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  • Film, Video
    Charm Dance from "L'Ag'Ya" This clip was filmed on 16mm at the Studebaker Theater, Chicago by Ann Barzel in 1947.The film is a compilation of excepts from Tropical Revue and includes sections of Tropics; Son; Nañig; Choros #1; Haitian Roadside; Street Scene; Shango; L’Ag’Ya (Market Scene, Pas de Deux, Mazouk, Beguine, Charm Dance, Ag’ya fight, and the beginning of the death scene. The ag’ya fight is performed by...
  • Film, Video
    Ag'Ya Fight from "L'Ag'Ya" This clip was filmed on 16mm at the Studebaker Theater, Chicago by Ann Barzel in 1947.The film is a compilation of excepts from Tropical Revue and includes sections of Tropics; Son; Nañig; Choros #1; Haitian Roadside; Street Scene; Shango; L’Ag’Ya (Market Scene, Pas de Deux, Mazouk, Beguine, Charm Dance, Ag’ya fight, and the beginning of the death scene. The ag’ya fight is performed by...
  • Film, Video
    Mazouk from "L'Ag'Ya" Originally recorded on 16mm at various performances between 1943-1944, the film contains sections of Dunham works Tropics (6 minutes), with Miss Dunham as the Woman with the Cigar; Son (2 minutes); Rara tonga (4 minutes); Rhumba Jive (2 minutes), title also given as Rumba with a Little Jive Mixed In); Choros #1 (2 minutes); Batacuda (1 minute); Bolero (1 minute); L’Ag’Ya (10 minutes) Market...
  • Film, Video
    Katherine Dunham on "L'Ag'Ya" In this series of clips recorded in September 2002, Katherine Dunham speaks about her influence on American dance; dance anthropology; her anthropological films; Shango; L’Ag’Ya; the Mazouk from L’Ag’Ya; the need for a Dunham Technique; breathing in Dunham Technique; the circle of energy; the concept of the “pole through the body” in Dunham Technique; the hand in Dunham Technique; the position of the arm...
  • Film, Video
    Ag'ya, Martinique Fieldwork, 1936 motion picture | Duration: 0:52:21 | Filmed in Martinique by Katherine Dunham in 1936 on 16mm, this clip features the combat dance ag’ya. The film is a compilation of travel and dance footage in Martinique and Jamaica. The footage of Martinique features scenes of the capital of Fort de France as well as the towns of Saint Pierre and Vauclin. The dance footage includes...
  • Film, Video
    Ag'ya, Martinique Fieldwork, 1936 motion picture | Duration: 1:52:04 | Filmed in Martinique by Katherine Dunham in 1936 on 16mm, this clip features the combat dance ag’ya. The film is a compilation of travel and dance footage in Martinique and Jamaica. The footage of Martinique features scenes of the capital of Fort de France as well as the towns of Saint Pierre and Vauclin. The dance footage includes...
  • Film, Video
    Ag'ya, Martinique Fieldwork, 1936 motion picture | Duration: 0:52:21 | Filmed in Martinique by Katherine Dunham in1936 on 16mm, this clip features the combat dance ag’ya. The film is a compilation of travel and dance footage in Martinique and Jamaica. The footage of Martinique features scenes of the capital of Fort de France as well as the towns of Saint Pierre and Vauclin. The dance footage includes extensive...
  • Film, Video
    Pas de Deux from "L'Ag'Ya" Originally recorded on 16mm at various performances between 1943-1944, the film contains sections of Dunham works Tropics (6 minutes), with Miss Dunham as the Woman with the Cigar; Son (2 minutes); Rara Tonga (4 minutes); Rhumba Jive (2 minutes), title also given as Rumba with a Little Jive Mixed In); Choros #1 (2 minutes); Batacuda (1 minute); Bolero (1 minute); L’Ag’Ya (10 minutes) Market...
  • Film, Video
    Katherine Dunham on "Mazouk" from "L'Ag'Ya" In this series of clips recorded in September 2002, Katherine Dunham speaks about her influence on American dance; dance anthropology; her anthropological films; Shango; L’Ag’Ya; the Mazouk from L’Ag’Ya; the need for a Dunham Technique; breathing in Dunham Technique; the circle of energy; the concept of the “pole through the body” in Dunham Technique; the hand in Dunham Technique; the position of the arm...
  • Film, Video
    Katherine Dunham on her influence on American dance In a series of clips recorded in September 2002, Katherine Dunham speaks about her influence on American dance; dance anthropology; her anthropological films; Shango; L’Ag’Ya; the Mazouk from L’Ag’Ya; the need for a Dunham Technique; breathing in Dunham Technique; the circle of energy; the concept of the “pole through the body” in Dunham Technique; the hand in Dunham Technique; the position of the arm...
  • Film, Video
    Katherine Dunham on dance anthropology In this series of clips recorded in September 2002, Katherine Dunham speaks about her influence on American dance; dance anthropology; her anthropological films; Shango; L’Ag’Ya; the Mazouk from L’Ag’Ya; the need for a Dunham Technique; breathing in Dunham Technique; the circle of energy; the concept of the “pole through the body” in Dunham Technique; the hand in Dunham Technique; the position of the arm...
  • Film, Video
    Katherine Dunham on her anthropological films In this series of clips recorded in September 2002, Katherine Dunham speaks about her influence on American dance; dance anthropology; her anthropological films; Shango; L’Ag’Ya; the Mazouk from L’Ag’Ya; the need for a Dunham Technique; breathing in Dunham Technique; the circle of energy; the concept of the “pole through the body” in Dunham Technique; the hand in Dunham Technique; the position of the arm...
  • Film, Video
    Katherine Dunham on "Shango" In this series of clips recorded in September 2002, Katherine Dunham speaks about her influence on American dance; dance anthropology; her anthropological films; Shango; L’Ag’Ya; the Mazouk from L’Ag’Ya; the need for a Dunham Technique; breathing in Dunham Technique; the circle of energy; the concept of the “pole through the body” in Dunham Technique; the hand in Dunham Technique; the position of the arm...
  • Film, Video
    Katherine Dunham on need for Dunham Technique In this series of clips recorded in September 2002, Katherine Dunham speaks about her influence on American dance; dance anthropology; her anthropological films; Shango; L’Ag’Ya; the Mazouk from L’Ag’Ya; the need for a Dunham Technique; breathing in Dunham Technique; the circle of energy; the concept of the “pole through the body” in Dunham Technique; the hand in Dunham Technique; the position of the arm...
  • Film, Video
    Katherine Dunham on breathing in Dunham Technique In this series of clips recorded in September 2002, Katherine Dunham speaks about her influence on American dance; dance anthropology; her anthropological films; Shango; L’Ag’Ya; the Mazouk from L’Ag’Ya; the need for a Dunham Technique; breathing in Dunham Technique; the circle of energy; the concept of the “pole through the body” in Dunham Technique; the hand in Dunham Technique; the position of the arm...
  • Film, Video
    Katherine Dunham on the Circle of Energy In this series of clips recorded in September 2002, Katherine Dunham speaks about her influence on American dance; dance anthropology; her anthropological films; Shango; L’Ag’Ya; the Mazouk from L’Ag’Ya; the need for a Dunham Technique; breathing in Dunham Technique; the circle of energy; the concept of the “pole through the body” in Dunham Technique; the hand in Dunham Technique; the position of the arm...
  • Film, Video
    Katherine Dunham on the "pole through the body" in Dunham Technique In this series of clips recorded in September 2002, Katherine Dunham speaks about her influence on American dance; dance anthropology; her anthropological films; Shango; L’Ag’Ya; the Mazouk from L’Ag’Ya; the need for a Dunham Technique; breathing in Dunham Technique; the circle of energy; the concept of the “pole through the body” in Dunham Technique; the hand in Dunham Technique; the position of the arm...
  • Film, Video
    Katherine Dunham on the hand in Dunham Technique In this series of clips recorded in September 2002, Katherine Dunham speaks about her influence on American dance; dance anthropology; her anthropological films; Shango; L’Ag’Ya; the Mazouk from L’Ag’Ya; the need for a Dunham Technique; breathing in Dunham Technique; the circle of energy; the concept of the “pole through the body” in Dunham Technique; the hand in Dunham Technique; the position of the arm...
  • Film, Video
    Katherine Dunham on positioning of the arm in Dunham Technique In this series of clips recorded in September 2002, Katherine Dunham speaks about her influence on American dance; dance anthropology; her anthropological films; Shango; L’Ag’Ya; the Mazouk from L’Ag’Ya; the need for a Dunham Technique; breathing in Dunham Technique; the circle of energy; the concept of the “pole through the body” in Dunham Technique; the hand in Dunham Technique; the position of the arm...
  • Film, Video
    Katherine Dunham on the use of the foot in Dunham Technique In this series of clips recorded in September 2002, Katherine Dunham speaks about her influence on American dance; dance anthropology; her anthropological films; Shango; L’Ag’Ya; the Mazouk from L’Ag’Ya; the need for a Dunham Technique; breathing in Dunham Technique; the circle of energy; the concept of the “pole through the body” in Dunham Technique; the hand in Dunham Technique; the position of the arm...
  • Film, Video
    Shango This clip was filmed on 16mm at the Studebaker Theater, Chicago by Ann Barzel in 1947.The film is a compilation of excepts from Tropical Revue and includes sections of Tropics; Son; Nañig; Choros #1; Haitian Roadside; Street Scene; Shango; L’Ag’Ya (Market Scene, Pas de Deux, Mazouk, Beguine, Charm Dance, Ag’ya fight, and the beginning of the death scene). The ag’ya fight is performed by...
  • Film, Video
    Batucada Originally recorded on 16mm at various performances between 1943-1944, the film contains sections of Dunham works Tropics (6 minutes), with Miss Dunham as the Woman with the Cigar; Son (2 minutes); Rara Tonga (4 minutes); Rhumba Jive (2 minutes), title also given as Rumba with a Little Jive Mixed In); Choros #1 (2 minutes); Batacuda (1 minute); Bolero (1 minute); L’Ag’Ya (10 minutes) Market...
  • Film, Video
    Barrelhouse This clip was originally recorded on 16mm in 1941. The remaining sections of Dunham works on this film were captured between 1943 and 1944 and include Tropics (6 minutes), with Miss Dunham as the Woman with the Cigar; Son (2 minutes); Rara Tonga (4 minutes); Rhumba Jive (2 minutes), title also given as Rumba with a Little Jive Mixed In); Choros #1 (2 minutes);...
  • Film, Video
    Cakewalk Originally recorded on 16mm at various performances between 1943-1944, the film contains sections of Dunham works Tropics (6 minutes), with Miss Dunham as the Woman with the Cigar; Son (2 minutes); Rara Tonga (4 minutes); Rhumba Jive (2 minutes), title also given as Rumba with a Little Jive Mixed In); Choros #1 (2 minutes); Batacuda (1 minute); Batacuda (1 minute); Bolero (1 minute); L’Ag’Ya...