Esther Bubley
(1921-1998)
Introduction | Early
Life | Wartime
Work | Postwar | Personal
Life | Achievements | Resources
Achievements

Moroccan
peasants waiting
for eye examinations or
treatment for trachoma
by UNICEF doctors. 1953.
LC-DIG-ppmsca-04779
(only a thumbnail
image displays outside
Library of Congress) |
Esther Bubley was one of the
first women successfully to
support herself working as a
freelance photographer for the
major magazines at a time when
few publications extended to
women the security of staff
positions.
The freelance role fit Bubley's
personality; she and the more
independent of her peers were
contemptuous of being tethered.
She was the first woman to garner
certain awards previously given
only to men.
She accepted jobs that took
her to foreign countries where
women were an anomaly in the
business culture. She left the
legacy of a personal style and
way of observing women deeply
through images that continue
to intrigue decades after they
were made. Women entering the
photojournalism profession in
the 1970s knew of Bubley's accomplishments
and with that knowledge, could
strive more confidently to make
their own way in photography.
Exhibitions
- Among the major
museums that have shown Esther
Bubley's
photographs
are the Museum of Modern Art,
the Metropolitan Museum of
Art, the Phillips Collection
in Washington,
D.C., the Dallas Museum of
Fine Art, the Carnegie Museum,
the
Amon Carter Museum of American
Art, the Smithsonian Institution,
the Library of Congress, and
the Art Institute of Chicago.

A
girl looking at snapshots
in her room at Idaho Hall,
Arlington Farms... 1943.
LC-USW3-026045-E |
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Her work was singled out by
Edward Steichen who, as director
of photography at the Museum
of Modern Art (MoMA), included
it in the monumental Family
of Man exhibition of
1955 and featured it in group
shows along with such notable
artists as Harry Callahan and
Robert Frank.
-
In 1994-95, Bubley was
one of eight women honored
by the
Library of Congress exhibition, "Women Come to the Front," which
highlighted their patriotic
contributions to broadcast,
journalism, and photojournalism
during World War II.
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