget],"
"There's a boy in Harlem"
p. [4]: "Once I was young," "Verse Love
knows best"
p. [5]: "Food for scandal"
p. [6]: "Verse [There's a boy in]
Harlem," "[Everybody loves
you]" (cut from "I'd Rather Be
Right"), "Let's sing a song
[about nothing]"
"The Garrick Gaieties" (1925) lyrics by Lorenz Hart
B/F Contents
6/1 April fool
Holograph piano-vocal score in pencil, no lyric;
[3] p.
6/2 Gilding the guild
Holograph piano-vocal score in pencil, no lyric;
[3] p.
6/3 The joy spreader: a jazz opera in one act
Holograph piano-vocal score in pencil, no lyric;
27 p.
Note: some instrumentation indicated in score
6/4 Jury song
Holograph piano-vocal score in pencil, no lyric;
[1] p.
On back: holograph sketch material in pencil
6/5 Manhattan
Holograph piano-vocal score in pencil, no lyric;
[4] p.
6/6 Monkey finale
Holograph piano score and melodic fragment in
pencil; [1] p.
On back: notes regarding musical routine
Note: may be "Working with a scarf"
6/7 Requiescat in pace
Holograph piano-vocal score in pencil, no lyric;
[3] p.
At end: "Shuffle"
6/8 Sentimental me!
Holograph piano-vocal score in pencil, no lyric;
[3] p.
At end: annotations regarding instrumentation
and performance
6/9 Speeches are gold
Holograph piano-vocal score in pencil, no lyric;
[2] p.
At end: holograph melodic fragment and
instructions regarding
6/10 Stage managers' chorus
Holograph piano-vocal score in pencil, no lyric;
[3] p.
6/11 The three musketeers
Holograph piano-vocal score in pencil, no lyric;
[3] p.
On back: holograph notes regarding musical
routine
"The Garrick Gaieties" (1926) lyrics by Lorenz Hart
B/F Contents
6/12 Allez-up!
Holograph piano-vocal score in pencil, no lyric;
[3] p.
American beauty rose {see [Sketches for "The Garrick
Gaieties" (1926]}
Back to nature {see [Sketches for "The Garrick
Gaieties" (1926)]}
6/13 Gigolo
Holograph piano-vocal score in pencil, no lyric;
[3] p.
On back: holograph notes regarding musical
routine
6/14 Idylls of the king: -Knights of round table-
Holograph sketch in pencil; [1] p.
It may rain {see [Sketches for "The Garrick Gaieties"
(1926)]}
Just a little souvenir {see [Sketches for The Garrick
Gaieties (1926)]}
6/15 Keys to heaven
Holograph piano-vocal score in pencil, no lyric;
[4] p.
Mexico {see [Sketches for "The Garrick Gaieties"
(1926)]}
6/16 [Mountain greenery]
Reprise mountain greenery
Holograph sketch in pencil; [1] p.
At top: "4 Girls"
6/17 Opening act I
Holograph piano-vocal score in pencil, no lyric;
[8] p.
Opening; Opening chorus
Holograph sketches in pencil; [2] p.
Note: bottom of p. [1] reads "Pussy Willow
music"
On back (p. 2): sketch material for "Mountain
greenery"
6/18 Queen Elizabeth
Holograph piano-vocal score in pencil, no lyric;
[3] p.
6/19 Sleepyhead
Holograph piano-vocal score in pencil, no lyric;
[3] p.
Holograph piano-vocal score in pencil, no lyric;
[4] p.
Note: the verses of the two scores differ
6/20 [Tennis champs]
Tennis
Holograph piano-vocal score in pencil, no lyric;
[2] p.
6/21 What's the use of talking
Holograph piano-vocal score in pencil, no lyric;
[3] p.
6/22 [Sketches for "The Garrick Gaieties" (1926)]
Holograph sketches in pencil; [4] p.
Includes:
Amer[ican] beauty rose
Back to nature
Verse of It may rain
Just a little souvenir
Mexico
"Ghost Town" (1939) an American folk ballet, libretto by
Richard Rodgers and Marc Platoff
B/F Contents
6/23 Ghost town
Holograph condensed score in pencil; 58 p.
Note: score contains some indicatations of
orchestration
6/24 ["Ghost Town" inserts]
Holograph condensed score in pencil; 12 p.
Includes: inserts 1-8, 4a
6/25 [Sketches for "Ghost Town"]
Holograph sketches in pencil; [4] p.
Includes:
p. [1]: "Pas de deux," "['Cause we got
cake]: cake walk" (for "Too
Many Girls"), "Harmonia"
p. [2]: "2nd 1/2 Pas de deux," "['Cause
we got cake]: cake walk" (for
"Too Many Girls"), "Money
march," "Reel," "Polka"
p. [3]: "March pt. 2," "Rose of summer"
p. [4]: "Pas de deux,"
"[Unidentified]," "Miners,"
"Mormon"
"The Girl Friend" (1926) lyrics by Lorenz Hart
B/F Contents
6/26 The blue room
Photocopy of holograph piano-vocal score (2 copies,
normal and reduced sizes), no lyric; [4] p.
Photocopy of holograph condensed score (2 copies,
normal and reduced sizes); [1] p.
Note: an extra page of notes regarding musical
routine is included
6/27 Creole crooning song
Holograph piano-vocal score in pencil, no lyric;
[3] p.
6/28 [The damsel who done all the dirt]
Look for the damsel!
Holograph piano-vocal score in pencil, no lyric;
[3] p.
6/29 The girl friend
Photocopy of holograph piano-vocal score, no lyric;
[3] p.
On back: sketch material
6/30 Good fellow mine
Holograph piano-vocal score in pencil, no lyric;
[3] p.
6/31 [Hum to]
To hum!
Holograph sketch in ink; 1 p. (5 3/4" x 10 1/2")
6/32 I'd like to take you home
Holograph piano-vocal score in pencil, no lyric;
[4] p.
Note: last page is very sketchy
{see also an earlier version of this song found
with "The Girl Friend"}
6/33 Town hall tonight!
Holograph piano-vocal score in pencil, no lyric;
[3] p.
On back: holograph sketch in pencil for
alternate ending of "Town hall tonight!"
6/34 Turkey in the straw
Holograph piano-vocal score in pencil, no lyric;
[3] p.
6/35 Two of a kind
Holograph piano-vocal score in pencil, no lyric;
[3] p.
6/36 Why do I?
Photocopy of holograph piano-vocal score, no lyric;
[2] p.
"The Great Adventure" (1963) television theme
B/F Contents
6/37 The great adventure
Holograph condensed score in pencil; [3] p.
"Hallelujah, I'm a Bum" (1933) film, lyrics by Lorenz Hart
B/F Contents
7/1 Bumper found a grand; What do you want with money?
Holograph piano-vocal score in pencil; 13 p.
7/2 I've got to get back to New York
Holograph piano-vocal score in pencil; 7 p.
7/3 [Laying the cornerstone]
Cornerstone laying
Holograph piano-vocal score in pencil; 8 p.
7/4 Sleeping beauty
Holograph piano-vocal score in pencil; 14 p.
7/5 Tick-tick
Holograph piano-vocal score in pencil; 8 p.
Mimeograph of copyist's ms. piano-vocal score;
10 p.
What do you want with money {see Bumper found a grand}
Zoo {see [Sketches for "Hallelujah, I'm a Bum"]}
7/6 [Sketches for "Hallelujah, I'm a Bum"]
Holograph sketches in pencil; [3] p.
On t.p.: "Park notes"
Includes:
p. [1]: "Zoo"
p. [3]: "[Carousel waltz]" (from
"Carousel")
"Happy Birthday" (1946) lyric by Oscar Hammerstein II
B/F Contents
7/7 I haven't got a worry in the world
Holograph piano-vocal score in pencil; [4] p.
"Heads Up!" (1929; film 1930) lyrics by Lorenz Hart
("Me for You" was pre-Broadway title)
B/F Contents
7/8 As though you were there
Copyist's ms. piano-vocal score in ink, lyric in
pencil; 4 p.
Laid in: typed lyric sheet, annotations in
pencil; [1] p.
Note: cut from show
Jazz reception {see Opening act one}
7/9 Opening act one
Holograph piano-vocal score in pencil, no lyric;
6 p.
Note: dropped before New York premiere; also
known as "Jazz reception"
7/10 [Sketches for "Heads Up!"]
Holograph sketches in pencil; [4] p.
Note: unidentified but believed to be for "Me
for You"
"Higher and Higher" (1940) lyrics by Lorenz Hart
B/F Contents
7/11 A barking baby never bites
Holograph piano-vocal score in pencil; [4] p.
{see also [M.S. 11] in MISCELLANEOUS SKETCHES}
Blue Monday {see Opening act II}
Disgustingly rich {see [Sketches for "Higher and
Higher"]}
Disgustingly rich {see [M.S. 11] in MISCELLANEOUS
SKETCHES}
7/12 Ev'ry Sunday afternoon
Holograph piano-vocal score in pencil; [4] p.
Laid in: typed lyric sheet; [1] p.
7/13 From another world
Holograph piano-vocal score in pencil; [2] p.
On cover: "Please copy verse (lyric and
music) of `Who Are You' which will become
verse of this song, both in key of G. - R.R."
7/14 How's your health?
Holograph piano-vocal score in pencil; 5 p.
Laid in: typed lyric sheet; [1] p.
7/15 It's pretty in the city
Holograph piano-vocal score in pencil; [3] p.
Laid in: typed lyric sheet; [1] p.
7/16 Life! Liberty!
Holograph piano-vocal score in pencil; [4] p.
Laid in: typed lyric sheet; [1] p.
7/17 Lovely day for a murder
Holograph piano-vocal score in pencil; 5 p.
7/18 Morning's at seven
Holograph piano-vocal score in pencil; [4] p.
Holograph sketch in pencil; [1] p.
Note: additional holograph material includes
an unidentified sketch and a sketch for "It's
pretty in the city" (bottom of page), as well
as an unidentified piano score on the back
7/19 Nothing but you
Holograph piano-vocal score in pencil; [4] p.
Laid in: typed lyric sheet; [1] p.
7/20 Ope[ning] act II
Holograph sketch in pencil; [1] p.
On back: holograph sketch in pencil titled
"Exercise"
Laid in: photocopy of holograph lyric sheet,
possibly related to "Blue Monday"; [2] p.
7/21 [Sketches for "Higher and Higher"]
Holograph sketches in pencil; [1] p. (torn in half)
Includes: "[Haley] and Eric," and "Verse
[Lovely day for a] murder"
Holograph sketches in pencil; [4] p.
Includes:
p. [1]: "Verse waltz," "Life, liberty,"
"[The] Greeks [have no word for
it]" (from film version of "The
Boys from Syracuse")
p. [4] (upside down) :
"[Disgustingly]
rich," "Recit[ative],"
"Cinderella"
"Hollywood Party" (1934), film, lyrics by Lorenz Hart, Gus Kahn,
Mr. Dietz and Arthur Freed
B/F Contents
7/21 Black diamond {see [Sketches for "Hollywood Party"]}
Burning {see [Sketches for "Hollywood Party"]}
Hollywood party {see [M.S. 7] in MISCELLANEOUS SKETCHES
and [Sketches for "Hollywood Party"]}
I'm one of the boys {see [Sketches for "Hollywood
Party"]}
I'm a queen in my own domain {see [M.S. 7] in
MISCELLANEOUS SKETCHES and [Sketches for "Hollywood
Party"]}
Keep away from the moonlight {see [M.S. 7] in
MISCELLANEOUS SKETCHES and [Sketches for "Hollywood
Party"]}
My friend the night {see [Sketches for "Hollywood
Party"]}
7/22 [The night was made for dancing]
Holograph piano-vocal sketch in pencil, no lyric;
[3] p.
Holograph sketch in ink & pencil, with lyric;
[1] p.
Prayer {see [Sketches for "I Married an Angel"],
[Sketches for "Hollywood Party"], and [Sketches for
"Too Many Girls"]}
Reincarnation {see [M.S. 7] in MISCELLANEOUS SKETCHES
and [Sketches for "Hollywood Party"]}
7/23 [Sketches for "Hollywood Party"]
Holograph sketches in pencil; [9] p.
Lyrics by Lorenz Hart unless otherwise noted
Includes:
p. [1]: "Verse [My] friend [the]
night," "Verse [Keep away from
the] moonlight," "[I'm a] queen
[in my own domain]"
p. [2]: "D[ancing] l[ady]"
p. [3]: "D[ancing] l[ady] verse,"
"H[ollywood] p[arty] verse,"
"Reincarnation" (lyric by Hart
and Jimmy Durante), "[I'm] one
of the boys"
p. [4]: "Verse Love like ours"
p. [5]: "Black diamond," "[Prayer]:
Harlow's prayer"
p. [6]: "Black diamond"
p. [7]: "[Dersler]"
p. [8]: "Verse [I'm] one of the boys"
p. [9]: "[Burning]: I'm burning verse"
"I Married an Angel" (1938; film 1942) lyrics by Lorenz Hart
B/F Contents
7/24 Animated objects
Holograph piano-vocal sketch in pencil; 11 p.
Note: actually from 1933 unproduced film
score of "I Married an Angel"
Angel without wings {see [Sketches for "I Married an
Angel"]}
Honeymoon ballet {see [Sketches for "I Married an
Angel"]}
How to win friends and influence people {see [Sketches
for "I Married an Angel"]}
I'll tell the man in the street {see [Sketches for
"I Married an Angel"]}
7/25 Opening: I married an angel
Holograph piano-vocal sketch in pencil, partial
lyric; 23 p.
Note: actually from 1933 unproduced film
score of "I Married an Angel"
Spring is here {see [Sketches for "I Married an
Angel"]}
A twinkle in your eye {see [Sketches for "I Married an
Angel"]}
7/26 Why have you eyes
Holograph piano-vocal sketch in pencil; p. 12-14
Note: actually from 1933 unproduced film
score of "I Married an Angel"; probably
followed "Animated objects"
7/27 Yodel [if you can]
Holograph and ms. sketch in pencil; [1] p.
On back: unidentified ms. condensed score in
ink
7/28 [Sketches for "I Married an Angel"]
Holograph sketches in pencil; [4] p.
Includes:
p. [1]: "[I'll tell the man in the
street]"
p. [2]: "Angels [without wings],"
"[Spring is here]"
p. [3]: "[Labor is the thing]: P.W.A."
(from "I'd Rather Be Right"),
"Verse How to win friends [and
influence people]"
p. [4]: "[Honeymoon?] ballet," "Verse
[A] twinkle [in your eye]"
(upside down on page)
Holograph sketches in pencil; [8] p.
Includes:
p. [1]: "[When you're falling in love
with the] Irish" (written for,
but unused in film "Peg o' My
Heart", 1933)
p. [2]: "Women are women"
p. [5]: "Prayer" (cut from "Hollywood
Party")
p. [6]: "Verse Tell me [I know how to
love]"
p. [7]: "Angels opening"
p. [8]: "New opening," "Verse Face the
facts"
Note: Most of these sketches appear to have
been for the unproduced film version of
"I Married an Angel", 1933
Laid in: 4 line holograph note in pencil
"I Picked a Daisy" (ca. 1960) unproduced, lyrics by Alan Jay Lerner
B/F Contents
[Note: the collaboration between Rodgers and Lerner was
terminated, Lerner subsequently completed the show with
Burton Lane and it became "On a Clear Day You Can See
Forever".]
Rachel {see "State Fair"}
You walked in {see "State Fair"}
7/29 [Sketches for "I Picked a Daisy"]
Holograph sketches in pencil; [14] p. + blanks
Includes:
Come back to me
Jensen
Jonathan
Lover to lover
Melinda
Terrible mother
Straight down the middle
What did I have that I don't have
[Unidentified]
Holograph lyric sketch in pencil for "[Jensen]";
[1] p.
"I Remember Mama" (1979) lyrics by Martin Charnin and
Raymond Jessel
B/F Contents
8/1 [The day Sven Gundersen died]
The day Lars Gunderson died
Holograph lead sheet in pencil; [1] p.
The day Sven -Lars- Gundersen died
Typed lyric sheet, annotations in ink; [1] p.
Lyric by Martin Charnin
8/2 Don't laugh at Trina
Holograph sketch (crossed out) in pencil; [1] p.
Holograph lead sheet in pencil; [1] p.
Typed and photocopied lyric sheets; 2 p. each
Lyric by Martin Charnin
8/3 Easy come, easy go
Holograph lead sheet in pencil; [2] p.
Typed lyric sheet; 3 p.
Lyric by Raymond Jessel
8/4 [Ev'ry day (comes something beautiful)]
Ev'ry day
Holograph lead sheet in pencil; [2] p.
Typed lyric sheet; 2 p.
Lyric by Martin Charnin
Lullaby
Holograph piano-vocal score in pencil, no lyric;
3 p.
Typed lyric sheet; [1] p.
Note: captioned "Norwegian lyric, as a
lullaby, of `Ev'ry day comes something
beautiful'"
8/5 Fair trade
Holograph lead sheet in pencil; [1] p.
Ms. lyric sheet in ink with annotations in pencil;
3 p.
On back (p. 3): ms. sketch in pencil (crossed
out)
I write, you read
Typed lyric sheet; 3 p.
Lyric by Martin Charnin
Note: formerly "Fair trade"
A fam'ly we will be {see [Lyric sheets for "I Remember
Mama"]}
8/6 How do you bring up children?
Holograph sketch in pencil; [1] p.
Note: holograph sketch on inside page,
crossed out
Typed lyric sheet; [2] p.
Lyric by Martin Charnin
8/7 I don't know how
Holograph lead sheet in pencil; [2] p.
Note: holograph sketch material on p. [2]
Typed lyric sheet; 2 p.
Lyric by Raymond Jessel
8/8 I remember Mama
Holograph lead sheet in pencil; [1] p.
Typed lyric sheet; [1] p.
Lyric by Martin Charnin
Typed lyric sheet, annotations in pencil & ink;
[1] p.
I write, you read {see Fair trade}
8/9 It is not the end of the world
Holograph lead sheet in pencil; [1] p.
Ms. lyric sheet in red ink; [1] p.
Typed lyric sheet; 2 p.
Lyric by Martin Charnin
8/10 [It's going to be] good to be gone
Holograph lead sheet in pencil; [2] p.
It's going to be good to be gone
Typed lyric sheet; 2 p.
Lyric by Martin Charnin
8/11 Lars, Lars
Holograph piano-vocal score and lead sheet in
pencil; [3] p.
Typed lyric sheet; [1] p.
Lyric by Raymond Jessel
8/12 A little bit more
Holograph lead sheet in pencil; [2] p.
Typed lyric sheet; 3 p.
Lyric by Raymond Jessel
Mama always makes it better {see [Lyric sheets for
"I Remember Mama"]}
Mama always makes it better {see Getting married to a
person in "Two by Two"}
8/13 [Maybe, maybe, maybe]
Maybe
Holograph lead sheet in pencil; [1] p.
Maybe, maybe, maybe
Typed lyric sheet, annotations in ink; 2 p.
Lyric by Martin Charnin
8/14 A most disagreeable man
Holograph lead sheet in pencil; [1] p.
He's a most disagreeable man
Typed lyric sheet; [1] p.
Lyric by Martin Charnin
An old city boy at heart {see [Lyric sheets for "I
Remember Mama"]
Such good fun {see [Lyric sheets for "I Remember Mama"]
8/15 Time
Holograph lead sheet in pencil; [1] p.
Typed lyric sheet; 2 p.
Lyric by Martin Charnin
8/16 Uncle Chris!
Holograph lead sheet in pencil; [2] p.
Uncle Chris
Typed lyric sheet; 2 p.
Lyric by Raymond Jessel
8/17 We're staying here
Holograph lead sheet in pencil and photocopy;
[1] p. each
Laid in: Typed lyric sheets (2); 2 p. each
Lyric by Martin Charnin
Note: included is a 2 p. typed letter from
Rita Chambers to Mrs. Rodgers, indicating
that this song was not used in "I
Remember Mama", but planned to be used
for the Actors' Fund
8/18 [What kind of man]
Dow'ry
Holograph lead sheet in pencil; [1] p.
What kind of man
Typed lyric sheet; [1] p.
8/19 When?
Holograph lead sheet in pencil; [1] p.
Typed lyric sheet; [1] p.
Lyric by Martin Charnin
8/20 [Where we came from]
Typed lyric sheet; [1] p.
Lyric by Raymond Jessel
We don't wanna go back
Holograph lead sheet in pencil; [1] p.
8/21 Women without men
Holograph lead sheet in pencil; [1] p.
Lyrics by Martin Charnin
Laid in: typed lyric sheet; [1] p.
Note: written for, but unused in "I Remember
Mama"
A writer writes at night {see [Lyric sheets for "I
Remember Mama"]
8/22 You could not please me more
Holograph lead sheet in pencil; [1] p.
Typed lyric sheet; [1] p.
Lyric by Martin Charnin
8/23 [Lyric sheets for "I Remember Mama"]
Typed lyric sheets; [12] p. total
Includes:
A fam'ly we will be
Mama always makes it better
An old city boy at heart
Such good fun
A writer writes at night
Lyrics by Martin Charnin
8/24 [Letter from Martin Charnin to R. Rodgers]
Holograph letter in ink, dated Dec. 25, '77; [1] p.
Note: attached are typed lyric sheets for
"The day Lars Gundersen died," "He's a most
disagreeable man," "Time," and "You could not
please me more"
8/25 [Song listings with notes]
Typed and photocopied lists of used and unused
songs; [6] p.
8/26 ["I Remember Mama" playbills and picture card]
Playbills (2) from the Majestic Theatre, June and August,
1979
Picture card featuring Liv Ullmann
"I'd Rather Be Right" (1937) lyrics by Lorenz Hart
B/F Contents
8/27 Beauty sequence: [Here he is!]
Holograph piano-vocal score in pencil; 5 p.
8/28 Ev'rybody loves you
Holograph piano-vocal score in pencil; [3] p.
{see also [Sketches for "Fools for Scandal"]}
8/29 Have you met Miss Jones?
Holograph piano-vocal score in pencil; [3] p.
His chances are not worth a penny {see [Sketches for
"I'd Rather Be Right"]}
A homogeneous cabinet {see [Sketches for "I'd Rather Be
Right"]}
I'd rather be right [versions 1 & 2] {see [Sketches for
"I'd Rather Be Right"]}
8/30 Labor is the thing
Holograph piano-vocal score in pencil; 6 p.
Laid in: typed lyric sheet; [1] p.
{see also [Sketches for "I Married an Angel"]}
8/31 Not so innocent fun
Holograph piano-vocal score in pencil; 6 p.
Laid in: typed lyric sheet with crossed out
title "Nine young girls and nine old men"
Sweet sixty-five {see [Sketches for "I'd Rather Be
Right"]}
8/32 Take and take and take
Holograph piano-vocal score in pencil; [4] p.
A treaty, my sweetie, with you {see [Sketches for "I'd
Rather Be Right"]}
8/33 We're going to balance the budget
Holograph piano-vocal score in pencil; [3] p.
8/34 [Sketches for "I'd Rather Be Right"]
Holograph sketches in pencil; [8] p.
Includes:
p. [1]: "[A homogeneous] cabinet"
p. [2]: "[A homogeneous] cabinet"
p. [3]: "Verse Everybody loves you,"
"[Sweet sixty-five],""[Sweet
sixty-five]: Verse 40 years"
p. [5]: "[A homogeneous cabinet]: Cab
2," "[Take and take and take],"
"Verse Lovely lady," "[Beauty
sequence]: Battle song"
p. [6]: "[Beauty sequence]: Recit.
Lovely lady," "[Not so innocent
fun]: Girls to judge"
p. [7]: "[His chances are not worth a
penny]: Finaletto,"
"Westerners," "Southerners
intro," "Farmers," "Society,"
"Indians"
p. [8]: "[A] treaty, [my sweetie, with
you]," "Indians" (continued
from p. [7])
Holograph sketch in pencil; [1] p.
Includes: "[I'd rather be right]: Verse" and
several unidentified fragments
"If I Were King" (1923) lyrics by Lorenz Hart
B/F Contents
8/35 [The] band of the ne'er-do-wells
Holograph piano-vocal score in pencil, no lyric;
[4] p.
8/36 Courtly etiquette
Holograph piano-vocal score in pencil, no lyric;
7 p.
8/37 Lady of heaven; Life is unstable
Holograph piano score and piano-vocal score in
pencil, no lyrics; 2 p.
Life is unstable {see Lady of heaven}
8/38 Minuet
Holograph piano score in pencil; 3 p.
Minuett
Manuscript piano score in pencil & ink; [2] p.
8/39 Opening act I
Holograph piano-vocal score in pencil, no lyric;
4 p.
8/40 Waltz
Ms. piano score in ink; [2] p.
"Jumbo" (1935; film 1962) lyrics by Lorenz Hart
B/F Contents
9/1 The circus is on parade
Holograph piano-vocal score in pencil; 6 p.
9/2 [The circus wedding]
Finale act II: wedding
Holograph condensed score sketch in pencil; 7 p.
9/3 Diavolo
Holograph piano-vocal score in pencil; 7 p.
Laid in: typed lyric sheet; p. 8-9
9/4 [Finale act I]
Ist act finale waltz; Intro to wire walkers
Holograph piano-vocal score in pencil, no lyric;
[4] p.
At end: "Segue to Newer Waltz"
Newer waltz: finale act I
Holograph piano score in pencil; [2] p.
Finale act I: box and white horse march
Holograph piano score in pencil; [2] p.
Note: White horse march section headed "March
(White Horse)"
Act I finale: Foster girls
Holograph piano score in pencil; [1] p.
9/5 Giant calliope: finale act II
Holograph piano score in pencil; [1] p.
Laugh {see [Sketches for "Jumbo"]}
9/6 Little girl blue
Holograph piano-vocal score and piano score, in
pencil; 7 p.
Laid in: typed lyric sheet; p. 6
9/7 March of the clowns: also March of animals
Holograph condensed score in pencil; 8 p.
Laid in: holograph piano score in ink of
transition for optional cut; [1] p.
Memories of Madison Square Garden {see [Sketches for
"Jumbo"]}
9/8 The more I see of other girls: elephant song
Holograph piano-vocal score in pencil; [3] p.
Laid in: typed lyric sheet, crossed out
annotations in pencil; [1] p.
{see also [Sketches for "Mississippi"]}
9/9 The most beautiful girl in the world
Holograph piano-vocal score in pencil; 8 p.
Laid in: typed lyric sheets for verse and
chorus, annotations in pencil; [2] p.
9/10 My romance
Holograph piano-vocal score in pencil; [3] p.
9/11 New strain for [Kimris?]
Holograph piano score in pencil; [1] p.
At end: melodic fragment for "2nd strain of
Clown March"
Over and over again {see [Sketches for "Jumbo"]}
The song of the roustabouts {see [Sketches for
"Jumbo"]}
There's a small hotel {see [M.S. 9] in MISCELLANEOUS
SKETCHES}
9/12 Women!
Holograph piano-vocal score in pencil; 6 p.
9/13 [Sketches for "Jumbo"]
Holograph sketches in pencil; [14] p.
Includes:
p. [2]: "[Over and over again]: Patter
Jumbo opening," "[Little girl
blue]: Verse Blue day"
p. [3]: "Barnum & Bailey"
p. [4]: "You who are lovely"
p. [5]: "[Memories of Madison Square
Garden]: Barnum I," "Barnum II"
p. [6]: "Diavolo: [verse & intro]"
p. [7]: "[The circus is on parade]:
Circus march," "Diavolo"
p. [9]: "Spring song," "[The song of
the roustabouts]"
p. [10]: "Women?"
p. [11]: "Laugh," "[Glad to be unhappy]"
(from "On Your Toes")
p. [12]: "[The song of the roustabouts]:
No job in Omaha"
p. [13]: "Women?"
Photocopy of holograph sketches; [4] p.
Includes:
p. [1]: "Verse [The most beautiful]
girl in the world," "Women?"
p. [4]: "[There's a] small hotel" (cut
from "Jumbo" but used in "On
Your Toes"), "Verse Love you
more [tomorrow?]"
Holograph sketches in pencil; [4] p.
Includes:
p. [1]: "[The circus is on parade]:
March," "March"
p. [2]: "Trio of presto," "Verse
presto"
p. [3]: "[Hoctor?] waltz," "Chee-chee"
p. [4]: "March," "[The] circus [is on
parade]"
Holograph sketches in pencil; [2] p.
Includes:
p. [1]: "[It's got to be love]" (from
"On Your Toes"), "[There's a]
small hotel: verse & patter"
(cut from "Jumbo" but used in
"On Your Toes")
p. [2]: "[My romance]"
Holograph sketches in pencil; [1] p.
Includes: "[The most beautiful girl in the
world]" and unidentified
"June Days" (1925) lyrics by Lorenz Hart
B/F Contents
9/14 [Anytime, anywhere, anyhow]
Anyway
Holograph piano-vocal score in pencil, no lyric;
[3] p.
"Keep 'Em Rolling" (1942), film short, lyric by Lorenz Hart
B/F Contents
9/15 Keep 'em rolling!
Holograph piano-vocal score in pencil; [6] p.
"The King and I" (1951; film 1956) lyrics by Oscar Hammerstein II
B/F Contents
9/16 Anna's bedroom
Holograph piano-vocal score in pencil; 8 p.
Typed lyric sheet, annotations in pencil; 3 p.
9/17 Getting to know you
Holograph piano-vocal score in pencil; [3] p.
Laid in: typed lyric sheet; [1] p.
{see also [Sketches for "South Pacific"]}
9/18 Hello, young lovers
Holograph piano-vocal score in pencil; 5 p.
Laid in: typed lyric sheet, annotations in
pencil; [1] p.
Anna and son Klin scene: leading to Hello, young lovers
song
Holograph piano-vocal score in pencil; [4] p.
Laid in: typed lyric sheet, annotations in
pencil; [1] p.
Before verse of Hello young lovers
Holograph piano-vocal sketch in pencil; 3 p.
9/19 I have dreamed
Holograph piano-vocal score in pencil; [3] p.
Laid in: typed lyric sheet, annotations in
pencil; [1] p.
Holograph sketch in pencil; [2] p.
Note: includes unidentified sketch material
at top of p. [1]
9/20 I whistle a happy tune
Holograph piano-vocal score in pencil; [4] p.
Laid in: typed lyric sheet; [1] p.
9/21 Kralahome
Holograph piano-vocal score in pencil; [2] p.
Laid in: typed lyric sheet; [1] p.
9/22 [March of the royal Siamese children]
Children's march
Holograph piano score in pencil; [2] p.
March?
Holograph sketch/piano score in pencil; [3] p.
On back: unidentified holograph sketch
material
9/23 [My] lord and master
Holograph piano-vocal score in pencil; [4] p.
Laid in: typed lyric sheet, annotation in
pencil; [1] p.
9/24 Now you leave
Holograph piano-vocal score in pencil; [3] p.
9/25 [A] puzzlement
Holograph piano-vocal score in pencil; 9 p.
Laid in: typed lyric sheet; [2] p.
Holograph piano-vocal sketch in pencil, partial
lyric; [4] p.
9/26 [The Royal Bangkok Academy]
Holograph sketch in pencil with lyric; [1] p.
Typed lyric sheet; [1] p.
9/27 Shall we dance?
Holograph piano-vocal score in pencil; [3] p.
Laid in: typed lyric sheet; [1] p.
9/28 Something wonderful
Holograph piano-vocal score in pencil; [4] p.
Laid in: typed lyric sheet; [1] p.
He can be wonderful
Holograph sketch in pencil with lyric; [2] p.
9/29 [Song of the] king
Holograph piano-vocal score/sketch in pencil;
[3] p.
Laid in: portion of typed script which
includes lyric of "Song of the king"; [2] p.
9/30 Waiting
Holograph piano-vocal score in pencil; [8] p.
Laid in: typed lyric sheet, annotations in
pencil; [3] p.
9/31 We kiss in a shadow
Holograph piano-vocal score in pencil; [3] p.
Laid in: typed lyric sheet, annotations in
pencil; [1] p.
9/32 [Western people funny]
Opening act 2
Ms. piano-vocal score in pencil; [4] p.
Laid in: typed lyric sheet, annotations in
pencil; [1] p.
9/33 Why? Why? Why?
Holograph piano-vocal score in pencil; [4] p.
Laid in: portion of the typed script which
includes lyric for "Why? Why? Why?,"
annotations in pencil, including melodic and
rhythmic notations; [5] p.
Why? Why? Why?: new development
Holograph piano-vocal score in pencil; [2] p.
Note: laid in as part of above piano-vocal
score
9/34 Incidentals for dialogues
Holograph incidental music (melody lines) with
dialogue, in pencil; [2] p.
9/35 [Sketches for "The King and I"]
Holograph sketches in pencil; [8] p.
Includes:
p. [1]: Argument song
p. [2]: [My] lord and master
p. [3]: [I whistle a] happy tune
p. [4]: [My] lord and master
p. [5]: Argument song contd.
p. [6]: [We] kiss in a shadow
p. [7]: Hello, young lovers
p. [8]: [We] kiss in a shadow
9/36 [Program]
Printed program of the National Theater production,
Washington, D.C., August 29, 1955.
"Lady Fingers" (1929) lyrics by Lorenz Hart
B/F Contents
I love you more than yesterday {see [M.S. 2] in
MISCELLANEOUS SKETCHES}
"Lawrence of Arabia" (ca. 1960) unproduced [probably a television
documentary]
B/F Contents
10/1 Arab friend: counter to "Lawrence theme"
Holograph condensed score in pencil, no lyric;
[3] p.
10/2 Arab military
Holograph condensed score in pencil, no lyric; 2 p.
Arab military: lyrical
Holograph condensed score in pencil, no lyric;
[2] p.
10/3 British military & music hall
Holograph condensed score in pencil, no lyric;
[2] p.
10/4 [The father of the bride?]
Holograph piano-vocal sketch in pencil, lyricist
unknown; [1] p.
10/5 Lawrence theme: counter to "Arab friend"
Holograph condensed score in pencil, no lyric;
[3] p.
10/6 Michener
Holograph piano score/condensed score in pencil;
4 p. (incomplete)
10/7 [Sketches for "Lawrence of Arabia"]
Holograph sketches in pencil; [5] p. + blanks
Includes: "Lawrence of Arabia," and
"[Unidentified]"
"Let's Have Fun" (1935) radio musical comedy
B/F Contents
I'll take a little of you on toast {see [M.S. 8] in
MISCELLANEOUS SKETCHES}
Please make me be good {see [M.S. 8] in MISCELLANEOUS
SKETCHES}
"Lido Lady" (1926) lyrics by Lorenz Hart
B/F Contents
10/8 Atlantic blues
Holograph piano-vocal score in pencil, no lyric;
[3] p.
Note: same music as "Blue ocean blues" of
"Present Arms"
{see also [M.S. 3] in MISCELLANEOUS SKETCHES}
10/9 [The] beauty of another day
Holograph piano-vocal score in pencil, no lyric;
[4] p.
{see also [M.S. 3] in MISCELLANEOUS SKETCHES}
Chuck it! {see [M.S. 3] in MISCELLANEOUS SKETCHES}
Chuck it! {see also Chuck it! in "Peggy-Ann"}
A cup of tea {see [M.S. 3] in MISCELLANEOUS SKETCHES}
10/10 Ever-ready Freddy
Holograph piano-vocal score in pencil, no lyric;
[4] p.
{see also [M.S. 3] in MISCELLANEOUS SKETCHES}
10/11 Exercise
Holograph piano-vocal score in pencil, no lyric;
[3] p.
10/12 Finale act two
Holograph piano-vocal score in pencil, no lyric;
8 p.
Note: includes chorus of "Here in my arms"
{see also [M.S. 3] in MISCELLANEOUS SKETCHES}
10/13 I want a man
Holograph piano-vocal score in pencil, no lyric;
[3] p.
Lido lady {see [M.S. 3] in MISCELLANEOUS SKETCHES}
Morning is midnight {see [M.S. 3] in MISCELLANEOUS
SKETCHES}
My heart is Sheba bound {see [M.S. 3] in MISCELLANEOUS
SKETCHES}
10/14 [A tiny flat near Soho Square]
A little flat in Soho
Holograph piano-vocal score in pencil, no lyric;
[4] p.
Note: same music as "A little house in Soho"
from "She's My Baby"
{see also [M.S. 3] in MISCELLANEOUS SKETCHES}
Try again tomorrow {see [M.S. 3] in MISCELLANEOUS
SKETCHES}
10/15 Two to eleven
Holograph piano-vocal score in pencil, no lyric;
[4] p.
{see also [M.S. 3] in MISCELLANEOUS SKETCHES}
You're on the Lido now {see [M.S. 3] in MISCELLANEOUS
SKETCHES}
"Love Me Tonight" (1932) film, lyrics by Lorenz Hart
10/16 Isn't it romantic?
Holograph piano-vocal score in pencil, partial
lyric; [5] p.
Laid in: typed lyric sheet, annotations in
pencil; [3] p.
{see also [M.S. 6] in MISCELLANEOUS SKETCHES}
10/17 Love me tonight
Holograph piano-vocal score in pencil, no lyric; [3] p.
Laid in: typed lyric sheet; [1] p.
10/18 Lover!
Holograph piano-vocal score in pencil, no lyric;
[3] p.
Typed lyric sheet with title in pencil; [1] p.
Note: original title, "Song to an
illegitimate horse," crossed out
10/19 The man for me
Holograph piano-vocal score in pencil, partial
lyric; 4p.
Laid in: typed lyric sheet, annotations in
pencil; 3 p.
10/20 Mimi
Holograph piano-vocal score in pencil, no lyric;
[3] p.
Laid in: typed lyric sheet, annotations in
pencil; [1] p.
10/21 Pierrot
Holograph sketch in ink; [1] p.
Note: {seems related to "Isn't it romantic"}
10/22 The poor Apache
Holograph piano-vocal score in pencil, no lyric;
7 p.
Typed lyric sheet, title in pencil; [2] p.
Note: lyric's original title, "I'm an
Apache," crossed out
10/23 The son-of-a-gun is nothing but a tailor!
Holograph piano-vocal score in pencil, no lyric;
9 p.
Laid in: typed lyric sheet; 2 p.
10/24 [That's] the song of Paree
Holograph piano-vocal score in pencil; 10 p.
10/25 A woman needs something like that
Holograph piano-vocal score in pencil; 11 p.
Laid in: typed lyric sheet, annotations in
pencil; 4 p.
"Main Street to Broadway" (1953) film
B/F Contents
10/26 There's music in you
Holograph piano-vocal score in pencil; [4] p.
Lyric by Oscar Hammerstein II
Laid in: typed lyric sheet titled "Music in
you"; 2 p.
"Me and Juliet" (1953) lyrics by Oscar Hammerstein II
B/F Contents
The baby you love {see Me and Juliet sequence and
[Sketches for "Me and Juliet"]}
10/27 The big black giant
Holograph piano-vocal score in pencil; 5 p.
Laid in: typed lyric sheet; [1] p.
10/28 I'm your girl
Holograph piano-vocal score in pencil; [2] p.
Laid in: typed lyric sheet; [1] p.
Verse -- I'm your girl
Holograph piano-vocal score in pencil; [1] p.
10/29 [Intermission talk]
Ten minutes' intermission
Holograph piano-vocal score in pencil; 16 p.
10/30 It feels good
Holograph piano-vocal score in pencil; 6 p.
Laid in: typed lyric sheets (2), annotations
in pencil; [1] p. each
10/31 It's me
Holograph piano-vocal score in pencil; 4 p.
10/32 Keep it gay
Holograph piano-vocal score in pencil; [4] p.
Laid in: typed lyric sheet; [1] p.
10/33 Marriage type love
Holograph piano-vocal score in pencil; [4] p.
Laid in: typed lyric sheet; [1] p.
Marriage type love
Holograph piano-vocal score in pencil; [2] p.
10/34 Me and Juliet sequence: act II
Holograph piano-vocal score in pencil; 12 p.
Note: includes "You're not living" (which is
"The baby you love"), and "Meat and potatoes"
10/35 Opening of Me and Juliet
Holograph piano-vocal score in pencil; [8] p.
Note: includes sections marked "Me, who am I?" and
"My bounty"
Laid in:
-- typed lyric sheet; [2] p.
-- typed script including lyrics, annotations
in ink & pencil; [5] p.
10/36 That's the way it happens
Typed lyric sheet; [1] p.
Typed script including lyrics, annotations in
pencil; [4] p.
10/37 A very special day
Holograph piano-vocal score in pencil; [2] p.
Laid in: typed lyric sheets (4) in two slightly
different versions, annotations in pencil on one
lyric sheet; [1] p. each
Verse: Special day
Holograph piano-vocal score in pencil; [1] p.
10/38 Wake up little theatre
Holograph piano-vocal score in pencil; 5 p.
Laid in: typed lyric sheet; [1] p.
10/39 [Sketches for "Me and Juliet"]
Holograph sketches in pencil; [21] p.
Includes:
p. [1]: "[That's the way it happens]: Girl
from Chicago"
p. [2-3]: "Wake up little theatre"
p. [4]: "[A very special day]: I'm a girl"
p. [5]: "It feels good"
p. [6]: "It's me"
p. [7]: "It feels good"
p. [9]: "Keep it gay"
p. [10-11]: "Marriage type [love]"
p. [12]: "X-mas"
p. [13]: "March"
p. [14]: "Never had it so good," "[The big
black] giant"
p. [15]: "My bounty" ({see "Opening of Me and
Juliet"), "Verse} Marriage type
[love]"
p. [16]: "Juliet," "Me, who am I?" ({see
"Opening of Me and Juliet")}
p. [17]: "[The big black] giant"
p. [18]: "Nothin' for nothin'"
p. [19]: "Marrying kind," "Marriage type
love"
p. [20]: "[Marriage type love]"
p. [21]: "Nothin' for nothin'," "[The] baby
[you love]" (same as "You're not
living" of "Me and Juliet sequence")
"Me for You" {see "Heads Up!"}
"The Melody Man" (1924; film 1930) comedy by Herbert Fields,
R. Rodgers, and Lorenz Hart
B/F Contents
11/1 Moonlight Mama
Holograph piano-vocal score in pencil, no lyric;
[2] p.
Note: song credited to "Herbert Richard
Lorenz" (pseudonym for Herbert Fields, Richard
Rodgers and Lorenz Hart)
"Mississippi" (1935) musical film, lyrics by Lorenz Hart
B/F Contents
Easy to remember {see [M.S. 8] in MISCELLANEOUS
SKETCHES}
11/2 I keep on singing
Holograph piano-vocal score in pencil; [3] p.
Laid in: typed lyric sheet; [1] p.
11/3 [Sketches for "Mississippi"]
Holograph sketches in pencil; [4] p.
Includes:
p. [1]: "Verse Mississippi"
p. [2]: "[I keep on singing]"
p. [3]: "[The more I see of other
girls]", or, "[The elephant
song]" (cut from "Jumbo")
p. [4]: "[Down by the river]"
"No Strings" (1962) lyrics by Richard Rodgers
B/F Contents
11/4 Be my host
Holograph piano-vocal score in pencil; [4] p.
Verse Be my host; Be my host
Holograph sketch in pencil; [2] p.
On p. [2]: crossed out unidentified holograph
sketch material
11/5 Eager beaver
Holograph piano-vocal score in pencil; 7 p.
Holograph sketch in pencil, partial lyric; [2] p.
11/6 How sad
Holograph piano-vocal score in pencil; 7 p.
Note: holograph sketch material for "How sad"
on p. [8]
[How sad]
Holograph lyric sketch in pencil; [1] p.
11/7 I was there
Holograph sketch in pencil; [1] p.
On t.p.: "1961 No Strings"
[I was there]
Holograph lyric sketches in pencil; [2] p.
11/8 Intro. to scene change
Holograph piano-vocal score in pencil; [1] p.
Note: some orchestration indicated
11/9 La-la-la
Holograph piano-vocal score in pencil; 3 p.
11/10 Loads of love
Holograph piano-vocal score in pencil; [4] p.
Holograph sketch in pencil, including crossed out
material titled "Lovely love"; [1] p.
Typed lyric sheet, annotations in pencil; [1] p.
11/11 Look no further
Holograph piano-vocal score in pencil; [3] p.
Holograph sketches in pencil; [1] p.
Note: unidentified holograph sketch material
at top
Holograph lead sheet in pencil; [1] p.
Laid in: typed lyric sheet; [1] p.
11/12 Love makes the world [go]
Holograph piano-vocal score in pencil; [3] p.
On cover page: crossed out unidentified
holograph sketch material with lyric
Holograph lead sheets (2) in pencil; [1] p. each
On t.p.: "1961 No Strings"
11/13 [Maine]
I do like Maine
Holograph in pencil; [3] p.
11/14 The man who has everything
Holograph piano-vocal score in pencil; 5 p.
Man who has everything
Holograph sketch in pencil; [1] p.
11/15 No strings
Holograph piano-vocal score in pencil; [3] p.
Holograph lead sheet (no lyric) and sketches (some
lyrics) in pencil; [3] p.
Laid in: typed lyric sheet, 1 line crossed
out; [1] p.
11/16 Nobody told me
Holograph piano-vocal score in pencil; [3] p.
Holograph lead sheet (no lyric) and sketch
in pencil; [2] p.
Laid in: typed lyric sheet; [1] p.
11/17 [An] orthodox fool
Holograph piano-vocal score in pencil; 5 p.
Holograph sketch in ink & pencil; [2] p.
11/18 The sweetest sounds
Holograph piano-vocal score in pencil; [4] p.
Holograph sketch in pencil, some lyric; [1] p.
11/19 Yankee, go home!
Holograph piano-vocal score in pencil; 4 p.
Note: not used in the show
Laid in:
-- typed lyric sheet; [1] p.
-- holograph sketch in pencil titled
"Yankee" and unidentified crossed out
material
11/20 You don't tell me
Holograph piano-vocal score in pencil; [3] p.
[You don't tell me]
Holograph sketch in pencil, some lyric; [1] p.
11/21 [Sketches for "No Strings"]
Holograph sketches in pencil, some lyric; [1] p.
Includes: "How sad" and unidentified
11/22 [Lyric sketches]
Holograph lyric sketches in pencil and typed;
[47] p. total
Includes:
Be my host
[Eager beaver]
How sad
[La-la-la]
Loads of love
[Look no further]
[Love makes the world go]
[The man who has everything]
Money makes the world go
[No strings]
Nobody told me
[An orthodox fool]
The sweetest sounds
[Yankee, go home]
You don't tell me
11/23 [Lyrics]
Red binder containing typed lyric sheets; [17] p.
Includes:
Be my host
Eager beaver
How sad
La-la-la (french and english lyrics)
Loads of love
Look no further
Love makes the world go
Maine
The man who has everything
No strings
Nobody told me
An orthodox fool
The sweetest sounds
You don't tell me
"Oklahoma!" (1943; film 1955) lyrics by Oscar Hammerstein II
B/F Contents
12/1 All er nothin!
Holograph piano-vocal score in pencil; 7 p.
Laid in: typed lyric sheet for "All er
nuthin"; [3] p.
12/2 Boys and girls [like you and me]
Holograph piano-vocal score in pencil; [3] p.
Note: melodic sketch fragment at end
Laid in: typed lyric sheet, annotations in
pencil; [1] p.
12/3 The farmer and the cowman
Holograph piano-vocal score in pencil; [3] p.
Laid in: typed lyric sheet; [1] p.
12/4 I can't say no
Holograph piano-vocal score in pencil; 6 p.
Laid in: typed lyric sheet; [1] p.
Holograph sketch in pencil; [2] p.
12/5 [It's a scandal! It's a outrage!]
A scandal for the jaybirds
Holograph piano-vocal score in pencil; 7 p.
Laid in: typed lyric sheet, annotation in
pencil; 3 p.
12/6 Kansas City
Holograph piano-vocal score in pencil; 6 p.
Laid in: typed lyric sheet, annotation in
ink; [1] p.
12/7 [Lonely room]
Lonely little room
Holograph piano-vocal score in pencil; 5 p.
Laid in: typed lyric sheet, annotation in
pencil; [1] p.
12/8 Many a new day
Holograph piano-vocal score in pencil; [4] p.
Laid in: typed lyric sheet with verse typed
on; [1] p.
12/9 Oh, what a beautiful mornin'
Holograph piano-vocal score in pencil; [3] p.
Laid in: typed lyric sheet, annotation in
ink; [1] p.
12/10 Oklahoma
Holograph piano-vocal score in pencil; [5] p.
Laid in: typed lyric sheet; [1] p.
12/11 Out of my dreams
Holograph piano-vocal score in pencil; [4] p.
Laid in: typed lyric sheet; [1] p.
[Out of my dreams]
Holograph sketch in pencil; [1] p.
12/12 People will say we're in love
Holograph piano-vocal score in pencil; [4] p.
Verse People will say
Holograph sketch in pencil; [1] p.
12/13 Pore Jud is daid
Holograph piano-vocal score in pencil; [2] p.
Laid in: typed lyric sheet; [2] p.
Poor Jud
Holograph sketch in pencil; [1] p.
12/14 The surrey with the fringe on top
Holograph piano-vocal score in pencil; [4] p.
Laid in: typed lyric sheet; [1] p.
12/15 When I go out walkin' with my baby
Holograph piano-vocal score in pencil; [3] p.
Laid in: typed lyric sheet; [1] p.
12/16 [Sketches for "Oklahoma!"]
Holograph sketches in pencil; [6] p.
Includes:
p. [1]: "[Oh, what a] beautiful
morning"
p. [3]: "[The surrey with the fringe on
top]: Surrey middle"
p. [4]: "[The surrey with the fringe on
top]: Verse Surrey"
p. [5]: "[Wait till you see her]" (from
"By Jupiter"), "[I cain't say
no]," "[The] surrey [with the
fringe on top]"
p. [6]: "[Oh, what a beautiful
morning]: Verse Beautiful
morning," "[Many a new day]"
"On Your Toes" (1936; film 1939) lyrics by Lorenz Hart
B/F Contents
Glad to be unhappy {see [Sketches for "Jumbo"]}
Glad to be unhappy {see [M.S. 10] in MISCELLANEOUS
SKETCHES}
The heart is quicker than the eye {see [Sketches for
"On Your Toes"]}
It's got to be love {see [Sketches for "Jumbo"]}
On your toes {see [Sketches for "On Your Toes"]}
12/17 Our private olympic games
Holograph piano-vocal score in pencil; [4] p.
Note: previously unknown song, probably
unused
12/18 [La Princesse Zenobia ballet]
Holograph sketches in pencil; [1] p.
12/19 [Slaughter on Tenth Avenue]
10th avenue lead
Holograph sketch in pencil; [6] p.
{see also [M.S. 9] in MISCELLANEOUS SKETCHES}
There's a small hotel {see [Sketches for "Jumbo"]}
12/20 [The three B's]
Questions and answers
Holograph piano-vocal score in pencil; 7 p.
Too good for the average man {see [M.S. 10] in
MISCELLANEOUS SKETCHES}
12/21 Two-a-day for Keith
Holograph piano-vocal score in pencil; [4] p.
Laid in: typed lyric sheet; [1] p.
12/22 [Sketches for "On Your Toes"]
Holograph sketches in pencil; [2] p.
Includes:
p. [1]: "[The heart is] quicker than
the eye"
p. [2]: "[On your toes],"
"[Chopsticks]"
"One Dam Thing After Another" (1927) musical revue, lyrics by
Lorenz Hart
B/F Contents
12/23 [Danse grotesque . la nSgre]
Dance negre
Holograph piano score in pencil; 5 p.
Note: cut before opening of the show
12/24 [The election]
Opening act I: sandwich girls
Holograph piano-vocal score in pencil, no lyric;
[4] p.
Make hey! Make hey! {see [Sketches for "One Dam Thing
After Another"]}
My heart stood still {see [M.S. 3] in MISCELLANEOUS
SKETCHES}
12/25 Progress
Holograph piano score in pencil; [2] p.
Note: probably minuet variation on "Make hey!
Make hey!"
12/26 Shakespeare
Holograph piano-vocal score in pencil, no lyric;
[1] p.
Note: probably variation on "Make hey! Make
hey!"
Shakespeare Dance
Holograph piano score in pencil; [1] p.
Note: probably variation on "Make hey! Make
hey!"
12/27 [Sketches for "One Dam Thing After Another"]
Holograph sketches in pencil; [4] p.
Includes:
p. [1]: "[Make] hey! [Make] hey!,"
"[The election]: Opening"
p. [2]: "[My heart stood still],"
"[When I go on the stage]"
(from "She's My Baby") {p. 2 -
upside down}
p. [4]: "[Someone should tell them]"
(cut from "A Connecticut
Yankee", the music later
appeared in "America's
Sweetheart" as "There's so
much more")
"Pal Joey" (1940; film 1957) lyrics by Lorenz Hart
B/F Contents
12/28 Bewitched, [bothered and bewildered]
Holograph piano-vocal score in pencil; [4] p.
Laid in: typed lyric sheet; [1] p.
{see also [M.S. 12] in MISCELLANEOUS SKETCHES}
Chicago {see A great big town}
12/29 Den of iniquity
Holograph piano-vocal score in pencil; [3] p.
Laid in: typed lyric sheet; [1] p.
12/30 Do it the hard way
Holograph piano-vocal score in pencil; [4] p.
Laid in: typed lyric sheet; [1] p.
12/31 The flower garden of my heart
Holograph piano-vocal score in pencil; [4] p.
Laid in: typed lyric sheet, annotations in
pencil; [1] p.
12/32 A great big town
Holograph piano-vocal score in pencil; [2] p.
Laid in: typed lyric sheet, annotations in
pencil; [1] p.
Happy hunting horn {see [Sketches for "Pal Joey"]}
12/33 I could write a book
Holograph piano-vocal score in pencil; [4] p.
Laid in: typed lyric sheet; [1] p.
12/34 I'm talking to my pal
Holograph piano-vocal score in pencil; [4] p.
Laid in: typed lyric sheet; [1] p.
12/35 Plant you now, dig you later
Holograph piano-vocal score in pencil; [4] p.
Laid in: typed lyric sheet; [1] p.
{see also [M.S. 12] in MISCELLANEOUS SKETCHES}
12/36 Take him
Holograph piano-vocal score in pencil; [4] p.
Laid in: typed lyric sheet; [1] p.
{see also [M.S. 12] in MISCELLANEOUS SKETCHES}
12/37 That terrific rainbow
Holograph piano-vocal score in pencil; [4] p.
Laid in: typed lyric sheet, annotation in
pencil; [1] p.
12/38 You mustn't kick it around
Holograph piano-vocal score in pencil; [4] p.
12/39 Zip!
Holograph piano-vocal score in pencil; [4] p.
Laid in: typed lyric sheet; [1] p.
12/40 [Sketches for "Pal Joey"]
Holograph sketches in pencil; [9] p.
Includes:
p. [1]: "[Do it the] hard way"
p. [3]: "Lolita" (from "They Met In
Argentina"?), "I could write a
book," "You mustn't kick it
around"
p. [4]: "[That terrific rainbow]: Color
me," "Zip"
p. [5]: "[That terrific rainbow]: Red
hot"
p. [6]: "Fisher"
p. [8]: "[If] the twig's bent"
p. [9]: "[Happy hunting horn]: Verse
Hunting horn"
"Peg o' My Heart" (1933) film
B/F Contents
When you're falling in love with the Irish {see
[Sketches for "I Married an Angel"]}
"Peggy-Ann" (1926) lyrics by Lorenz Hart
B/F Contents
13/1 Act I finale
Holograph piano score/sketch in pencil; [3] p.
Note: includes or mentions "Where's that
rainbow?," "[A little birdie told me so]:
Birdie song," "Wedding march," "[A] tree
in the park"
On back: 2 measure sketch in pencil
13/2 [Charming, charming]
Store opening
Holograph piano-vocal score in pencil; [4] p.
13/3 Chuck it!
Holograph piano-vocal score in pencil, no lyric;
7 p.
Note: cut from "Lido Lady" and used here
{see also [M.S. 3] in MISCELLANEOUS SKETCHES}
Dummy march {see [Sketches for "Betsy"]}
Give this little girl a hand {see [Sketches for "Peggy-
Ann"]}
Hello {see [M.S. 3] in MISCELLANEOUS SKETCHES}
13/4 [Howdy Broadway]
Howdy to Broadway
Holograph piano-vocal score in pencil, partial
lyric; 2 p. (incomplete)
A little birdie told me so {see [M.S. 3] in
MISCELLANEOUS SKETCHES}
13/5 Paris is really divine
Holograph piano-vocal score in pencil, no lyric;
[3] p.
13/6 Peggy! Peggy!
Holograph piano-vocal score in pencil, no lyric;
[3] p.
Tramping along {see [Sketches for "Betsy"]}
A tree in the park {see [Sketches for "Peggy-Ann"]}
13/7 [Sketches for "Peggy-Ann"]
Holograph sketches in pencil; [4] p.
Includes:
p. [1]: "[A] tree in [the] park"
p. [2]: "Give [this] little girl a
hand,"
"[A] little birdie told me so"
Holograph sketches in pencil; [2] p.
Includes:
sketch #1: Howdy, Broadway
sketch #4: Clementine ({see also "My
Clementine" in NON-SHOW
MUSIC)}
"Pipe Dream" (1955) lyrics by Oscar Hammerstein II
B/F Contents
13/8 [All at once you love her]
All at once: verse
Holograph piano-vocal score in pencil; [1] p.
All at once
Holograph piano-vocal score in pencil; [3] p.
13/9 All kinds of people
Holograph piano-vocal score in pencil; [3] p.
13/10 Bum's opera
Holograph piano-vocal score in pencil; 6 p.
Holograph sketch in pencil, some lyric; [2] p.
{see also "Tide pool"}
13/11 Everybody's got a home [but me]
Holograph piano-vocal score in pencil; [5] p.
13/12 The happiest house on the block
Holograph sketches in pencil; [2] p.
How long? {see [Sketches for "Pipe Dream"]}
13/13 I am a witch
Holograph piano-vocal sketch in pencil, with lyric;
[2] p.
13/14 [A lopsided bus]
On a lopsided bus
Holograph piano-vocal score in pencil; 8 p.
13/15 [The] man I used to be: verse
Holograph piano-vocal score in pencil; [1] p.
The man I used to be
Holograph piano-vocal score in pencil; [3] p.
13/16 The next time it happens
Holograph piano-vocal score in pencil; 5 p.
[The next time it happens]
Holograph sketch in pencil; [1] p.
13/17 The party that we're going to have tomorrow night
Holograph piano-vocal score in pencil; [4] p.
13/18 Suzy development: 1 and 2
Holograph piano-vocal score in pencil; [5] p.
Suzy development
Holograph sketch in pencil, some lyric; [1] p.
13/19 Suzy is a good thing: verse
Holograph piano-vocal score in pencil; [2] p.
Suzy is a good thing
Holograph piano-vocal score in pencil; [2] p.
13/20 Sweet Thursday
Holograph piano-vocal score in pencil; 7 p.
13/21 Thinkin'
Holograph piano-vocal score in pencil; 5 p.
13/22 The tide pool
Holograph piano-vocal score in pencil; [5] p.
Tide pool
Holograph sketch in pencil, with lyric; [2] p.
[Tide pool]
Holograph sketch in pencil; 4 p.
Note: different version than above, but some
lyric is the same
On front: holograph sketch in pencil (crossed
out) for "Bums opera"
13/23 [Sketches for "Pipe Dream"]
Holograph sketches in pencil; [15] p.
Includes:
p. [1]: "All kinds of people"
p. [2]: "[A lopsided] bus" (2
measures), "[Sweet Thursday]:
Sweet Thursday interlude"
p. [3]: "All kinds of people"
p. [4]: "The man I used to be," "Su[zy]
is a good thing"
p. [5]: "[The] party [that we're gonna
have] tomorrow night"
p. [6]: "Sweet Thursday: ch[orus]"
p. [7]: "[All at once you love her]:
Guitar song?," "[A lopsided
bus]: Bus?"
p. [8]: "[A lopsided] bus: verse"
p. [9]: "[The] man I used to be"
p. [10]: "How long"
p. [11]: "[The man I used to be]"
p. [12]: "[Ev'rybody's got a home but
me]: Everybodys got a house"
p. [13-14]: "[A lopsided bus]:
Remarkable bus"
p. [15]: "[Untitled]" (written for, but
not used in "Pipe Dream")
"The Play's the Thing" (n.d)
B/F Contents
13/24 Music & the emotions
Holograph sketch in pencil; [2] p.
Holograph (Lorenz Hart) lyric sheet in pencil;
[3] p.
13/25 Ope[ning] act I
Holograph sketch in pencil; [4] p.
Typed lyric sheet for "Opening of act I,"
annotation in pencil; 2 p.
Ms. lyric sheet [Lorenz Hart's?] in pencil; 5 p.
13/26 [Lyrics for "The Play's the Thing"]
Holograph (Lorenz Hart) lyric sheets/script in
pencil; [16] p. total
"Please!" (1933) revue
B/F Contents
Rhythm {see [Sketches for "Babes in Arms"]}
Rhythm {see Rhythm! in "The Show Is On"}
"Present Arms" (1928) lyrics by Oscar Hammerstein II
B/F Contents
{see [M.S. 2] and [M.S. 3] in MISCELLANEOUS SKETCHES}
"The Prisoner of Zenda" (1924) lyrics by Herbert L. Fields
B/F Contents
Curtain raiser act II/Introduction to Opening act I begin
{see Finale act I}
13/27 Finale act I
Holograph piano score in pencil; [1] p.
Note: 4 measure sketch at bottom of page
On back: crossed out holograph piano score in
pencil headed "Curtain raiser act
II/Introduction to Opening act I begin:";
at the bottom of this page is the
beginning of a melody for "Finale act II"
13/28 Make way
Holograph condensed score in pencil; [4] p.
13/29 March
Holograph piano score in pencil; [2] p.
On cover: holograph scoring and copying
instructions
13/30 My king can do no wrong: act one
Holograph piano-vocal score in pencil, no lyric;
6 p.
My king can do no wrong: act II
Holograph piano-vocal score in pencil, no lyric;
[3] p.
On back: holograph scoring and copying
instructions
13/31 Oh, dear!
Holograph piano-vocal score in pencil, no lyric;
[3] p.
Oh! dear: opening act I
Holograph sketch in pencil; [1] p.
Note: at the bottom of p. [1] and on p. [2]
are a crossed out holograph sketch for
"Yankee-doodle (Countermelody)" and its 3-part
realization
13/32 Opening act III
Holograph condensed score in pencil; [5] p.
13/33 [Song of Russia]
Russian melody
Holograph sketches in pencil, some crossed out;
[2]p.
13/34 Trio act one
Holograph piano-vocal score in pencil, no lyric;
[4] p.
13/35 When men are in love
Holograph piano-vocal score in pencil, no lyric;
4 p.
13/36 Will never do
Holograph piano-vocal score in pencil, no lyric;
[4] p.
13/37 [Without love]
Without your love
Holograph piano-vocal score in pencil, no lyric;
[4] p.
13/38 The worst of friends
Holograph piano-vocal score in pencil, no lyric;
[2] p.
Yankee-doodle (Counter melody) {see Oh, dear!}
Rex (1976) lyrics by Sheldon Harnick
B/F Contents
14/1 [As once I loved you]
Holograph piano-vocal score in pencil; 4 p.
As once I loved you
Typed lyric sheet; 2 p.
14/2 Away from you: intro
Holograph piano-vocal score in pencil; [1] p.
Away from you
Holograph lead sheet/sketch in pencil, with lyric;
[1] p.
Holograph lead sheet/sketch in pencil, with lyric;
2 p.
Typed lyric sheet; [1] p.
Away from you: reprise
Typed lyric sheet; [1] p.
Away from you: partial reprise
Typed lyric sheet; [1] p.
14/3 The chase
Holograph piano-vocal score/sketch in pencil;
[3] p.
Typed lyric sheet; 3 p.
14/4 Christmas at Hampton Court
Holograph piano-vocal score in pencil; 6 p.
Note: p. 6 consists of melody and lyric only
Typed lyric sheet; 3 p.
14/5 Come to court
Holograph piano-vocal score in pencil; 6 p.
Typed lyric sheet; 2 p.
14/6 Dear Jane
Holograph piano-vocal score in pencil; 6 p.
Typed lyric sheet; 3 p.
14/7 Don't come to court
Holograph piano-vocal score in pencil; 3 p.
Typed lyric sheet; 2 p.
14/8 [Elizabeth]
Lizzie's lullaby
Holograph lead sheet in pencil; [1] p.
Holograph lead sheet in pencil; [2] p.
Elizabeth
Typed lyric sheet; 2 p.
14/9 Eternal stars
Holograph piano-vocal score in pencil; 7 p.
Note: additional holograph sketch material on
[2] p. at end
Typed lyric sheet; 2 p.
14/10 [The field of cloth of gold]
At the field of cloth of gold
Holograph piano-vocal score in pencil; 6 p.
Note: piano accompaniment is incomplete
Typed lyric sheet; 4 p.
Includes: "Introduction," "Where is my son?,"
"[The field of cloth of gold]"
From afar {see [Lyric sheets for "Rex"]}
14/11 Henry Catherine scene: as in "Where is my son"
Holograph lead sheet/piano-vocal score in pencil;
[1] p.
14/12 I brought you a gift
Holograph piano-vocal score in pencil; 3 p.
Typed lyric sheet; [1] p.
14/13 I'll miss you
Holograph piano-vocal score in pencil; [2] p.
Typed lyric sheet; [1] p.
{see also "Te Deum"}
14/14 In time
Holograph piano-vocal score in pencil; [3] p.
At end: sketch idea for 1st ending
Typed lyric sheet; 2 p.
In time: reprise
Typed lyric sheet; [1] p.
14/15 Kings
Holograph piano-vocal score in pencil; 4 p.
Typed lyric sheet; 2 p.
Kings: reprise
Typed lyric sheet; [1] p.
14/16 My daughter: [My daughter -- I]
Holograph piano-vocal score in pencil; 4 p.
Note: p. 2 is incomplete
Typed lyric sheet; 3 p.
My daughter: [My daughter -- II]
Holograph piano-vocal score in pencil; 4 p.
Note: bottom half of p. 4 is ms. sketch
material with some lyric
Typed lyric sheet; 2 p.
14/17 No song more pleasing
Holograph piano-vocal score in pencil; [1] p.
Typed lyric sheet; 2 p.
No song more pleasing: reprise
Typed lyric sheet; [1] p.
14/18 The pears of Anjou
Holograph piano-vocal score in pencil; 8 p.
Typed lyric sheet; 2 p.
14/19 Rex
Holograph piano-vocal score in pencil; 2 p.
Note: 2 measure holograph sketch in pencil on
p. [3]
Typed lyric sheet; [1] p.
14/20 [So much you loved me]
Henry Anne duet
Holograph piano-vocal score in pencil; [2] p.
(incomplete)
Note: cut before New York opening; same music
as "From afar"
At end: holograph sketch for 1st ending in pencil
So much you loved me
Typed lyric sheets (2 versions); [1] p. each
14/21 Te Deum
Holograph piano-vocal score in pencil; 3 p.
On back: holograph melodic sketch in pencil
for "I'll miss you"
Typed lyric sheets (2 versions): [1] p. each
14/22 Tell me
Holograph piano-vocal score in pencil; 3 p.
At top (p. 4): holograph sketch material in
pencil
Typed lyric sheet; [1] p.
Tell me: reprise
Typed lyric sheet; [1] p.
14/23 There are kings
Holograph piano-vocal score in pencil; 3 p.
Typed lyric sheet; [1] p.
14/24 [To please my king]
To please Your Grace
Holograph piano-vocal score in pencil; 2 p.
Note: much of p. 2 is melody and lyric only
To please my king
Typed lyric sheet; 2 p.
14/25 The wee golden warrior
Holograph piano-vocal score in pencil; [2] p.
Typed lyric sheet; 2 p.
14/26 Where is my son?
Holograph piano-vocal score in pencil; 6 p. + 2nd
p. 5
Note: includes "Old interlude/Dropped"
(p. 5), and "New material" (p. 5-6)
{see also "The field of cloth of gold" for the
lyric sheet}
14/27 [Why?]
What now
Holograph piano-vocal score in pencil; 4 p.
Why?
Typed lyric sheet; 2 p.
14/28 [Would I not love you]
Intro. Ann; Anne
Holograph piano-vocal score in pencil; [3] p.
Note: unidentified sketch material beneath
"Intro. Ann" and additional sketch material
for "Ann" on separate page
Would I not love you
Typed lyric sheets (3 versions); [1] p. each
14/29 [Sketch for "Rex"]
Unidentified holograph sketch material in pencil;
[1] p.
14/30 [Lyric sheets for "Rex"]
Photocopyies of typed lyric sheets; [4] p. total
Includes: "From afar" and "God save the King" (2
versions)
14/31 [Song listings]
Typed listings of used and unused songs from "Rex";
[2] p.
14/32 [Playbill for "Rex"]
Playbill for Lunt-Fontanne Theatre, April 1976
Note: annotation in ink on "Scenes And Musical
Numbers" page
"Saturday Night Around the World" (1965) unproduced TV special
B/F Contents
Saturday night {see ["Two by Two" sketchbook]}
15/1 ["Saturday Night Around the World"]
Holograph condensed score in pencil; [5] p.
Includes: sections titled "Israel," "Lisbon,"
"Paris," "Tokyo"
Holograph melodic sketch material in pencil; [1] p.
"Say Mama" (1921) amateur musical comedy, lyrics by Lorenz Hart
B/F Contents
15/2 Jack and Jill
Holograph piano-vocal score in pencil, no lyric;
[3] p.
15/3 Priscilla
Holograph piano score in pencil; [3] p.
Holograph piano score in pencil; [2] p.
Note: the two mss. are entirely different
from each other
15/4 Show him the way
Holograph piano-vocal score in pencil, no lyric;
3 p.
"She's My Baby" (1928) lyrics by Lorenz Hart
B/F Contents
15/5 I still believe in you
Holograph piano-vocal score in pencil, no lyric;
[4] p.
Note: not used in "She's My Baby"; later
intended for, but dropped from, "Simple
Simon"; also, has same music, except for part
of verse, as "Singing a love song" from "Chee-
Chee"
At end: holograph sketch material in pencil
This goes up {see [M.S. 3] in MISCELLANEOUS SKETCHES}
When I go on the stage {see [Sketches for "One Dam
Thing After Another"]}
"The Show Is On" (1936) revue, lyric by Lorenz Hart
B/F Contents
15/6 Rhythm!
Holograph piano-vocal score in pencil; 7 p.
Laid in: typed lyric sheet; p. 12
Note: revised from the original version in
"Please!"
"Simple Simon" (1930) lyrics by Lorenz Hart
B/F Contents
15/7 [Dancing on the ceiling]
He dances on my ceiling
Photocopy of holograph piano-vocal score, no lyric;
[3] p.
Note: cut from "Simple Simon" and used in
"Ever Green"
15/8 Don't tell your folks
Holograph piano-vocal score in pencil, no lyric;
[3] p.
15/9 He was too good to me
Photocopy of holograph piano-vocal score, no lyric;
[3] p.
Note: written for but cut from "Simple Simon"
15/10 Hunting ballet
Holograph piano score and sketches in pencil; 13 p.
+ [5] p.
Note: includes sketches for "Hunting ballet,"
"On with the dance," "Magic music," and
"Soft as a kitten" (which is "Softer than
a kitten" from the Paramount Picture
"Follow Thru")
On t.p.: "Hurdle Ballet"
15/11 [Hunting scene]
Finaletto of Hunting scene
Holograph piano-vocal score in pencil, no lyric;
[4] p.
15/12 Hunting song
Holograph piano-vocal score in pencil, no lyric;
7 p.
Note: probably unused
I still believe in you {see "She's My Baby"}
15/13 Oh, so lovely!
Holograph piano-vocal score in pencil, no lyric;
[3] p.
On back: unidentified ms. piano sketch
material
15/14 Send for me
Holograph piano-vocal score (verse only) in pencil;
[1] p.
Note: music used for refrain of "I must love
you" from "Chee-Chee"; {see also [M.S. 2] in
MISCELLANEOUS SKETCHES}
15/15 Sweetenheart
Holograph piano-vocal score in pencil, no lyric;
[3] p.
15/16 Ten cents a dance
Photocopy of holograph piano-vocal score; [4] p.
"Something Gay" (1935) non-musical play
B/F Contents
You are so lovely and I'm so lonely {see [M.S. 5] in
MISCELLANEOUS SKETCHES}
"The Sound of Music" (1959; film 1965) lyrics by
Oscar Hammerstein II and Richard Rodgers
B/F Contents
15/17 Climb ev'ry mountain
Holograph piano-vocal score in pencil; [3] p.
Laid in: typed lyric sheets (2); [1] p. each
15/18 Do-re-mi
Holograph piano-vocal score in pencil; 6 p.
15/19 Edelweiss
Holograph piano-vocal score in pencil; [3] p.
15/20 End of Scene 3: Fav. things & "Maria"
Ms. piano-vocal score in pencil; 2 p.
Note: includes cuts of "My favorite things,"
and "Maria"
15/21 [How can love survive?]
How can our love survive?
Holograph piano-vocal score in pencil; 5 p.
[How can love survive?]
Holograph sketch in pencil; [1] p.
15/22 I have confidence
Holograph piano-vocal score in pencil; [2] p.
Note: music has little or no relation to
final version
Laid in: typed and holograph in pencil lyric
sheets; [1] p. each
Confidence
Holograph sketch (for above) in pencil; [1] p.
On back (upside down): holograph sketch
material for "Fair is fair"; {see also Fair is
fair in NON-SHOW MUSIC}
I have confidence: new refrain
Holograph piano-vocal score in pencil; 4 p.
Laid in: typed lyric sheets (2) and holograph
lyric sheet in pencil; [1] p. each
Note: for film version
15/23 I have loved and I've learned
Holograph piano-vocal score in pencil; [4] p.
15/24 L"ndler
Ms. piano score in pencil; 5 p.
15/25 The lonely goatherd
Holograph piano-vocal score in pencil; [1] p.
15/26 Maria
Holograph piano-vocal score in pencil; 6 p.
15/27 My favorite things
Holograph piano-vocal score in pencil; [4] p.
Favorite things
Holograph sketch in pencil; [1] p.
At bottom: unidentified holograph sketch in
ink
15/28 No way to stop it
Holograph piano-vocal score in pencil; 6 p.
[No way to stop it]
Holograph sketch in pencil, some lyric; [2] p.
15/29 An ordinary couple
Holograph piano-vocal score in pencil; [3] p.
Ordinary people
Holograph piano sketch in pencil; [2] p.
Note: additional unidentified holograph
sketch material on p. [3]
15/30 Sixteen going on seventeen
Holograph piano-vocal score in pencil; [3] p.
Reprise verse "Sixteen"
Holograph piano-vocal score in pencil; [1] p.
Holograph sketch and lyric in pencil; [2] p. (3
3/4" x 6" paper)
Sixteen going on seventeen: end of 1st chorus of "Sixteen
going on seventeen" [and] end of 2nd chorus
Ms. piano-vocal score in pencil, annotations in
ink; 2 p. (incomplete)
On front: crossed out piano score (4 m.)
15/31 So long, farewell
Holograph piano-vocal score in pencil; 5 p.
Goodbye
Holograph sketch in pencil, some lyric; [3] p.
Note: on front page is an unidentified
holograph sketch
15/32 Something good
Holograph piano-vocal score in pencil; [3] p.
Laid in: typed and holograph in pencil lyric
sheets; [1] p. each
Note: for film version
[Something good]
Holograph sketch in pencil, with lyric; [1] p.
15/33 The sound of music
Holograph piano-vocal score in pencil; [4] p.
Holograph lead sheet in ink; [1] p.
[The sound of music]: Sound II [and] Verse Sound of
Holograph sketch in pencil; [2] p.
15/34 [Sketches for "The Sound of Music"]
Holograph sketches in pencil; [12] p.
Includes:
p. [1]: "Maria"
p. [2]: "Do-re-mi"
p. [3]: "[The] sound of [music],"
"Do-re-mi"
p. [4]: "Do-re-mi," "[The lonely
goatherd]: Yodel"
p. [5]: "[Climb ev'ry mountain]"
p. [6]: "Sixteen [going on seventeen]"
p. [7]: "[I have] loved [and I have]
learned"
p. [8]: "Verse Sixteen [going on
seventeen]"
p. [9]: "[Climb ev'ry mountain]:
Mountain #2"
p. [10]: "Climb ev'ry mountain"
p. [11]: "[Processional]: Wedding"
p. [12]: "[Unidentified]"
Unidentified holograph sketches in pencil on non-
music paper; [2] p.
"South Pacific" (1949; film 1958) lyrics by Oscar Hammerstein II
B/F Contents
16/1 Bali ha'i
Holograph piano-vocal score in pencil; 5 p.
Laid in: typed lyric sheet, annotations in
pencil; [1] p.
16/2 Bloody Mary
Holograph piano-vocal score in pencil; [1] p.
Laid in: typed lyric sheet; [1] p.
16/3 Bright canary yellow
Holograph piano-vocal score in pencil; [2] p.
Laid in: typed lyric sheet; [1] p.
Note: this song bares some relation to "A
cockeyed optimist"
16/4 [A cockeyed optimist]
Not this heart
Holograph piano-vocal score in pencil; [4] p.
Laid in: typed lyric sheet, annotations in
ink & pencil; [1] p.
16/5 Dites-moi
Holograph piano-vocal score in pencil; [2] p.
Laid in:
-- typed page of script including lyric
for "Dites-moi,"annotations in pencil,
including melodic sketch material; [1] p.
-- typed lyric sheet; [1] p.
16/6 Happy talk
Holograph piano-vocal score in pencil; [4] p.
16/7 Honey bun
Holograph piano-vocal score in pencil; [3] p.
Laid in: typed lyric sheet, annotations in
pencil; [1] p.
16/8 [I'm gonna wash that man right outa my hair]
Wash that man
Holograph piano-vocal score in pencil; 6 p.
Laid in: typed lyric sheet; [2] p.
On back: 4 measure holograph sketch in pencil
16/9 My girl back home
Holograph piano-vocal score in pencil; [2] p.
Laid in: typed lyric sheet; [1] p.
Note: cut before New York opening
16/10 Now is the time
Holograph piano-vocal score in pencil; 6 p.
Laid in: typed lyric sheet, annotations in
pencil; [1] p.
16/11 Some enchanted evening
Holograph piano-vocal score in pencil; 5 p.
Intro. to "Enchanted" reprise
Holograph piano-vocal score in pencil; [2] p.
16/12 There is nothin' like a dame
Holograph piano-vocal score in pencil; 10 p.
Laid in: typed lyric sheet, annotation in
pencil; [2] p.
16/13 This nearly was mine: verse [and] intro.
Holograph piano-vocal score in pencil; [3] p.
Laid in: typed lyric sheet; [1] p.
This nearly was mine: refrain
Holograph piano-vocal score in pencil; [4] p.
16/14 Twin soliloquies
Holograph piano-vocal score in pencil; [3] p.
16/15 A wonderful guy
Holograph piano-vocal score in pencil; 9 p.
Laid in: typed lyric sheet; [1] p.
16/16 Younger than springtime
Holograph piano-vocal score in pencil; [4] p.
Laid in: typed lyric sheet; [1] p.
16/17 [You've got to be carefully taught]
Carefully taught
Holograph piano-vocal in pencil; 5 p.
Laid in: typed lyric sheet, annotations in
pencil; [1] p.
16/18 [Sketches for "South Pacific"]
Holograph sketches in pencil, some lyric; [8] p.
Includes:
p. [1]: "I'm gonna wash that man right
outa my hair"
p. [2]: "Verse [A] wonderful guy"
p. [3]: "Cable & Liat?," "[Getting to
know you]: Cable & Liat"
(melody used in "The King and
I")
p. [4]: "[You've got to be carefully
taught]: Cable -- Emile duet"
p. [5]: "Ext. of [I'm gonna] wash that
man [right outa my hair],"
"[You've got to be carefully
taught]: Cable -- Emile duet"
p. [6]: "[Getting to know you]: Cable &
Liat" (used in "The King and
I"), "[Unidentified]," "Bali
ha'i verse"
p. [7]: "[A] wonderful guy"
p. [8]: "My friend"
Holograph sketches in pencil, some lyric; [5] p.
Includes:
p. [1]: "[Some] enchanted evening," "[A
cockeyed] optimist"
p. [2]: "[Twin soliloquies]," "Now is
the time"
p. [2a]: "[My] girl back home,"
"[Younger than] springtime
verse"
p. [3]: "[Bright] canary yellow," "Trio
(Now is the time)"
p. [4]: "Ref[rain There is] nothing
like a dame"
"Spring Is Here" (1929; film 1930) lyrics by Lorenz Hart
B/F Contents
16/19 [Sketches for "Spring Is Here"]
Holograph sketches in pencil; [4] p.
Includes:
p. [1]: "Spring is here," "Yours
sincerely"
p. [2]: "[Lady Luck is grinning]"
(refrain later used for "When
the old world was new" from
"Ever Green"), "[This is not
Long Island]: Opening"
p. [3]: "[Baby's awake now]," "[A cup
of] tea"
p. [4]: "Verse Spring is here"
The color of her eyes {see "Ever Green"}
The colour of her eyes {see [M.S. 2] in MISCELLANEOUS
SKETCHES}
With a song in my heart {see [M.S. 4] in MISCELLANEOUS
SKETCHES}
"Stage Door Canteen" (1943) musical film
B/F Contents
16/20 The girl I love to leave behind
Holograph piano-vocal score in pencil; [4] p.
Laid in:
-- typed lyric sheet, annotations in
pencil; [1] p.
-- typed note, annotations in regular and
red pencil
"State Fair" (1945 & 1962 remake) film, lyrics by
Oscar Hammerstein II and Richard Rodgers
B/F Contents
16/21 All I owe Iowa[y]
Holograph piano-vocal score in pencil; 8 p.
16/22 Away from home
Holograph piano-vocal score in pencil; [2] p.
Lyric by Richard Rodgers
Note: unused, but probably for the 1962 film
remake
Holograph sketch in pencil; [1] p.
Note: beginning section titled "`State fair'
1969" is crossed out
16/23 Isn't it kinda fun?
Holograph piano-vocal score in pencil; [4] p.
16/24 It might as well be spring
Holograph piano-vocal score in pencil; [4] p.
16/25 It's a grand night for singing
Holograph piano-vocal score in pencil; [4] p.
16/26 It's the little things in Texas
Holograph piano-vocal score in pencil; [4] p.
Laid in: typed lyric sheets (8), 3 with
refrain only; [1] p. each
Note: for 1962 film remake; lyric by Richard
Rodgers
16/27 More than just a friend
Holograph piano-vocal score in pencil; [4] p.
Laid in: typed lyric sheet; [1] p.
Note: for 1962 film remake; lyric by Richard
Rodgers
[More than just a friend]: Sweet-hog of mine
Holograph sketch in pencil; [1] p.
16/28 [Never say no to a man]
Never say "no"
Holograph piano-vocal score in pencil; [4] p.
Laid in: typed lyric sheet; [1] p.
Note: for 1962 film remake; lyric by Richard
Rodgers
Never say no to a man
Holograph sketch in pencil, with lyric; [2] p.
16/29 Our State Fair
Holograph piano-vocal score in pencil; [3] p.
Rachel {see This isn't heaven}
16/30 State Fair
Holograph sketch in pencil; [1] p.
{see also Dear friend in NON-SHOW MUSIC}
16/31 That's for me!
Holograph piano-vocal score in pencil; [4] p.
16/32 This isn't heaven
Holograph piano-vocal score in pencil; [3] p.
Laid in: typed lyric sheets (2) in pencil;
[1] p. each
Note: for 1962 film remake; lyric by Richard
Rodgers
[This isn't heaven]
Holograph lead sheet in pencil; [1] p.
On back: holograph sketch for "You walked in"
from "I Picked a Daisy"
Laid in: holograph lyric sketch in pencil for
"You walked in"; [2] p.
Holograph sketch in pencil, some lyric; [1] p.
On back: holograph melodic sketch for "Rachel
coda" from "I Picked a Daisy"
Laid in: holograph lyric sketch in pencil and
typed lyric for "Rachel"; [3] p.
16/33 We will be together
Holograph piano-vocal score in pencil; [3] p.
16/34 Willing and eager
Holograph piano-vocal score in pencil; [3] p.
Laid in: typed lyric sheet; [1] p.
Note: for 1962 film remake; lyric by Richard
Rodgers
You walked in {see This isn't heaven}
16/35 [Sketches for "State Fair"]
Holograph sketches in pencil; [6] p.
Includes:
p. [1]: "Our state fair," "Verse [It
might as well be] spring"
p. [2]: "[It's a grand] night for
singing verse"
p. [3]: "[We're on our way]: Infantry"
(dedicated to the U.S. army
infantry, 1944; {see also NON-
SHOW MUSIC)}
p. [4]: "[It's a grand] night for
singing"
p. [5]: "[All I owe] Ioway," "Verse
[Isn't it kinda fun]"
p. [6]: "[All I owe Ioway]: End of
refrain in Ioway [and] Verse
Ioway"
Holograph sketches in pencil; [2] p.
Includes:
p. [1]: "Willing and eager"
p. [2]: "[It's the little things in
Texas]"
16/36 [Lyric sketches]
Holograph lyric sketches in pencil; [19] p.
Includes:
[It's the little things in Texas]
[Never say no to a man]
[Our state fair]
[Willing and eager]
"Temple Bells" (1924) amateur musical comedy, lyrics by Lorenz Hart
B/F Contents
16/37 Bobolink
Holograph piano-vocal score in pencil, no lyric;
[3] p.
Lyric by Dorothy Crowthers
"They Met in Argentina" (1941) musical film, lyric by Lorenz Hart
B/F Contents
17/1 Amarillo
Holograph piano-vocal score in pencil; [4] p.
Laid in: typed lyric sheet, annotations in
pencil; [1] p.
17/2 Carefree careterro
Holograph piano-vocal score in pencil; [4] p.
Laid in: typed lyric sheet, annotations in
pencil; [1] p.
{see also [M.S. 12] in MISCELLANEOUS SKETCHES}
17/3 Contrapunto
Holograph piano-vocal score in pencil; [1] p.
Laid in: typed lyric sheet; [1] p.
{see also [M.S. 12] in MISCELLANEOUS SKETCHES}
17/4 Cutting the cane
Holograph piano-vocal score in pencil; [5] p.
Laid in: typed lyric sheet; [1] p.
17/5 Lolita
Holograph piano-vocal score in pencil; [3] p.
Laid in: typed lyric sheet, annotation in
pencil; [1] p.
{see also [Sketches for "Pal Joey"]}
17/6 Never go to Argentina
Holograph piano-vocal score in pencil; [4] p.
Laid in: typed lyric sheet; [1] p.
17/7 North America meets South America
Holograph piano-vocal score in pencil; [4] p.
Laid in: typed lyric sheet, annotations in
pencil; [1] p.
{see also [M.S. 12] in MISCELLANEOUS SKETCHES}
17/8 On the track
Holograph piano-vocal score in pencil; [4] p.
Laid in: typed lyric sheet, titled "We're on
the track"; [1] p.
{see also [M.S. 12] in MISCELLANEOUS SKETCHES}
17/9 Simpatica
Holograph piano-vocal score in pencil; [4] p.
Laid in: typed lyric sheet; [1] p.
{see also [M.S. 12] in MISCELLANEOUS SKETCHES}
17/10 You've got the best of me
Holograph piano-vocal score in pencil; [3] p.
Laid in: typed lyric sheet; [1] p.
"Too Many Girls" (1939; film 1940) lyrics by Lorenz Hart
B/F Contents
17/11 'Cause we got cake
Holograph piano-vocal score in pencil; [4] p.
'Cause we got cake {see also [Sketches for "Ghost
Town"]}
17/12 Give it back to the Indians
Holograph piano-vocal score in pencil; [4] p.
17/13 I didn't know what time it was
Holograph piano-vocal score in pencil; [4] p.
Laid in: typed lyric sheet, notes in pencil
on back; [1] p.
17/14 I like to recognize the tune
Holograph piano-vocal score in pencil; [4] p.
17/15 Look out!
Holograph piano-vocal score in pencil; [4] p.
17/16 Love never went to college
Holograph piano-vocal score in pencil; [3] p.
Laid in: typed lyric sheet; [1] p.
17/17 [My Prince]
What a prince!
Holograph piano-vocal score in pencil; 7 p.
Laid in: typed and photocopy of lyric sheet;
[1] p. each
17/18 Opening act one
Holograph piano-vocal score in pencil; [5] p.
Laid in: typed lyric sheet; 3 p.
17/19 Pottawatomie
Holograph piano-vocal score in pencil; [3] p.
On back: instrumentation notes
Laid in: typed lyric sheet; [1] p.
17/20 She could shake the maracas
Holograph piano-vocal score in pencil; [4] p.
17/21 Spic and Spanish
Holograph piano-vocal score in pencil; [4] p.
Laid in: typed lyric sheet; [1] p.
Spic and Spanish: insert #1
Holograph piano score/condensed score in pencil;
2 p.
On inside page: ms. sketch in colored pencils
for "Insert #2"
Note: both inserts are subheaded "Interlude
#2"
17/22 The sweethearts of the team
Holograph piano-vocal score in pencil; [4] p.
Laid in: typed lyric sheet; [1] p.
17/23 Tempt me not!
Holograph piano-vocal score in pencil; [3] p.
On back: notes and sketch fragments in pencil
17/24 Too many girls
Holograph piano-vocal score in pencil; [4] p.
Laid in: typed lyric sheet; [2] p.
17/25 You're nearer
Holograph piano-vocal score in pencil; [4] p.
Laid in: typed lyric sheet; [1] p.
Note: for the film version (1940)
17/26 [Sketches for "Too Many Girls"]
Holograph sketches in pencil; [11] p.
Includes:
p. [1]: "Too many girls," "[The]
sweethearts of the team"
p. [2]: "Prayer" (may be song cut from
"Hollywood Party")
p. [3]: "Verse [Give it back to the]
Indians"
p. [4]: "[I like to] recognize the
tune," "Goodbye Mr. Tafe
[sic.]," "[Give it back to the]
Indians"
p. [5]: "Pottawatomie," "['Cause we got
cake]: Verse Cake-walk"
p. [6]: "Middle," "Spic and Spanish"
p. [7]: "Verse Love [Never went] to
college," "Opening [act one]"
p. [8]: "[My] Prince: patter [and]
verse"
p. [9]: "Go east," "Stay home with a
book"
p. [10]: "['Cause we got cake]: Cake
walk," "[Opening act one]:
Hunted stag"
p. [11]: "Paso doble"
Holograph sketches in pencil; [3] p.
Includes:
p. [1]: "[I didn't know what time it
was]"
p. [2]: "Bad news"
p. [3]: "Hymn," "a verse"
"Two by Two" (1970) lyrics by Martin Charnin
B/F Contents
As far as I'm concerned {see The brother department
and [Lyric sheets for "Two by Two"]}
17/27 The brother department
Holograph piano-vocal score in pencil; [3] p.
Note: this song was cut from the show, but
the music was used in "As far as I'm
concerned"
Laid in: typed lyric sheets (2), annotations
in pencil; 2 p. each
17/28 The covenant
Holograph sketch in pencil, with lyric; [4] p.
Typed lyric; [1] p.
17/29 Ev'rything that's gonna be has been
Holograph piano-vocal score in pencil; [3] p.
Laid in: typed lyric sheet; [2] p.
Note: same music as "Poppa isn't Poppa
anymore"
Typed lyric sheet; [1] p.
Note: different version than above
17/30 Forty nights
Holograph piano-vocal score in pencil; 4 p.
Typed lyric sheets (2), annotation in pencil on
one; [1] p. each
17/31 Getting married [to a person]
Holograph piano-vocal score in pencil; [2] p.
Note: this music was later used with a new
lyric by Martin Charnin in "Mama always
makes it better" from "I Remember Mama"
Typed lyric sheet; [1] p.
The gitka's song {see ["Two by Two" sketchbook]}
17/32 The golden ram
Holograph lead sheet in pencil; [1] p.
Laid in:
-- ms. lyric sheet in ink (on back of
part of typed script); 3 p.
-- typed lyric sheet; [1] p.
Typed lyric sheet; 2 p.
Note: slightly different version than above
Ms. lead sheet, no lyric; [1] p.
17/33 Hey, girlie
Holograph piano-vocal score in pencil; [4] p.
Holograph lead sheet in pencil, no lyric; [1] p.
At bottom: "(I Do Not Know a Day) Over"
Typed lyric sheets (2); [1] p. each
17/34 I can't complain
Holograph lead sheet in pencil; [1] p.
Typed lyric sheet; [1] p.
17/35 I do not know a day I did not love you: ["I can't
remember when"]
Holograph piano-vocal score in pencil; [3] p.
Laid in: typed lyric sheet (crossed out)
titled "I can't remember when"; [1] p.
I do not know a day
Holograph lead sheet in pencil, no lyric; [1] p.
At bottom: "(Hey, Girlie) Over"
I do not know a day I did not love you: "Love song"
Typed lyric sheet; [1] p.
17/36 Ninety again
Holograph lead sheet in pencil, no lyric; 2 p.
Typed lyric sheet; 2 p.
17/37 An old man
Holograph lead sheet in pencil, no lyric; [1] p.
Typed lyric sheet; [1] p.
17/38 Poppa isn't Poppa anymore, or, Everything that's gonna be
has been
Holograph lead sheet in pencil, no lyric; [1] p.
Laid in: typed lyric sheet; 2 p.
{see also "Ev'rything that's gonna be has been"}
17/39 Poppa knows best
Holograph lead sheet in pencil; [1] p.
Typed lyric sheet; 2 p.
17/40 Put him away!
Holograph piano-vocal score in pencil; [2] p.
Typed lyric sheet; 3 p.
17/41 Something doesn't happen
Holograph piano-vocal score in pencil; 3 p.
Holograph lead sheet in pencil; [1] p.
Typed lyric sheets (2), annotations on one in
pencil; [1] p. each
17/42 [Something, somewhere]
Something that you like
Holograph piano-vocal score in pencil; [4] p.
Holograph lead sheet in pencil, no lyric; [1] p.
Laid in: typed lyric sheet with crossed out
title changed to "Something, somewhere,"
annotations in pencil; [1] p.
Something, somewhere
Typed lyric sheet; [2] p.
17/43 Two by two
Holograph piano-vocal score in pencil; [2] p.
Holograph lead sheet in pencil; [1] p.
Holograph rhythmic sketch in pencil, with lyric;
[1] p.
Laid in: typed lyric sheet; 3 p. (incomplete)
Typed lyric sheet; 7 p.
When it dries {see [Sketches for "Two by Two"] and
[Lyric sheets for "Two by Two"]}
18/1 Why me?
Holograph lead sheet in pencil; [2] p.
At end: holograph sketch material in pencil
Laid in: 16 measure holograph sketch in
pencil, with lyric
Typed lyric sheet; 2 p.
18/2 Without my money
Holograph lead sheet in pencil, no lyric; [1] p.
On back: 9 measures of sketch material in
pencil (crossed out)
Typed lyric sheet; [1] p.
18/3 You: "Who"
Holograph sketch in pencil; [1] p.
Typed lyric sheet; [1] p.
18/4 You couldn't please me more
Holograph lead sheet in pencil, no lyric; [1] p.
Note: part of lyric later used in "You could
not please me more" from "I Remember Mama"
Typed lyric sheet; [1] p.
18/5 You have got to have a rudder on the ark
Holograph piano-vocal score in pencil; 4 p.
Laid in: typed lyric sheets (2); 2 p. each
18/6 ["Two by Two" sketchbook]
Holograph sketches in pencil, some with lyrics;
[22] p.
Includes:
The brother department
Forty nights
[The Gitka's song]: Gitka
The golden ram
Hey, girlie
I can't complain
I do not know a day [I did not love you]
Ninety again
An old man
Poppa isn't Poppa anymore
Put him away
[Saturday] night (located on p. [3];
perhaps for "Saturday Night Around
the World")
Something doesn't happen
[Something, somewhere]: Something that
you like"
Strength is my weakness (located on
p. [2]; from "Androcles and the
Lion")
Two by two"
When it dries
Without my money
You couldn't please me more
[You have got to have a] rudder on [the]
ark
[Unidentified]
18/7 [Lyric sheets for "Two by Two"]
Typed lyric sheets; [5] p. total
Includes:
As far as I'm concerned
When it dries
18/8 [Song listings with notes]
Typed listings of used and unused lyrics of songs,
annotations in pencil; [2] p.
18/9 [Playbill]
Playbill for Imperial Theatre, November 1970
"Up Stage and Down" (1919) amateur musical comedy, lyrics by
Richard Rodgers
B/F Contents
18/10 Prism, plums and prunes
Copyist's ms. piano-vocal score in ink; [2] p.
Lyrics by Benj. M. Kaye
"The Valiant Years" (1960) television film
B/F Contents
18/11 The American rifle
Holograph condensed score in pencil; [2] p.
18/12 The church; Winston depressed
Holograph piano scores in pencil; [2] p.
18/13 Churchill is determined
Holograph condensed score in pencil; [1] p.
18/14 Deep sea
Holograph condensed score in pencil; [2] p.
18/15 England at play
Holograph condensed score in pencil; [2] p.
18/16 Factories -- mechanique
Holograph condensed score in pencil; [2] p.
18/17 Flute and Chopin
Holograph piano score in pencil; [1] p.
18/18 France gay
Holograph condensed score in pencil; [2] p.
18/19 German band
Holograph condensed score in pencil; [2] p.
18/20 German unison
Holograph piano score in pencil; [1] p.
18/21 The home guard
Holograph lead sheet in pencil; [1] p.
18/22 A hymn, sort of
Holograph piano score in pencil; [1] p.
18/23 Jolly Churchill
Holograph condensed score in pencil; 2 p.
On back: 3 measure sketch of ending (crossed
out)
18/24 Luftwaffe
Holograph piano score in pencil; [1] p.
18/25 Majestic England
Holograph piano score in pencil; [1] p.
18/26 Mare nostram
Holograph condensed score in pencil; [3] p.
18/27 Mosquito fleet
Holograph piano score in pencil; [1] p.
18/28 Pastoral
Holograph condensed score in pencil; [2] p.
18/29 La patrie
Holograph piano score in pencil; [1] p.
18/30 Return from Dunkirk
Holograph piano score in pencil; [1] p.
18/31 Sea killer
Holograph condensed score in pencil; [2] p.
18/32 Ski troops
Holograph condensed score in pencil; [3] p.
18/33 Title; Winston is back in office; Winston is back
Holograph piano score/condensed score in pencil,
some words; [3] p.
18/34 Triumph
Holograph piano score in pencil; [1] p.
Winston depressed {see The church}
Winston is back {see Title}
Winston is back in office {see Title}
18/35 [Sketches for "The Valiant Years"]
Holograph sketches in pencil; [4] p.
Includes:
The American rifle: "Machine gun"
England at play
Factories -- mechanique
France [gay]
Pastoral
Winston depressed
"Victory at Sea" (1952) television film
B/F Contents
18/36 [Beneath the southern cross]
Tango
Holograph condensed score sketch in pencil; [2] p.
On p. [3]: crossed out sketch material in
pencil
Laid in: [2] p. of holograph sketch material
in pencil, [1] p. identified as "Tango"
Tango part II
Holograph condensed score in pencil; [2] p.
Note: this music became "No other love" from
"Me and Juliet"
18/37 Building up theme: mustering of forces
Holograph condensed score in pencil; [2] p.
{see also "Guadalcanal march"}
18/38 Carriers: on board of a carrier
Holograph short score sketch in pencil; 2 p.
Death and debris {see Song of the high seas}
18/39 Fiddle and geetar
Holograph piano score in ink; [1] p.
18/40 From Naples to Rome
Holograph piano score in pencil; [1] p.
18/41 [Guadalcanal march]
A march
Holograph lead sheet in ink & pencil, no lyric;
[2] p.
[Guadalcanal march]: 1st [verse?] of Guadalcanal march
Holograph sketch in pencil; [2] p.
Laid in: 4 measure holograph sketch in pencil
of second theme
Note: holograph sketch in pencil on p. [1]
for "Building up theme"
18/42 [Hymn of victory]
Victory hymn
Holograph piano score in pencil; [2] p.
18/43 Landing
Holograph condensed score in pencil; 2 p.
On front: holograph sketch material for
"Pearl #4"
On back: unrelated crossed out material
(transpositions of simple melody)
18/44 [Song of the high seas]
The song of the sea
Holograph condensed score in pencil; 3 p.
Note: includes "Rough sea," "[Death and
debris]: Discouragement," and
"[Submarines in a calm sea]: Still sea"
On back: sketch material headed "Wir fahren
gegen England"
Submarines in a calm sea {see Song of the high seas}
18/45 [The sunny Pacific Islands]
Pleasant theme: Hawai[i]an mood
Holograph condensed score in pencil; [2] p.
"Winkle Town" (1922) unproduced musical
B/F Contents
I want a man {see "America's Sweetheart"}
I want a man {see [M.S. 1] in MISCELLANEOUS SKETCHES}
18/46 Comfort me
Holograph piano-vocal score in pencil, no lyric;
[4] p.
18/47 One a day
Holograph piano-vocal score in pencil, no lyric;
[4] p.
Lyric by Lorenz Hart
18/48 Since I remember you
Holograph piano-vocal score in pencil, no lyric;
[4] p.
At end: "Light love song"
18/49 You're too wonderful for me!
Holograph piano-vocal score in pencil, no lyric;
[4] p.
{see also [M.S. 1] in MISCELLANEOUS SKETCHES}
"You'll Never Know" (1921) amateur musical comedy, lyrics by
Lorenz Hart
B/F Contents
18/50 I'm broke: duet
Holograph piano-vocal score in ink, lyric in
pencil; 3 p.
Note: some instrumentation written in
18/51 Jumping Jack!
Holograph piano-vocal score in pencil; 4 p.
Note: some instrumentation written in
18/52 Just a little lie: dance chorus
Holograph piano-vocal score in pencil, lyric in
ink; 4 p.
Note: some instrumentation written in
18/53 Mr. Director: dance quartet
Holograph piano-vocal score in pencil; 4 p.
Note: some instrumentation written in
18/54 Virtue wins the day: opening
Holograph piano-vocal score in pencil; 7 p.
On back: instrumentation notes
When I go on the stage {see [Sketches for "One Dam
Thing After Another"]}
FULL SCORES
"Allegro" (1947) lyrics by Oscar Hammerstein II
B/F Contents
22/1 Allegro ballet: #41
Arranger's holograph (Robert Russell Bennett) full
score in ink & pencil; 82 p.
New end Allegro
Arranger's holograph (Bennett) full score in ink;
[11] p. (a-k)
22/2 Allegro (vocal): #40(a)
Arranger's holograph (Bennett) full score in ink;
p. 1-6, 13-14
New "Allegro": #40
Arranger's holograph (Bennett) full score in ink;
38 p.
On folder: "Finale act 2"
22/3 Annabelle solo: #12
Arranger's holograph (Bennett) full score in ink &
pencil; 30 p.
22/4 Children's dance: #5
Arranger's holograph (Bennett) full score in ink &
pencil; 59 p.
On p. 52: "Children's ballet"
22/5 Come home
Arranger's holograph (Bennett) full score in ink;
18 p.
Verse -- Come home
Arranger's holograph (Bennett) full score in ink;
4 p.
22/6 [A darn nice campus]
End of college dance; Darn nice campus
Arranger's holograph (Bennett) full score in ink &
pencil; 39 p.
23/1 Dream sequence: #11
Arranger's holograph (Bennett) full score in ink;
21 p.
23/2 Entr'acte
Arranger's holograph (Bennett) full score in ink;
27 p.
23/3 A fellow needs a girl
Arranger's holograph (Bennett) full score in ink &
pencil; 17 p.
23/4 Finale act I
Arranger's holograph (Bennett) full score in ink &
pencil; 54 p. + [1] p. laid in
23/5 Finale ultimo
Arranger's holograph (Bennett) full score in ink;
9 p.
23/6 Freshman get-together: #10
Arranger's holograph (Bennett) full score in ink;
11 p.
23/7 The gentleman is a dope
Arranger's holograph (Bennett) full score in ink &
pencil; 26 p.
23/8 I know it can happen again
Arranger's holograph (Bennett) full score in ink;
6 p.
Intro: I know it can happen again
Arranger's holograph (Bennett) full score in ink;
[1] p.
On folder: "#2," "#3" and "Pudgy Legs
(parts)"
23/9 [It may be a good idea]
It may be a good idea for Joe
Arranger's holograph (Bennett) full score in ink;
16 p.
23/10 Money isn't ev'rything
Arranger's holograph (Bennett) full score in ink &
pencil; 84 p.
Includes: "Money utility," and "Money dance"
Laid in: ozalid piano-vocal score; 9 p.
24/1 One foot, other foot
Arranger's holograph (Bennett) full score in ink;
21 p. + p. 19a-19b
24/2 Opening
Arranger's holograph (Bennett) full score in ink;
36 p.
24/3 Opening act II
Arranger's holograph (Bennett) full score in ink &
pencil; 12 p. + p. a-b
24/4 Overture
Arranger's holograph (Bennett) full score in ink &
pencil; 50 p. + [3] p. laid in
Includes: "Change to college"
24/5 Poor Joe
Arranger's holograph (Bennett) full score in ink;
2 p.
24/6 Rotunda
Arranger's holograph (Bennett) full score in ink;
[39] p. (numbered variously 1-42)
On folder: "#17"
24/7 So far
Arranger's holograph (Bennett) full score in ink;
18 p. + [1] p., crossed out, for "So far 1st
ending"
24/8 What a lovely day for a wedding
Arranger's holograph (Bennett) full score in ink &
pencil; 33 p.
Intro. to Lovely day
Arranger's holograph (Bennett) full score in ink
and pencil; p. a-c -#30-: 25
Arranger's holograph (Bennett) full score in ink;
5 p.
Note: no obvious relation to above
24/9 Wildcats
Arranger's holograph (Bennett) full score in ink;
1 p.
The wildcats are on a rampage: utility
Ms. full score in ink; 9 p.
25/1 Winters go by
Arranger's holograph (Bennett) full score in ink;
5 p.
25/2 [Yatata, yatata, yatata]
Yatata
Arranger's holograph (Bennett) full score in ink &
pencil; 33 p. + p. a-c
Note: p. 28-30 were cut and replaced by
p. a-c
25/3 You are never away
Arranger's holograph (Bennett) full score in ink &
pencil; 26 p.
Never away encore
Arranger's holograph (Bennett) full score in ink &
pencil; 27 p.
Reprise Never away: act II
Arranger's holograph (Bennett) full score in ink;
5 p.
25/4 [Miscellaneous full scores I]
Arranger's holograph (Bennett) and unidentified ms.
full scores in ink
Includes:
Grandmother's death: #5-a
Diploma: #8
After diploma: #8(a)
Change to college: #9a [photocopy]
[Change of scene]: #15
Vamp to Jennie reads letter; Jennie reads
letter: #15-a
So far: utility: #20
You are never away: utility: #21
25/5 [Miscellaneous full scores II]
Arranger's holograph (Bennett) and unidentified ms.
full scores in ink, and (2) ms. trumpet parts in
ink
Includes:
[Change after Never away]: no. 23a [3rd
trumpet part]
That's all, brother: #35
Note: 3rd trumpet part laid in
Joe goes to Chicago: #36
Chaser: [exit music]: [#45]
The gentleman is a dope: utility
25/6 [Miscellaneous cut music]
Arranger's holograph (Bennett) and unidentified ms.
full scores in ink
Includes:
Change into Wedding
Change to cocktail
Note: 3rd trumpet part for "Change
to Yatata" laid in
A fellow needs a girl: utility
Hangover
Marjorie's death: #24
[Rotunda]: Beginning Rotunda
Sitting on the porch [in the
moonlight]/utility
[Sitting on the porch in the moonlight]:
End of 2d Porch
[Sitting on the porch ....]: Into 2d
Porch
Miscellaneous (4 scores, [1] p. each)
Note: titles include "End of Allegro,"
and "Children's dance"
[Unidentified]
"Carousel" (1945) lyrics by Oscar Hammerstein II
B/F Contents
26/1 Ballet: act II: #27
Arranger's holograph (Don Walker) full score in ink
& pencil; 90 p. + inserts (p. 33a, 85a), lacking p.
27
Includes (#'s 1-9): "Nativity," "Louise's
dance," "Children's scene," "Snow
family," "Youngest Snow," "Carnival,"
"Seduction," "Mother and daughter,"
"Children's party"
Note: Tenor II part in pencil attached to the
inside of the accompanying folder
26/2 Blow high, blow low
Arranger's holograph (Don Walker) full score in ink
& pencil; 24 p.
26/3 The carousel waltz
Printed full score; 56 p.
Arrangement by Don Walker
26/4 Entr'acte
Ms. full score in ink; 38 p.
26/5 Finale act I
Ms. score for reeds and brass (p. a-c) and ms. full
score (p. 3-8), in pencil; [9] p.
Finale act I: new
Ms. full score in pencil; 2 p.
Note: not used in show
26/6 Geraniums [in the winder]: [act II]
Arranger's holograph (Don Walker) full score in ink
& pencil; 17 p.
Includes: "There's nothin' so bad for a
woman"
Note laid in: "Incomplete! Last 20 bars
missing"
26/7 The highest judge of all: [act II]
Ms. full score in ink; 21 p.
26/8 Hornpipe:[act I]: #14
Arranger's holograph (Don Walker) full score in
ink; 43 p. + p. a
Note: p. a, in short score form, is titled
"Hornpipe vamp"
If I loved you {see You're a queer one, Julie Jordon}
27/1 June is bustin' out all over
Arranger's holograph (Hans Spialek) full score in
ink; 31 p. + p. a (title page)
27/2 [Mister Snow]
Julie and Carrie: Mister Snow
Arrangers' holograph (Bennett; Don Walker) full
score in ink; p. 1-16, 1-13
Includes: "You're a queer one, Julie Jordan"
When I marry Mr. Snow: chorus
Arranger's holograph (Bennett) full score in ink;
p. 17-35 + [5] p. (variously paginated)
Note enclosed: "Out! Does not match orch
parts."
27/3 Mr. Snow reprise: [act I]
Ms. full score in ink & pencils; 18 p.
27/4 Opening act I scene II
Arranger's holograph (Hans Spialek) full score in
ink; 6 p.
27/5 Opening act II: "A real nice clambake"
Arranger's holograph (Don Walker) full score in
ink; [1] p.
27/6 Opening scene III act II
Ms. full score (incomplete) in ink; p. 2-3
Note: not used in show
27/7 [A real nice clambake]
Clambake
Ms. full score in ink; 47 p.
Clambake specialty
Arranger's holograph (Hans Spialek) full score in
ink; 40 p.
Note: not used in show
Stonecutters cut it on stone = There's nothin' so bad for
a woman
27/8 Storm scene: [act I]
Arranger's holograph (Hans Spialek) full score in
ink; 19 p.
At top: "-Come Be- Billy Mounts"
Laid in: ms. conductor's score in ink; 4 p.
On folder: "Out/Finale Act I (Old)"
There's nothin' so bad for a woman {see Geraniums in
the winder}
28/1 [What's the use of wond'rin']
What's the use of wondering: [act II]
Arranger's holograph (Don Walker) and unidentified
ms. (p. 18) full score in ink & pencil; p. 1-10,
13-18
Attached to t.p.: "Does not match orch.
parts."
Note: not used in show
What's the use of wond'rin': reprise
Arranger's holograph (Hans Spialek) full score in
ink; 11 p.
Wondering change: act II: #21
Unidentified ms. (p. 1-6) and arranger's holograph
(Don Walker, p. 18-20) full score in ink; [9] p.
28/2 When the children are asleep: [act I]
Arranger's holograph (Hans Spialek) full score in
ink; 47 p.
Includes: "Encore"
28/3 You'll never walk alone; Finale tag
Ms. full score in ink & pencil; p. 5-18 + p. 7
Note laid in: "#24/Last 20 bars missing"
Also: empty folder included
28/4 [You're a queer one, Julie Jordon]
Scene -- "Billy and Julie"; If I loved you
Arrangers' holograph (Don Walker; Hans Spialek
[inserts]) full score in ink & pencils; 34 p. +
inserts ([9] p.)
Billy -- Julie tag: [act I]
Ms. full score in ink & pencil; 6 p.
You're a queer one, Julie Jordon {see also Mister Snow}
28/5 [Miscellaneous full scores]
Ms. (Don Walker) short score and unidentified ms.
full score in ink
Includes:
My little girl incidental: [act II]: #28
Opening graduation scene: [June is
busting]: [act II]
28/6 [Miscellaneous unused music]
Arranger's holograph (Hans Spialek) and
unidentified ms. full scores
Includes:
Back to earth: [act II]
Laid in: conductor's score in ink;
2 p.
Bill and Julie: interlude #1
Bill and Julie: interlude #2
Note laid in: "This is `If I loved
you' p. 40 in vocal
score/Incomplete!"
Bill change
Death scene
Note: combines "Bill and Julie"
interludes I & II
From "Judge" to "Walk alone"
Note: "Record Version"
"Flower Drum Song" (1958) lyrics by Oscar Hammerstein II
B/F Contents
Ballet {see Ta's dream}
29/1 Chop suey
Arranger's holograph (Joe Glover) full score in
ink; 17 p.
Chop suey encore
Arranger's holograph (Joe Glover) full score in
ink; 9 p.
29/2 Don't marry me
Arranger's holograph (Bennett) full score in ink &
pencil; 22 p.
Encore -- Don't marry
Arranger's holograph (Bennett) full score in ink;
2 p.
29/3 Entr'acte: act II
Arranger's holograph (Bennett) full score in ink;
18 p.
29/4 [Fan Tan Fannie]
Intro: Fan Tan Fanny
Arranger's holograph (Bennett) full score in ink;
2 p.
Fan Tan Fanny: opening scene 7
Arranger's holograph (Bennett) full score in ink &
pencil; 8 p.
29/5 Finale act two
Arranger's holograph (Bennett) full score in ink;
3 p.
Finale ultimo II
Arranger's holograph (Joe Glover) full score in ink
& orange pencil; 3 p.
29/6 [Gliding through my memoree]
Memoree; New ending (Grant Ave.)
Arranger's holograph (Joe Glover) full score in ink
& orange & blue pencil; 22 p.
29/7 Grant Avenue
Arranger's holograph (Bennett) full score in ink;
15 p. + p. 8a-8b, 15«
Note: not used in show
Arranger's holograph (Luther Henderson) full score
in pencil; 16 p.
Note: not used in show
Grant Ave: insert
Arranger's holograph (Joe Glover) full score in
ink; 5 p.
Note: not used in show
Grant Ave: exit
Arranger's holograph (Bennett) full score in
pencil; [3] p.
Note: part of assortment labelled "Outtakes"
Grant Avenue for Anita
Arranger's holograph (Bennett) full score in ink;
[1] p.
29/8 Grant Avenue IV
Arrangers' holograph (Bennett; Joe Glover) full
score in ink pencil; [33] p. (various paginations)
29/9 Grant Avenue: new new
Arrangers' holograph (Joe Glover, p. 1-10; Bennett,
p. 26-31) full score in ink & red pencil; [16] p.
Note: part of assortment labelled "Outtakes"
29/10 A hundred million miracles
Arranger's holograph (Bennett) full score in ink &
pencil; 29 p. + 2nd p. 14 + [1] p. ending
Miracles encore
Arranger's holograph (Bennett) full score in ink;
9 p.
30/1 I am going to like it here
Arranger's holograph (Bennett) full score in ink;
13 p. + 2nd p. [1]
30/2 I enjoy being a girl
Arranger's holograph (Bennett) full score in ink;
23 p.
Encore: I enjoy being a girl
Arranger's holograph (Bennett) full score in ink;
19 p.
New 2nd refrain: Being a girl
Arranger's holograph (Bennett) full score in ink;
6 p.
30/3 Like a god: verse; Like a god
Arranger's holograph (Bennett) full scores in ink;
3 p.; 10 p.
2nd refrain and encore
Arranger's holograph (Bennett) full score in ink;
13 p.
30/4 [Love, look away]
New intro: Love, look away
Arranger's holograph (Bennett) full score in ink;
1 p.
Love, look away: verse & chorus
Arranger's holograph (Bennett) full score in ink;
[10] p.
Note: "out" is inscribed at the beginning and
end of verse section Reprise: Love, look away
Arranger's holograph (Bennett) full score in ink;
6 p. + [1] p. ending Replacing 1st ten bars:
Reprise -- Love, look away
Arranger's holograph (Bennett) full score in ink;
2 p.
30/5 My best love
Arranger's holograph (Bennett) full score in ink;
15 p.
On folder: "Not used!"
Best love E[-flat]: new; End of rep. My best love
Arranger's holograph (Bennett) full score in ink &
pencil; 8 p.; 2 p.
On folder: "Not used!"
My best love reprise
Arranger's holograph (Joe Glover) full score in ink
& pencil; 7 p.
On t.p.: "Out!"
30/6 Opening act one
Arranger's holograph (Bennett) full score in ink;
2 p.
30/7 Opening act two
Arranger's holograph (Bennett) full score in ink;
7 p.
30/8 The other generation
Arranger's holograph (Joe Glover) full score in
ink; 12 p.
On folder: "Reprise: The other generation"
Other generation -- dance
Arranger's holograph (Bennett) full score in ink;
13 p.
Other gen. reprise
Arranger's holograph (Joe Glover) full score in
ink; 7 p. + [5] p. insert
30/9 Overture
Arranger's holograph (Bennett) full score in ink;
26 p. + 10 p. insert
She is beautiful {see You are beautiful}
31/1 Sunday: Khyber -- Suzuki; New Sunday dance; 2nd refrain
Sunday
Arranger's holograph (Bennett) full scores in ink;
10 p.; 17 p. + [1] p. insert + p. 11-15; 6 p.
Sunday: [B-flat]
Arranger's holograph (Bennett) full score in ink &
pencils; 11 p.
Note: part of assortment labelled "Outtakes"
Sunday dance: [act II]
Arranger's holograph (Bennett) full score in ink &
pencil; 12 p. + [3] p. (inserts)
Note: includes insert titled "Suzy's Sunday"
31/2 [Ta's dream]
Opening Ta's dream: #16
Arranger's holograph (Bennett) full score in ink;
6 p.
Ta's dream: [ballet]
Arranger's holograph (Bennett) full score in ink &
pencil; 36 p.
Laid in: note which reads "Print New End Ta's
Dream"
New end Ta's dream
Arranger's holograph (Bennett) full score in ink;
3 p.
Coda: Ta's dream; Night with Helen: end of coda Ta's
dream
Arranger's holograph (Bennett) full score in ink; 3
p.; 2 p.
31/3 [You are beautiful]
She is the girl, or, You are beautiful
Arranger's holograph (Bennett) full score in ink;
15 p.
Reprise: She is beautiful
Arranger's holograph (Bennett) full score in ink;
6 p.
Act I reprise: Beautiful
Arranger's holograph (Bennett) full score in ink;
5 p.
Act II reprise: Beautiful
Arranger's holograph (Bennett) full score in ink;
14 p.
31/4 [Miscellaneous full scores I]
Arrangers' holograph (Bennett; Joe Glover) full
scores in ink
Includes:
Hundred million utilities: #2
Bridge 1-1: Bridge to scene 2: #2-(a)
End of scene 2: #4
Bridge after "Girl": Bridge to scene 3:
#4(a)
Back beating: #5
Bridge 1-3: #6a
Bridge to scene 5: #7(a)
31/5 [Miscellaneous full scores II]
Arrangers' holograph (Bennett; Joe Glover) full
scores in ink & pencil
Includes:
Like a god utility: 7a
Jazz bit: #9
Bridge 1-5: #11-a
Bridge after 17: scene 2 act II: #17-a
Sunday utility: #20
Procession: #23
Wedding cross: Procession: #23
31/6 [Miscellaneous unused music]
Arrangers' holograph (Bennett; Joe Glover) full
scores in ink
Includes:
Best love utility
Bridge to scene 3
Replacing last two bars Chaser
[You are beautiful]: She is the utility
"The King and I" (1951) lyrics by Oscar Hammerstein II
B/F Contents
32/1 Entr'acte
Arranger's holograph (Bennett) full score in ink;
11 p.
32/2 Finale act I
Arranger's holograph (Bennett) full score in ink &
pencil; 3 p.
32/3 Getting to know you
Arranger's holograph (Bennett) full score in ink;
12 p.
School room dance: #15-a
Arranger's holograph (Bennett) full score in ink;
14 p.
Note: laid in between p. 12 & 13 of "Getting
to know you"
32/4 Hello, young lovers
Arranger's holograph (Bennett) full score in ink &
blue pencil; 13 p.
32/5 I have dreamed
Arranger's holograph (Bennett) full score in ink &
pencil; 9 p.
Intro. I have dreamed
Arranger's holograph full score in ink; [1] p.
32/6 I whistle [a happy tune]
Arranger's holograph (Bennett) full score in ink &
pencil; 13 p. + p. 10a, 10b
32/7 [March of the royal Siamese children]
Children's march
Arranger's holograph (Bennett) full score in ink;
17 p. + p. 17/a
Postlude Children's march
Arranger's holograph (Bennett) full score in ink &
pencil; 5 p.
Parade: 44
Arranger's holograph (Bennett) and unidentified ms.
full score in ink; p. 1-7, 16-19
32/8 [My lord and master]
Lord and master
Arranger's holograph (Bennett) full score in ink;
7 p. + [1] p. insert
Note: reduced negative photostat of the above
enclosed
Lord and master: melos act two
Arranger's holograph (Bennett) full score in ink;
1 p.
32/9 Overture
Arranger's holograph (Bennett) full score in ink;
[36] p. (variously paginated)
Note: includes section titled "Dreamed in
overture"
32/10 [A] puzzlement
Arranger's holograph (Bennett) full score in ink; 28 p.
Boy's puzzlement: 18, 18a
Ms. and arranger's holograph (Bennett) full score
in ink; [19] p. (variously paginated)
33/1 [The Royal Bangkok Academy]
School song
Arranger's holograph (Bennett) full score in ink;
3 p.
33/2 [Shall I tell you what I think of you?]
Intro -- bedroom
Arranger's holograph (Bennett) full score in ink;
2 p.
Anna's bedroom, or, Shall I tell you what I think of you
Arranger's holograph (Bennett) full score in ink &
pencil; 26 p.
33/3 Shall we dance?
Arranger's holograph (Don Walker) full score in
ink; 14 p.
Note: p. 14, in Bennett's hand is titled
"Polka E-flat strain"
Shall we dance: march 1
Arranger's holograph (Bennett) full score in ink;
8 p.
Shall we dance at H
Arranger's holograph (Bennett) full score in ink;
[9] p.
Note: the last 2 pages are titled "Chaser"
Shall we dance (album)
Arranger's holograph (Bennett) full score in ink;
1 p.
Shall we -- encore bar 6
Arranger's holograph (Bennett) full score in ink;
p. a-b
33/4 [The small house of Uncle Thomas ballet]
Uncle Tom: ballet
Arranger's holograph (Bennett) full score in ink
and pencils; 79 p.
Postlude of ballet
Arranger's holograph (Hans Spialek) full score in
ink; 7 p.
33/5 Something wonderful
Arranger's holograph (Bennett) and unidentified ms.
full score in ink; p. 1-6, 3-12
Note laid in: "Last 12 bars missing"
Arranger's holograph (Bennett) full score in ink
and pencil; 8 p.
Wonderful coda: change of scene
Arranger's holograph (Bennett) full score in ink;
3 p.
33/6 [We kiss in a shadow]
Scene and We kiss
Arranger's holograph (Bennett) full score in ink;
16 p.
We kiss -- 2nd refrain: encore: #17
Arranger's holograph (Bennett) full score; 10 p.
33/7 Western people funny
Arranger's holograph (Bennett) full score in ink;
11 p.
33/8 [Miscellaneous full scores]
Arrangers' holograph (Bennett; Hans Spialek; Don
Walker) full scores in ink
Includes:
Arrival at Bangkok: no. 2
Vignettes & dance: 6 [Don Walker score]
So big a world: 16
After reprise [Something] wonderful: 22
Anna and King planning party: 24
Fireworks: 25
Varsovienne: Dance of Anna & Sir Edward:
30
Curtain raiser: act II
Evil eye: exit of wives
"Oklahoma!" (1943) lyrics by Oscar Hammerstein II
B/F Contents
34/1 All er nothin'
Arranger's holograph (Bennett) full score in ink &
pencil; 49 p.
On t.p.: "Out"
34/2 Entr'acte
Arranger's holograph (Bennett) full score in ink,
photocopy and pencil ms. inserts; 9 p. + inserts (7
p. & [2] p.)
Note: 7 p. insert is "Many a new day
(Utility)"
34/3 [The farmer and the cowman]
Opening act II
Arranger's holograph (Bennett) full score in ink &
pencils; [63] p. (variously paginated)
Note: includes "Dance"
34/4 [Finale ultimo]
Ms. full score in pencil (p. 1-8) and arranger's
holograph (Bennett) full score in ink & pencils
(p. 6-14); [17] p.
34/5 [I cain't say no]
Cain't say no -- intro.
Arranger's holograph (Bennett) full score in ink;
2 p.
I can't say no
Arranger's holograph (Bennett) full score in ink &
pencils; 24 p.
Laid in: note and photocopy regarding encore
of "I cain't say no"
1st reprise Can't say no
Arranger's holograph (Bennett) full score in ink &
pencil; p. 1-4, 1-2
Note: includes "New bridge in reprise `Can't
say no'"
[I cain't say no]
Arranger's holograph (Bennett) full score in ink;
p. 5-7, 9
Note: probably cut section; originally part
of "1st reprise"
2nd reprise Can't say no
Arranger's holograph (Bennett) full score in ink;
p. 1-8 (incomplete)
34/6 [It's a scandal! It's a outrage!]
Scandal for jaybirds; Scandal exit
Arranger's holograph (Bennett) full score in ink &
pencils and ms. full score in pencil; 35 p.
35/1 Kansas City
Arranger's holograph (Bennett) and unidentified ms.
full score in ink and pencils; [28] p. (variously
paginated)
Kansas City dance
Arranger's holograph (Bennett) full score in ink &
pencils; 36 p.
35/2 Kansas City
Arranger's holograph (Bennett) full score in ink &
pencil; [1] p.
Kansas City -- orch. chos.
Arranger's holograph (Bennett) full score in ink;
p. 1-7, 22-30
Kansas City -- intro.
Arranger's holograph (Bennett) full score in ink;
5 p.
Coda -- K.C.
Arranger's holograph (Bennett) full score in ink;
[1] p.
Kansas City: boys chorus
Ms. (Robert Russell Bennett) choral score in ink;
2 p.
35/3 - 4 [Laurey makes up her mind ballet]
Opening act II; End of act I; New end act I
Arranger's holograph (Bennett) and unidentified ms.
full scores in ink & pencils; [146] p. (variously
paginated); 12 p.; 2 p.
Note: folder 14/3 includes p. 1-69; folder
14/4 includes p. 70-148 and endings
35/5 [Lonely room]
Lonely little room
Arranger's holograph (Bennett) full score in ink &
pencils; 13 p.
36/1 Many a new day -- intro.
Arranger's holograph (Bennett) full score in ink;
3 p.
Many a new day
Arranger's holograph (Bennett) full score in ink &
green pencil; 22 p.
Many a new day dance
Ms. full score in pencil; p. 1-7, 9-31
Note: measure numbers continuous with "Many a
new day" above
Many a new day -- last 2 bars -- replacing last bar
Arranger's holograph (Bennett) full score in ink;
[1] p.
36/2 Many a new day dance
Arranger's holograph (Bennett) full score in ink &
pencil; 30 p.
Last 2 bars into Many a new day dance
Arranger's holograph (Bennett) full score in
pencil; [1] p.
Many a new day: last 2 bars into 2d refrain
Arranger's holograph (Bennett) full score in
pencil; [1] p.
36/3 [Oh, what a beautiful mornin']
Beautiful morning: -Opening act one-
Arranger's holograph (Bennett) full score in ink &
green pencil; p. 1-22, 24-32
36/4 Oklahoma
Arranger's holograph (Bennett) and unidentified ms.
full score in ink & pencils; [54] p. (various
paginations)
Includes: "Oklahoma bridge," and "Oklahoma
(2d vocal)" and empty folder for "Encore --
`Oklahoma'"
Opening act II {see The farmer and the cowman}
36/5 Out of my dreams
Arranger's holograph (Bennett) full score in ink;
[1] p. (title page)
Out of my dreams -- intro.
Arranger's holograph (Bennett) full score in ink;
5 p.
Intro: Out of my dreams
Arranger's holograph (Bennett) full score in ink;
p. 2 only
Intro. to Out of my dreams
Arranger's holograph (Bennett) full score in ink;
3 p. (incomplete)
Out of my dreams {see also Laurey makes up her mind
ballet}
36/6 Overture
Arranger's holograph (Bennett) full score in ink &
green pencil; 58 p.
37/1 People will say [we're in love]
Arranger's holograph (Bennett) and unidentified ms.
full score in ink & pencils; 28 p.
Reprise "People will say"
Arranger's holograph (Bennett) full score in ink &
green pencil; 12 p.
37/2 Pore Jud is daid
Arranger's holograph (Bennett) full score in ink &
green pencil; 15 p.
37/3 [The surrey with the fringe on top]
Surrey -- intro.
Arranger's holograph (Bennett) full score in ink;
3 p.
On t.p.: "Not in Show"
The surrey
Arranger's holograph (Bennett) full score in ink &
green pencil; 40 p.
Surrey -- reprise: #5
Ms. full score in pencil; 4 p.
37/4 [Miscellaneous full scores I]
Arranger's holog. (Bennett) & unident. ms. full
scores in ink & pencil
Includes:
Farmer dance: 13a
[Laurey makes up her mind]: New bridge to
Ballet
Laurey's entrance: #2
Many a new day (utility): #16 [score &
photocopy]
[Oh, what a beautiful morning]: Morning
bridge
Note: "Not used!"
[Oh, what a beautiful morning]
Note: not used in show
Out of my dreams (utility)
37/5 [Miscellaneous full scores II]
Arranger's holograph (Bennett) and unidentified ms.
full scores in ink & pencil
Includes:
People will say (utility): #13
[People will say we're in love]: Out
march
Scene change: #21
[The surrey with the fringe on top]:
Verse (orch. solo) Surrey
On t.p.: "Not in show"
Surrey (utility)
37/6 [Full score fragments -- unused]
Arranger's holograph (Bennett) full scores
(incomplete) in ink
Includes:
[All er nothin']
[It's a scandal! It's a outrage!]
[People will say we're in love]
"Pipe Dream" (1955) lyrics by Oscar Hammerstein II
B/F Contents
38/1 All at once [you love her]
Arranger's holograph (Bennett) full score in ink;
32 p.
Includes: "New end act I" (p. 23-32)
[All at once you love her]
Arranger's holograph (Bennett) full score in ink;
p. 23-29, 35-49
Attached note: "These pages "not used""
38/2 [All at once you love her]
Verse "All at once"; All Helen's reprise
Arrangers' holograph (Bennett; Joe Glover) full
score in ink; 3 p.; 9 p.
All at once (utility)
Arranger's holograph (Bennett) full score in ink &
pencil; 11 p.
On folder: "Reprise: `All at once'" and "Not
used!"
38/3 All kinds of people
Arranger's holograph (Bennett) full score in ink &
pencil; 28 p. + 4 p. insert
38/4 [All kinds of people]
People reprise I
Arranger's holograph (Joe Glover) full score in
ink; 7 p.
People reprise II
Arranger's holograph (Joe Glover) full score in
ink; 3 p.
On t.p.: "Not used!"
People reprise #2
Arranger's holograph (Joe Glover) full score in
ink; p. 4-8
38/5 Bum's opera; New B.O.
Arranger's holograph (Bennett) full scores in ink;
24 p.; 4 p.
Part of #7 Bums opera
Arranger's holograph (Bennett) full score in ink;
p. 25-45, 45a
On p. 25: "Out!"
38/6 Bums opera (utility): reprise: #9
Ms. full score in ink; 11 p.
Bums' new ending: Fauna's song: #8
Arranger's holograph (Bennett) full score in ink;
19 p.
38/7 Entr'acte
Arranger's holograph (Bennett) full score in ink;
29 p.
Temp entr'acte
Arranger's holograph (Bennett) full score in ink;
6 p.
38/8 Everybody's got a home [but me]
Arranger's holograph (Bennett) full score in ink &
pencil; p. 1-22, 28-50
Everybody's got a home: utility
Ms. full score in ink; 8 p.
Note: not used in show
39/1 Finale
Arranger's holograph (Bennett) full score in ink;
9 p.
On t.p.: "Pipe Dream Album" and "Not used! in
show"
39/2 Finale ultimo
Arranger's holograph (Bennett) full score in ink;
16 p.
New finale ultimo
Arranger's holograph (Bennett) full score in ink;
15 p.
39/3 Fractured fugue: dance fugue: #22-a
Arranger's holograph (Bennett) full score in ink;
16 p.
39/4 The happiest house [on the block]
Arranger's holograph (Bennett) full score in ink;
19 p.
39/5 How long?
Arranger's holograph (Bennett) full score in ink;
47 p.
39/6 I am a witch
Arranger's holograph (Hans Spialek) full score in
ink; 18 p.
On cover: "We are a gang of witches"
39/7 [A] lopsided bus
Arranger's holograph (Bennett) and unidentified ms.
full score in ink; 66 p. + [19] p. insert (numbered
variously 1-38)
39/8 [A lopsided bus]
Bus reprise: #10
Arranger's holograph (Bennett) full score in ink;
[17] p. (numbered variously 1-19)
39/9 The man I used to be
Arrangers' holograph (Joe Glover; Bennett [insert])
full score in ink & pencil; 23 p. + 2 p. insert
Note: insert titled "Doc's essence"
Man "incidental"
Arranger's holograph (Joe Glover) full score in
ink; 6 p.
On t.p.: "Not used!"
39/10 [Masquerade brawl at the flophouse]
Entrance 2 party: masquerade brawl
Ms. full score in ink; 20 p.
40/1 [The next time it happens]
Next time
Arranger's holograph (Bennett) full score in ink;
43 p.
Next time (part II)
Ms. full score in ink; 13 p.
Note on p. 1: "Dr. Sirmay had this section
reconstructed from parts because it was
missing from the Rodgers Hammerstein
office/L.S."
Next time curtain
Arranger's holograph (Bennett) full score in ink;
3 p.
On cover: "Not used"
40/2 The next time it happens
Arranger's holograph (Hans Spialek) full score in
ink; 54 p.
On t.p.: "Not used!"
40/3 Opening
Arranger's holograph (Bennett) full score in ink;
12 p.
40/4 Opening act II
Arranger's holograph (Joe Glover) full score in
ink; 3 p.
On folder: "Not used!"
40/5 Overture
Arranger's holograph (Bennett) full score in ink &
pencils; 46 p.
40/6 [Overture]
Temporary overture
Arranger's holograph (Joe Glover) full score in
ink; 7 p.
On t.p.: "Out!"
[Temporary overture]
Ms. (Bennett) piano score in ink; [1] p.
40/7 The party [gets going]
Ms. full score in ink & pencils; [64] p. (numbered
variously 1-103)
40/8 [The party that we're gonna have tomorrow night]
Pick-up to party
Arranger's holograph (Joe Glover) full score in
ink; [1] p.
The party that we're going to have tomorrow night
Arranger's holograph (Joe Glover) full score in
ink; 17 p.
40/9 [The party that we're gonna have tomorrow night]
Party dance
Arranger's holograph (Joe Glover) full score in
ink; 19 p.
Party reprise
Arranger's holograph (Joe Glover) full score in
ink; 5 p.
Party utility
Arranger's holograph (Joe Glover) full score in
ink; 6 p.
On folder: "Change of scene. #20-b"
41/1 [Suzy is a good thing]
Suzy
Arranger's holograph (Bennett) full score in ink;
38 p.
Suzy is a good thing
Arranger's holograph (Don Walker) full score in
pencil & ink; 25 p.
On t.p.: "Not used!"
41/2 Sweet Thursday
Arranger's holograph (Bennett) full score in ink &
pencil; 30 p. + [2] p. (codas)
Thursday rep[rise]
Arranger's holograph (Joe Glover) full score in
ink; 13 p.
Sweet Thursday: utility
Ms. full score in ink & pencil; 12 p.
41/3 Thinkin'
Arranger's holograph (Bennett) full score in ink;
44 p.
41/4 [The] tide pool
Arranger's holograph (Bennett) full score in ink;
27 p.
41/5 Will you marry me
Ms. full score in ink; 17 p.
Will you marry me (E[-flat])
Ms. full score in ink; 5 p.
Doc's marry me
Arranger's holograph (Bennett) full score in ink;
5 p.
41/6 [Miscellaneous full scores]
Arranger's holograph (Bennett) full scores in ink
Includes:
Act two curtain: #18
Party at 214 October 24th: [incidental
dance]: [#22b]
How long bridge: #29
Cross over with bat: [incidental]: #32
Chaser: exit music: #34
Doc & Suzy in Pipe
Doc's soliloquy
Fauna's letter
Hazel and Ball Bat
[Bridges and Intros]
Bridge to "Babaloo"
Bridge to "Catch a fish"
Intro. "[The] man [I used to be]"
Intro. All at once
Intro. "Next time"
Next time bridge
41/7 [Outtakes]
Arranger's holograph (Bennett) full scores
(incomplete) in ink and ms. cello part in ink, not
used in show
Includes: "The party that we're gonna have
tomorrow night," You can't catch a fish," and
unidentified
"The Sound Of Music" (1959) lyrics by Oscar Hammerstein II
B/F Contents
42/1 Climb every mountain
Arranger's holograph (Bennett) full score in ink;
12 p.
42/2 The concert
Arranger's holograph (Bennett) full score in ink;
p. [5]-13
42/3 Do-re-mi
Arranger's holograph (Bennett) full score in ink;
18 p.
Do-re-mi encore
Arranger's holograph (Bennett) full score in ink;
21 p.
[Reprise: Do-re-mi]: new bridge at 17
Arranger's holograph (Bennett) full score in ink;
p. 3-4
42/4 Edelweiss
Arranger's holograph (Bennett) full score in ink;
10 p.
42/5 Entr'acte: -Opening act II-
Arranger's holograph (Bennett) full score in ink;
p. 1-13, a-e
42/6 Finale ultimo: Climb ev'ry mountain
Arranger's holograph (Bennett) full score in ink &
pencil; p. 3-8
42/7 How can love survive
Arranger's holograph (Bennett) full score in ink &
pencil; [27] p.
42/8 The lonely goatherd
Arranger's holograph (Bennett) full score in ink;
24 p.
42/9 Maria
Arranger's holograph (Bennett) full score in ink;
26 p.
42/10 My favorite things
Arranger's holograph (Bennett) full score in ink &
pencils; 22 p. + p. 1a, 20a
The scene continues: My favorite things
Arranger's holograph (Bennett) and unidentified ms.
(p. 6-8) full score in ink & pencil; 13 p.
Reprise: My favorite things
Arranger's holograph (Bennett) full score in ink;
7 p.
42/11 No way to stop it
Arranger's holograph (Bennett) full score in ink;
29 p.
42/12 Opening act II: Lonely Goatherd
Arranger's holograph (Bennett) full score in ink;
6 p.
43/1 An ordinary couple
Arranger's holograph (Bennett) full score in ink;
20 p.
Arranger's holograph (Bennett) full score in ink &
pencil; 14 p. + [1] p. insert
On t.p.: "Verse: Not used!"
43/2 Sixteen going on seventeen
Arranger's holograph (Bennett) full score in ink;
31 p. (including unused pages)
For tawkin musheens; Understudy coda
Arranger's holograph (Bennett) full score in ink &
pencil; [3] p.
Note: not used in show; laid in with above
score
Reprise: Sixteen
Arranger's holograph (Bennett) full score in ink;
9 p.
43/3 So long, farewell
Arranger's holograph (Bennett) full score in ink &
pencil; 17 p.
Reprise: So long, farewell
Arranger's holograph (Bennett) full score in ink;
p. 18
43/4 The sound of music: -Intro. Sound of music-
Arranger's holograph (Bennett) full score in ink;
15 p.
Reprise: The sound of music
Arranger's holograph (Bennett) full score in ink &
pencils; 7 p.
The scene continues
Arranger's holograph (Bennett) full score in ink;
[11] p. (various paginations)
43/5 [Miscellaneous full scores I]
Arranger's holograph (Bennett) full scores in ink &
pencil
Includes:
Nature music: #1 bridge to #2
Note: not used in show
Interlude: after "The sound of music":
no. 3
The scene continues: after "Maria": no. 5
The scene continues: -Vesper bells-:
no. 8
Change of scene: -Bridge to scene 6-:
no. 10
Sixteen-seventeen utility: -12-
Change of scene: after "16 going on 17":
no. 12
Bridge to scene 7: #12
Note: not used in show
43/6 [Miscellaneous full scores II]
Arranger's holograph (Bennett) full scores in ink &
pencil
Includes:
Gretl's crossover: Lonely goatherd: #15a
Change of scene: The lonely goatherd: no.
15b
Survive exit: #17
On t.p.: "Not used!"
The party crossover: My favorite things:
no. 20
The party: #21
Fox trot incidental: The party: #23
43/7 [Miscellaneous full scores III]
Arranger's holograph (Bennett) full scores in ink &
pencil
Includes:
Maria's farewell: end of scene: no. 25
Incidental: "-Do re mi underplay-":
no. 27
Ordinary couple utility: [Change of
scene]: #35 & #39
Wedding preparations I: The postulants'
crossover: no. 36
Confitemini: #37a & #37b
Change of scene: no. 41a
Change of scene: no. 44a
Chaser: replacing endings (bar 33): #47
Chaser Do re mi: 48a
43/8 [Miscellaneous incomplete full scores]
Arranger's holograph (Bennett) incomplete full
scores (3) in ink
Includes:
-- continuation of "The scene continues"
(p. 6-9; {see "My favorite things")}
-- ending of "The lonely goatherd"
(p. 15)
-- continuation of "Ordinary couple
utility" (p. 3-8; {see
[Miscellaneous full scores III]})
"South Pacific" (1949) lyrics by Oscar Hammerstein II
B/F Contents
44/1 Bali Ha'i: #15
Arranger's holograph (Bennett) full score in ink;
32 p.
Joe's Bali Ha'i: #16
Arranger's holograph (Bennett) full score in ink;
6 p.
Girls reprise Bali Ha'i: #27
Arranger's holograph (Bennett) full score in ink;
11 p.
44/2 Bloody Mary
Arranger's holograph (Bennett) full score in ink;
23 p.
44/3 Canary yellow
Arranger's holograph (Bennett) full score in ink;
9 p.
Canary yellow reprise
Arranger's holograph (Bennett) full score in ink;
7 p.
44/4 [A] cockeyed optimist
Arranger's holograph (Bennett) full score in ink;
19 p.
Note: note laid in
44/5 [The] company street: scene 4 [&] 6
Arranger's holograph (Bennett) full score in ink &
pencil; 5 p.
44/6 [Dites-moi]
Opening
Arranger's holograph (Bennett) full score in ink;
10 p.
44/7 Do I have a chance: (Unspoken thoughts): #7
Arrangers' holograph (Bennett; unidentified) full
score in ink & pencil; p. 1-4, 3
44/8 Entr'acte
Arranger's holograph (Bennett) full score in ink &
pencil; 20 p.
44/9 Finale act I
Arranger's holograph (Bennett) full score in ink;
14 p.
44/10 [Finale ultimo]
Emile returns
Arranger's holograph (Bennett) full score in ink;
7 p.
44/11 Happy talk
Arranger's holograph (Bennett) full score in ink &
pencil; 37 p. + [5] unused pages
44/12 Honey Bun (& encore)
Arranger's holograph (Bennett) full score in ink;
32 p.
[Honey Bun reprise]: 2-11-33: incidental
Arranger's holograph (Bennett) full score in ink;
9 p.
44/13 [I'm gonna wash that man right outa my hair]
Wash that man
Arranger's holograph (Bennett) full score in ink &
pencil; 30 p. + p. 25a, 26a
44/14 Opening act II
Arranger's holograph (Bennett) full score in ink &
pencil; 14 p.
On folder: "Amateur dance"
44/15 Operation alligator: #46
Arranger's holograph (Bennett) full score in ink;
6 p.
45/1 Overture to "South Pacific"
Arranger's holograph (Bennett) full score in ink;
41 p. + 2nd p. 8
45/2 There is nothing like a dame
Arranger's holograph (Bennett) and unidentified ms.
(p. 12-17, 27-31) full score in ink; 63 p. + [3
replaced pages]
45/3 This is how it feels
Arranger's holograph (Bennett) full score in ink;
6 p.
45/4 This nearly was mine
Arranger's holograph (Bennett) full score in ink;
13 p.
45/5 Twin soliloquies
Arranger's holograph (Bennett) full score in ink;
10 p.
45/6 [A wonderful guy]
New intro. to Wonderful guy; New Wonderful guy (from 12)
Arranger's holograph (Bennett) full score in ink &
pencil; [14] p. (variously paginated)
Wonderful guy
Ozalid of ms. full score; 31 p.
On t.p.: "Reconstructed score 8/10/61"
Encore: Wonderful guy
Arranger's holograph (Bennett) full score in ink;
5 p.
Guy Viennese: #29
Arranger's holograph (Bennett) full score in ink &
pencil; [10] p.
Note: last page is an insert, the back of
which reads "Out!"
45/7 [Younger than Springtime]
Scene: Joe and Liatt: (Younger than Springtime)
Arranger's holograph (Bennett) and unidentified ms.
([1] p. insert) full score in ink & pencil; 29 p. +
[1] p. insert
No. 29 from 9th bar of D-(28): reprise
Arranger's holograph (Bennett) full score in ink;
[6] p.
45/8 [You've got to be] carefully taught
Arranger's holograph (Hans Spialek) full score in
ink; 7 p.
45/9 [Miscellaneous full scores I]
Arranger's holograph (Bennett) full scores in ink;
ms. 2-piano score in pencil; printed piano-vocal
score
Includes:
What were you running away from?: #5
Mary and Lootellan: #14
Into scene 9: #26
2-2-6 cue: entrance of Liat: #35
After Happy talk: incidental: #37
[You've got to be] carefully taught:
no. 39 [2-piano score]
You've got to be carefully taught
(continued): no. 39a [piano-vocal
score]
After Emile's solo: [This nearly was
mine]: #42
Now is the time utility: #43
45/10 [Miscellaneous full scores II]
Arranger's holograph (Bennett) full scores in ink
Includes:
Waves: communication established: #44
What -- what -- goodbye!: communication
discontinued: #45
Chaser: #49
Note: last 2 pages titled
"Alligator bridge"
Canary bridge to heart
Card music: incidental to Twin soliloquy
SERIES II -- NON-SHOW MUSIC
B/F Contents
19/1 Aida
Holograph piano-vocal score in pencil; [4] p.
On t.p.: "Institute of Musical Arts"
19/2 All points west!
Holograph piano-vocal score in pencil; 28 p.
Photocopy of copyist's ms. piano-vocal score;
p. 27-28
19/3 The bombardier song
Holograph piano-vocal score in pencil; [4] p.
Note: written for the U.S. Air Force;
published May 14, 1942
19/4 Cette heure
Holograph piano score in pencil; [2] p.
Clementine {see My Clementine}
19/5 Dear friend
Holograph piano-vocal score in pencil; [3] p.
Lyric by Oscar Hammerstein II
Note: written for the 5th War Loan Drive,
1944
Holograph sketch in pencil; [1] p.
Note: sketches for "State Fair," "The weather
changed," and unidentified included on p. [1]-
[3]
19/6 Down on the Bahamas
Holograph piano-vocal score in pencil, no lyric;
[2] p.
At top: "Lynn Carter"
On the Bahamas
Holograph piano-vocal score in ink; [4] p.
19/7 The Dresden Sonata
Holograph piano score in pencil; [2] p.
19/8 The Dutch Treat Club
Holograph piano-vocal score in pencil; [4] p.
Lyric by Oscar Hammerstein II
19/9 Fair is fair
Holograph piano-vocal score in pencil; [4] p.
Lyric by Richard Rodgers
Laid in: holograph sketch and lyric sketch in
pencil; [3] p.
Note: official song for the World's Fair
1964-1965
{see also I have confidence in "The Sound of
Music"}
19/10 Father of the man
Holograph lead sheet in pencil, no lyric; [1] p.
Laid in: holograph lyric sheet in pencil;
[1] p.
Typed lyric sheet, dated 1971; [1] p.
Note laid in: "First lyrics written by RR --
September 17th, 1960"
19/11 Flow on river
Holograph piano-vocal score (unfinished) in pencil,
no lyric; [4] p.
Lyric by Lorenz Hart
19/12 Good bad woman
Holograph lead sheet in ink, no lyric; [1] p.
19/13 Good provider
Holograph piano-vocal score in pencil, no lyric;
[4] p.
19/14 Gypsy dance
Holograph piano score in pencil; [3] p.
19/15 Happy Christmas, little friend
Holograph piano-vocal score in pencil; [6] p.
Laid in: typed lyric sheet; [1] p.
Note: written for "Life Magazine," 12/29/52;
includes a waltz version of the refrain
[Happy] xmas [little friend]
Holograph sketch in pencil; [1] p.
Laid in: additional page of sketch material
for refrain and verse
19/16 He was the last rose of summer
Holograph piano-vocal score in pencil, no lyric;
[4] p.
Lyric by Lorenz Hart
On t.p.: "Lillian M[ortar]
19/17 Here comes the lion
Holograph piano-vocal score in pencil; 4 p.
Note: Entry in Columbia Univ. football song
contest; originally found with "You'll Never
Know" materials
19/18 In the heart of a motorman
Holograph lead sheet in ink, no lyric; [1] p.
19/19 The land where the camp songs go
Ms. piano-vocal score in pencil, typed lyric;
[3] p.
Music by Jerome Kern; words by Herbert Fields
19/20 Let me walk!
Holograph piano-vocal score in pencil, no lyric;
[4] p.
Lyric by Lorenz Hart
On t.p.: "Lillian M[ortar]
19/21 A lonely traveling man
Holograph lead sheet in ink, no lyric; [1] p.
19/22 Manny
Holograph sketch in pencil; [1] p.
Typed lyric sheets (2); [1] p. each
19/23 The melting pot
Holograph piano-vocal score in ink; [4] p.
Ms. piano-vocal score in pencil, typed lyric;
[3] p.
19/24 Melville
Holograph condensed score in pencil; 4 p.
19/25 Mom
Holograph sketch in pencil; [2] p.
19/26 Music in you
Holograph lead sheet/sketch in ink/pencil; [2] p.
Typed lyric sheet, annotations in pencil; 2 p.
19/27 My Clementine!
Holograph piano-vocal score in ink; [3] p.
Lyric by Herbert Fields
Laid in: typed lyric sheet, dated 7/17/23;
[1] p.
Clementine
Holograph piano-vocal score in pencil, no lyric;
[3] p.
19/28 My hobby
Holograph lead sheet in ink, no lyric; [1] p.
19/29 My idiot's delight
Holograph piano-vocal score in pencil; [3] p.
Lyric by Lorenz Hart
19/30 My tent in Paradox
Holograph piano-vocal score in ink; [3] p.
{see also [Camp Paradox materials] in
MISCELLANEOUS}
19/31 Nothing at all
Holograph sketch/lead sheet in pencil; [1] p.
On the Bahamas {see Down on the Bahamas}
19/32 Opening theme
Holograph piano score in pencil; [1] p.
19/33 The P.T. boat song, or, Steady as you go
Holograph piano-vocal score in pencil; [4] p.
Lyric by Oscar Hammerstein II
Note: written at the request of the U.S.
Navy, 1943
Steady as you go
Typed lyric sheet; [1] p.
19/34 Paradox victory song/chant
Holograph piano-vocal score in ink; [2] p.
19/35 Rock
Holograph sketch in pencil; [2] p.
19/36 Shakespeare of 1922
Holograph piano score/sketch in pencil; [4] p.
Lyric by Lorenz Hart and Morrie Ryskind
Note: "Shakespeare of 1921" written for
Georgie Price
19/37 Shorty, the gunner
Holograph piano-vocal score in pencil; [4] p.
Lyric by Lorenz Hart
Laid in: photocopy of lyric sheet; [1] p.
Note: written at the request of the U.S. Air
Force
Shorty
Holograph lead sheet in ink, annotations in pencil;
[1] p.
Laid in: typed lyric sheets (3), pencil
annotations on one; [1] p.
Steady as you go {see The P.T. boat song}
19/38 Tiki-pu: also, "Baby's lullaby"
Holograph piano-vocal score in pencil, no lyric;
[2] p.
19/39 Try
Holograph piano-vocal score in pencil, no lyric;
[3] p.
19/40 We want you to feel at home
Holograph piano-vocal score in ink, no lyric;
[3] p.
19/41 We're on our way: infantry song
Holograph piano-vocal score in pencil; [4] p.
Note: written by request of the U.S. Army,
1943
{see also [Sketches for "State Fair"]}
19/42 Willow pattern
Holograph piano score/sketch in pencil, some lyric;
8 p.
19/43 Wiowani, Josi-Mosi, and Mee Mee themes; Opening act II --
curtain
Holograph piano score in pencil; [3] p.
Note: also includes "Olangtsi" theme
19/44 [Unidentified]
Holograph piano score in pencil; p. 5-6
Holograph piano score in pencil; 2 p.
At top: "Song -- not for any show," and
"March 1962"
SERIES III -- MISCELLANEOUS SKETCHES
B/F Contents
20/1 [M.S. 1]
Holograph sketches in ink; [3] p.
Includes:
#2: "[You're too wonderful for me]"
(from
"Winkle Town", 1922)
#3: "[I want a man]" (intended for
"Winkle
Town" but used in "America's
Sweetheart", 1931)
20/2 [M.S. 2]
Holograph sketches in pencil in small sketchbook
with ship drawn on front; [22] p.
Includes:
p. [1]: "[You took advantage of me]"
(from "Present Arms", 1928)
p. [2,3]: "[Tell it to the Marines]"
(from "Present Arms", 1928)
p. [4]: "[Do I hear you saying,] I love
you[?]" (from "Present Arms",
1928)
p. [5]: "Verse [You took advantage of
me]" (from "Present Arms",
1928), "[Is it the uniform?]"
(from "Present Arms", 1928)
p. [6]: "[I love you more than]
yesterday" (from "Lady
Fingers", 1929)
p. [7]: "[Is it the uniform?]" (from
"Present Arms", 1928), "Down by
the sea (verse)" (from "Present
Arms", 1928)
p. [8,9]: "[A kiss for] Cinderella" (from
"Present Arms", 1928)
p. [10]: "[I'm a fool, little one]"
(from "Present Arms", 1928),
"[Crazy elbows] blues" (from
"Present Arms", 1928)
p. [11]: "Crazy elbows" (from "Present
Arms", 1928)
p. [12,13]: "Finaletto (This rescue
is a terrible calamity!)"
(from ("Present Arms",
1928)
p. [13]: "Opening scene III act II"
p. [15]: "[Better be good to me]" (from
"Chee-Chee", 1928)
p. [16]: "[Sleep, weary head]" (from
"Chee Chee", 1928)
p. [17]: "[In a great big way]: Li Li
Wee solo" (from "Chee-Chee",
1928), "[Sleep, weary head]"
(from "Chee-Chee", 1928)
p. [18]: "[The color of her eyes]" (cut
from "Spring Is Here", 1929;
used in "Ever Green", 1930)
p. [20]: "[I must love you]" (from
"Chee- -Chee", 1928), "Verse
Better be good [to me]" (from
"Chee-Chee", 1928)
p. [21]: "[The Tartar song]: March f
minor" (from "Chee-Chee",
1928), "Cho[rus I must love
you]" (from "Chee-Chee", 1928)
p. [22]: "Moon of my delight" (from
"Chee-Chee", 1928)
20/3 [M.S. 3]
Holograph sketches in pencil and ink in "Academy
Manuscript Book"; [16] p.
Includes:
p. [1]: "[A] cup of tea" (from "Lido
Lady", 1926), "[A tiny flat
near Soho Square]" (from "Lido
Lady", 1926)
p. [2]: "Verse [You're on the] Lido
[now]" (from "Lido Lady",
1926), "[Lido Lady]" (from
"Lido Lady", 1926)
p. [3]: "[The beauty of another day]"
(from "Lido Lady", 1926)
p. [4]: "Verse Feature of show", "[My
heart stood still]" (early
version, first used in "One Dam
Thing After Another", 1927,
later used in "A Connecticut
Yankee", 1927)
p. [5]: "Verse [Ever-ready] Freddy"
(for "Lido Lady", 1926), "[Try
again tomorrow]" (from "Lido
Lady", 1926)
p. [6]: "Verse [Try again tomorrow]"
(from "Lido Lady", 1926)
p. [7]: "Morning is midnight" (cut from
"Lido Lady", 1926), "[My heart
is] Sheba [bound]" (from "Lido
Lady", 1926)
p. [8]: "[Two to eleven patter]:
Passing of time" (from "Lido
Lady", 1926), "Finale act I"
(for "Lido Lady", 1926)
p. [9]: "Chuck it!" (cut from "Lido
Lady", 1926; used in "Peggy-
Ann", 1926)
p. [10-11]: "Finale act II" (includes
"Here in my arms" on
lines 1-3 of p. [11];
from "Lido Lady", 1926),
"[Atlantic blues]" (from
"Lido Lady", 1926; later
used in "Present Arms",
1928, as "Blue ocean
blues")
p. [12]: "Venetian lady: verse" (may be
"Birds on high" from "Betsy",
1926), "[Try]" {see also NON-
SHOW MUSIC}
p. [13]: "[Try]" (2 lines at top; {see
also NON-SHOW MUSIC), "Hello!"
(section in G major has same
release as "Hello!" from
"Peggy-Ann", 1926)}
p. [14]: "[Sing]" (from "Betsy", 1926),
"If I were you: [Refrain &]
verse" (from "Betsy", 1926)
p. [15]: "[A little birdie told me so]"
(from "Peggy-Ann", 1926), "[The
Kitzel engagement]: Opening
Ziegfeld" (from "Betsy", 1926)
p. [16]: "[This goes up]" (from "She's
My Baby", 1928)
Laid in: typed notes re sketches, dated
9/2/80; 10 p. (small)
20/4 [M.S. 4]
Holograph sketches in pencil; [2] p.
Includes:
top of p. [1]: "[With a song in my
heart]" (from Spring Is Here, 1929)
[M.S. 5]
Holograph sketches in pencil; [2] p.
Includes:
p. [1]: "[You are so lovely and I'm so
lonely]" (sung in Something
Gay, 1935), "[As though you
were there]" (cut from Heads
Up!, 1929)
[M.S. 6]
Holograph sketches in pencil; [2] p.
Includes: "Now I believe" (became "Isn't it
romantic?" from Love Me Tonight, 1932),
"Hands" (probably cut from "America's
Sweetheart", 1931)
20/5 [M.S. 7]
Holograph sketches in pencil; [12] p.
Includes:
p. [1]: "[I'm a] queen [in my own
domain]" (cut from "Hollywood
Party",1934)
p. [2]: "Verse [Keep away from the]
moonlight" (cut from "Hollywood
Party", 1934)
p. [3]: "[That's the] r[h]ythm of the
day" (from "Dancing Lady",
1933)
p. [4]: "Verse Dancing lady" (from
"Dancing Lady", 1933), "Verse
Door is open," "[That's the]
r[h]ythm of the day" (from
"Dancing Lady", 1933)
p. [5]: "D[ancing] l[ady]" (from
"Dancing Lady", 1933) [partial
page]
p. [6]: "Tomorrow's Sunday"
p. [8]: "Verse Be a star"
p. [9]: "Reincarnation" (from
"Hollywood Party", 1934)
p. [10]: "Verse [That's the] r[h]ythm
[of the day" (from "Dancing
Lady", 1933), "H[ollywood]
P[arty]" (from "Hollywood
Party", 1934)
20/6 [M.S. 8]
Holograph sketches in pencil; [3] p.
Includes:
p. [1]: "Easy to remember" (from
"Mississippi", 1935)
p. [2]: "[Please] make me be good"
(from "Let's Have Fun", 1935),
"[I'll take a little of] you on
toast" (from "Let's Have Fun",
1935)
[M.S. 9]
Holograph sketches in pencil; [2] p.
Includes:
p. [1]: "When your love lets you down"
(became "There's a small hotel"
which was cut from "Jumbo",
1935, and used in "On Your
Toes", 1936)
p. [2]: "Slaughter on Tenth Avenue"
(from
"On Your Toes", 1936)
20/7 [M.S. 10]
Holograph sketches in pencil; [4] p.
Includes:
p. [1]: "The circus comes to town"
p. [2]: "Patter opening," "[Too good
for the] average man" (from "On
Your Toes", 1936)
p. [3]: "Verse [Glad to be] unhappy"
(from "On Your Toes", 1936),
"Opening," "Refrain"
p. [4]: "Verse Are you my love[?]"
(from "Dancing Pirate", 1936)
[M.S. 11]
Holograph sketches in pencil; [4] p.
Includes:
p. [1]: "Solitaire"
p. [2]: "Ballet," "Verse Who are you"
(from the film version of "The
Boys from Syracuse", 1940)
p. [4]: "Verse [A] barking baby [never
bites]" (from "Higher and
Higher", 1940), "[Disgustingly]
rich" (from "Higher and
Higher", 1940)
20/8 [M.S. 12]
Holograph sketches in pencil; [10] p.
Includes:
p. [1]: "Carretero"[sic](from "They Met
in Argentina", 1941), "Cowboy"
p. [2]: "Trio Ranchero," "Contrapunto"
(from "They Met in Argentina",
1941), "New end for `Best of
me'"
p. [3]: "Chaco"
p. [4]: "Plant you now, [dig you
later]" (from "Pal Joey",
1940), "Sung in a parlor,"
"[Maiden?] now"
p. [5]: "Tango"
p. [7]: "Show," "Bewitched, bothered
and bewildered" (from "Pal
Joey", 1940), "Alter[nate]
middle," "[Bewitched, bothered
and bewildered: verse]" (from
"Pal Joey", 1940)
p. [8]: "[Take him]" (from "Pal Joey",
1940), "Lullaby?"
p. [9]: "Ranchero," "Verse Simpatica"
(from "They Met in Argentina",
1941)
p. [10]: "On the track: verse" (from
"They Met in Argentina", 1941),
"N[orth] A[merica] meets
S[outh] A[merica]" (from "They
Met in Argentina", 1941)
20/9 [M.S. 13]
Holograph sketches in pencil; [2] p.
Includes:
p. [1]: "1st love dance," "When the
willow blooms," "Dressing the
girl"
p. [2]: "Festive dance"
[M.S. 14]
Holograph sketches in pencil; [2] p.
Includes:
p. [1]: "Go west," "Soldiers," "College
girls"
p. [2]: "Honeymoon," "Hurry"
20/10 [Unidentified sketches]
Holograph sketches in pencil; [13] leaves
20/11 [Unidentified lyric sketches]
Holograph lyric sketches in pencil & ink; [9] p.
SERIES IV -- PHOTOGRAPHS
B/F Contents
20/12 [Camp Paradox - 1920]
Photograph of "The Faculty/1920," black & white;
9 1/4" x 7"
{see also [Camp Paradox materials] in MISCELLANEOUS}
21/1 [ca. 1920-1947, 1953]
Photographs (10) in black & white; 8" x 10"
21/2 [1955-1965]
Photographs (8), 6 in black & white and 2 in color;
8" x 10"
21/3 [1976-1979, n.d.]
Photographs (9) in black & white; 8" x 10"
SERIES V -- MISCELLANEOUS
B/F Contents
21/4 [Camp Paradox materials]
"The Paradoxian," published at Camp Paradox, N.Y.,
some autographed; 7 issues (1918-1920, 1925)
"Camp Paradox 1914" (informational booklet)
{see also Paradox victory song/chant in NON-SHOW
MUSIC}
21/5 [Letters]
Carbon of typed letter (Eileen Minich to Harold
Glick, 5/17/65) re original Rodgers' mss. sent
to the Library of Congress
Carbon of typed letter (9/1/64) describing mss.
sent via letter above
21/6 [List re contents of Richard Rodgers Collection]
Typed lists (2); 18 p. each
21/7 [Memorabilia]
Invitation to Richard Rodgers exhibition at
Hallmark Gallery, N.Y., 9/19/72
Keepsake from the event honoring Richard Rodgers at
the Library of Congress, 6/4/80
Autographed guest list, 6/4/80
21/8 [65th birthday tribute to Richard Rodgers]
Press release re tribute to Rodgers, 6/28/67; 2 p.
Commemorative linen napkin of the song "Sweet
sixty-five" (from "I'd Rather Be Right", 1937)
Envelope (oversize)
APPENDIX
Song Titles
Aida / NON-SHOW MUSIC
All at once / "Babes in Arms"
All at once you love her / "Pipe Dream"
All dark people / "Babes in Arms"
All er nothin! / "Oklahoma!"
All I owe Ioway / "State Fair"
All kinds of people / "Pipe Dream"
All Points West! / NON-SHOW MUSIC
Allegro / "Allegro"
Allez-up! / "The Garrick Gaieties (1926)"
Amarillo / "They Met in Argentina"
American beauty rose / "The Garrick Gaieties (1926)"
The American rifle / "The Valiant Years"
Angel without wings / "I Married an Angel"
Animated objects / "I Married an Angel"
Anna's bedroom / "The King and I"
Anytime, anywhere, anyhow / "June Days"
April fool / "The Garrick Gaieties (1925)"
Arab friend / "Lawrence of Arabia"
Arab military / "Lawrence of Arabia"
Are you my love? / MISCELLANEOUS SKETCHES -- [M.S. 10]
As far as I'm concerned / "Two by Two"
As once I loved you / "Rex"
As though you were there / "Heads Up!"
Atlantic blues / "Lido Lady"
Away from home / "State Fair"
Away from you / "Rex"
The Baby you love / "Me and Juliet"
Baby's awake now / "Spring Is Here"
Back to nature / "The Garrick Gaieties (1926)"
Bad news / "Too Many Girls"
Bali ha'i / "South Pacific"
The Band of the ne'er-do-wells / "If I Were King"
Bargaining / "Do I Hear a Waltz?"
A barking baby never bites / "Higher and Higher"
Be my host / "No Strings"
The Beauty contest / "Ever Green"
The Beauty of another day / "Lido Lady"
Beauty sequence / "I'd Rather Be Right"
Because we're young / "Follow Thru"
Beneath the southern cross / "Victory at Sea"
Better be good to me / MISCELLANEOUS SKETCHES -- [M.S. 2]
Bewitched, bothered and bewildered / "Pal Joey"
The Big black giant / "Me and Juliet"
Big brother / "The Boys from Syracuse"
Birds on high / "Betsy"
Black diamond / "Hollywood Party"
Bloody Mary / "South Pacific"
Blow high, blow low / "Carousel"
Blue Monday / "Higher and Higher"
Blue ocean blues / MISCELLANEOUS SKETCHES -- [M.S. 3]
The Blue room / "The Girl Friend"
Bob-o-link / "Temple Bells"
The Bombardier song / NON-SHOW MUSIC
Boys and girls like you and me / "Oklahoma!"
Bright canary yellow / "South Pacific"
British military & music hall / "Lawrence of Arabia"
The Brother department / "Two by Two"
Bugle blow / "Betsy"
Building up theme / "Victory at Sea"
Bum's opera / "Pipe Dream"
Bumper found a grand / "Hallelujah, I'm a Bum"
Burning / "Hollywood Party"
But the days on a planet / "Allegro"
Bye and bye / "Dearest Enemy"
Can't you do a friend a favor / "A Connecticut Yankee"
Carefree careterro / "They Met in Argentina"
Careless rhapsody / "By Jupiter"
"Carousel" waltz / "Carousel"
Carriers / "Victory at Sea"
Cause we got cake / "Ghost Town"
Cause we got cake / "Too Many Girls"
Cette heure / NON-SHOW MUSIC
Charming, charming / "Peggy-Ann"
The Chase / "Rex"
Chicago / "Pal Joey"
Chop suey / "Flower Drum Song"
Christmas at Hampton Court / "Rex"
Chuck it! / "Peggy-Ann"
Chuck it! / "Lido Lady"
The Church / "The Valiant Years"
Churchill is determined / "The Valiant Years"
Cinderella / "Higher and Higher"
The Circus is on parade / "Jumbo"
The circus wedding / "Jumbo"
Clementine / NON-SHOW MUSIC
Clementine / NON-SHOW MUSIC
Climb ev'ry mountain / "The Sound of Music"
A cockeyed optimist / "South Pacific"
College Baby! / "Bad Habits of 1925"
The colour of her eyes / MISCELLANEOUS SKETCHES -- [M.S. 2]
The colour of her eyes / "Ever Green"
Come back to me / "I Picked a Daisy"
Come home / "Allegro"
Come to court / "Rex"
Come with me / "The Boys from Syracuse"
Comfort me / "Winkle Town"
Contrapunto / "They Met in Argentina"
Courtly etiquette / "If I Were King"
The covenant / "Two by Two"
Crazy elbows / MISCELLANEOUS SKETCHES -- [M.S. 2]
Creole crooning song / "The Girl Friend"
A cup of tea / "Lido Lady"
A cup of tea / "Spring Is Here"
Cutting the cane / "They Met in Argentina"
The damsel who done all the dirt / "The Girl Friend"
Dancing lady / MISCELLANEOUS SKETCHES -- [M.S. 7]
Dancing lady / "Hollywood Party"
Dancing on the ceiling / "Ever Green"
Dancing on the ceiling / "Simple Simon"
Danse grotesque . la nSgre / "One Dam Thing After Another"
The day Sven Gundersen died / "I Remember Mama"
Dear friend / NON-SHOW MUSIC
Dear Jane / "Rex"
Dear old Syracuse / "The Boys from Syracuse"
Death and debris / "Victory at Sea"
Deep sea / "The Valiant Years"
Den of iniquity / "Pal Joey"
Diavolo / "Jumbo"
Disgustingly rich / "Higher and Higher"
Dites-moi / "South Pacific"
Do I hear a waltz? / "Do I Hear a Waltz?"
Do I hear you saying, "I love you"? /
MISCELLANEOUS SKETCHES -- [M.S. 2]
Do I love you because you're beautiful? / "Cinderella"
Do it the hard way / "Pal Joey"
Do-re-mi / "The Sound of Music"
Doing a little clog dance / "Ever Green"
Don't be afraid of an animal / "Androcles and the Lion"
Don't come to court / "Rex"
Don't laugh at Trina / "I Remember Mama"
Don't marry me / "Flower Drum Song"
Don't tell your folks / "Simple Simon"
Down by the river / "Mississippi"
Down by the sea / MISCELLANEOUS SKETCHES -- [M.S. 2]
Down on the Bahamas / NON-SHOW MUSIC
The dresden Sonata / NON-SHOW MUSIC
Dummy march / "Betsy"
The Dutch Treat Club / NON-SHOW MUSIC
Eager beaver / "No Strings"
Easy come, easy go / "I Remember Mama"
Easy to remember / MISCELLANEOUS SKETCHES -- [M.S. 8]
Edelweiss / "The Sound of Music"
The election / "One Dam Thing After Another"
Elizabeth / "Rex"
The emperor's thumb / "Androcles and the Lion"
England at play / "The Valiant Years"
Eternal stars / "Rex"
Ev'ry day (comes something beautiful) / "I Remember Mama"
Ev'ry Sunday afternoon / "Higher and Higher"
Ev'rybody's got a home but me / "Pipe Dream"
Ev'rything that's gonna be has been / "Two by Two"
Ever-ready Freddy / "Lido Lady"
Everybody loves Leona / "Do I Hear a Waltz?"
Everybody loves you / "Fools for Scandal"
Everybody loves you / "I'd Rather Be Right"
Everything I've got / "By Jupiter"
Exercise / "Lido Lady"
Face the facts / "I Married an Angel"
Factories -- mechanique / "The Valiant Years"
Fair is fair / NON-SHOW MUSIC
Fair trade / "I Remember Mama"
Falling in love with love / "The Boys from Syracuse"
A fam'ly we will be / "I Remember Mama"
Fan tan fanny / "Flower Drum Song"
The farmer and the cowman / "Oklahoma!"
Father of the man / NON-SHOW MUSIC
The father of the bride / "Lawrence of Arabia"
A fellow needs a girl / "Allegro"
La femme a toujours vingt ans! / "Ever Green"
Ferrovius / "Androcles and the Lion"
Fiddle and geetar / "Victory at Sea"
The field of cloth of gold / "Rex"
Flow on river / NON-SHOW MUSIC
The flower garden of my heart / "Pal Joey"
Flute and Chopin / "The Valiant Years"
Fol-de-rol / "Cinderella"
Follow in our footsteps / "Androcles and the Lion"
Food for scandal / "Fools for Scandal"
Fool meets fool / "By Jupiter"
Forty nights / "Two by Two"
France gay / "The Valiant Years"
From afar / "Rex"
From another world / "Higher and Higher"
From Naples to Rome / "Victory at Sea"
The gateway of the Temple of Minerva / "By Jupiter"
Gavotte / "Cinderella"
The gentlemen is a dope / "Allegro"
Geraniums in the winder / "Carousel"
German band / "The Valiant Years"
German unison / "The Valiant Years"
Getting married to a person / "Two by Two"
Getting to know you / "South Pacific"
Getting to know you / "The King and I"
Giant calliope / "Jumbo"
Gigolo / "The Garrick Gaieties (1926)"
Gilding the guild / "The Garrick Gaieties (1925)
The girl friend / "The Girl Friend"
The girl I love to leave behind / "Stage Door Canteen"
The gitka's song / "Two by Two"
Give it back to the Indians / "Too Many Girls"
Give this little girl a hand / "Peggy-Ann"
Glad to be unhappy / "Jumbo"
Glad to be unhappy / MISCELLANEOUS SKETCHES -- [M.S. 10]
Gliding through my memoree / "Flower Drum Song"
Go east / "Too Many Girls"
The golden ram / "Two by Two"
Good bad woman / NON-SHOW MUSIC
Good fellow mine / "The Girl Friend"
Good idea for Joe / "Allegro"
Good provider / NON-SHOW MUSIC
Grandma / "Allegro"
Grant avenue / "Flower Drum Song"
A great big town / "Pal Joey"
The greeks have no word for it / "Higher and Higher"
The greeks have no word for it / "The Boys from Syracuse"
Guadalcanal march / "Victory at Sea"
Gypsy dance / NON-SHOW MUSIC /
The happiest house on the block / "Pipe Dream"
Happy Christmas, little friend / NON-SHOW MUSIC
Happy hunting horn / "Pal Joey"
Happy talk / "South Pacific"
Harlemania / "Ever Green"
Harmonia / "Ghost Town"
Have you met Miss Jones? / "I'd Rather Be Right"
He and she / "The Boys from Syracuse"
He had twins! / "The Boys from Syracuse"
He was the last rose of summer / NON-SHOW MUSIC
He was too good to me / "Simple Simon"
The heart us quicker than the eye / "On Your Toes"
Heigh-ho, lackaday / "Dearest Enemy"
Hello / MISCELLANEOUS SKETCHES -- [M.S. 3]
Hello, young lovers / "The King and I"
Henry Catherine scene / "Rex"
Here comes the lion / NON-SHOW MUSIC
Here we are again / "Do I Hear a Waltz?"
Here's a hand / "By Jupiter"
Hey, girlie / "Two by Two"
The highest judge of all / "Carousel"
His chances are not worth a penny / "I'd Rather Be Right"
Hollywood party / "Hollywood Party"
The home guard / "The Valiant Years"
A homogeneous cabinet / "I'd Rather Be Right"
Honey bun / "South Pacific"
Honeymoon ballet / "Hollywood Party"
How can love survive? / "The Sound of Music"
How can you forget? / "Fools for Scandal"
How do you bring up children? / "I Remember Mama"
How long? / "Pipe Dream"
How sad / "No Strings"
How to win friends and influence people / "I Married an Angel"
How's your health? / "Higher and Higher"
Howdy, Broadway / "Peggy-Ann"
Hum to / "The Girl Friend"
A hundred million miracles / "Flower Drum Song"
Hunting ballet / "Simple Simon"
Hunting scene / "Simple Simon"
Hunting song / "Simple Simon"
Hymn of victory / "Victory at Sea"
A hymn sort of / "The Valiant Years"
I am a witch / "Pipe Dream"
I am going to like it here / "Flower Drum Song"
I brought you a gift / "Rex"
I cain't say no / "Oklahoma!"
I can't complain / "Two by Two"
I could write a book / "Pal Joey"
I didn't know what time it was / "Too Many Girls"
I do not know a day I did not love you / "Two by Two"
I don't know how / "I Remember Mama"
I enjoy being a girl / "Flower Drum Song"
I have confidence / "The Sound of Music"
I have dreamed / "The King and I"
I have let the time run on / "Allegro"
I have loved and I've learned / "The Sound of Music"
I haven't got a worry in the world / "Happy Birthday"
I keep on singing / "Mississippi"
I know it can happen again / "Allegro"
I like to recognize the tune / "Too Many Girls"
I love you more than yesterday / "Lady Fingers"
I must love you / MISCELLANEOUS SKETCHES -- [M.S. 2]
I must love you / "Chee-Chee"
I remember Mama / "I Remember Mama"
I still believe in you / "She's My Baby"
I want a man / MISCELLANEOUS SKETCHES -- [M.S. 1]
I want a man / "America's Sweetheart"
I want a man / "Lido Lady"
I want to be a grocer / "The Chinese Lantern"
I was there / "No Strings"
I whistle a happy tune / "The King and I"
I wish I were in love again / "Babes in Arms"
I write, you read / "I Remember Mama"
I'd like to take you home / "The Girl Friend"
I'd like to take you home / "Bad Habits of 1925"
I'd rather be right / "Fools for Scandal"
I'd rather be right / "I'd Rather Be Right"
I'll miss you / "Rex"
I'll take a little of you on toast / "Let's Have Fun"
I'll tell the man in the street / "I Married an Angel"
I'm a fool, little one / MISCELLANEOUS SKETCHES -- [M.S. 2]
I'm a queen in my own domain / "Hollywood Party"
I'm broke / "You'll Never Know"
I'm gonna wash that man right... / "South Pacific"
I'm hard to please / "Follow Thru"
I'm one of the boys / "Hollywood Party"
I'm talking to my pal / "Pal Joey"
I'm your girl / "Me and Juliet"
I've got five dollars / "America's Sweetheart"
I've got to get back to New York / "Hallelujah, I'm a Bum"
Idylls of the king / "The Garrick Gaieties (1926)"
If I give in to you / "Ever Green"
If I loved you / "Carousel"
If I were you / "Betsy"
If I weren't king / "Cinderella"
If the twig's bent / "Pal Joey"
Imagine / "Babes in Arms"
Impossible / "Cinderella"
Impromptu song / "Ever Green"
In a great big way / MISCELLANEOUS SKETCHES -- [M.S. 2]
In Californ-I.A. / "America's Sweetheart"
In my own little corner / "Cinderella"
In the cool of the evening / "Ever Green"
In the heart of a motorman / NON-SHOW MUSIC
In time / "Rex"
Innocent chorus girls of yesterday / "America's Sweetheart"
Intermission talk / "Me and Juliet"
Is it the uniform? / MISCELLANEOUS SKETCHES -- [M.S. 2]
Is my girl refined? / "Betsy"
Is'nt it romantic? / "Love Me Tonight"
Isn't it kinda fun? / "State Fair"
It feels good / "Me and Juliet"
It is not the end of the world / "I Remember Mama"
It may rain / "The Garrick Gaieties (1926)"
It might as well be spring / "State Fair"
It never happened before / "Follow Thru"
It's a darn nice campus / "Allegro"
It's a grand night for singing / "State Fair"
It's a scandal! It's a outrage! / "Oklahoma!"
It's going to be good to be gone / "I Remember Mama"
It's got to be love / "Jumbo"
It's me / "Me and Juliet"
It's pretty in the city / "Higher and Higher"
It's the little things in Texas / "State Fair"
Jack and Jill / "Say Mama"
Jazz reception / "Heads Up!"
Je m'en fiche du sex-appeal / "Ever Green"
Johnny one note / "Babes in Arms"
Jolly Churchill / "The Valiant Years"
Jonathan / "I Picked a Daisy"
Josi-Mosi theme and Mee Mee themes / {see Wiowani, Josi-Mosi}
The joy spreader / "The Garrick Gaieties (1925)
Jumping Jack! / "You'll Never Know"
June is bustin' out all over / "Carousel"
Jupiter forbid / "By Jupiter"
Jury song / "The Garrick Gaieties (1925)
Just a little lie / "You'll Never Know"
Just a little souvenir / "The Garrick Gaieties (1926)"
Kansas City / "Oklahoma!"
Keep 'em rolling! / "Keep 'Em Rolling"
Keep away from the moonlight / "Hollywood Party"
Keep it gay / "Me and Juliet"
Keys to heaven / "The Garrick Gaieties (1926)"
Kings / "Rex"
A kiss for "Cinderella" / MISCELLANEOUS SKETCHES -- [M.S. 2]
The Kitzel engagement / "Betsy"
Kralahome / "The King and I"
La-la-la / "No Strings"
Labor is the thing / "I'd Rather Be Right"
Labor is the thing / "I Married an Angel"
Ladies of the evening / "The Boys from Syracuse"
The lady is a tramp / "Babes in Arms"
Lady Luck is grinning / "Spring Is Here"
A lady must live / "America's Sweetheart"
Lady of heaven / "If I Were King"
The land where the camp songs go / NON-SHOW MUSIC
Landing / "Victory at Sea"
L"ndler / "The Sound of Music"
Lars, Lars / "I Remember Mama"
Last week the English / "Do I Hear a Waltz?"
Laugh / "Jumbo"
Lawrence theme / "Lawrence of Arabia"
Laying the cornerstone / "Hallelujah, I'm a Bum"
Let me walk! / NON-SHOW MUSIC
Let's both go home and kiss our mothers / "A Connecticut Yankee"
Let's sing a song about nothing / "Fools for Scandal"
Lido lady / MISCELLANEOUS SKETCHES -- [M.S. 3]
Life is unstable / "If I Were King"
Life was monotonous / "By Jupiter"
Life with Father / "By Jupiter"
Life! Liberty! / "Higher and Higher"
Like a god / "Flower Drum Song"
The lion king / "Ever Green"
A little birdie told me so / MISCELLANEOUS SKETCHES -- [M.S. 3]
A little bit more / "I Remember Mama"
Little girl blue / "Jumbo"
Loads of love / "No Strings"
Lolita / "They Met in Argentina"
Lolita / "Pal Joey"
The lonely goatherd / "The Sound of Music"
Lonely room / "Oklahoma!"
A lonely traveling man / NON-SHOW MUSIC
Look no further / "No Strings"
Look out! / "Too Many Girls"
A lopsided bus / "Pipe Dream"
Love knows best / "Fools for Scandal"
Love like ours / "Hollywood Party"
Love, look away / "Flower Drum Song"
Love makes the world go / "No Strings"
Love me tonight / "Love Me Tonight"
Love never went to college / "Too Many Girls"
Lovely day for a murder / "Higher and Higher"
A lovely night / "Cinderella"
Lover to lover / "Lawrence of Arabia"
Lover to lover / "I Picked a Daisy"
Lover! / "Love Me Tonight"
Luftwaffe / "The Valiant Years"
Lullaby / "I Remember Mama"
Mah jong maid / "Bad Habits of 1925"
Maine / "No Strings"
Majestic England / "The Valiant Years"
Make hey! Make hey! / "One Dam Thing After Another"
Make way / "The Prisoner of Zenda"
Mama always makes it better / "I Remember Mama"
The man for me / "Love Me Tonight"
The man I used to be / "Pipe Dream"
The man who has everything / "No Strings"
Manhattan / "The Garrick Gaieties (1925)
Manny / NON-SHOW MUSIC
Many a new day / "Oklahoma!"
March of the royal Siamese children / "The King and I"
March of the clowns / "Jumbo"
Mare nostram / "The Valiant Years"
Maria / "The Sound of Music"
Marriage type love / "Me and Juliet"
Maybe, maybe, maybe / "I Remember Mama"
Me and Juliet / "Me and Juliet"
Mee Mee theme and Mee Mee themes / {see Wiowani, Josi-Mosi}
Melinda / "I Picked a Daisy"
The melting pot / NON-SHOW MUSIC
Melville / NON-SHOW MUSIC
Memories of Madison Square Garden / "Jumbo"
Mexico / "The Garrick Gaieties (1926)"
Michener / "Lawrence of Arabia"
Mimi / "Love Me Tonight"
Miners / "Ghost Town"
Mister Snow / "Carousel"
Mobody looks at the man / "Ever Green"
Mom / NON-SHOW MUSIC
Money isn't everything / "Allegro"
Moon in my window / "Do I Hear a Waltz?"
Moon of my delight / MISCELLANEOUS SKETCHES -- [M.S. 2]
Moonlight Mama / "The Melody Man"
The more I see of other girls / "Jumbo"
The more I see of other girls / "Mississippi"
More than just a friend / "State Fair"
Mormon / "Ghost Town"
Morning is midnight / MISCELLANEOUS SKETCHES -- [M.S. 3]
Morning's at seven / "Higher and Higher"
Mosquito fleet / "The Valiant Years"
The most beautiful girl in the world / "Jumbo"
A most disagreeable man / "I Remember Mama"
Mother and daughters' march / "Cinderella"
Mountain greenery / "The Garrick Gaieties (1926)"
Mr. Director / "You'll Never Know"
Music & the emotions / "The Play's The Thing"
Music in you / NON-SHOW MUSIC
My best love / "Flower Drum Song"
My Clementine! / NON-SHOW MUSIC
My daughter / "Rex"
My favorite things / "The Sound of Music"
My friend / "South Pacific"
My friend the night / "Hollywood Party"
My funny valentine / "Babes in Arms"
My girl back home / "South Pacific"
My heart is Sheba bound / MISCELLANEOUS SKETCHES -- [M.S. 3]
My heart stood still / MISCELLANEOUS SKETCHES -- [M.S. 3]
My hobby / NON-SHOW MUSIC
My idiot's delight / NON-SHOW MUSIC
My king can do no wrong / "The Prisoner of Zenda"
My lord and master / "The King and I"
My Prince / "Too Many Girls"
My romance / "Jumbo"
My sweet / "America's Sweetheart"
My tent in Paradox / NON-SHOW MUSIC
Never go to Argentina / "They Met in Argentina"
Never say no to a man / "State Fair"
The next time it happens / "Pipe Dream"
The night was made for dancing / "Hollywood Party"
Ninety again / "Two by Two"
Ninety again / "Two by Two"
No more waiting / "Androcles and the Lion"
No place but home / "Ever Green"
No song more pleasing / "Rex"
No strings / "No Strings"
No understand / "Do I Hear a Waltz?"
No way to stop it / "The Sound of Music"
Nobody told me / "No Strings"
Nobody's heart / "By Jupiter"
North America meets South America / "They Met in Argentina"
Not so innocent fun / "I'd Rather Be Right"
Nothing at all / NON-SHOW MUSIC
Nothing but you / "Higher and Higher"
Nothing to do but relax / "By Jupiter"
Nothing's wrong / "A Connecticut Yankee"
Now is the time / "South Pacific"
Now you leave / "The King and I"
Oh, dear! / "The Prisoner of Zenda"
Oh, Diogenes / "The Boys from Syracuse"
Oh, so lovely! / "Simple Simon"
Oh, what a beautiful mornin' / "Oklahoma!"
Oklahoma / "Oklahoma!"
Olangtsi theme and Mee Mee themes / {see Wiowani, Josi-Mosi}
An old city boy at heart / "I Remember Mama"
Old enough to love / "Dearest Enemy"
An old man / "Two by Two"
On the Bahama / NON-SHOW MUSIC
On the track / "They Met in Argentina"
On your toes / "On Your Toes"
Once I was young / "Fools for Scandal"
One a day / "Winkle Town"
One foot, other foot / "Allegro"
One of us should be two / "Betsy"
An ordinary couple / "The Sound of Music"
An orthodox fool / "No Strings"
The other generation / "Flower Drum Song"
Our private olympic games / "On Your Toes"
Our "State Fair" / "State Fair"
Out of my dreams / "Oklahoma!"
Over and over again / "Jumbo"
P.T. boat song / NON-SHOW MUSIC
Paradox victory song/chant / NON-SHOW MUSIC
Paris is really divine / "Peggy-Ann"
The party that we're gonna have... / "Pipe Dream"
Pas de deux / "Ghost Town"
Pastoral / "The Valiant Years"
La Patrie / "The Valiant Years"
The pears of Anjou / "Rex"
Peggy! Peggy! / "Peggy-Ann"
People will say we're in love / "Oklahoma!"
Perfectly lovely couple / "Do I Hear a Waltz?"
Perhaps / "Do I Hear a Waltz?"
Peter's journey / "Babes in Arms"
Philadelphia / "Do I Hear a Waltz?"
Pierrot / "Love Me Tonight"
Plant you now, dig you later / "Pal Joey"
Please make me be good / "Let's Have Fun"
The poor Apache / "Love Me Tonight"
Poor Joe! / "Allegro"
Poppa isn't Poppa anymore / "Two by Two"
Poppa knows best / "Two by Two"
Pore Jud is daid / "Oklahoma!"
Possibly I'm cynical / "Allegro"
Pottawatomie / "Too Many Girls"
Prayer / "Too Many Girls"
Prayer / "Hollywood Party"
Prayer / "I Married an Angel"
Prince is giving a ball / "Cinderella"
La Princesse Zenobia ballet / "On Your Toes"
Priscilla / "Say Mama"
Prism, plums and prunes / "Up Stage and Down"
Processional / "The Sound of Music"
Progress / "One Dam Thing After Another"
Put him away! / "Two by Two"
A puzzlement / "The King and I"
Quand notre vieux monde etait tout neuf / "Ever Green"
Queen Elizabeth / "The Garrick Gaieties (1926)"
Rachel / "State Fair"
A real nice clambake / "Carousel"
Reincarnation / "Hollywood Party"
Requiescat in pace / "The Garrick Gaieties (1925)
Return from Dunkirk / "The Valiant Years"
Rex / "Rex"
Rhythm / "Babes in Arms"
Rhythm / "The Show Is On"
Rock / NON-SHOW MUSIC
Rose of summer / "Ghost Town"
The Royal Bangkok Academy / "The King and I"
San Marco / "Do I Hear a Waltz?"
Saturday night / "Two by Two"
Sea killer / "The Valiant Years"
Send for me / "Simple Simon"
Sentimental me! / "The Garrick Gaieties (1925)
Shakespeare / "One Dam Thing After Another"
Shakespeare of 1922 / NON-SHOW MUSIC
Shall we dance? / "The King and I"
She could shake the maracas / "Too Many Girls"
The shortest day of the year / "The Boys from Syracuse"
Shorty, the gunner / NON-SHOW MUSIC
Show him the way / "Say Mama"
Shuffle / "Betsy"
Silver threads / "Bad Habits of 1925"
Simpatica / "They Met in Argentina"
Since I remember you / "Winkle Town"
Sing / "Betsy"
Sing for your supper / "The Boys from Syracuse"
Sitting on the porch in the moonlight / "Allegro"
Sixteen going on seventeen / "The Sound of Music"
Ski troops / "The Valiant Years"
Slaughter on Tenth Avenue / "On Your Toes"
Sleep, weary head / MISCELLANEOUS SKETCHES -- [M.S. 2]
Sleeping beauty / "Hallelujah, I'm a Bum"
Sleepyhead / "The Garrick Gaieties (1926)"
So far / "Allegro"
So long, farewell / "The Sound of Music"
So much you loved me / "Rex"
Softer than a kitten / "Simple Simon"
Softer than a kitten / "Follow Thru"
Soliloquy / "Carousel"
Some enchanted evening / "South Pacific"
Someone like you / "Do I Hear a Waltz?"
Someone should tell them / "One Dam Thing After Another"
Someone should tell them / "A Connecticut Yankee"
Someone woke up / "Do I Hear a Waltz?"
Something doesn't happen / "Two by Two"
Something good / "The Sound of Music"
Something, somewhere / "Two by Two"
Something wonderful / "The King and I"
The son-of-a-gun is nothing but a tailor! / "Love Me Tonight"
Song of Russia / "The Prisoner of Zenda"
The song of the roustabouts / "Jumbo"
Song of the high seas / "Victory at Sea"
Song of the king / "The King and I"
The sound of music / "The Sound of Music"
Speeches are gold / "The Garrick Gaieties (1925)
Spic and Spanish / "Too Many Girls"
Spring is here / "Spring Is Here"
Spring is here / "I Married an Angel"
State Fair / "State Fair"
Stay / "Do I Hear a Waltz?"
Stay home with a book / "Too Many Girls"
Steady as you go / NON-SHOW MUSIC
Straight down the middle / "Lawrence of Arabia"
Straight down the middle / "I Picked a Daisy"
Strangers / "Androcles and the Lion"
Strength is my weakness / "Androcles and the Lion"
Strength is my weakness / "Two by Two"
Submarines in a calm sea / "Victory at Sea"
Such good fun / "I Remember Mama"
Sunday / "Flower Drum Song"
The sunny Pacific Islands / "Victory at Sea"
The surrey with the fringe on top / "Oklahoma!"
Suzy development / "Pipe Dream"
Suzy is a good thing / "Pipe Dream"
Sweet sixty-five / "I'd Rather Be Right"
Sweet Thursday / "Pipe Dream"
Sweetenheart / "Simple Simon"
The sweetest sounds / "No Strings"
The sweethearts of the team / "Too Many Girls"
Take and take and take / "I'd Rather Be Right"
Take him / "Pal Joey"
Take the moment / "Do I Hear a Waltz?"
The tartar song / MISCELLANEOUS SKETCHES -- [M.S. 2]
Te Deum / "Rex"
Tell it to the Marines / MISCELLANEOUS SKETCHES -- [M.S. 2]
Tell me / "Rex"
Tell me I know how to love / "I Married an Angel"
Temple dance / "By Jupiter"
The Temple of Minerva / "By Jupiter"
Tempt me not! / "Too Many Girls"
Ten cents a dance / "Simple Simon"
Ten minutes ago / "Cinderella"
Tennis champs / "The Garrick Gaieties (1926)"
Terrible mother / "Lawrence of Arabia"
Thank you so much / "Do I Hear a Waltz?"
That terrific rainbow / "Pal Joey"
That's for me! / "State Fair"
That's the rhythm of the day / MISCELLANEOUS SKETCHES -- M.S. 7]
That's the song of Paree / "Love Me Tonight"
That's the way it happens / "Me and Juliet"
The boy I left behind me / "By Jupiter"
The merrie merrie / "Bad Habits of 1925"
There are kings / "Rex"
There is nothin' like a dame / "South Pacific"
There's a boy in Harlem / "Fools for Scandal"
There's a small hotel / MISCELLANEOUS SKETCHES -- [M.S. 9]
There's music in you / Main Street to Broadway
There's nothin' so bad for a woman / "Carousel"
There's so much more / "America's Sweetheart"
Thinkin' / "Pipe Dream"
Thinking / "Do I Hear a Waltz?"
This can't be love / "The Boys from Syracuse"
This funny world / "Betsy"
This goes up / MISCELLANEOUS SKETCHES -- [M.S. 3]
This is my night to howl / "A Connecticut Yankee"
This is not Long Island / "Spring Is Here"
This isn't heaven / "State Fair"
This nearly was mine / "South Pacific"
This rescue is a terrible calamity! /
MISCELLANEOUS SKETCHES -- [M.S. 2]
Thou swell / "A Connecticut Yankee"
The three B's / "On Your Toes"
The three musketeers / "The Garrick Gaieties (1925)
Tick-tick / "Hallelujah, I'm a Bum"
The tide pool / "Pipe Dream"
Tiki-pu / NON-SHOW MUSIC
Time / "I Remember Mama"
A tiny flat near Soho Square / "Lido Lady"
To have and to hold / "Allegro"
To please my king / "Rex"
Too good for the average man / MISCELLANEOUS SKETCHES -- [M.S. 10]
Too many girls / "Too Many Girls"
Town hall tonight! / "The Girl Friend"
Tramping along / "Peggy-Ann"
Tramping along / "Peggy-Anne"
A treaty, my sweetie, with you / "I'd Rather Be Right"
A tree in the park / "Peggy-Ann"
Try / NON-SHOW MUSIC
Try again tomorrow / MISCELLANEOUS SKETCHES -- [M.S. 3]
Turkey in the straw / "The Girl Friend"
Twin soliloquies / "South Pacific"
A twinkle in your eye / "I Married an Angel"
Two by two / "Do I Hear a Waltz?"
Two little people / "Carousel"
Two more loves] / "Allegro"
Two of a kind / "The Girl Friend"
Two short years / "Allegro"
Two to eleven / "Lido Lady"
Two-a-day for Keith / "On Your Toes"
Uncle Chris! / "I Remember Mama"
Velvet paws / "Androcles and the Lion"
A very special day / "Me and Juliet"
Virtue wins the day / "You'll Never Know"
Wait till you see her / "By Jupiter"
Wait till you see her / "Oklahoma!"
Waiting / "The King and I"
Waiting for the leaves to fall / "Ever Green"
Wake up little theatre / "Me and Juliet"
Waltz for a ball / "Cinderella"
We kiss in a shadow / "The King and I"
We want you to feel at home / NON-SHOW MUSIC
We will be together / "State Fair"
We're going to balance the budget / "I'd Rather Be Right"
We're gonna be all right / "Do I Hear a Waltz?"
We're on our way / NON-SHOW MUSIC
We're staying here / "I Remember Mama"
The wee golden warrior / "Rex"
Wee little China rose / "The Chinese Lantern"
Western people funny / "The King and I"
What a lovely day for a wedding / "Allegro"
What can you do with a man? / "The Boys from Syracuse"
What did I have that I don't have / "I Picked a Daisy"
What did I have that I don't have / "Lawrence of Arabia"
What do we do? We fly! / "Do I Hear a Waltz?"
What do you want with money? / "Hallelujah, I'm a Bum"
What kind of man / "I Remember Mama"
What's the use of talking / "The Garrick Gaieties (1926)"
What's the use of wond'rin' / "Carousel"
When I go on the stage / "One Dam Thing After Another"
When I go out walkin' with my baby / "Oklahoma!"
When it dries / "Two by Two"
When men are in love / "The Prisoner of Zenda"
When the children are asleep / "Carousel"
When the old world was new / "Ever Green"
When you're falling in love with... / "I Married an Angel"
When? / "I Remember Mama"
Where is my son / "Rex"
Where or when / "Babes in Arms"
Where we came from / "I Remember Mama"
Who are you? / "The Boys from Syracuse"
Why do I? / "The Girl Friend"
Why have you eyes / "I Married an Angel"
Why me? / "Two by Two"
Why? / "Rex"
Why? why? why? / "The King and I"
The wildcats are on a rampage / "Allegro"
Will you marry me? / "Allegro"
Willing and eager / "State Fair"
Willow pattern / NON-SHOW MUSIC
Winston depressed / "The Valiant Years"
Winston is back in office / "The Valiant Years"
Winston is back / "The Valiant Years"
Wiowani, Josi-Mosi, and Mee Mee themes / NON-SHOW MUSIC
Wish them well / "Allegro"
Without love / "The Prisoner of Zenda"
Without my money / "Two by Two"
A woman needs something like that / "Love Me Tonight"
Women / "Jumbo"
Women are women / "I Married an Angel"
Women without men / "I Remember Mama"
A wonderful guy / "South Pacific"
The worst of friends / "The Prisoner of Zenda"
Would I not love you / "Rex"
A writer writes at night / "I Remember Mama"
Yankee, go home! / "No Strings"
Yatata, yatata, yatata / "Allegro"
Yodel if you can / "I Married an Angel"
You / "Two by Two"
You always love the same girl / "A Connecticut Yankee"
You are beautiful / "Flower Drum Song"
You are never away / "Allegro"
You are so lovely and I'm so lonely /
MISCELLANEOUS SKETCHES --[M.S. 5]
You are so fair / "Babes in Arms"
You are what I need / "A Connecticut Yankee"
You could not please me more / "I Remember Mama"
You couldn't please me more / "Two by Two"
You don't tell me / "No Strings"
You have cast your shadow on the sea / "The Boys from Syracuse"
You have got to have a rudder on the ark / "Two by Two"
You musn't kick it around / "Pal Joey"
You never had it so good / "Allegro"
You took advantage of me / MISCELLANEOUS SKETCHES -- [M.S. 2]
You walked in / "State Fair"
You'll never walk alone / "Carousel"
You're nearer / "Too Many Girls"
You're on the Lido now / MISCELLANEOUS SKETCHES -- [M.S. 3]
You're too wonderful for me! / "Winkle Town"
You've got the best of me / "They Met in Argentina"
You've got to be carefully taught / "South Pacific"
Younger than springtime / "South Pacific"
Zip! / "Pal Joey"
Zoo / "Hallelujah, I'm a Bum
|
The
Library of Congress >> Researchers
Top
of Page