Collection The Library of Congress Celebrates the Songs of America

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  • " Sometimes I Feel Like a Motherless Child" by Harry Thacker Burleigh

    Article. The alto carries the stately melody accompanied by a mournful, falling motive in the two soprano lines on the word "oh." The top-voiced harmonization is creative, and the melodic writing is vocally demanding. The work climaxes on a high, five-part divisi chord at the penultimate statement of the text, "A long way from home." The work ends pp in augmented note values on ...

  • " He Met Her in a Meadow" by Harry Thacker Burleigh

    Article. Burleigh's He Met Her in a Meadow was first published for solo male voice in 1921. G. Ricordi & Co., New York, published versions for mixed chorus, men's chorus, and women's chorus in 1922. Burleigh wrote the song's lyrics about a young farmer's late-evening flirtation. The musical setting is melodramatic and sentimental, foreshadowed in the tempo direction, Andante con molto sentimento. The ostensible ...

  • We Two

    Song Collection. Warren has been described as the "only woman among the group of prominent American neo-Romanticists that includes Howard Hansen, Samuel Barber, and Gian Carlo Menotti." She was active up until her death in 1991 at age 91, and created over 200 works throughout her lifetime. Her music is currently enjoying a revival.

  • "The Witch, Op. 5" by Edward MacDowell

    Article. From 1896 to 1898, MacDowell published four partsongs for the Mendelssohn Glee Club under the pseudonym of Edgar Thorn, fearing the members would feel obligated to accept the songs if he revealed he had written them. Other works by "Edgar Thorn" are The Rose and the Gardener, Love and Time, and War Song. The narrative text by MacDowell is about a witch living ...

  • "De Gospel Train ('Git on bo'd lit'l children')" by Harry Thacker Burleigh

    Article. Burleigh's setting is an upbeat, highly rhythmic work with several harmonic surprises. His TTBB arrangement is punctuated by inspired moments of train imagery, most notably in the "chu chuck-a, chu chuck-a" sound effects of the second verse and the tenors' falsetto "toot, toot." The tenors sing a perfect fourth, F-sharp–B, against a tonic B-flat-major chord.

  • Sidney Perrin

    Biography. Biography. Perrin also had a production company. Sid Perrin's High Flyers Company produced at least two shows--Show Folks (1920) and High Flyers (1921).

  • "The Friends We Love" by Septimus Winner

    Article. Winner wrote many such ballads during the civil war years. They were perhaps even more popular than those of his contemporary, Stephen Foster. According to Charles Claghorn, author of The Mocking Bird: The Life and Diary of Its Author, Septimus Winner, President Abraham Lincoln's favorite song was Winner's Listen to the Mockingbird, another simple ballad. The appeal of these popular songs was not ...

  • " Barcarole, Op. 44" by Edward MacDowell

    Article. This work is unique among MacDowell's choral works for its lush vocal richness and coloristic four-hand piano display. Frequent hemiolas, grace notes, trills, and triplet patterns in the piano partner with a lyric melodic breadth and sensitive harmonic progressions in the voices. The poem is by F. M. von Bodenstedt (1819-1892), a well-known German writer whose texts were also set by Brahms, Grieg, ...

  • The Boatmen's Dance and Simple Gifts

    Song Collection. Copland's holograph sketches for both sets of the Old American Songs can be accessed on-line through the Aaron Copland Collection at the Library of Congress: http://memory.loc.gov/ammem/collections/copland/index.html.

  • "There's a Meetin' Here Tonight" by R. Nathaniel Dett

    Article. The John Church Company published Dett's arrangement of There's a Meetin' Here Tonight in 1921. The composer dedicated the work to the Cecilia Society of Boston, an all-white chorus organized in 1874 under the sponsorship of Harvard University. The same group had premiered Dett'sChariot Jubilee a year earlier.

  • John Larkins

    Biography. Biography. John Larkins was a minor figure in black music in the early part of the 20th century. He ran "Jolly" John Larkin's Company and employed James Reese Europe as its musical director from 1906-07. In 1910 he produced and starred in A Trip to Africa. His other credits include Royal Sam (1911) and Deep Central (1932).

  • "Don't Be Weary, Traveler" by R. Nathaniel Dett

    Article. R. Nathaniel Dett dedicated Don't Be Weary, Traveler to philanthropist and arts patron George Foster Peabody. It was published by the John Church Company, "The House Devoted to the Progress of American Music." The publisher included it in a series titled "Negro Spirituals. Folk Songs of the South, Adaptations of Original Melodies by R. Nathaniel Dett." The publication was issued in 1921, just ...

  • Luckey Roberts, 1887-1968

    Biography. Biography. Roberts recorded two unissued solo piano sides for Columbia in 1916. These were his compositions "Shoo Fly" and "Shy and Sly." Although he accompanied other artists in late-1920s recordings, he did not record again under his name until 1946. Roberts performed as a vaudvevillian singer, dancer, and pianist in the United States and Europe. He also organized and conducted his own ensembles, ...

  • Ernest Bloch and the Library of Congress

    Courtesy of Musical America

  • " Whoop Her Up!" by Will Marion Cook

    Article. The piece was published in 1910 by Harry Von Tilzer, New York. The present edition, copyrighted by Cook, alters the original "Whoop 'er up" to "Whoop her up" in both the title and the lyrics. The edition is missing a glissando on the word "whoop" in the vocal and piano parts found in the original publication (m. 42).

  • Peter C. Lutkin (1858-1931)

    Biography. In addition to his position as Dean and Director of Choirs at Northwestern University, he also served as Professor of Theory, Piano, Organ, and Composition in the School of Music, 1895-1931; Director of the School's Department of Church and Choral Music, 1926-28; and Lecturer in Church Music at Seabury-Western Theological Seminary. He was awarded an honorary doctorate in music from Syracuse University. He ...

  • " Summer Wind, Song of Sylphs" by Edward MacDowell

    Article. This is the last of MacDowell's original choral works to be published, written while he was teaching at Columbia University. The text's poet, Richard Hovey (1864-1900), also taught at the university. The text from Hovey's epic poem, Launcelot and Guenevere, depicts the light summer breeze and imbues it with human qualities: "Sweet, sweet, sweet, sweet. / The fleet wind's footing / is light ...

  • "Ponder My Words" by William W. Gilchrist

    Article. Gilchrist's 1915 anthem Ponder My Words was one of the works chosen for a service celebrating the centennial of his birth in 1946. The service was held at New Jerusalem Church in Philadelphia. The anthem opens with a soprano solo singing an expressive setting of the Psalm-Five text. At "consider my meditation," an extended diatonic sequence leads to a choral repetition of the ...

  • " Enchantment, op. 17, no. 1, (1908)" by Mabel Wheeler Daniels

    Article. Daniels's compositional career gained major status in 1913, when she presented her choral/orchestral work The Desolate City, op. 21, at the MacDowell Colony in New Hampshire. Following that success, she returned to the MacDowell as a fellow for twenty-four successive summers. The wooded setting inspired one of her most widely played orchestral compositions, Deep Forest, op. 34, no. 1, (1932-33), which was the ...

  • Band Stocks

    Article. Article. African-American Band Music and Recordings, 1883-1923, provides instrumental parts for a representative sampling of the enormous body of published stock arrangements. The 1920s marked the beginning of the great era of popular song and of stock arrangement publishing. However, works published in 1923 and beyond remain under copyright protection. The public domain publications included here provide a valuable foundation for appreciating the ...

  • J. Leubrie Hill (John Leubrie), d. 1916

    Biography. Biography. Florenz Ziegfeld, producer of the Ziegfeld Follies, was impressed enough to buy the rights for a few of the numbers from My Friend from Kentucky including "At the Ball, That's All" to use in his next Follies production. Parts of My Friend from Kentucky also were used in 1914's Darktown Follies, which played in a more conventional Broadway theater; this production was ...

  • Evening Song

    Song Collection. "Evening Song" is set to a text by Sidney Lanier (1842-1881), an American from the South who fought in the Civil War. It is worth noting that Lanier himself was also a musician – indeed, a talented flutist who sat first chair with the Peabody Symphony Orchestra in Baltimore in 1873 – and, as a result, his poetry often exhibits a musical ...

  • " Julep Song (The Good Old Mint Julep for Me!)" by Will Marion Cook

    Article. Julep Song was first published in the piano/vocal score of The Southerners in 1904 by York Music Co., New York. The popularity of the piece prompted a solo edition published in the same year by John H. Cook Publishing Co., New York. John H. Cook was Will Marion's brother.

  • " Long, Long the Night" by Daniel Gregory Mason

    Article. The first two verses Mason sets using mildly chromatic harmonies with a few seventh and ninth chords. In the third verse, however, he suddenly injects extreme dissonance to capture the pathos of the text, "Hear me, Powers Divine. Oh, in pity hear me. Take all else of mine, but my Chloris spare me!" The chord on "Chloris" contains both an E-natural and an ...

  • Erich Korngold, 1897-1957

    Biography. Perhaps seeking a respite from his intensely focused work on his large scale Symphonic Serenade for string orchestra (op. 39, 1947-48), Korngold began work on a set of songs which were eventually published as the Fünf Lieder (Five Songs, op. 38), for medium voice and piano. Based on poems from disparate sources (of twentieth century German poet Richard Dehmel; of nineteenth century German ...