Collection Items

  • Web Page
    Digitizing the Collection - Origins of American Animation - Digital Collections The films included in Origins of American Animation were taken from several collections in the Motion Picture, Broadcasting and Recorded Sound Division. These include the Paper Print, American Film Institute/J. Stuart Blackton, A.F.I./Maurice Zouary, A.F.I./Frederick Edell, A.F.I./George Marshall, A.F.I./Dennis Atkinson, A.F.I./James Ashton, A.F.I./Rhode Island Historical Society, A.F.I./Thomas Souder, A.F.I./Bernard Uhl, Louise Ernst, George Kleine, and Cinémathèque Québécoise Collections. These films were previously released in ...
  • Web Page
    Related Resources - Origins of American Animation - Digital Collections Bendazzi, Giannalberto. Cartoons: One Hundred Years of Cinema Animation. Bloomington, Ind.: Indiana University Press, 1994. Canemaker, John. Winsor McCay: His Life and Art. New York: Abbeville Press, 1987. Crafton, Donald. Before Mickey: The Animated Film, 1898-1928. Cambridge, Mass.: MIT Press, 1982. Gifford, Denis. American Animated Films: 1897-1929. Jefferson, N.C.: McFarland and Company, Inc., 1990. Heraldson, Donald. Creators of Life: A History of Animation. New ...
  • Web Page
    Rights and Access - Origins of American Animation - Digital Collections The Library of Congress is providing access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or other rights holders (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory ...
  • Article
    Notes on the Origins of American Animation, 1900-1921 - Origins of American Animation - Digital Collections Animated drawings were introduced to film a full decade after George Méliès had demonstrated in 1896 that objects could be set in motion through single-frame exposures. J. Stuart Blackton's 1906 animated chalk experiment Humorous Phases of Funny Faces was followed by the imaginative works of Winsor McCay, who made between four thousand and ten thousand separate line drawings for each of his three one-reel ...