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    Gena Branscombe (1881-1977) Biography. Branscombe's compositional output includes some 150 art songs, piano and chamber music, a few orchestral works, and a large body of choral pieces. Her most important orchestral work is Quebec Suite from her unfinished opera The Bells of Circumstance. In addition to her many choral compositions for women's voices, she wrote Coventry's Choir (1962), which was widely performed in Great Britain. Her hymn, ...
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    " I Bring You Heartsease" by Gena Branscombe Article. Also published as a solo song, Branscombe's choral setting (SSA) was issued by Arthur P. Schmidt Co., Boston, in 1915. The text, written by the composer, refers to a variety of flowers shared by lovers in springtime. Heartsease, the progenitor of the cultivated pansy, was most likely the flower that yielded a powerful love potion in Shakespeare's A Midsummer Night's Dream. Branscombe's musical ...
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    " In Arcady by Moonlight" by Gena Branscombe Article. Also published as a solo song, Branscombe's choral setting (SSA) was issued by Arthur P. Schmidt Co., Boston, in 1914. The text is by Kendall Banning (1879-1914) and refers to a mythical utopian place, a pastoral vision in which all is in harmony with nature. The poem begins, "In Arcady by moonlight (where only lovers go), there is a pool where fairest of ...
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    "The Morning Wind" by Gena Branscombe Article. Also published as a solo song, Branscombe's choral setting (SSA) was issued by Arthur P. Schmidt Co., Boston, in 1914. The text is by Kendall Banning (1879-1944). The short piano introduction depicts the morning wind with an arpeggiated triplet figure in compound meter. The wind, the dawn, and "the land so fair" are wooing the narrator to explore "wherever roads may lead." The ...
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    " Ol' Marse Winter" by Gena Branscombe Article. Branscombe's SSA setting of poetry by Mary Alice Ogden (1858-1926) was published by Arthur P. Schmidt Co., Boston, in 1914. Ogden's verse was used by permission of The Smart Set Co., a New York literary and cultural magazine edited by H. L. Mencken and George Jean Nathan between 1914 and 1923. Branscombe sets the text, written in African-American dialect, to constant eighth notes, ...