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Audio Recording Country music performances and interview with C.M. Copeland and Wimpy Fowler, Fitzgerald, Georgia, part 4 (open reel version)

C.M. Copeland and Wimpy Fowler interview, Fitzgerald, Georgia, side A

About this Item

Title

  • Country music performances and interview with C.M. Copeland and Wimpy Fowler, Fitzgerald, Georgia, part 4 (open reel version)

Names

  • Stanley, David, 1942- (Collector)
  • Copeland, C.M.
  • Fowler, Wimpy

Created / Published

  • Fitzgerald, Georgia, August 12, 1977

Headings

  • -  Folklore--Georgia
  • -  Field recordings
  • -  Interviews
  • -  Sound recording
  • -  United States -- Georgia -- Ben Hill County -- Fitzgerald

Genre

  • Field recordings
  • Interviews
  • Sound recording

Notes

  • -  The most complete logs for the recordings were made in 1977 from the fieldworker's secondary audiocassette copies of the original open-reel recordings, at call numbers AFC 1982/010: AFS 21198, AFS 21199, and AFS 21200, and segments of those logs have been summarized in this item's metadata.
  • -  Part 4 of a 5-part recording of music performances and conversation with Winford G. "Wimpy" Fowler and C.M. Copeland (Cleo Morgan Copeland Jr) in Fitzgerald GA: performances of a song about car, request for one about Cadillac and Ford, Kansas City Star, King of the Road, fragment of Can't Roller Skate in a Buffalo Herd, Doo-Wacka-Doo, Antlers in the Treetops or Who Goosed the Moose, Johnson's Old Gray Mule, heard on Grand Ole Opry, Across the Alley from the Alamo, Beau Random (Beau Randle), an old mountain tune; fieldworker's notes state that some guests who had been present depart; Copeland learned from his father, who came from Tennessee, where Copeland was born; perform Three Crows, used to teach to his daughters, Grandfather's Clock (instrumental, then sung); comments on "Whoa, Mule,” fiddle tune. sing one verse, then a verse from Life Gets Tedious, Don't It as performed by Walter Brennan; mentions local musicians, old Milligan, now dead, and Bunyan Norris (fieldwork writes that folklife team member William Lightfoot learned about or met Norris), both fiddlers, as is John Cobb ("if you can catch him sober"); perform Enjoy Yourself, I Wonder, Buttons and Bows, "the fastest and nastiest little one-horse town where the men draw from the hip and the women help them drink it," Wabash Cannonball (instrumental), hobo song (no title provided), Engine, Engine Number Nine, fragment of Jimmie Rodgers's Waitin' for a Train, Way Out There, "a western song,” Tennessee Waltz, unidentified polka (instrumental), Columbus Stockade Blues.

Medium

  • audiotape reel, 7 in.

Call Number/Physical Location

  • Call number: AFC 1982/010: AFS 21149
  • MBRS shelflist: RXA 1689
  • Field project identifier: GA7-DS-R10

Source Collection

  • South-Central Georgia Folklife Project collection (AFC 1982/010)

Repository

  • American Folklife Center

Digital Id

Online Format

  • audio

Rights & Access

The Library of Congress believes that some of the materials in this collection are in the public domain or have no known copyright restrictions, and are therefore free to use or reuse. For example, the fieldwork in this collection is in the public domain in the United States.

However, the Library has obtained permission for the use of other materials, and presents additional materials for educational and research purposes in accordance with fair use under United States copyright law. For example, some of the recordings contain copyrighted music, and not all of the performers and other individuals who were recorded signed releases for public use of their work.

In addition, the American Folklife Center and the professional fieldworkers who carry out these projects feel a strong ethical responsibility to the people they have visited and who have consented to have their lives documented for the historical record. The Center asks that researchers approach the materials in this collection with respect for the culture and sensibilities of the people whose lives, ideas, and creativity are documented here. Researchers are also reminded that privacy and publicity rights may pertain to certain uses of this material.

Researchers or others who would like to make further use of these collection materials should contact the Folklife Reading Room for assistance. Rights assessment is your responsibility. The written permission of the copyright owners in materials not in the public domain is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemptions. Permissions may additionally be required from holders of other rights (such as publicity and/or privacy rights). Whenever possible, we provide information that we have about copyright owners and related matters in the catalog records, finding aids and other texts that accompany collections. However, the information we have may not be accurate or complete.

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Credit line: South-Central Georgia Folklife Project collection (AFC 1982/010), American Folklife Center, Library of Congress

Cite This Item

Citations are generated automatically from bibliographic data as a convenience, and may not be complete or accurate.

Chicago citation style:

Stanley, David, C.M Copeland, and Wimpy Fowler. Country music performances and interview with C.M. Copeland and Wimpy Fowler, Fitzgerald, Georgia, part 4 open reel version. Fitzgerald, Georgia, 1977. Audio. https://www.loc.gov/item/afc1982010_afs21149/.

APA citation style:

Stanley, D., Copeland, C. M. & Fowler, W. (1977) Country music performances and interview with C.M. Copeland and Wimpy Fowler, Fitzgerald, Georgia, part 4 open reel version. Fitzgerald, Georgia. [Audio] Retrieved from the Library of Congress, https://www.loc.gov/item/afc1982010_afs21149/.

MLA citation style:

Stanley, David, C.M Copeland, and Wimpy Fowler. Country music performances and interview with C.M. Copeland and Wimpy Fowler, Fitzgerald, Georgia, part 4 open reel version. Fitzgerald, Georgia, 1977. Audio. Retrieved from the Library of Congress, <www.loc.gov/item/afc1982010_afs21149/>.