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Saving the Sounds of American Life and Legend
Additions to National Recording Registry Announced

The unforgettable lyrics of a Broadway and movie classic, the historic recital of one of the nation’s greatest contraltos, and the speech that warned of “an iron curtain” descending across the continent have made the list of recordings that have been identified as cultural, artistic and historical treasures to be preserved for future generations. On June 9, Librarian of Congress James H. Billington named the 25 new additions to the National Recording Registry of the Library of Congress as part of its efforts to ensure that the nation’s aural history is not lost or forgotten.

Under the terms of the National Recording Preservation Act of 2000, the Librarian, with advice from the Library’s National Recording Preservation Board (NRPB), is tasked with selecting 25 recordings that are “culturally, historically, or aesthetically significant,” and are at least 10 years old. The selections for 2008 bring the total number of recordings in the registry to 275.

“This year’s selections lovingly reflect the diversity and humanity of our sound heritage where astonishing discoveries and a vibrant creative spirit seem to appear around every corner,” said Billington. “Our daily lives and memories are suffused with the joyous notes of recorded sound, making these choices extremely difficult. The Library, in collaboration with others, will now work to ensure that these cultural touchstones are preserved for future generations to hear and experience.”

The list of recordings named to the registry features a diverse selection of spoken and musical recordings that span the years 1908-1966. They cover a broad scope of the American soundscape, encompassing the nation’s rich tapestry of imaginative and disparate voices.

Among the selections are Marian Anderson’s recital at the Lincoln Memorial in 1939; Mary Margaret McBride’s interview with Zora Neale Hurston; the sounds of the ivory-billed woodpecker in the Louisiana swamp forest, the last confirmed aural evidence of what was once the largest woodpecker species in the United States; studio recordings of violinist Jascha Jeifetz from 1917-24; the recording credited with launching the American audiobook industry, “A Child’s Christmas in Wales”; Etta James’ “At Last” crossover masterpiece; Winston Churchill’s “Sinews of Peace” speech at Westminster College in Fulton, Mo.; and the original-cast recording of “West Side Story.”

Additions to the registry also feature notable performances by The Who, Oran “Hot Lips” Page, the Andrew Sisters, Ray Bolger, Carl Reiner and Mel Brooks.

Nominations were gathered from online submissions from the public and from the NRPB, which comprises leaders in the fields of music, recorded sound and preservation. The Library is currently accepting nominations for the next registry at the NRPB website (www.loc.gov/nrpb/).

As part of its congressional mandate, the Library is identifying and preserving the best existing versions of the recordings on the registry. These recordings will be housed in the Library of Congress Packard Campus for Audio Visual Conservation in Culpeper, Va., which was made possible through the generosity of David Woodley Packard and the Packard Humanities Institute.

Later this year, the Library will issue a detailed report on the current state of recorded sound preservation. In 2010, the Library will also publish a national plan to ensure America’s aural heritage survives and is made accessible for future generations. The Library’s Motion Picture, Broadcasting and Recorded Sound Division’s collections include nearly 6 million items, including nearly 3 million sound recordings.

2008 National Recording Registry Additions

Man costumed as a hobo.

1. “No News, or What Killed the Dog,” Nat M. Wills (1908)

Jascha Heifetz

2. Acoustic Recordings for Victor Records, Jascha Heifetz (1917-1924)

Mary Lou Williams

3. Night Life,” Mary Lou
Williams (1930)

Birds on a branch

4. Sounds of the Ivory-billed Woodpecker (1935)

A group of radio actors in a recording studio.

5. “Gang Busters” (1935-1957)

The Andrews Sisters

6. “Bei Mir Bist Du Schoen,”
Andrews Sisters (1938)

Carmen Miranda

7. “Que é Que a Bahiana Tem?” Carmen Miranda (1939)

View of the crowd down the National Mall with Marion Anderson at the microphone in the foreground.

8. NBC Radio coverage of Marian Anderson’s recital at the Lincoln Memorial (April 9, 1939)

Man sitting on porch steps playing guitar.

9. “Tom Dooley,” Frank
Proffitt (1940)

Record album

10. “Uncle Sam Blues,” Oran “Hot Lips” Page, accompanied by Eddie Condon’s Jazz Band. V-Disc (1944)

Zora Neale Hurston

11. The Mary Margaret McBride Program, Zora Neale Hurston and Mary Margaret McBride, (Jan. 25, 1943)

Winston Churchill and Harry S Truman

12. “Sinews of Peace” (Iron Curtain) Speech at Westminster College in Fulton, Missouri, Winston Churchill (March 5, 1946)

Album cover

13. “The Churkendoose,” Ray Bolger (1947)

John Lee Hooker

14. “Boogie Chillen,” John Lee Hooker (1948)

Dylan Thomas

15. “A Child’s Christmas in Wales,” Dylan Thomas (1952)

Album cover

16. “A Festival of Lessons and Carols as Sung on Christmas Eve in King’s College Chapel, Cambridge,” King’s College Choir; Boris Ord, director (1954)

A man and woman looking at a tuxedo.

17. “West Side Story,” original cast recording (1957)

Album cover

18. “Tom Dooley,” the Kingston Trio (1958)

A 45 rpm record.

19. “Rumble,” Link Wray (1958)

Album cover

20. “The Play of Daniel: A Twelfth-Century Drama,” New York Pro
Musica under the direction of Noah Greenberg (1958)

One man playing banjo, one holding a guitar.

21. “Rank Stranger,” Stanley Brothers (1960)

Etta James

22. “At Last!,” Etta James (1961)

Album cover

23. “2000 Years with Carl Reiner and Mel Brooks,” Carl Reiner and Mel Brooks (1961)

Album cover

24. “The Who Sings My Generation,” The Who (1966)

A 45 rpm record

25. “He Stopped Loving Her Today,” George Jones (1980)

   

Back to July/August 2009 - Vol. 68, Nos. 7-8

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