The Life of a City: Early Films of New York, 1898-1906
This collection contains forty-five films of New York dating from 1898 to 1906 from the Paper Print Collection of the Library of Congress. Of these, twenty-five were made by the American Mutoscope and Biograph Company, while the remaining twenty are Edison Company productions.
Library of Congress. Motion Picture, Broadcasting, and Recorded Sound Division - Paper Print Collection (Library of Congress) - Kleine (George) Collection (Library of Congress) - Theodore Roosevelt Association Collection (Library of Congress) - Afi/Post (George) Collection (Library of Congress) - Afi/Staples (Robert) & Charles (Barbara) Collection (Library of Congress) - Library of Congress. National Digital Library Program
Pioneer Cameramen - The Life of a City: Early Films of New York, 1898-1906 - Digital Collections
Thomas Edison's great pioneer cameraman and film-maker was Edwin S. Porter, creator of The Life of an American Fireman (1902-1903) and The Great Train Robbery (1903). Porter shot four of the films included in this collection (as well as eight of the McKinley films). Another Edison cameraman, James B. Smith, photographed seven. Of the Biograph films, Billy Bitzer, famous for his camera work with ...
The Actuality Film - The Life of a City: Early Films of New York, 1898-1906 - Digital Collections
The earliest popular venues for motion pictures were nickelodeons -- peep show parlors where machines played short film loops, or films on flip cards called mutoscopes, for individual viewers on demand. By the turn of the century, films were being shown in store-front theaters and traveling carnivals. Significantly, movies also began to be projected in vaudeville and burlesque theaters, sharing the bill with a ...