Skip to main content

Audio Recordings The dyeing process, part 2 of 3

Audio Controls for [The dyeing process, part 2 of 3.]

More Resources

About this Item

The dyeing process, part 2 of 3
Contributor Names
Costa, Marianna (Narrator)
Taylor, David Alan, 1951- (Interviewer)
Created / Published
Subject Headings
-  Italian Americans
-  Oral history
-  Interviews
-  Sound recordings
-  Retirees
-  Textile industry
-  Work processes
-  Dyeing
-  Ethnography
-  United States -- New Jersey -- Haledon
-  Interview with retired textile union official Marianna Costa at her home in Haledon, New Jersey.
-  Summary of audio segment: The dyeing process. "Girls in the gray room, in the receiving department, after the receiving clerk checked the goods in on his invoice . . . and the forelady would assign it to the ladies, maybe she would give them a lot each or whichever her procedure was. They would prepare it. We used to call that the stringing department. They prepared it so they could tie the goods and they could go on, I don't know, just like sticks or something, for the boil-off. Boil-off would wash the gum off and bring the material down to being flexible. And when it was flexible, then it went into the dye procedure. The invoices would follow it to give it the lots--how many's involved, ten pieces, fifteen--to keep it in lots and then to give it the color dye. . . . And then from there you had to dry it in the dry box. And the procedure at that time was a long dry box. And it went in at one end on big rolls; probably put the entire lot, maybe could be a ten-piece lot, or a fifteen-piece lot, they'd try to keep it together . . . bring it over to the front of the dry box, feed it in, and at the other end it would come off another roll. And through this dry box, the process would dry the material. It would also have another process of drying: have the material on a caddy, throw it over a roll and it went through adryer that way. But mostly through the dry box. Then, from that caddy at that other end would bring it over to the frame. So then you had to stretch it to the yardage to make sure that it was the width that was required by the customer . . . . So you had to frame and feed it and it would gradually bring it to the width that was required. . . . according to your invoice.
Analog Audio Cassette
Call Number/Physical Location
AFC 1995/028: WIP-DT-A010
Source Collection
Working in Paterson Project Collection (AFC 1995/028)
American Folklife Center
Digital Id
Online Format

Rights & Access

Rights assessment is your responsibility.

The Library of Congress is not aware of any U.S. copyright protection (see Title 17, U.S.C.) or any other restrictions in the material in this collection, except as noted below. Users should keep in mind that the Library of Congress is providing access to these materials strictly for educational and research purposes. The written permission of the copyright owners and/or other holders of rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemptions. Responsibility for making an independent legal assessment of an item and securing any necessary permissions ultimately rests with persons desiring to use the item. See our Legal Notices and Privacy and Publicity Rights for additional information and restrictions.

The American Folklife Center and the professional fieldworkers who carry out these projects feel a strong ethical responsibility to the people they have visited and who have consented to have their lives documented for the historical record. The Center asks that researchers approach the materials in this collection with respect for the culture and sensibilities of the people whose lives, ideas, and creativity are documented here. Researchers are also reminded that privacy and publicity rights may pertain to certain uses of this material.

Researchers or others who would like to make further use of these collection materials should contact the Folklife Reading Room for assistance.

Credit line

Working in Paterson Project collection, 1993-2002 (AFC 1995/028), American Folklife Center, Library of Congress

More about Copyright and other Restrictions

For guidance about compiling full citations consult Citing Primary Sources.

Cite This Item

Citations are generated automatically from bibliographic data as a convenience, and may not be complete or accurate.

Chicago citation style:

Costa, Marianna, and David Alan Taylor. The Dyeing Process, Part 2 of 3. -08-10, 1994. Audio. Retrieved from the Library of Congress, (Accessed October 27, 2016.)

APA citation style:

Costa, M. & Taylor, D. A. (1994) The Dyeing Process, Part 2 of 3. -08-10. [Audio] Retrieved from the Library of Congress,

MLA citation style:

Costa, Marianna, and David Alan Taylor. The Dyeing Process, Part 2 of 3. -08-10, 1994. Audio. Retrieved from the Library of Congress, <>.