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Who's the Cat That Won't Cop Out When There's Danger All About?

Shaft! Can you dig it?

Gordon Parks was a modern-day renaissance man -- a filmmaker, writer, composer and, most famously, a photographer who was largely self-taught in this and all his fields of pursuit. Yet in spite of his lack of formal training, Parks became one of the most important artists of his era, using his craft to break down and challenge stereotypes -- through his own actions as well as through the works he produced. Parks, born in 1912 in Fort Scott, Kan., died on March 7, 2006; he was 93.

'Shaft' film poster, 1971 'Washington, D.C., Government Charwoman,' 1942

Parks was the first African-American to produce and direct a major film for Hollywood: 1969's "The Learning Tree." That film, along with "Shaft" (1971), is on the National Film Registry, a list of 425 films that are deemed to be so "culturally, historically or aesthetically" significant as to warrant their preservation. The list is designed to reflect the full breadth and diversity of America's film heritage, thus increasing public awareness of the richness of American cinema and the need for its preservation.

The films are selected each year by Librarian of Congress James H. Billington. The Librarian chooses 25 films annually after evaluating nearly 1,000 titles nominated by the public and conducting intensive discussions with the Library's Motion Picture division staff and the distinguished members and alternates of his advisory group, the National Film Preservation Board. The board also advises the Librarian on national film preservation policy.

Parks' extraordinary photographs are represented in the Library's collections as well, especially through the work he did for the Depression-era Farm Security Administration. The Library's award-winning Information Bulletin ran an article on the black-and-white FSA photos in its August 1998 issue. The color FSA photos, which are equally compelling but less well known, were highlighted in the publication's July 2004 issue. The article coincided with the publication of "Bound for Glory," available from the Library's Sales Shop. The book features 175 FSA illustrations in full color.

One of Parks' most famous images is "Washington D.C. Government Charwoman" (1942), his ironic reflection of Grant Wood's iconic painting "American Gothic." The complete black-and-white FSA photos may be viewed online. To see Park's work, click on Creator Index. Click on "From Albee, photographer," and scroll down the list to "Parks, Gordon." Clicking on this link will connect you to more than 1,600 images Parks shot for the FSA. If you click on "Gallery View" at the top of the list, you can easily peruse thumbnail photos.


A. "Shaft" film poster, 1971. Reproduction information: Not available for reproduction.

B. Parks, Gordon, photographer. "Washington, D.C., Government Charwoman," 1942. Prints and Photographs Division. Reproduction information: Reproduction Nos.: LC-USF34-T01-013407-C DLC (b&w film dup. neg.), LC-DIG-fsa-8b14845, DLC (digital file from original neg.), LC-DIG-ppmsc-00237 DLC (digital file from print), LC-USZ62-80024 DLC (b&w film copy neg. from print); Call No.: LC-USF34- 013407-C