Top of page

Book/Printed Material Impersonations : the artifice of Brahmin masculinity in South Indian dance

About this Item

Title

  • Impersonations : the artifice of Brahmin masculinity in South Indian dance

Summary

  • "Impersonations: The Artifice of Brahmin Masculinity in South Indian Dance centers on an insular community of Smarta Brahmin men from the Kuchipudi village in Telugu-speaking South India who are required to don stri-vesam (woman's guise) and impersonate female characters from Hindu religious narratives. Impersonation is not simply a gender performance circumscribed to the Kuchipudi stage, but a practice of power that enables the construction of hegemonic brahmin masculinity in everyday village life. However, the power of the brahmin male body in stri-vesam is highly contingent, particularly on account of the expansion of Kuchipudi in the latter half of the twentieth century from a localized village performance to a transnational Indian dance form. This book analyzes the practice of impersonation across a series of boundaries--village to urban, brahmin to non-brahmin, hegemonic to non-normative--to explore the artifice of brahmin masculinity in contemporary South Indian dance"--Provided by publisher.

Names

  • Kamath, Harshita Mruthinti, 1982- author

Created / Published

  • Oakland, California : University of California Press, [2019]
  • ©2019

Contents

  • Occupying center stage : impersonation and the classicization of Kuchipudi -- "I am Satyabhama" : constructing hegemonic brahmin masculinity in the Kuchipudi village -- Constructing artifice, interrogating impersonation : Madhavi as vidūṣaka in village Bhamakalapam performance -- Bhamakalapam beyond the village : transgressing norms of gender and sexuality in urban and transnational Kuchipudi dance -- Longing to dance : stories of Kuchipudi brahmin women.

Headings

  • -  Brahmans--India, South--Social life and customs
  • -  Female impersonators--India, South--Social life and customs
  • -  Gender identity in dance--India, South
  • -  Kuchipudi (Dance)--Social aspects--India, South

Notes

  • -  Includes bibliographical references.
  • -  Description based on print version record and CIP data provided by publisher.

Medium

  • 1 online resource.

Call Number/Physical Location

  • DS432.B73

Digital Id

Library of Congress Control Number

  • 2019003975

Rights Advisory

Access Advisory

  • Unrestricted online access.

Online Format

  • image
  • pdf

Additional Metadata Formats

Rights & Access

The books in this collection are licensed under open access licenses allowing for the reuse and distribution of each book following the terms described in each license. Researchers should consult the Rights Advisory statement for each title and the accompanying license details for information about rights and permissions associated with each of the licenses.

More about Copyright and other Restrictions.

Cite This Item

Citations are generated automatically from bibliographic data as a convenience, and may not be complete or accurate.

Chicago citation style:

Kamath, Harshita Mruthinti, Author. Impersonations: the artifice of Brahmin masculinity in South Indian dance. [Oakland, California: University of California Press, ©, 2019] Pdf. https://www.loc.gov/item/2019003975/.

APA citation style:

Kamath, H. M. (2019) Impersonations: the artifice of Brahmin masculinity in South Indian dance. [Oakland, California: University of California Press, ©] [Pdf] Retrieved from the Library of Congress, https://www.loc.gov/item/2019003975/.

MLA citation style:

Kamath, Harshita Mruthinti, Author. Impersonations: the artifice of Brahmin masculinity in South Indian dance. [Oakland, California: University of California Press, ©, 2019] Pdf. Retrieved from the Library of Congress, <www.loc.gov/item/2019003975/>.