Manuscript/Mixed Material Adeus Ulina = Farewell Ulina [textual and melodic transcriptions]. Adeus Ulina, que de ti me auzento / Farewell Ulina, for I am leaving you
About this Item
- Adeus Ulina = Farewell Ulina [textual and melodic transcriptions].
- Other Title
- Adeus Ulina, que de ti me auzento
- Farewell Ulina, for I am leaving you
- Contributor Names
- Avila, Alice Lemos, transcriber.
- Created / Published
- [1938 or 1939]
- Subject Headings
- - Love songs--Texts
- - Music--Manuscripts
- - Songs, Portuguese--Scores
- - Songs, Portuguese--Texts
- - Songs, Portuguese--Translations into English--Texts
- - Textual Portuguese and melodic transcriptions of song, with English translation by Alice Lemos Avila.
- - In Portuguese and English.
- - Forms part of a group of field materials documenting Alice Lemos Avila and friends performing Portuguese songs and music from December 31, 1938 through April 12, 1939, collected by Sidney Robertson Cowell in Oakland, California.
- 3 p.
- Source Collection
- Forms part of: W.P.A. California Folk Music Project collection
- Library of Congress Archive of Folk Culture, American Folklife Center, 101 Independence Ave. S.E., Washington, DC USA 20540-4610 http://hdl.loc.gov/loc.afc/folklife.home
- Digital Id
- Library of Congress Control Number
- Online Format
- online text
- Textual Portuguese and melodic transcriptions of song, with English translation by Alice Lemos Avila. In Portuguese and English. Forms part of a group of field materials documenting Alice Lemos Avila and friends performing Portuguese songs and music from December 31, 1938 through April 12, 1939, collected by Sidney Robertson Cowell in Oakland, California.
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- Additional Metadata Formats
- MARCXML Record
- MODS Record
- Dublin Core Record
- IIIF Presentation Manifest
- Manifest (JSON/LD)
The Library of Congress is not aware of any U.S. copyright protection (see Title 17, U.S.C.) or any other restrictions in the material in this collection, except as noted below. Users should keep in mind that the Library of Congress is providing access to these materials strictly for educational and research purposes. The written permission of the copyright owners and/or other holders of rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemptions. Responsibility for making an independent legal assessment of an item and securing any necessary permissions ultimately rests with persons desiring to use the item. See our Legal Notices and Privacy and Publicity Rights for additional information and restrictions.
The American Folklife Center and the professional fieldworkers who carry out these projects feel a strong ethical responsibility to the people they have visited and who have consented to have their lives documented for the historical record. The Center asks that researchers approach the materials in this collection with respect for the culture and sensibilities of the people whose lives, ideas, and creativity are documented here. Researchers are also reminded that privacy and publicity rights may pertain to certain uses of this material.
The sound recordings were collected by a field researcher employed by the U.S. Government under the auspices of the WPA from 1938 to 1940 (Works Progress Administration Official Project Number 665-08-3-30, Unit A25). Transcriptions of the sound recordings were prepared by U.S. Government employees. Generally speaking, works created by U.S. Government employees are not eligible for copyright protection in the United States. Note, however, that the persons interviewed or whose words were transcribed were not employees of the U.S. Government. Privacy and publicity rights may apply. While the Library is not aware of any copyright in the materials in this collection, users should be aware of possible rights particularly in the underlying works in the sound recordings.
The Library would like to hear from individuals or institutions that have information about these materials or have additional information about their history.
Researchers or others who would like to make further use of these collection materials should contact the Folklife Reading Room for assistance.
W.P.A. California Folk Music Project collection (AFC 1940/001), American Folklife Center, Library of Congress
Citations are generated automatically from bibliographic data as a convenience, and may not be complete or accurate.
Chicago citation style:
Adeus Ulina = Farewell Ulina textual and melodic transcriptions. [or 1939, 1938] Manuscript/Mixed Material. https://www.loc.gov/item/2017701068/.
APA citation style:
(1938) Adeus Ulina = Farewell Ulina textual and melodic transcriptions. [or 1939] [Manuscript/Mixed Material] Retrieved from the Library of Congress, https://www.loc.gov/item/2017701068/.
MLA citation style:
Adeus Ulina = Farewell Ulina textual and melodic transcriptions. [or 1939, 1938] Manuscript/Mixed Material. Retrieved from the Library of Congress, <www.loc.gov/item/2017701068/>.