Street car chivalry
"Scene shows interior of crowded street-car. A young lady enters and every man in the car offers her his seat. Presently an elderly stout lady with arm full of bundles enters. All male passengers immediately bury their faces in their papers, while the lady swings on the strap. A sudden jerk of the car lands her in the lap of a dude, much to ...
Thomas A. Edison, Inc - Paper Print Collection (Library of Congress) - Niver (Kemp) Collection (Library of Congress)
A frontier flirtation
Frontier flirtation, or how the tenderfoot won out | How the tenderfoot won out
Opens on a stage with a painted backdrop of a forest or garden. On a park bench center stage sits a well-dressed woman with a dark veil obscuring her face, holding an open parasol overhead and a closed fan in her lap. A mustached cowboy enters, dressed in fringed chaps, boots, Western hat, neck kerchief, and pistol belt. When he spies the woman, he ...
Bitzer, G. W. - American Mutoscope and Biograph Company - Paper Print Collection (Library of Congress)
The messenger boy's mistake
From Edison films catalog: "Cholly" wishes to call on his best girl and send her a large bouquet. To find out if the girl really loves him, he sends a note with the messenger boy requesting her to "wear this" if she does. The boy delivers the note and a package which the young lady opens and finds an old pair of trousers and ...
Thomas A. Edison, Inc - Paper Print Collection (Library of Congress)
Opens on a stage set of a street with a sidewalk and a high fence completely covered with female burlesque troupe posters. The four posters visible advertise actual contemporary burlesquers Fred Irwin's Majestics, Rose Sydell (of her London Belles), Phil Sheridan's New City Sports (with the tag line "Ain't we three birds"), and the Rentz-Santley Co. One of the center posters--that for Rose Sydell--features ...
Weed, A. E. - American Mutoscope and Biograph Company - Paper Print Collection (Library of Congress)