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Audio Recording Recording of band Chicano Floricanto, Chicago, Illinois, part 5

Recording of band Chicano Floricanto, Chicago, Illinois, part 5

About this Item

Title

  • Recording of band Chicano Floricanto, Chicago, Illinois, part 5

Names

  • George, Philip B., 1946- (Collector)
  • Negrete, Jesus (Performer)
  • Negrete, Rosa (Performer)
  • Negrete, Bernardo (Performer)

Created / Published

  • Chicago, Illinois, July 1, 1977

Headings

  • -  Hispanic Americans
  • -  Songs
  • -  Music
  • -  Illinois -- Chicago

Genre

  • Songs
  • Music

Notes

  • -  Chicano Floricanto #5
  • -  Part 5 of 5-part recording of the musical group "Chicano Floricante,” recorded upstairs in the Negrete family home, 9125 S. Houston, beginning at 8 pm; performers include Jesus, Rosa, and Bernardo Negrete and Carlos [Bunuelos?]; conversation and talk of gangs as we wait for fieldworker Jonas Dovydenas to change tape; pick up where left off in the immigration corrido started in part 4, comments; discussion of huelga (strike) materials and songs, begin song "Huelga," comments about choice of song; about Senora [Juanita ?] Dominguez and her composition of "Yo Soy Chicano" during the Poor People's March, perform "Yo Soy Chicano"; comments of old style and new comments; joke about Jonas Dovydenas asleep on the porch, "teclmicians, what do they know"; comments on contemporary folksingers and their names, comments on “La Hierba” and begin performance, mistakes; repeat ''La Hierba" but again mistakes and the group decides to stop performing for the night; discussion of Freddy Fender, parallels between Mexican border music and country and western music, “Frankie and Johnny" compared to “El Corrido de Rosita Alvirez” and "El Corrido de Benito Canales" to Johnny Horton’s “North to Alaska”; references to labor songs with examples of stanzas from "Which Side Are You On?” (bilingual); discussion of the Haymarket Riots and the role of Lucy Gonzales Parsons; Mexican or light-skinned black woman trying to pass; Carlos [Bunuelos?] introduces his poem and recites "La Migra Para 2," comments, recites stanzas of another song.

Medium

  • audiotape reel, 7 in.

Call Number/Physical Location

  • Call number: AFC 1981/004: AFS 20769
  • MBRS Shelflist: RXA 1074
  • Field Project Identifier: CH77-T245-R

Source Collection

  • Chicago Ethnic Arts Project collection (AFC 1981/004)

Repository

  • American Folklife Center

Digital Id

Online Format

  • audio

Rights & Access

The Library of Congress believes that some of the materials in this collection are in the public domain or have no known copyright restrictions, and are therefore free to use or reuse. For example, the fieldwork in this collection is in the public domain in the United States.

However, the Library has obtained permission for the use of other materials, and presents additional materials for educational and research purposes in accordance with fair use under United States copyright law. For example, some of the recordings contain copyrighted music, and not all of the performers and other individuals who were recorded signed releases for public use of their work.

In addition, the American Folklife Center and the professional fieldworkers who carry out these projects feel a strong ethical responsibility to the people they have visited and who have consented to have their lives documented for the historical record. The Center asks that researchers approach the materials in this collection with respect for the culture and sensibilities of the people whose lives, ideas, and creativity are documented here. Researchers are also reminded that privacy and publicity rights may pertain to certain uses of this material.

Researchers or others who would like to make further use of these collection materials should contact the Folklife Reading Room for assistance. Rights assessment is your responsibility. The written permission of the copyright owners in materials not in the public domain is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemptions. Permissions may additionally be required from holders of other rights (such as publicity and/or privacy rights). Whenever possible, we provide information that we have about copyright owners and related matters in the catalog records, finding aids and other texts that accompany collections. However, the information we have may not be accurate or complete.

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Credit line: Chicago Ethnic Arts Project collection (AFC 1981/004), American Folklife Center, Library of Congress

Cite This Item

Citations are generated automatically from bibliographic data as a convenience, and may not be complete or accurate.

Chicago citation style:

George, Philip B, Jesus Negrete, Rosa Negrete, and Bernardo Negrete. Recording of band Chicano Floricanto, Chicago, Illinois, part 5. Chicago, Illinois, July 1, 1977. Audio. https://www.loc.gov/item/afc1981004_afs20769/.

APA citation style:

George, P. B., Negrete, J., Negrete, R. & Negrete, B. (1977) Recording of band Chicano Floricanto, Chicago, Illinois, part 5. Chicago, Illinois, July 1. [Audio] Retrieved from the Library of Congress, https://www.loc.gov/item/afc1981004_afs20769/.

MLA citation style:

George, Philip B, et al. Recording of band Chicano Floricanto, Chicago, Illinois, part 5. Chicago, Illinois, July 1, 1977. Audio. Retrieved from the Library of Congress, <www.loc.gov/item/afc1981004_afs20769/>.