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  • Film, Video
    Chimmie Hicks at the races
    Above the limit | Jimmy Hicks at the races
    Filming of a character sketch by the well-known vaudevillian Charles E. Grapewin. On a bare stage backed by a dark curtain, a man dressed in a three-piece suit and overcoat holds a racing program and excitedly watches a race supposedly taking place offstage. With enthusiastic jumping and other delighted pantomime, he makes it clear his horse has won the race. A second man in ...
    • Contributor: Grapewin, Charles - Armitage, F. S. - American Mutoscope and Biograph Company - Paper Print Collection (Library of Congress) - Niver (Kemp) Collection (Library of Congress)
    • Date: 1900
  • Film, Video
    Levi & Cohen, the Irish comedians
    Levi and Cohen, the Irish comedians
    Opens on a vaudeville or variety stage with a flat painted curtain of a stone fence and garden. On the right side of the stage sits a sign that reads "Zuzu Daffy, Singing Soubret." A boy in an usher's uniform crosses the stage and replaces the sign with one that reads "Levi and Cohen, Irish Comedians." The boy exits, and the curtain rises to ...
    • Contributor: Bitzer, G. W. - American Mutoscope and Biograph Company - Paper Print Collection (Library of Congress)
    • Date: 1903
  • Film, Video
    From show girl to burlesque queen
    Dressing room scene, from show girl to burlesque queen
    Opens on a dressing room set with a mirror, dressing table, and chair center stage and a folded dressing screen on the left. A smiling, dark-haired woman enters through the door on stage right, unbuttoning a full-length polka-dot costume. As she undresses, she frequently looks directly at the camera and smiles. She removes her sash or cummerbund, the top with its trailing sleeves, and ...
    • Contributor: Weed, A. E. - American Mutoscope and Biograph Company - Paper Print Collection (Library of Congress)
    • Date: 1903
  • Film, Video
    A tough dance
    Dance at McGurks | "Tough dance" at McGurks
    From either side of a white, apparently outdoors, setting enter a man and woman, both wearing ragged street clothes and caps. As they approach center stage, the man grabs the woman's arm and pulls her to him, then slaps her. Still holding her arm, the man and his partner cockily strut towards the camera. The man grabs the woman in a crouched, bear-hug type ...
    • Contributor: Kid Foley - Sailor Lil - Bonine, R. (Robert K.) - American Mutoscope and Biograph Company - Paper Print Collection (Library of Congress)
    • Date: 1902
  • Film, Video
    A wake in "Hell's Kitchen"
    Wake in "Hell's Kitchen" [New York City]
    Takes place on a rather plain room set, with a single religious picture and a coat hanging from the plain, white walls. An open coffin sits in the center of the room, with its lid leaning against the back wall. An older, grey-haired woman--presumably the widow--stands holding a bunch of flowers to the left of the coffin, wailing and wiping away her tears with ...
    • Contributor: Marvin, Arthur W. - American Mutoscope and Biograph Company - Paper Print Collection (Library of Congress)
    • Date: 1900
  • Film, Video
    Duel scene, "By right of sword"
    By right of sword
    Opens on a stage with a painted backdrop of a lake surrounded by forest. A bearded man wrapped in a dark cloak and wearing a dark fur shako--apparently the novel's character of Major Devinsky--stands stage left. Behind him, a group of three soldiers move about impatiently, watching for someone offstage. According to Marchmont's story, the men should be late 19th century Russian soldiers, but ...
    • Contributor: Weed, A. E. - Stuart, Ralph - American Mutoscope and Biograph Company - Paper Print Collection (Library of Congress)
    • Date: 1904
  • Film, Video
    Stealing a dinner
    Stealing a dinner by dogs
    A man sits at the dinner table, with a row of dogs behind him and a black dog sitting near the table in the foreground. When the master rings a bell for service, a dog enters on her hind legs dressed in a servant's cap and apron. As she hops toward the table, however, a cat jumps upon the surface. The master tosses the ...
    • Contributor: Leonidas - Bitzer, G. W. - American Mutoscope and Biograph Company - Paper Print Collection (Library of Congress)
    • Date: 1903
  • Film, Video
    The society raffles Opens on a set of a nicely-decorated living room, with a door stage left and a settee in front of an open window in the foreground. A middle-aged man with greying hair and a mustache, wearing formal evening clothes, enters the room, looks around, and seems relieved to find it empty. He crosses to the window and signals, and a roughly-dressed "tough" appears. The ...
    • Contributor: Dobson, F. A. - American Mutoscope and Biograph Company - Paper Print Collection (Library of Congress)
    • Date: 1905
  • Film, Video
    A frontier flirtation
    Frontier flirtation, or how the tenderfoot won out | How the tenderfoot won out
    Opens on a stage with a painted backdrop of a forest or garden. On a park bench center stage sits a well-dressed woman with a dark veil obscuring her face, holding an open parasol overhead and a closed fan in her lap. A mustached cowboy enters, dressed in fringed chaps, boots, Western hat, neck kerchief, and pistol belt. When he spies the woman, he ...
    • Contributor: Bitzer, G. W. - American Mutoscope and Biograph Company - Paper Print Collection (Library of Congress)
    • Date: 1903
  • Film, Video
    A gesture fight in Hester Street
    Gesture fight
    Opens on a street scene with a sidewalk and backdrop of storefronts, including a liquor store and pharmacy, apparently meant to represent Hester Street in New York City. A bearded, dark-haired street peddler in a long dark coat and hat hawks suspenders and perhaps neckties. A young woman in a long skirt and long-sleeved white blouse with a flowered hat walks quickly past, and ...
    • Contributor: Marvin, Arthur W. - American Mutoscope and Biograph Company - Paper Print Collection (Library of Congress)
    • Date: 1903
  • Film, Video
    Spirit of '76 Dramatic recreation of the ca. 1875 painting "The spirit of '76" by Archibald M. Willard. Film opens on a stage with a painted backdrop of a battlefield and stage props of dirt, stones, and a broken wagon wheel. From stage left marches a trio of Revolutionary soldiers in a fife and drum corps. As in the painting, the center drummer is a tall, older, ...
    • Contributor: Bitzer, G. W. - American Mutoscope and Biograph Company - Paper Print Collection (Library of Congress) - Willard, Archibald M.
    • Date: 1905
  • Film, Video
    The chimney sweep and the miller
    Good scrap the sweep & miller | Sweep & miller
    Filming of a popular vaudeville gag. Opens on a stage with a painted backdrop of a lake and forest. From opposite sides of the stage enter a chimney sweep, covered from head to toe with black soot and carrying a folding broom and black sack, and a miller, dressed completely in white and carrying a white sack. The two men bump into each other ...
    • Contributor: Marvin, Arthur W. - American Mutoscope and Biograph Company - Paper Print Collection (Library of Congress) - Niver (Kemp) Collection (Library of Congress)
    • Date: 1902
  • Film, Video
    The serenaders Opens on a stage set of a two-story brick building. Two street serenaders in rather shabby clothes stand outside the building, one playing a trombone and the other what appears to be a clarinet. A young woman appears in the upstairs window and looks down smiling on the two suitors. She soon favors and encourages the trombonist by throwing kisses and clutching her chest, ...
    • Contributor: Bitzer, G. W. - American Mutoscope and Biograph Company - Paper Print Collection (Library of Congress)
    • Date: 1899
  • Film, Video
    Pity the blind, no. 2 Filmed version of a popular vaudeville gag, as if from the audience of a variety theater. A boy, holding a sign under his arm, leads a man onto a stage with a painted backdrop of a city street corner. With his dark glasses and cane, the man is apparently blind. He kneels down slightly left of center stage and lays down his hat and ...
    • Contributor: Weed, A. E. - American Mutoscope and Biograph Company - Paper Print Collection (Library of Congress) - Niver (Kemp) Collection (Library of Congress)
    • Date: 1904
  • Film, Video
    Alphonse and Gaston, no. 3
    Alphonse and Gaston 3 | Alphonse & Gaston | Alphonse and Gaston take a dancing lesson
    Opens on a set of a saloon or tavern with a long bar and pictures on the wall that include boxers, a ballerina, and a reclining female. At the end of the bar stands the bartender, reading a newspaper. Two men dressed as the clownish characters of Alphonse and Gaston enter the bar. Both have dark, bushy hair and beards and wear hats, with ...
    • Contributor: Weed, A. E. - American Mutoscope and Biograph Company - Paper Print Collection (Library of Congress)
    • Date: 1903
  • Film, Video
    The boys think they have one on Foxy Grandpa, but he fools them
    Foxy Grandpa plays banjo as well as he dances | Boys think they have one on Grandpa
    Opens on a stage with a stone fence and a painted backdrop of a forest or garden. In front of the fence is a bench, on which sits Joseph Hart as the cartoon character of Foxy Grandpa, reading a newspaper or magazine. He sports a bald pate with white bushy hair on the sides, a large bulbous nose, and a potbelly, and wears spats ...
    • Contributor: Hart, Joseph - Bonine, R. (Robert K.) - American Mutoscope and Biograph Company - Paper Print Collection (Library of Congress)
    • Date: 1902
  • Film, Video
    Fights of nations
    Fight of nations
    Part 1: In "Mexico and Spain," a man dressed as a Mexican peasant spies on a happy young woman and her suitor, who wears a fancy Spanish, matador-style outfit. The woman dances for her companion, then the couple embrace and sit on a stone bench, holding hands. The jealous peasant rises from his hiding place to stab his rival, but the woman grabs his ...
    • Contributor: Bitzer, G. W. - American Mutoscope and Biograph Company - Paper Print Collection (Library of Congress)
    • Date: 1907
  • Film, Video
    A ballroom tragedy
    Ball room tragedy
    Opens on a set of a sitting room, apparently off a ballroom where dancers occasionally can be glimpsed through a curtained entrance stage right. Near the entrance, a young couple in formal attire talk--perhaps angrily--as another couple exit the dancing. The second man introduces his companion--a striking woman in a risqué white gown with a low-cut bodice and bare shoulders--to the other man and ...
    • Contributor: Bitzer, G. W. - American Mutoscope and Biograph Company - Paper Print Collection (Library of Congress)
    • Date: 1905
  • Film, Video
    Mr. Jack in the dressing room
    Mr. Jack visits the dressing room | Mister Jack in the dressing room
    Opens on a stage set of the interior of a theatrical dressing room. Along a bar that serves as a dressing table sit three costumed young women adjusting their hair and makeup in three mirrors hanging from the wall. Two of the women wear very short outfits that show their stockinged legs; the third woman is dressed in a ruffled dress to the knee. ...
    • Contributor: Weed, A. E. - American Mutoscope and Biograph Company - Paper Print Collection (Library of Congress) - Niver (Kemp) Collection (Library of Congress)
    • Date: 1904
  • Film, Video
    Happy Hooligan
    Happy Hooligan interferes
    Opens on a stage set of a house exterior, complete with a door, window, and ivy on the walls. In front of the house, an organ-grinder plays as Happy Hooligan listens and claps along merrily. The Hooligan character is dressed as a tramp in a ragged and torn suit, and sports a bald pate with an incredibly tiny hat perched atop it. A middle-aged ...
    • Contributor: Bitzer, G. W. - American Mutoscope and Biograph Company - Paper Print Collection (Library of Congress) - Niver (Kemp) Collection (Library of Congress)
    • Date: 1903
  • Film, Video
    The sculptor's nightmare At a political club, the members debate whose bust will replace that of Theodore Roosevelt. Unable to agree, each goes to a sculptor's studio and bribes him to sculpt a bust of the individual favorite. Instead, the sculptor spends their fees on a dinner with his model during which he becomes so inebriated that he is taken to jail. There he has a nightmare, ...
    • Contributor: McCutcheon, Wallace - Bitzer, G. W. - Sennett, Mack - Solter, Harry L. - O'sullivan, Tony - Dillon, Edward - Griffith, D. W. (David Wark) - American Mutoscope and Biograph Company - Paper Print Collection (Library of Congress)
    • Date: 1908
  • Film, Video
    The skyscrapers of New York
    Skyscrapers
    This melodrama was filmed during the actual construction of a skyscraper in New York City, and includes several scenes of real work crews: a line of bricklayers [Frame: 1773 (part 1)], a man heating rivets in a forge [2459 (part 1)], riveters assembling steel girders [2859 (part 1)], men astride the steel framework maneuvering and setting a girder in place [3930 (part 1)], and ...
    • Contributor: Dobson, F. A. - American Mutoscope and Biograph Company - Paper Print Collection (Library of Congress)
    • Date: 1906
  • Film, Video
    Foxy Grandpa and Polly in a little hilarity
    Grandpa & Polly in a little hilarity (dance)
    Opens on a stage with a stone fence and a painted backdrop of a forest or garden. Husband and wife team of Hart and DeMar as cartoon characters Foxy Grandpa and Polly enter hand-in-hand from behind the fence. Grandpa has a bald pate with bushy white hair on the sides, a big bulbous nose, and a potbelly, dressed in a light-colored suit with a ...
    • Contributor: Hart, Joseph - Demar, Carrie - Bonine, R. (Robert K.) - American Mutoscope and Biograph Company - Paper Print Collection (Library of Congress) - Brady, William A. - Bunny
    • Date: 1902
  • Film, Video
    Kiss me Opens on a stage set of a street with a sidewalk and a high fence completely covered with female burlesque troupe posters. The four posters visible advertise actual contemporary burlesquers Fred Irwin's Majestics, Rose Sydell (of her London Belles), Phil Sheridan's New City Sports (with the tag line "Ain't we three birds"), and the Rentz-Santley Co. One of the center posters--that for Rose Sydell--features ...
    • Contributor: Weed, A. E. - American Mutoscope and Biograph Company - Paper Print Collection (Library of Congress)
    • Date: 1904
  • Film, Video
    2 a.m. in the subway
    Two a.m. in the subway
    Opens on a set of a subway platform, with two tracks on either side and stairs leading up to the exit. A policeman stretches and wearily sits on a box or crate, as a uniformed conductor awaits a train. A subway car arrives on the left side of the platform and the conductor opens the door. A well-dressed man with a cigar in his ...
    • Contributor: Bitzer, G. W. - American Mutoscope and Biograph Company - Paper Print Collection (Library of Congress)
    • Date: 1905
  • Film, Video
    As in a looking glass
    How Tommy got a pull on his grandpa
    Opens on a split stage set of two rooms with a door and wall between them. In the living or dining room on the left of the frame, an elderly, bearded man sits at a table, reading the newspaper. In the bedroom on the right, a boy in a suit with short pants attaches a long string to the end of a dresser drawer, ...
    • Contributor: Armitage, F. S. - American Mutoscope and Biograph Company - Paper Print Collection (Library of Congress)
    • Date: 1903