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Collection The Library of Congress Celebrates the Songs of America

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    Printable Timeline - The Library of Congress Celebrates the Songs of America - Digital Collections

    1950 Songs of America Elinor Remick Warren writes "God Be In My Heart." Aaron Copland's first set of Old American Songs includes settings of "The Boatmen's Dance," "The Dodger," "Long Time Ago," "Simple Gifts," and "I Bought Me A Cat." Seeger Family Concert. Mike, Peggy, and Pete Seeger with the Short Sisters, recorded at the Library of Congress, March 16, 2007 [webcast]. Culture Gian ...

  • Article

    Danny Deever

    Damrosch's version of the song, published in 1897, is a dramatic account of the death of Danny Deever. Organized in a "question and answer" sequence, the verses usually begin with questions posed by the Files-on-Parade (a soldier in the ranks), which are then answered by the Color Sergeant in the song's refrain. While the militaristic accompaniment helps distinguish the Color Sergeant from the soldier, ...

  • Article

    Old Man's Love Song

    Farwell was apparently taken by the melody of "The Old Man's Love Song" because it reappeared in another of his compositions, his piano work entitled Dawn, op. 12 (published in 1902). For this work, Farwell combined the melody of "The Old Man's Love Song" with another American Indian tune, an Otoe melody. The melody of "The Old Man's Love Song" is first heard in ...

  • Article

    Beautiful Dreamer

    For his songs composed after 1860, Foster turned his creative energy to the parlor ballad, a type of song noted for its sentimental or narrative text, frequently at a slow tempo. The subjects of Foster's ballads were relatively free of minstrel-song influences and centered on topics devoid of southern themes, such as mother, love, and home. With its lilting triplet rhythm, "Beautiful Dreamer" exemplifies ...

  • Article

    Ethiopia Saluting the Colors

    In the poem, "Ethiopia" is an old black slave woman who salutes the American flag as she sees General Sherman's troops march by, all the while being watched herself by a soldier. The colors in her turban--yellow, red, and green--represent those found in the Ethiopian flag. Burleigh musically depicts the setting with a precise, militaristic accompaniment, and with the quotation of the Civil War ...

  • Article

    Shenandoah

    As unclear as the song's origin is, so is the definitive interpretation of its text. Some believe that the song refers to the river of the same name. Others suggest that it is of African-American origin, for it tells the tale of Sally, the daughter of the Indian Chief Shenandoah, who is courted for seven years by a white Missouri river trader. Regardless of ...

  • Article

    Ah! May the Red Rose Live Alway

    "Ah! May the Red Rose Live Alway!" was published by F. D. Benteen of Baltimore in April of 1850. Foster probably hoped that the publication of his parlor ballads helped diversify his reputation as a song composer, but the ballads proved financially unsatisfactory as compared to his minstrel songs. In his account ledger of 1857, Foster recorded that "Ah! May the Red Rose Live ...

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    Hard Times

    The text of "Hard Times Come Again No More" proved tragically propheticfor Foster, as it was reported that he sang this song quite often in his lastdays. Indeed, the composer died on January 13, 1864, at the age of 37, with only38 cents to his name.

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    It's Coming - the Postponeless Creature

    Performers and scholars have ranked Bacon's Dickinson settings among the best in the repertoire and have considered him to be one of Dickinson's best interpreters. Few of Bacon's songs have been published separately. Rather, most of his songs have been issued in collections, and quite often a song will appear in more than one collection, usually in a revised version. One such collection is ...

  • Article

    Let Down the Bars

    Performers and scholars have ranked Bacon's Dickinson settings among the best in the repertoire and have considered him to be one of Dickinson's best interpreters. Few of Bacon's songs have been published separately. Rather, most of his songs have been issued in collections, and quite often a song will appear in more than one collection, usually in a revised version. One such collection is ...

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    Jeanie with the Light Brown Hair

    While today "Jeanie With the Light Brown Hair" remains one of Foster's most beloved parlor ballads, the song was virtually unknown during its time. When it was first published, the royalties on the ten thousand copies sold earned just over $200 dollars for Foster. However, Foster, who experienced financial difficulty through most of his career, had to sell the rights to "Jeanie" (as well ...

  • Biography

    Henry Burr

    Henry Burr was the pseudonym adopted by Canadian-born tenor Harry McClaskey (1882–1941) when he began making phonograph records in 1902. The record business was then so poorly regarded that some performers thought using their real names in the new industry could tarnish their reputations. Burr's forward-sounding, nasal voice quality made him instantly recognizable on records, even in the midst of a quartet or chorus. ...

  • Biography

    Enrico Caruso

    Enrico Caruso (1873—1921) was widely regarded as the finest oper atic tenor of his day; he certainly was the most famous. He was probably the fir st celebrity whose fame as a recording artist equaled the renown he enjoyed on t he stage. It is estimated that 5 million single-sided Caruso discs were sold dur ing his lifetime. Caruso’s first important performance was in ...

  • Biography

    Alma Gluck

    Alma Gluck (Reba Fiersohn) (1884–1938) was a Romanian-born soprano who, after working seven seasons for the Metropolitan Opera, devoted the remainder of her career to recording and concertizing. She recorded the first of over 150 titles for Victor in 1911. Her best-known disc was "Carry Me Back to Old Virginny." She was married to violinist Efrem Zimbalist, who often accompanied her on records.

  • Biography

    Ada Jones

    Ada Jones (1873–1922) began her recording career during the mid-1890s, but did not begin recording prolifically until 1905. By 1906 she was "probably the most popular phonograph singer in the world," according to historian Jim Walsh. She was essentially a singing comedienne whose specialty was dialect comedy of all sorts. Her depictions of a lower-class New York City Bowery maiden in the company of ...

  • Biography

    Harry Lauder

    Sir Harry Lauder (1870–1950) is best remembered for comic songs and rambling monologues performed in an intimate yet sometimes rousing manner in a thick Scottish brogue. Knighted in 1919, Scottish-born Lauder worked his way up from poverty to become one of the most popular entertainers of his time in Europe and America.

  • Biography

    Harry Macdonough

    Harry Macdonough (John Scantlebury Macdonald) (1871–1931) recorded both as a soloist and as a member of the prolific Haydn Quartet. The Canadian-born tenor made his first recordings in 1900 and reportedly appeared on over 1000 titles. He also worked as an assistant recording director for Victor Records.

  • Biography

    John McCormack

    John McCormack (1884–1945) was an Irish American tenor renowned for his renditions of sentimental Irish-themed songs. He also possessed a fine operatic voice and worked steadily on the opera stage during the early part of his career. Reportedly, he was a self-admitted poor actor and for this reason chose to focus his career on the concert stage and recording studio. McCormack's voice has been ...

  • Biography

    Nellie Melba

    Dame Nellie Melba (Helen Porter Armstrong, née Mitchell) (1861–1931) was born in Australia and as a child studied piano, violin, and harp. Her 1887 operatic debut in Brussels was an enormous success and she continued to perform in Europe to great acclaim. She debuted at the Metropolitan Opera in New York in 1893 and remained there until 1910. Her pure voice was described as ...

  • Biography

    Frank C. Stanley

    Frank C. Stanley (1868–1910), a powerful bass-baritone, began his career on records in 1891 as a banjoist, under his real name, William Stanley Grinsted. He adopted his pseudonym to protect his career as a singer of sacred music at a time when making phonograph records was considered low-class. Stanley was as equally at home singing sacred songs or performing "rube," or country, comedy sketches. ...

  • Biography

    Reinald Werrenrath

    Reinald Werrenrath (1883–1953) was an American baritone of great versatility who sang on several hundred Victor recordings, both as a soloist and as part of vocal ensembles. Among the groups in which he participated were the Orpheus Quartet, Lyric Quartet, Victor Light Opera Company, and Trinity Choir. Werrenrath performed for a few seasons at the Metropolitan Opera beginning in 1919. He also taught at ...

  • Biography

    Marie Cahill

    Marie Cahill (1870–1933) was an American singing comedienne who was popular both in vaudeville and on the Broadway stage. She was successful as the star of several Broadway musicals during the early 1900s, most notably Sally in Our Alley, in which she introduced the song "Under the Bamboo Tree." Among her twelve published Victor records is the first recording of a vocal blues selection ...

  • Biography

    Albert Campbell

    Albert Campbell (1872–1947), a lyric tenor, was a ubiquitous presence on recordings from the mid-1890s until 1924. He is best remembered for the many duets he recorded with Henry Burr. Campbell also recorded with Burr as part of the Peerless Quartet. Among his thousand-plus records, only a handful are solos.

  • Biography

    George Washington Johnson

    George W. Johnson (1846–1914) was the first African American to make phonograph records, for New Jersey Phonograph Company in 1890. His recorded oeuvre consisted of a small repertoire, mainly tunes such as "The Laughing Song," "The Whistling Coon," "The Laughing Coon," and "The Whistling Girl." During his recording career Johnson would record these selections dozens of times, for many different record companies, including Edison, ...

  • Biography

    Arthur Collins

    Arthur Collins (1864–1933) was a widely recorded baritone whose comic songs, especially "Preacher and the Bear," endeared him to many. Much of his material was termed "coon songs," a description he detested, but he performed it with great skill. He was also well known as half of the singing duo Collins and Harlan.