Search Manuscripts/Mixed Material

  • Manuscript/Mixed Material
    Piano Fantasy (the commission) Manuscripts. 1 p., 8 1/2 x 11, mss., in mylar (unbound) |
    • Contributor: Copland, Aaron
  • Manuscript/Mixed Material
    Mahler (XX Cent[ury]) Manuscripts. 5 p., 8 1/2 x 11, mss., in mylar (unbound) | [lecture/speech]
    • Contributor: Copland, Aaron

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  • Manuscript/Mixed Material
    Composers in Russia (Four weeks in the Soviet Union) Manuscripts. 6 p., 8 1/2 x 11, typescript with holographic annotations (unbound) |
    • Contributor: Copland, Aaron

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  • Manuscript/Mixed Material
    Film Music Manuscripts. 58 p., 8 1/2 x 11, typescript with holographic annotations (unbound) | [lecture/speech] Class Thirteen, Department of Fine Arts - Columbia University, "The history of the motion picture" by the Museum of Modern Art Film Library
    • Contributor: Copland, Aaron

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  • Manuscript/Mixed Material
    L. B. [Leonard Bernstein] Manuscripts. 2 p., 5 x 8, mss. (unbound) | [lecture/speech]
    • Contributor: Copland, Aaron

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  • Manuscript/Mixed Material
    Franz Liszt Manuscripts. 10 p., 8 1/2 x 11, typescript with holographic annotations (unbound) | used in Copland on Music
    • Contributor: Copland, Aaron

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  • Manuscript/Mixed Material
    Composing for Something Wild Manuscripts. 3 p., 8 1/2 x 11, typescript, in mylar (unbound) | unpublished article
    • Contributor: Copland, Aaron

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  • Manuscript/Mixed Material
    The Composer as Conductor Manuscripts. 7 p., 8 1/2 x 11, typescript (unbound) |
    • Contributor: Copland, Aaron

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  • Manuscript/Mixed Material
    A Tribute to Nadia Boulanger Manuscripts. 6 p., 8 1/2 x 11, final typescript (unbound) | published in various newspapers
    • Contributor: Copland, Aaron

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  • Manuscript/Mixed Material
    Music and the Movies Manuscripts. 11 p., 8 1/2 x 11, typescript with holographic annotations (unbound) | published, New York Times Sunday Magazine, Sept. 1949/Tips to movie goers, Nov. 6, 1949
    • Contributor: Copland, Aaron

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  • Manuscript/Mixed Material
    Fauré Manuscripts. 3 p., 8 1/2 x 11, mss., in mylar (unbound) | [lecture/speech] [Lecture] #17
    • Contributor: Copland, Aaron

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  • Manuscript/Mixed Material
    Special Fondness for B.B. [Benjamin Britten] Manuscripts. 1 p., 8 1/2 x 11, mss. (unbound) |
    • Contributor: Copland, Aaron
  • Manuscript/Mixed Material
    American Music Since 1930 Manuscripts. 7 p., 8 1/2 x 11, typescript with holograph annotations (unbound) | ...for OWI magazine: The American composer has come of age ...highlights Harris, Schuman, Gershwin, Thomson, Piston, Sessions, Porter, Bernstein, Bowles, Copland ...brief summary of decade and half
    • Contributor: Copland, Aaron

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  • Manuscript/Mixed Material
    Charles Ives Manuscripts. 2 p., 8 1/2 x 11, typescript (unbound) | ...written for American People's Encyclopedia
    • Contributor: Copland, Aaron

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  • Manuscript/Mixed Material
    At the Thought of Mozart Manuscripts. 4 p., 8 1/2 x 11, typescript (unbound) |
    • Contributor: Copland, Aaron

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  • Manuscript/Mixed Material
    Darius Milhaud Manuscripts. 2 p., 8 1/2 x 11 mss. (unbound) | re Création du monde ...form analysis ...story - Milhaud says
    • Contributor: Copland, Aaron

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  • Manuscript/Mixed Material
    Influence of Jazz on Modern Music Manuscripts. 2 p., 12 x 9 (unbound) | printed brochure with holographic annotations
    • Contributor: Copland, Aaron

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  • Manuscript/Mixed Material
    Ralph Hawkes: In Memoriam Manuscripts. 2 p., 8 1/2 x 11, mss. (unbound) |
    • Contributor: Copland, Aaron

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  • Manuscript/Mixed Material
    ASCAP and the Symphonic Composer Manuscripts. 3 p., 8 1/2 x 11, typescript (unbound) |
    • Contributor: Copland, Aaron

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  • Manuscript/Mixed Material
    Introducing Shostakovitch at Dinner Manuscripts. 1 p., 8 1/2 x 11, typescript with holographic annotations, in mylar (unbound) | [lecture/speech]
    • Contributor: Copland, Aaron
  • Collection
    Vernon Duke collection, Catalog Record - Electronic Resource Available The collection includes his stage, vocal, and instrumental music, sketchbooks, lyric sheets, and music not by Duke, including the holograph of Signature for the High-low concerts by Aaron Copland. There is a significant amount of correspondence to and from prominent individuals and organizations, including George Balanchine, Martin Charnin, Peter De Vries, Howard Dietz, Dean Dixon, Neshui Ertegun, Ira Gershwin, Bernard Herrmann, George Ivask, Serge, ...
    • Contributor: Duke, Vernon - Copland, Aaron - American Society of Composers, Authors and Publishers - American Guild of Authors and Composers - Chappell and Co. - Broude Brothers Limited - Carl Fischer Inc - Frank Music Corp - Little, Brown and Company - Ricordi (Firm) - Weissberger & Frosch
    • Date: 1918
  • Manuscript/Mixed Material
    Piano Fantasy (the commission) Manuscripts. 1 p., 8 x 9, mss. (unbound) |
    • Contributor: Copland, Aaron
  • Manuscript/Mixed Material
    Compositional Phases (on my three piano works) Manuscripts. 9 p., 8 1/2 x 11, mss. (unbound) | [lecture/speech] written for Princeton Seminar 1959; Brandeis, 1961; Harward, n.d. ...picking out as typical various phases as represented by three piano works...
    • Contributor: Copland, Aaron

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  • Manuscript/Mixed Material
    A Note on Irving Fine Manuscripts. 1 p., 8 1/2 x 11, typescript (unbound) |
    • Contributor: Copland, Aaron
  • Manuscript/Mixed Material
    Stravinsky Manuscripts. 7 p., 8 1/2 x 14, mss., in mylar (unbound) | [lecture/speech] Lecture #1, Cleveland
    • Contributor: Copland, Aaron

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