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Photo, Print, Drawing Robert Griffin is no spray-painting vandal. Like thousands of other visitors to the "Cadillac Ranch" along Old U.S. Route 66 outside Amarillo, Texas, he is encouraged to bring a along a spray can to add a touch or two to the unusual public art installation. Thus the overall look remains the same over time, but the details change daily

[ original digital file ]

About this Item

Title

  • Robert Griffin is no spray-painting vandal. Like thousands of other visitors to the "Cadillac Ranch" along Old U.S. Route 66 outside Amarillo, Texas, he is encouraged to bring a along a spray can to add a touch or two to the unusual public art installation. Thus the overall look remains the same over time, but the details change daily

Names

  • Highsmith, Carol M., 1946-, photographer

Created / Published

  • 2013-02-04.

Headings

  • -  United States--Texas--Amarillo
  • -  Cadillac Ranch
  • -  U.S. 66
  • -  Route 66
  • -  Texas panhandle
  • -  Stanley Marsh
  • -  Chip Lord
  • -  Hudson Marquez
  • -  Doug Michels
  • -  Ant Farm
  • -  America

Headings

  • Digital photographs--Color--2010-2020.

Genre

  • Digital photographs--Color--2010-2020

Notes

  • -  Title, date, and keywords based on information provided by the photographer.
  • -  The sculpture, a roadside attraction in the Texas panhandle, was executed by Chip Lord, Hudson Marquez and Doug Michels, who were a part of the art group Ant Farm. It consists of what were (when originally installed during 1974) either older running used or junk Cadillac automobiles, representing a number of evolutions of the car line (most notably the birth and death of the defining feature of mid-20th century Cadillacs; the tailfins) from 1949 to 1963, half-buried nose-first in the ground, at an angle corresponding to that of the Great Pyramid of Giza in Egypt.
  • -  Credit line: The Lyda Hill Texas Collection of Photographs in Carol M. Highsmith's America Project, Library of Congress, Prints and Photographs Division.
  • -  Gift; The Lyda Hill Foundation; 2014; (DLC/PP-2014:054).
  • -  Forms part of: Lyda Hill Texas Collection of Photographs in Carol M. Highsmith's America Project in the Carol M. Highsmith Archive.

Medium

  • 1 photograph : digital, tiff file, color.

Call Number/Physical Location

  • LC-DIG-highsm- 29259 (ONLINE) [P&P]

Source Collection

  • Highsmith, Carol M., 1946- Carol M. Highsmith Archive.

Repository

Digital Id

  • highsm 29259 //hdl.loc.gov/loc.pnp/highsm.29259

Library of Congress Control Number

  • 2014633459

Reproduction Number

  • LC-DIG-highsm-29259 (original digital file)

Rights Advisory

  • No known restrictions on publication.

Online Format

  • image

Additional Metadata Formats

IIIF Presentation Manifest

Rights & Access

The Library of Congress does not own rights to material in its collections. Therefore, it does not license or charge permission fees for use of such material and cannot grant or deny permission to publish or otherwise distribute the material.

Ultimately, it is the researcher's obligation to assess copyright or other use restrictions and obtain permission from third parties when necessary before publishing or otherwise distributing materials found in the Library's collections.

For information about reproducing, publishing, and citing material from this collection, as well as access to the original items, see: Carol M. Highsmith - Rights and Restrictions Information

  • Rights Advisory: No known restrictions on publication.
  • Reproduction Number: LC-DIG-highsm-29259 (original digital file)
  • Call Number: LC-DIG-highsm- 29259 (ONLINE) [P&P]
  • Access Advisory: ---

Obtaining Copies

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You can download online images yourself. Alternatively, you can purchase copies of various types.

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Purchasing Copies

Library of Congress Duplication Services can make copies of various types from images in Prints & Photographs Division Collections. Price lists, contact information, and order forms are available on the Duplication Services Web site.

Carol M. Highsmith sells prints of her photographs at: http://photographsamerica.com/ External .

Access to Originals

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      As a preservation measure, we generally do not serve an original item when a digital image is available. If you have a compelling reason to see the original, consult with a reference librarian. (Sometimes, the original is simply too fragile to serve. For example, glass and film photographic negatives are particularly subject to damage. They are also easier to see online where they are presented as positive images.)
    • No, the item is not digitized. Please go to #2.
  2. Do the Access Advisory or Call Number fields above indicate that a non-digital surrogate exists, such as microfilm or copy prints?

    • Yes, another surrogate exists. Reference staff can direct you to this surrogate.
    • No, another surrogate does not exist. Please go to #3.
  3. If you do not see a thumbnail image or a reference to another surrogate, please fill out a call slip in the Prints and Photographs Reading Room. In many cases, the originals can be served in a few minutes. Other materials require appointments for later the same day or in the future. Reference staff can advise you in both how to fill out a call slip and when the item can be served.

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Cite This Item

Citations are generated automatically from bibliographic data as a convenience, and may not be complete or accurate.

Chicago citation style:

Highsmith, Carol M, photographer. Robert Griffin is no spray-painting vandal. Like thousands of other visitors to the "Cadillac Ranch" along Old U.S. Route 66 outside Amarillo, Texas, he is encouraged to bring a along a spray can to add a touch or two to the unusual public art installation. Thus the overall look remains the same over time, but the details change daily. Amarillo United States Texas, 2013. -02-04. Photograph. https://www.loc.gov/item/2014633459/.

APA citation style:

Highsmith, C. M., photographer. (2013) Robert Griffin is no spray-painting vandal. Like thousands of other visitors to the "Cadillac Ranch" along Old U.S. Route 66 outside Amarillo, Texas, he is encouraged to bring a along a spray can to add a touch or two to the unusual public art installation. Thus the overall look remains the same over time, but the details change daily. Amarillo United States Texas, 2013. -02-04. [Photograph] Retrieved from the Library of Congress, https://www.loc.gov/item/2014633459/.

MLA citation style:

Highsmith, Carol M, photographer. Robert Griffin is no spray-painting vandal. Like thousands of other visitors to the "Cadillac Ranch" along Old U.S. Route 66 outside Amarillo, Texas, he is encouraged to bring a along a spray can to add a touch or two to the unusual public art installation. Thus the overall look remains the same over time, but the details change daily. -02-04. Photograph. Retrieved from the Library of Congress, <www.loc.gov/item/2014633459/>.