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Book/Printed Material An analysis of country dancing, wherein all the figures used in that polite amusement are rendered familiar by engraved lines. Containing also, directions for composing almost any number of figures to one tune, with some entire new reels; together with the complete etiquette of the ball-room

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About this Item

Title

  • An analysis of country dancing, wherein all the figures used in that polite amusement are rendered familiar by engraved lines. Containing also, directions for composing almost any number of figures to one tune, with some entire new reels; together with the complete etiquette of the ball-room

Summary

  • Designed for "those who possess no knowledge whatsoever of country-dancing," the manual uses text, tables, and color-coded diagrams to explain the figures for English country dances. Performed as a series of figures by a column of men facing a column of women, the English country dance was one of the most popular early nineteenth-century ballroom dances. Originally published in 1808, the manual was reissued in 1822, and another version appeared in 1815 under the title The complete system of English country dancing. This edition is dedicated to Madame Angiolini, principal dancer at the King's Theatre, where Wilson held the post of dancing master.

Names

  • Wilson, Thomas, dancing master

Created / Published

  • London, J. S. Dickson, 1811.

Headings

  • -  Country dancing--England--Handbooks, manuals, etc
  • -  Dance Instruction and Technical Manuals
  • -  Notation for Dance

Medium

  • xii, [13]-18 p., 1 l., 194 p. col. front., tables, col. diagrs. 19 cm.

Call Number/Physical Location

  • GV1763 .W72 1811

Library of Congress Control Number

  • 42046273

Online Format

  • image

Additional Metadata Formats

IIIF Presentation Manifest

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The accompanying videos were produced by the Library of Congress. Note Video Performers for additional credits for video performers.

Credit Line: Library of Congress, Music Division.

Video Performers

Performers for the October 1997 Great Hall event: Dancers

Members of The Jonquil Street Foundation, Inc. Ariane Anthony, Thomas Baird, Barbara Barr, Patricia Beaman, Christopher Caines, Charles Garth, James Martin, Maris Wolff. Musicians - members of The Library of Congress Centennial Cotillion Brass Band, Emerson Head and Robert Sheldon, Leaders (Members, Metro Washington D.C. Federation of Musicians Local 161-710, AFM.)

Performers for the Coolidge Auditorium clips: Dancers

Cheryl Stafford and Thomas Baird. Musicians - Boris Gurevitch (piano), Susan Manus (violin).

Cite This Item

Citations are generated automatically from bibliographic data as a convenience, and may not be complete or accurate.

Chicago citation style:

Wilson, Thomas, Dancing Master. An analysis of country dancing, wherein all the figures used in that polite amusement are rendered familiar by engraved lines. Containing also, directions for composing almost any number of figures to one tune, with some entire new reels; together with the complete etiquette of the ball-room. London, J. S. Dickson, 1811. Image. https://www.loc.gov/item/42046273/.

APA citation style:

Wilson, T. (1811) An analysis of country dancing, wherein all the figures used in that polite amusement are rendered familiar by engraved lines. Containing also, directions for composing almost any number of figures to one tune, with some entire new reels; together with the complete etiquette of the ball-room. London, J. S. Dickson. [Image] Retrieved from the Library of Congress, https://www.loc.gov/item/42046273/.

MLA citation style:

Wilson, Thomas, Dancing Master. An analysis of country dancing, wherein all the figures used in that polite amusement are rendered familiar by engraved lines. Containing also, directions for composing almost any number of figures to one tune, with some entire new reels; together with the complete etiquette of the ball-room. London, J. S. Dickson, 1811. Image. Retrieved from the Library of Congress, <www.loc.gov/item/42046273/>.