Notated Music Chloe's to be my wife
About this Item
- Chloe's to be my wife
- Created / Published
- Oliver Ditson, Boston, 1849, monographic.
- Subject Headings
- - Ethiopian Serenaders
- - Songs with piano
- - Choruses, Secular (Mixed voices, 3 parts) with piano
- - African Americans
- - Minstrel Music
- - Afro-American
- - Traditional and Ethnic Songs and Music
- - Songs and Music
- sheet music
- - sung by Ethiopian serenaders
- - From: Music Copyright Deposits, 1820-1860 (Microfilm M 3106)
- - Also available through the Library of Congress Web Site as facsimile page images. (additional physical form)
- - In bound volumes: Copyright Deposits 1820-1860
- electronic resource
- 1 score
- Library of Congress. Music Division.
- LC Classification
- Microfilm M 3106 M1.A12V vol. 31 Case Class
- Online Format
- Sheet Music. print | 1 score | sung by Ethiopian serenaders From: Music Copyright Deposits, 1820-1860 (Microfilm M 3106) Also available through the Library of Congress Web Site as facsimile page images. (Additional Physical Form). In bound volumes: Copyright Deposits 1820-1860 Print (Form). Electronic Resource (Form). Remote (Form).
- Additional Metadata Formats
- METSXML Record
Choruses, Secular (Mixed Voices, 3 Parts) With Piano
Songs and Music
Songs With Piano
Traditional and Ethnic Songs and Music
Rights assessment is your responsibility.
The Library of Congress is providing access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or other rights holders (such as holders of publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemptions. There may be content that is protected as "works for hire" (copyright may be held by the party that commissioned the original work) and/or under the copyright or neighboring-rights laws of other nations.
Responsibility for making an independent legal assessment of an item and securing any necessary permission ultimately rests with persons desiring to use the item. Users should consult the bibliographic information that accompanies each item for specific information. This catalog data provides the details known to the Library of Congress regarding the corresponding items and may assist users in making independent assessments of the legal status of these items as related to their desired uses.
Items included here with the permission of the rights holders are indicated as such in the bibliographic record for each item.
In some cases, the Library was unable to identify a possible rights holder and has elected to place some of those items online as an exercise of fair use for strictly non-commercial educational uses. The Library of Congress would like to learn more about these materials and would like to hear from individuals or institutions that have any additional information or know of their history. Please contact: Performing Arts Reading Room.
Suggested credit line: Library of Congress.
The Library of Congress is providing access to these materials for educational and research purposes. The written permission of the copyright owners and/or holders of other rights (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemptions. Responsibility for making an independent legal assessment of an item and securing any necessary permissions ultimately rests with those persons desiring to use the item(s).
Although the Library is not aware of any U.S. copyright protection (see Title 17, U.S.C.) or any other restrictions in the Music for the Nation: American Sheet Music materials, there may be content protected by copyright or neighboring-rights laws of other nations. Images identified in the corresponding catalog record as "government" photos are not subject to copyright protection.
Credit Information for the Special Presentation Greatest Hits, 1820-1860. The "Greatest Hits" as listed in the Special Presentation is contained in Julius Mattfeld, Variety Music Cavalcade, 1620-1969; A Chronology of Vocal and Instrumental Music Popular in the United States (Englewood Cliffs, N.J.: Prentice-Hall, 1971), which is provided courtesy of the copyright holder, Vincent de Paul Lupiano. Mr. Lupiano is the author, along with Ken Sayers, of "It Was A Very Good Year."
Credit Line: Library of Congress, Music Division
More information about American Memory and Copyright.
More about Copyright and other Restrictions
For guidance about compiling full citations consult Citing Primary Sources.
Citations are generated automatically from bibliographic data as a convenience, and may not be complete or accurate.
Chicago citation style:
Chloe's to Be My Wife. Oliver Ditson, Boston, monographic, 1849. Notated Music. Retrieved from the Library of Congress, https://www.loc.gov/item/sm1849.451050/. (Accessed May 25, 2017.)
APA citation style:
(1849) Chloe's to Be My Wife. Oliver Ditson, Boston, monographic. [Notated Music] Retrieved from the Library of Congress, https://www.loc.gov/item/sm1849.451050/.
MLA citation style:
Chloe's to Be My Wife. Oliver Ditson, Boston, monographic, 1849. Notated Music. Retrieved from the Library of Congress, <https://www.loc.gov/item/sm1849.451050/>.