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September 22, 1999

Library of Congress To Exhibit American Prints and Drawings

Visitors to the Library of Congress this fall have an unparalleled opportunity to view outstanding examples of realist graphic art in the Great Hall, South Gallery of the Jefferson Building. The exhibition, "Life of the People: Realist Prints and Drawings from the Ben and Beatrice Goldstein Collection, 1912-1948," includes 55 works on paper by leading North American artists. Curated by Harry L. Katz, the Library's Curator of Popular and Applied Graphic Art, the exhibition opens on October 20 and closes on January 29, 2000. The gallery, adjacent to the Great Hall in the Jefferson Building, is open to the public free of charge from 10 a.m. to 5 p.m. Monday through Saturday.

Labor advocate and garment manufacturer Ben Goldstein, with the support of his wife Beatrice, left to the Library of Congress -- and the nation -- a collection of American prints and drawings informed by a sympathy for the condition of working people. A native New Yorker, he collected over decades works that stirred his personal interest in the city of his birth, the American people, and the human condition. His concerns encompassed a broad spectrum of social and political issues that touched on life in urban centers and in rural areas, American labor and industry, and the experience and achievements of minority groups.

Along with landmark images in the history of American political art, Ben Goldstein assembled outstanding holdings of works by creators who shared his social concerns. Among these artists were women, African Americans, and the Mexican muralists who were so influential at the time. The collection is particularly rich in images from the 1930s, when the turmoil and uncertainty of the Depression led increasing numbers of artists to turn toward socially relevant subject matter. Their images include moving portraits, scathing satires, haunting images of social ills, and more lighthearted depictions of life in the first half of the 20th century.

The collection represents the legacy of realist artists Robert Henri, John Sloan, and Thomas Hart Benton, under whom many of the artists in the exhibition studied and who stood as advocates of representational art. These artists rejected abstraction -- in spite of its growing influence in America -- as irrelevant and inaccessible. Their empathetic depictions of ordinary men and women enduring or enjoying their everyday lives expressed the pain and rare pleasures experienced by Americans during a period that witnessed two world wars and a devastating economic depression. Artists used their art to fight for civil rights and against social or economic injustice. In a time of almost universal hardship, their images conveyed understanding.

From the diverse wealth of images, themes, and techniques represented in the Goldstein Collection, Mr. Katz has selected 59 prints and drawings, including notable works by such major figures as Stuart Davis, John Sloan, George Bellows, Thomas Hart Benton, and Isabel Bishop, as well as the work of such lesser-known artists as Blanche Grambs, Elizabeth Olds, Lamar Baker, and Prentiss Taylor. An exhibition catalog with essays by Garnett McCoy and Bernard F. Reilly Jr. and edited by Mr. Katz is available for $19.95 from the Library of Congress Sales Shop (credit card orders: 202-707-0204). It reproduces every object in the exhibition, and includes interpretive captions and biographical information about each artist.

More information on the Library of Congress' print and drawing collections is available through the Swann Foundation's Web site: www.loc.gov/rr/print/swann/swannhome.html, by e-mailing: swann@loc.gov, or by calling Sara Duke, Curatorial Project Assistant at (202) 707-9115 or Harry Katz at (202) 707-8696.

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PR 99-139
9/22/99
ISSN 0731-3527

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