Photo, Print, Drawing Thomas Cahusac, junior, 1756-after 1813

About this Item

Title
Thomas Cahusac, junior, 1756-after 1813
Contributor Names
William E. Gray, London (pht)
Subject Headings
-  Photograph
Notes
-  Signed: l. l.: (on miniature painting) [J M?] 1800
-  Inscription: Verso: u. c. (in pencil) From Arthur F. Hill, Nov. 1935; u. r. (in pencil) 118; u. c. (in typescript) Thomas Cahusac of the Strand, Music Sellers, / who carried on business in the Strand, married / Ann, a daughter of Benjamin Banks of Salisbury. / Photograph of a silhouette in the possession / of Mrs Banks of 2, Greycoat House, Greycoat / Place, S. W. / May 31st/28; center: (in pencil) 60723; center: (in pencil) Born ? / Died May 18, 1798 / See Kidson / "Was in business as early as 1755" / Leading maker of Flutes and Violins; l. l.: (stamp with coat of arms and logo of photographer) BY APPOINTMENT / TO H. M. THE KING / WILLIAM E GRAY, / 92, Queen's Rd. Bayswater, W. / Fine Art Photographer.
-  Provenance: Arthur F. Hill, London, Nov. 1935.
-  This is a modern photographic print of a miniature painting. Given the 1800 date that appears on the miniature at the lower left, this must be Thomas Cahusac, junior, a wind instrument maker, born in 1756, who was active in London from about 1780-1814. It was Thomas junior who married the daughter of Benjamin Banks in 1780. Thomas Cahusac, senior, was born in 1714 and died 18 May 1798. He was a wind instrument maker and maker of other musical instruments. He and his sons, Thomas junior, and William Maurice, were in partnership on the Strand from about 1794. After the father's death in 1798, the sons continued in partnership until about 1800 when the partnership was dissolved (per Langwill). Thus, the typed inscription on the verso of the photograph seems to combine the biographies of Thomas Cahusac senior and Thomas Cahusac junior.
-  Condition: Good condition.
Form
photograph
Extent
Photograph of a miniature portrait that appears to date to 1800. Sheet: 7 x 5 9/16 inches (17.7 x 14.2 cm.)
Repository
Music Division
LC Classification
Box Number: C
Online Format
image
Description
Miniature oval portrait painting in a wide wooden(?) frame. At top center of frame is a carved metal leaf and acorn with metal ring attached. Cahusac, viewed half-length, is seen in profile, facing left, his hair tied with ribbon at nape of neck. photograph | Photograph of a miniature portrait that appears to date to 1800. Sheet: 7 x 5 9/16 inches (17.7 x 14.2 cm.) | Signed: l. l.: (on miniature painting) [J M?] 1800 Inscription: Verso: u. c. (in pencil) From Arthur F. Hill, Nov. 1935; u. r. (in pencil) 118; u. c. (in typescript) Thomas Cahusac of the Strand, Music Sellers, / who carried on business in the Strand, married / Ann, a daughter of Benjamin Banks of Salisbury. / Photograph of a silhouette in the possession / of Mrs Banks of 2, Greycoat House, Greycoat / Place, S. W. / May 31st/28; center: (in pencil) 60723; center: (in pencil) Born ? / Died May 18, 1798 / See Kidson / "Was in business as early as 1755" / Leading maker of Flutes and Violins; l. l.: (stamp with coat of arms and logo of photographer) BY APPOINTMENT / TO H. M. THE KING / WILLIAM E GRAY, / 92, Queen's Rd. Bayswater, W. / Fine Art Photographer. Provenance: Arthur F. Hill, London, Nov. 1935. This is a modern photographic print of a miniature painting. Given the 1800 date that appears on the miniature at the lower left, this must be Thomas Cahusac, junior, a wind instrument maker, born in 1756, who was active in London from about 1780-1814. It was Thomas junior who married the daughter of Benjamin Banks in 1780. Thomas Cahusac, senior, was born in 1714 and died 18 May 1798. He was a wind instrument maker and maker of other musical instruments. He and his sons, Thomas junior, and William Maurice, were in partnership on the Strand from about 1794. After the father's death in 1798, the sons continued in partnership until about 1800 when the partnership was dissolved (per Langwill). Thus, the typed inscription on the verso of the photograph seems to combine the biographies of Thomas Cahusac senior and Thomas Cahusac junior. Condition: Good condition. Photograph (Form).
Additional Metadata Formats
METSXML Record

Rights & Access

Rights assessment is your responsibility.

The Library of Congress is not aware of any U.S. copyright protection (see Title 17 U.S.C.) or any other restrictions in the Dayton C. Miller Collection except for the items noted below. The Library of Congress is providing access to these materials for educational and research purposes. Patrons should keep in mind that the written permission of the copyright owners and/or other rights holders (such as holders of publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemptions.

Responsibility for making an independent legal assessment of an item and securing any necessary permissions ultimately rests with persons desiring to use the item. Users should consult the bibliographic information that accompanies each item for specific information.

Copyright Protected Items

Four full-size drawings of flutes DCM 0507, DCM 0615, DCM 0916, and DCM 1125 by Jean-François Beaudin, Québec, Canada. 2003. Please make written requests for permission for other uses to:

Jean-François Beaudin
312 Chemin Richford
Frelighsburg (Québec) Canada, J0J1C0
Tel.: 450-298-5161
Fax: 450-298-8251
jfbeaudin@hotmail.com

The quotation regarding Dr. Miller and his gold flute comes from an article by Robert S. Shankland, "Dayton Clarence Miller: Physics Across Fifty Years." American Journal of Physics 9(October 1941):273-283. LC call number: QC1.A47. It was reprinted here with permission from the American Journal of Physics 9(October 1941):278. Copyright 1941, American Association of Physics Teachers. Should you wish to quote from this article, please contact:

Susann Brailey, Office of Rights and Permissions
American Institute of Physics
Suite 1N01
2 Huntington Quadrangle
Melville, NY 11747-4502
Phone: 516-576-2268
Fax: 516-576-2450

The image of the Faun playing an aulos by Rea Irvin, Miller no. 57/G, comes from the cover of The New Yorker magazine, 14 March 1925. It is reproduced here without The New Yorker masthead as required by Condé Nast Publications, New York. Permission to reproduce the Faun only as a thumbnail-size image, and without the masthead, is Courtesy of the Irvin Estate. No reproduction without permission. For reproduction permission, please contact:

The Irvin Estate
c/o Molly Rea
5 Willis Lane
Fairfax, California 94930

Credit line: Dayton C. Miller Collection, Music Division, Library of Congress

"Dayton C. Miller, His Life, Work and Contributions as a Scientist and Organologist" is made available here with permission from the author, William J. Maynard. HTML version of this text

More about American Memory, Copyright and other Restrictions

Credit line: Dayton C. Miller Collection, Music Division, Library of Congress

The Library of Congress is providing access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or other rights holders (such as holders of publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemptions. There may be content that is protected as "works for hire" (copyright may be held by the party that commissioned the original work) and/or under the copyright or neighboring-rights laws of other nations.

Responsibility for making an independent legal assessment of an item and securing any necessary permission ultimately rests with persons desiring to use the item. Users should consult the bibliographic information that accompanies each item for specific information. This catalog data provides the details known to the Library of Congress regarding the corresponding items and may assist users in making independent assessments of the legal status of these items as related to their desired uses.

Items included here with the permission of the rights holders are indicated as such in the bibliographic record for each item.

The Strad magazine has generously allowed us to reproduce two articles in this presentation: “Exhibition Report: Born in the USA” (July 2006) and “National Treasure” (November 2006).  Users may need to contact The Strad for any re-use of the articles.

In some cases, the Library was unable to identify a possible rights holder and has elected to place some of those items online as an exercise of fair use for strictly non-commercial educational uses. The Library of Congress would like to learn more about these materials and would like to hear from individuals or institutions that have any additional information or know of their history. Please contact:  Performing Arts Reading Room.

Suggested credit line: Library of Congress, Music Division.

More about Copyright and other Restrictions

For guidance about compiling full citations consult Citing Primary Sources.

Cite This Item

Citations are generated automatically from bibliographic data as a convenience, and may not be complete or accurate.

Chicago citation style:

William E. Gray, London. Thomas Cahusac, junior, 1756-after 1813. , . Photograph. Retrieved from the Library of Congress, https://www.loc.gov/item/dcmphot.a0118/. (Accessed October 23, 2017.)

APA citation style:

William E. Gray, L. Thomas Cahusac, junior, 1756-after 1813. , . [Photograph] Retrieved from the Library of Congress, https://www.loc.gov/item/dcmphot.a0118/.

MLA citation style:

William E. Gray, London. Thomas Cahusac, junior, 1756-after 1813. Photograph. Retrieved from the Library of Congress, <https://www.loc.gov/item/dcmphot.a0118/>.