Elizabeth Cady Stanton

On November 12, 1815, Elizabeth Cady Stanton, spokesperson for the rights of women, was born in Johnstown, New York. Stanton formulated the philosophical basis of the woman suffrage movement, blazing a trail many feared to follow.

The history of mankind is a history of repeated injuries and usurpations on the part of man toward woman, having in direct object the establishment of an absolute tyranny over her. To prove this, let facts be submitted to a candid world…wherever we turn, the history of woman is sad and dark, without any alleviating circumstances, nothing from which we can draw consolation.

Elizabeth Cady Stanton, “Declaration of Sentiments.” In The First Convention Ever Called to Discuss the Civil and Political Rights of Women, Seneca Falls, N. Y., July 19, 20, 1848. Votes for Women: Selections from the National American Woman Suffrage Association Collection, 1848-1921. Rare Book & Special Collections Division

In advocating suffrage for women as a central point in her manifesto of woman’s rights, the “Declaration of Sentiments,” Stanton forged ahead of Quaker minister Lucretia Mott and other organizers of the Seneca Falls Convention of July 19 and July 20, 1848. As the suffragists gathered adherents to the cause, however, Stanton refused to limit her demands solely to the vote. She remained in the movement’s vanguard, arguing vigorously for a woman’s right to higher education, to a professional life, and to a legal identity that included the right to own property and to obtain a divorce.

[Elizabeth Cady Stanton, seated, and Susan B. Anthony, standing...] [between 1880 and 1902]. Votes for Women–The Struggle for Women’s Suffrage: Selected Images from the Collections of the Library of Congress. Prints & Photographs Division

Stanton’s verbal brilliance combined with the organizational ability and mental focus of her lifelong collaborator Susan B. Anthony made the two women a formidable resource to the early cause.

Miss Anthony…invariably gave Mrs. Stanton credit for all that was accomplished. She often said that Mrs. Stanton was the brains of the new association, while she herself was merely its hands and feet; but in truth the two women worked marvelously together, for Mrs. Stanton was a master of words and could write and speak to perfection of the things Susan B. Anthony saw and felt but could not herself express.

The Story of a Pioneer, by Anna Howard Shaw. New York, London: Harper & Brothers [1915] p. 240. Pioneering the Upper Midwest: Books from Michigan, Minnesota, and Wisconsin, ca. 1820-1910

Although Stanton served as president of the “radical” National Woman Suffrage Association and its successor the National American Woman Suffrage Association (NAWSA), she found it increasingly difficult to maintain her leadership role. Interestingly, her agenda was far more radical than that of many younger, more conservative feminists.

Stanton’s belief that organized religion subjugated women alienated some supporters. In The Woman’s Bible, she brought considerable notoriety upon herself by criticizing the treatment of women in the Old Testament.

Draft of Elizabeth Cady Stanton’s The Woman’s Bible, ca1895. (Elizabeth Cady Stanton Papers). Words and Deeds in American History: Selected Documents Celebrating the Manuscript Division’s First 100 Years. Manuscript Division

She expressed her philosophy of the natural rights of woman in an address she delivered before the Committee of the Judiciary of the United States Congress at the venerable age of seventy-seven:

The strongest reason for giving woman all the opportunities for higher education, for the full development of her faculties…complete emancipation from all forms of bondage, of custom, dependence, superstition; from all the crippling influences of fear, is the solitude and personal responsibility of her own individual life…

To guide our own craft, we must be captain, pilot, engineer; with chart and compass to stand at the wheel; to match the wind and waves and know when to take in the sail, and to read the signs in the firmament over all. It matters not whether the solitary voyager is man or woman.

Solitude of Self: address delivered by Mrs. Stanton before the Committee of the Judiciary of the United States Congress, Monday, January 18, 1892. [Washington, D.C.: G.P.O., 1915]. Votes for Women: Selections from the National American Woman Suffrage Association Collection, 1848-1921. Rare Book & Special Collections Division

Elizabeth Cady was educated at Johnstown Academy, where she was the only girl in the higher classes studying Latin, Greek, and mathematics. Barred from obtaining a college degree because of her gender, she continued her studies at Emma Willard’s academy, where she discovered natural rights philosophy. She read law with her father, Judge Daniel Cady, but was not admitted to the New York Bar because women were excluded. Her legal and philosophical studies and her own experiences convinced her of the discriminatory nature of the laws regarding women, and she resolved to work for the reform of those laws.

In 1840, Cady married anti-slavery activist Henry Stanton, refusing to use the word “obey” in the ceremony. The mother of seven children, she lectured on the subjects of family life and child rearing, abolition, temperance, and women’s rights until her death at the age of eighty-seven. Her daughter Harriot Stanton Blatch followed in her footsteps to continue the fight for women’s rights.

Elizabeth Cady Stanton and her daughter, Harriot–from a daguerreotype 1856. Photograph taken between 1890-1910. Prints & Photographs Division

Mrs. Stanton was the most brilliant conversationalist I have ever known…Most of the conversation…was contributed by Mrs. Stanton and Miss Anthony, while the rest of us sat…at their feet…Mrs. Stanton…was rarely accurate in giving figures or dates, while Miss Anthony was always very exact in such matters. She frequently corrected Mrs. Stanton’s statements, and Mrs. Stanton usually took the interruption in the best possible spirit…On one occasion I recall, however, she held fast to her opinion that she was right…

“No, Susan,” she insisted, “you’re wrong for once. I remember perfectly when that happened, for it was at the time I was beginning to wean Harriet.” Aunt Susan, though somewhat staggered by the force of this testimony, still maintained that Mrs. Stanton must be mistaken, whereupon the latter repeated, in exasperation, “I tell you it happened when I was weaning Harriet…What event have you got to reckon from?” Miss Anthony meekly subsided.

The Story of a Pioneer, by Anna Howard Shaw. New York, London: Harper & Brothers [1915]. pp. 240+. Pioneering the Upper Midwest: Books from Michigan, Minnesota, and Wisconsin, ca. 1820-1910

Elizabeth Cady Stanton died October 26, 1902, before the Woman’s Suffrage Amendment was passed by Congress in 1919. Her papers were donated to the Library of Congress’ Manuscript Division.

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Albert Ruger

Pioneering panoramic map artist Albert Ruger died on November 12, 1899, in Akron, Ohio. Born in Prussia in 1829, Ruger emigrated to the United States where he initially worked as a stonemason. While serving with the Ohio Volunteers during the American Civil War he began drafting views of Union campsites for publication. These views show the camps from overhead, as if the observer were perched on a nearby mountaintop, or floating by in a balloon.

Panoramic Artists and Publishers.[Essay] Panoramic Maps. Geography & Map Division

After the war, Ruger settled in Battle Creek, Michigan, where he set to work sketching bird’s-eye views of Michigan cities. Ruger was the first artist to achieve real success as a panoramic cartographer, and by the late 1860s he had joined forces with Joseph J. Stoner (maps by Ruger & Stoner) of Madison, Wisconsin, his sometime publishing partner. Over the next three decades Ruger produced panoramic maps of towns and cities in twenty-two states—from New Hampshire to Minnesota and as far south as Alabama.

Panoramic mapping is a type of cartography in which towns and cities are drawn as if viewed from above at an oblique angle. The resulting images—known variously as bird’s-eye views, perspective maps, and aero views as well as panoramic maps—became especially popular in late nineteenth century America. Many of these maps promoted local civic projects, or served as advertisements.

Improvements to printing technology allowed the easy production of beautiful color views, while urban growth across the United States led to a new demand for local imagery. Although panoramic artists abandoned restraints of scale to illustrate street patterns, individual buildings, and major landscape features in legible perspective, the details themselves were often still quite accurate and fascinating.

The 213 Ruger maps owned by the Library of Congress come largely from the artist’s personal collection, which was purchased by the Library in 1941.

Bird’s Eye View of Guttenberg, Clayton County, Iowa 1869. Madison, Wis.: Ruger & Stoner, 1869. Panoramic Maps. Geography & Map Division

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